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Authors: Loren D. Estleman

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“Which may narrow the field further, to others who were interested at the same time. How about the autopsy?”

“Busted skull, extensive brain damage, death close to instant as I guess it ever comes. Doc Simms has the Latin, for the record. Leather fibers in the cavity—left by the weapon, most like; if Fister was wearing a leather cap at the time, it hasn't turned up.”

“I doubt Lloyd owned anything as casual as a cap. His taste ran to three-piece suits and a freshly blocked felt fedora. Sap?”

“I hate to think it. It means the killer came prepared.”

“I never put it aside. Lloyd was sane as a carpenter's level, but he'd do anything to guard his collection.”

“Including fight to the death?”

“Including that. Love is the strongest motive of all.”

“Well, it's a big book and he was killed in broad daylight. Maybe someone saw whoever it was lugging it away.”

“At almost a thousand pages, each of them thick parchment, it would be heavy as well. Those clasps are solid iron, to reinforce the binding.” He pointed at the thick horizontal ridges on the top and bottom of the spine of the book onscreen. “If he left on foot, he'd be one tired man—or woman, if she's built for it—by the time he got where he was going. Perhaps someone saw somebody who looked worn-out so early in the day.”

“Could be. Andy took pictures of the driveway, but the only tread marks there belonged to Fister's Land Rover, which is still in the garage. If it was a sneak thief, he wouldn't want to advertise his coming with the sound of a motor.”

“If it was a sneak thief,” Sharecross said. “Call it an old cop's hunch, but I've got a sinking feeling it was someone we know.”

Deputy Chief Barlow rapped on the frame of Dockerty's door, which had remained open as long as he'd had the office. “We got a ping on that door-to-door,” Barlow said. “Gordon Tolliver saw something.”

Dockerty dumped his half-eaten Big Mac back into the sack and wiped his hands. “Go ahead, Andy. Keep me in suspense. I'm just the guy who fights the council for your annual pay raise.”

“I was wondering who to thank for that extra dime an hour. If you let me finish, I would've told you he's waiting outside.”

“Prod him in. I don't know why we even had this conversation.”

Tolliver entered, ducking his head from instinct. The top of the doorway gave him two inches' clearance, but it was a tall doorway. At the half-century point he looked in good shape, no extra fat, and a fine head of brown hair.

“I didn't think anything of it until Andy told me you were looking for a man who looked tired and might have been carrying a large object,” said Tolliver, folding himself into a captain's chair. “I was taking down last week's front page from the window. A smalltown newspaper tradition, Chief. The point is to tease people into paying to read the stuff you jump to an inside page.”

“I wondered about that. It always seemed to me the opposite, plastering your wares out in full sight for free.”

“No danger of that, Chief. Ever since I left my old newspaper job, it's been my dream to publish my own. It's a challenge, especially today, with the Internet and all. I struggle to keep myself in paper and ink.”

Dockerty nodded sympathy, resisting the urge to strangle the rest of the story out of him. You had to be a diplomat in Good Advice, where you kept running into the same people day after day. “Tell me what you told Andy.”

“I'd just peeled off the tape when I saw a man hurrying past the window. He was red and panting, as if he'd run a long way, and carrying something under one arm.”

“What was it?”

“I didn't see. It was on the side opposite the window.”

“Anything else? A sap?”

“What's a sap?”

“A blackjack, but not that necessarily. Some kind of blunt object that might be used to crack open a man's skull.”

“I saw nothing like that.”

“Sure?”

“Someone running around town swinging a bludgeon would leave an impression, don't you think?”

“You'd be surprised what folks don't notice. They can't all be eagle-eyed journalists. Recognize him?”

“I'd never seen him before, and I like to think I know everyone in town. It's part of my job.”

“Know him again?'

“I think so.”

Officer Floyd Debner, a part-timer, had studied art at the University of New Mexico. He listened to Tolliver's description and sketched a rat-faced man with bulging eyes, his mouth hanging open to show a set of teeth only an orthodontist could love. Dockerty had copies made for distribution. He showed Avery Sharecross the original.

The bookseller climbed down from a wobbly stepladder to accept the drawing. His corduroy jacket was smeared with sooty dust; he'd been reorganizing the shop for a week but the chief couldn't see that he'd made a dent in the chaos.

“The story checks,” Dockerty said, as Sharecross studied the sketch. “The newspaper's halfway between Fister's house and the bus station. The killer wouldn't hang around town a minute longer than he had to.”

“That's logical. This man would attract notice.” He slid his glasses back up to the bridge of his nose. “Does he look familiar?”

“He does, but I'll be goldarn if I can place him.”

“Was it at the Gaiety Theater, possibly?”

“Why the Gaiety?”

“Orville Potts, the manager, has a weakness for crime films. Many of them feature Steve Buscemi.”

He snatched back the picture and stared. “I'll be—”

“Have you heard back on fingerprints?”

“Got the results from the state police lab this morning. I'm glad we took yours. I was able to eliminate those, and a couple of other sets belonging to folks who knew Fister well enough to visit. We're working on the rest.”

“You dusted the library ladder?”

“First thing, seeing as how high up that book was shelved. All we got was Fister's.”

“Gloves?”

“They leave marks, too, not that they're unique, like fingerprints.” He shook his head. “And he didn't wipe it down, neither, or we wouldn't have found Fister's.”

Sharecross looked at a wall calendar featuring a cartoon caterpillar wearing spectacles. He might have been peering into a mirror. “This is Wednesday, isn't it?”

“Comes around every week about this time. Why?”


The Good Adviser
comes out today. I think I'll go down and buy a copy.”

“Why? It'll just be full of this case, with that picture on the front page. You won't learn anything there you don't already know.”

“I agree.”

The rodent features he'd just been looking at stared at him through the tall window beside the door to the newspaper office, on the ground floor of a false-front building as old as statehood: PUBLISHER IDENTIFIES KILLER read the headline on the front page taped to the plate glass.

“Avery! What brings the owl out of his barn?” The publisher got up from his desk to shake the visitor's hand. He towered over the bookseller.

“The quest for information; an experienced journalist like yourself shouldn't find that unusual, and you know more than most. Didn't you mention once you wrote a book column before you came here?”


The El Paso Times.
The feature was discontinued. I was told there weren't enough readers interested in books. Does that sound oxymoronic?”

“‘Stupid's more appropriate. Did you ever visit Lloyd Fister's mansion?”

“Quite recently. He was kind enough to grant me an interview about his TV appearance. Tragically, he was killed before I could run the article.”

“Have you ever been fingerprinted?”

“Odd question. As a matter of fact—no, I haven't. I wasn't in the military and I don't own a firearm. I'm happy to say I've never been arrested.”

“Well, never's a long time. It eliminates one of the sets of prints the police couldn't identify. Did you discuss Fister's collection?”

“Am I a suspect?”

“I don't have the authority to judge; but I am helping out Chief Dockerty. I'm interviewing everyone who had contact with Fister just before his death.”

“I see. Yes, he did show me some of his prize acquisitions.”

“Was one of them
L'Exploration d'Descrubrimiento en Nuevo Espano
?”

“I couldn't say offhand. He had some Spanish titles, but I don't understand the language. It may be in my notes.”

“Don't trouble yourself to look for them. It's a large book, bound in morocco leather, with iron clasps on the spine. You'd remember it if he showed it to you, I'm sure.”

“It doesn't ring a bell.”

“It's missing. The police are operating on the theory it was stolen.”

“That would explain why I didn't see it. Perhaps he sold it.”

“Doubtful. Lloyd spent his life building that collection. He wouldn't be likely to break it up. How tall are you, Gordon?”

“That's rather a personal question.”

“And yet not an unusual one for you, I imagine. You stand out in a crowd.”

“I'm six-foot-seven.”

“As tall as that. No wonder Fister's prints were the only marks on the ladder in his library. You wouldn't even have to stand on tiptoe to take down the book.”

The publisher stiffened, adding to his height. “Please leave. I won't have my character assassinated in a building I pay rent on.”

“One of your many expenses. They must have been on your mind when he showed you the latest addition to his library. The book being so old and rare, naturally he wouldn't let you handle it; but being familiar with the book trade, you knew it was valuable.

“The nearest telephone was downstairs. Perhaps it rang and he went down to answer it, leaving you alone in the room. Whatever the interruption was, it wasn't long enough for you to stash the book where you could retrieve it on your way out. Did you hear him coming and duck behind the door?”

“I'm warning you, Sharecross. I'll throw you out.”

“Violence would be an option in your case. It was when you panicked and struck Fister on the back of the head, with the book you were holding.”

“Okay.” Tolliver reached down, gathered the bookseller's lapels in both fists, and lifted him off his feet.

“Put him down!”

The voice was Chief Dockerty's. He stood in the doorway with his feet spread and his revolver clasped in both hands, the barrel pointed at the publisher's sternum.

Tolliver hesitated. All the tension went out of him then. He lowered Sharecross to the floor.

“Dear me.” Sharecross brushed at his wrinkled lapels.

“Hands on your head, Tolliver!”

“No need for that,” said the bookseller. “He doesn't own a gun. I think he told the truth about that. His weapon of choice is the very thing he committed murder to own.”

Dockerty shook his head and laid Sharecross' signed statement on his desk. “I never heard anything like it, the stolen property doubling as the weapon in a homicide.”

“It was pure impulse. Had he been thinking, he wouldn't have risked damaging it. It's tragic, but fortunate for posterity, that those clasps were harder than Lloyd's head.” He nodded toward the evidence on the desk, a volume as big as a hefty dictionary, clamped in iron.

“How'd you know Tolliver was lying about the stranger?”

“It was a hunch, as I said. He lacked imagination—people who look for symbols in books like
Garp
often do—or he'd have come up with a description that didn't belong to a well-known actor. The unused ladder started me thinking the thief had to be tall enough to reach a shelf nine feet from the floor.”

“He might've gotten away with it if he weren't so interested in throwing us off the track.”

“Not really. The only other copy of
L'Exploration
known to exist is in the Library of Congress. He couldn't try to sell Fister's without implicating himself. No imagination, and too volatile for reason.”

“They'll cure him of that in prison. Meanwhile, what do we do with the book?”

Sharecross looked uneasy. “It mustn't languish in a non-climate-controlled evidence room through the trial and inevitable appeals. I keep my rarer stock in a properly maintained storage room in Santa Fe. I'm offering it to the justice system indefinitely, without charge.”

“You're a civilian. That would constitute ownership. No judge would allow it.”

Sharecross' face fell.

Dockerty stood. “Get up and raise your right hand.”

“Whatever for?”

“I'm swearing you in as an officer with the Good Advice Police Department and putting you in charge of homicide evidence.”

The bookseller rose with a smile. “All of it?”

“Every last volume.”

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

copyright © 2012 by Loren Estleman

This 2013 edition distributed by
MysteriousPress.com
/Open Road Integrated Media

345 Hudson Street

New York, NY 10014

www.mysteriouspress.com

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