Bond - 27 - Never send flowers (16 page)

Then that familiar voice, known throughout the world, spoke into his ear. `Mr Bond? This is David Dragonpol." The voice was unmistakable, and the man's face came straight to mind as soon as he spoke: calm, firm and with an authority you could feel even on the telephone.

`I'm very sorry to trouble you, sir, but this really is quite important.

`You're from a British government agency, my sister tells me, so \hat means you want to talk to me about Laura... He left the end of the sentence unsaid, as though calculating that Bond would fill in the gaps. It was very theatrical.

`Yes, sir. It won't take long, I..

`I understand, yes. I suppose I've been waiting for someone to arrive on my doorstep. Can you come over today?" `This afternoon if that's convenient, Mr Dragonpol.

`Of course. Look, why don't you stay for the night? We can talk.

I'd welcome talking to someone else about this whole terrible business.

Have dinner with us, then, perhaps I can show you around Schloss Drache. If you have the slightest interest in the theatre or any of the performing arts, you're in for a very pleasant surprise.

`It's very kind of you, sir, but well, there are two of us. .

`Yourself and.. ?` `Fraulein von Grusse, from Switzerland. As I said to Mrs Horton, she's my opposite number, so to speak." They made arrangements. Dragonpol gave him directions to follow what he considered the best route: `The most scenic route anyway, the most dramatic, for you first see Schloss Drache from above.

Now, they were looking at it, from a viewing area fenced off at the roadside with room for perhaps half a dozen cars. Together they leaned on the rails and took in the gorgeous view: the great river, its banks rising in irregular hills of stone and dark green fir trees.

`Aw heck,' Fredericka frowned. `I thought it would be all blue and gold like the one in Orlando." `Or the one in California." `Or even the one in Paris, France, now.

`Out of luck, Flick. I don't think Sleeping Beauty lives in this one." Directly below them the huge rectangle of grey stone seemed to merge with the rock against which it stood. Originally, Bond thought, Schloss Drache was probably built around a large courtyard, but obviously this, at some time, had been roofed in with reddish-grey slate which rose from the stone walkways behind battlements some ten feet thick.

The windows indicated that the massive place was at least four storeys high. Huge rooms, Bond figured. In each corner, close to the battlements, a circular turret rose, hugging the wall. Even from this distance it was clear that the turrets could easily accommodate two, if not three, fair-sized rooms.

At the far north-west side of the main structure a chunky square tower rose, like an enlarged version of many of the Norman towers seen on English churches. The top of the tower was lined with battlements, and from there a man would be able to see, literally, for miles, in all directions.

From the viewing area it was also obvious that the first sight, which made the entire Schloss look as though it were growing from the rock, was not correct. Now, you could see clearly that a thick wall sprouted from the rear, enclosing what seemed to be a large garden set among the rocks.

They could see stone walkways, and paths, sudden flashes of colour, bushes, even trees and fountains landscaped into this unlikely setting.

A kilometer or so along the road they came to a notice in German, Italian, Spanish, French and English. It told them `Private Road. To Schloss Drache Only. Unauthorized Persons Must Keep Out." The slip road, a little further on, was also marked, and, taking it, they found themselves descending towards the river, down a narrow road which zigzagged perilously, then plunged into a dark thicket of pine trees, emerging alongside the river, then turning until the castle was lowering down on them. Its mountainous walls appeared to be leaning in against the sky that strange optical illusion made when clouds move as you look up at tall buildings.

`Makes you wonder how many people died when they put this place together." Fredericka made no attempt to disguise her awe.

`Certainly puts the building of the pyramids to shame." He eased the car forward. The road narrowed, leading to a small bridge which opened on to a stone turning circle directly in front of a pair of magnificent arched doors reaching up for something like thirty feet.

They were old, but their immense brass hinges and fitments gleamed as though they were polished regularly, and the doors themselves were also slick with some kind of wood preserver.

`I wonder how you attract attention. Is there a bell pull? Does Igor come shuffling out?" As Fredericka spoke, the doors began to move, swinging back to reveal an open courtyard.

`I think they already know we're here." Bond took the car slowly through the gates and into the courtyard that contained two Range Rovers, a black Merc and a sleek Lexus. He pulled in beside the Lexus, the gates closed behind them, and he took a quick look at the surroundings. Three sides of this parking entrance looked like a classic monastic cloister, complete with arches and gargoyles. The wall facing them was cloistered, but split in two where a set of long stone steps ran up to another vast door: this one looking vaguely Victorian, complete with stained-glass panels.

As they climbed out, a butler, complete in tail coat, and two younger men in green livery, appeared from the doorway and descended on the car, opening the boot and removing luggage with the expertise of a pair of thieves.

`Welcome to Schloss Drache, sir-madam." The butler was essentially English, from the tone of his voice to the way he moved and directed his underlings. The whole thing smacked of a time quite out of joint, like stepping back into a long dead era.

`If you will come this way, the master is waiting for you in the library." He ushered them into a hallway which smelled of polished wood, and Bond had an immediate impression of trophies in glass cases, stags' heads mounted high on the walls, and some oil paintings which looked suspiciously like genuine Turners.

The butler led them up a small flight of steps an along a corridor lined with pictures, but these were more recognizable. Again they were oil paintings but their subjects were well known to even the most casual observer for they were all portraits of great actors and actresses, not from a time long gone by, but from the immediate past, or the present. He spotted Orson Welles, Olivier, Richardson, Gielgud, Jimmy Stewart, John Wayne, Monroe and a host of others, stage and screen mixed together in stunning colours.

The corridor led directly into a long, airy room lined with tier upon tier of books, all beautifully bound in leather, arranged by colour, so that there was an extraordinary illusion that you were looking at walls slashed with a rainbow. At the far end of the room, tall, leaded windows caught rays of light which seemed to fall in a prearranged pattern, catching Bond and Fredericka in cones of blinding brightness, so that, for a moment, they both blinked, Fredericka raising her hand to protect her eyes.

Then, almost as quickly as the light had caught them so it disappeared, leaving only a faint trace of real sunshine shafting in through the huge windows.

`Welcome, Mr Bond, and you also, Fraulein von Grusse." The voice was distinctive, with only a trace of David Dragonpol's true voice.

He stood directly behind a large globe which looked like a theatrical prop. One hand touched the globe, while the other rested at his waist. He was quite unrecognizable. Long, full dark hair fell to his shoulders, though in reality everyone knew that the man's hair was light, almost sandy in colour. The nose, usually so patrician, was now hooked and beaky, making him look like a predatory bird. Deepset eyes seemed to glow like burning coals, and his lips were twisted into a deformed curl, like an S lying on its side. He wore a black doublet and hose, the doublet slashed in gold and a huge medallion of a boar's head hung on a golden chain around his neck.

The hand on the globe was more claw than hand, the fingernails long, curling and obscene, while rings of gold, sparkling with jewels, seemed to weigh down the almost skeletal fingers.

`It's good to see you here." The voice was now completely unrecognizable. `If you have not realized it already, I am Richard of Gloucester.

Richard the Third of England." `Barking mad,' Bond whispered, but obviously not softly enough.

`Woof-woof!" said the apparition before it began to laugh, a hideous cackling sound that sent a chill down Bond's back and made Fredericka grasp for his hand, digging her nails into his flesh in fear.

`Richard's himself again,' screamed the strange creature, and with that he struck the globe which began to turn rapidly, making a heavy clunking sound with each revolution.

CHAPTER TEN

SCHLOSS DRACHE

The cackle turned into a soft laugh. The strange creature's hands moved, closing together, and the long-taloned fingers gripped the wrists, one after the other, seeming to snap off the skin, bone and nails. Now, latex gloves dangled from the fingertips of one hand, while the other moved upwards to rip the long black hair from his head.

The body appeared to change before their eyes, straightening up, growing.

`Oh, I'm so sorry, but I couldn't resist that. You should have seen your faces. My name's David Dragonpol. Fraulein von Grusse and Mr Bond, welcome to Schloss Drache.

He fiddled with his nose, pulling off the putty which had shaped the strange crooked beak. Half revealed before them was Dragonpol himself. Even the voice had returned to normal.

`You see, Hort fancies herself as a painter, and I'm posing for her. She has this idea that oil paintings of me in my best roles will look well in one of the museum rooms. I can't say I ,agree with her.

Hort, come and meet our guests.

They followed his eyes and for the first time saw a woman seated behind an easel set in a kind of niche to one side of the long book-laden left-hand wall. Putting down her palette, she rose gracefully-a poised hostess, dressed in paint-daubed jeans and a T-shirt, the front of which carried the words `Go For It! Life is not a dress rehearsal." She came towards them with a smile and a hand held out to be either kissed or shaken.

`Maeve Horton,' she introduced herself. `We spoke on the telephone, Mr Bond." Her hand was cucumber cool and the wide dark eyes seemed to be visibly stripping Bond of his clothes. She was very tall, almost a full six feet, with the slim agile body of a dancer, and a face which had the clear skin and regular features of an Irish girl. `I'd have talked for longer if I'd known how good looking you were.

`Come on, Hort, not so much of the blarney." Apart from the doublet and hose, Dragonpol was fully recognizable now, raking his fingers through the mane of straw-coloured hair, revealing the face which had captured the imagination of millions, the actor who could transform himself into any character he chose. `You probably know we have Irish family connections." He gave them both that winning smile, brimming with a near tangible charisma. `Hort plays the Irish colleen to the hilt.

Everyone calls her Hort, by the way, never Maeve." Maeve Horton made a tutting sound, part way between `whisht' and `ocht'. Then she turned to Fredericka, as Dragonpol took Bond's elbow and steered him away from the women, speaking softly.

`I always try to be delicate in these matters. In this day and age one has to be blunt. I wasn't certain of the sleeping arrangements, Mr Bond -` `Call me James." He was trying to take in as much as possible, from the obvious charms of Hort, to the concealed lighting around the bookshelves and forward of the tall window. He now understood why they had been almost blinded with light as they had come into the library, for there were two rows of baby spots, neatly concealed by a valance, one row pointing down, the others focused towards the library door.

`James, what I need to know is -. Well, to be blunt, sleeping arrangements ... are you and Fraulein von Grusse merely colleagues or are you an item, as they say?

`The latter, David I may call you David, yes?" `Of course. Glad I asked, because I can now give you the East Turret room. It's a regular bridal suite. Hort spent the bulk of her honeymoon there, poor dear..

`Mrs Horton is widowed, I believe?" Dragonpol gave him a wry smile. `It's a sad story, yes. Her husband was, oh, it's difficult.

Maybe I'll tell you the whole story later if we have time." He turned to the two women who seemed to be chatting amicably enough.

`Come along, I'll get Lester to show you to your quarters. Lester used to be my dresser. He really wanted to be an actor and I think he has now taken the butler's role quite well. He enjoys the snobbery of it all." He strode out down the corridor, shouting for Lester at the top of his voice an eccentric English country squire: or was that also a piece of role-playing? Over the years, Bond had known many actors, and had never met one who was averse to playing parts of his own choice in private.

Many of them could not really face normal everyday lives without putting on that second skin of a character, and he had quickly made the assessment that David Dragonpol was one of these. After all, Fredericka had pointed out that he sometimes travelled in disguise.

Lester appeared from some servants' quarters with his two flunkies looking like bodyguards.

`Two for the East Turret, Lester. You lads take the luggage up.

Lester gave a majestic bow and indicated, in a somewhat superior manner, that Bond and Fredericka should follow him. He was a tall, dignified man who seemed to think that smiling had become a mortal sin.

`It's good to have you here, James. And you, Fraulein von Grusse ... er.

`Oh, call me Fredericka, everyone does. It isn't every day that I get to meet a famous actor. It's a real thrill to be here, and to see you in the flesh." She almost simpered.

`An ex-actor, my dear. A former thespian.

Dragonpol even talked like some Edwardian actor-manager. `We'll see you both for dinner, then. Seven-thirty for eight o'clock. Please don't bother to dress, we're very informal here." He began to move away, then stopped, turning back.

`I'll send Lester, or one of the boys, to bring you down. You need an Indian guide to get around this place.The East Turret turned out to be anything but Edwardian. As they had judged when looking down on the castle from a distance, the turrets were exceptionally roomy, and the East Turret was particularly sumptuous, with its own private lift and two sets of rooms, one above the other, connected by a cleverly designed staircase which was totally enclosed. The treads were huge oblongs. As Fredericka said, `We could dance on these individually." The elevator took them directly into the circular sitting-room. The decor looked very expensive blue and white, with large easy chairs, a long settee and marble tables. The wall above the bar was decorated with theatrical drawings which looked like original charcoal sketches for stage sets.

The unusually wide flight of steps took Bond into the bedroom.

Here the design changed.

Instead of following the circular line of the walls, the bedroom had been squared off, the windows set very deeply into the walls. The bed itself was the centre piece a vast four-poster, like an island in the midst of a green and gold sea.

Bond prowled around, opening doors, and taking in the views from the windows. The bathroom, he realized, was slightly above the bedroom and at the very top of the turret. From its main window he could see right across the shallow-sloping roof to the great tower, with clear arched windows set in it at intervals. He returned to the circular sitting-room.

`It's a real thrill to be here, and to see you in the flesh." He imitated Fredericka's awed voice.

`Well,' she said. `What about you and the Irish flirt "I'd have talked for longer if I'd known how good looking you were" Jesus, this place is creepy, James." `All huge castles are creepy. What's so different about this one?" Fredericka stood close to the elevator doors.

`You do realize that we're virtually prisoners in this place." She demonstrated by pressing the buttons. The small indicator did not light up, neither could they hear the usual whirr of machinery. `What do you make of that, James?" `What do I make of the whole business?" he asked himself. `I'm beginning to wonder if some of those stories about Dragonpol's retirement are true." `Which ones in particular?" `That he had a complete breakdown. Was unable to perform: unhinged by his own talent. I mean that whole extraordinary business of the painting all that dressing up, the make-up and the lights shone directly in our eyes. That was for our benefit: an act for us. He knew we were on our way. Did you get a look at Hort's easel?" `No, she moved me right away from it." `Right. You want to know why? It was a daub, a squiggle of lines, paint splashed on to the canvas, no painting of the great man as Richard III. They were both playing with us. I think his first intention was to put the fear of God into us. Maybe he changed his mind at the last minute, but I think we should be prepared for some further bits of fantasy." `He's living in another world, that's for sure "Please don't bother to dress, we're very informal here." When did you last hear a line like that?" Bond walked back into the great circular room, his restless eyes looking for possible hiding places for security cameras, or listening devices. There were many and there was no way he could possibly sweep the suite without the proper equipment.