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Authors: Anthony Giangregorio

Tags: #Horror, #Fiction

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BOOK: Book of the Dead: A Zombie Anthology
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They tried to lumber into the main room together. One barged through the doorway and the other stumped after him, and they stared about the room. Presumably the blankness of their eyes meant they found it wanting, the sofa piled with Blight’s clothes awaiting ironing, the snaps he’d taken on his walks in France and Germany and Greece, the portrait of herself his last girlfriend had given him, the framed copy of the article he’d printed for the newspaper shortly before he’d been made redundant, about how life should be a hundred years from now, advances in technology giving people more control over their own lives. He resented the disapproval, but he was more disconcerted by how his visitors looked in the light of his apartment: gray from heads to toes, as if they needed dusting. “Who are you?” he demanded.

“Where are you from?”

“We don’t matter.”

“Atter,” the other agreed, and they said almost in unison: “We’re just vessels of the Word.”

“Better give it to me, then,” Bright said, staying on his feet so as to deter them from sitting: God only knew how long it would take them to stand up. “I’ve a lot to do before I can lie down.”

They turned to him as if they had to move their whole bodies to look. Whichever responded, the voice through the fixed smile sounded more pinched than ever. “What do you cal your life?”

They had no reason to feel superior to him. The gray ingrained in their flesh suggested disuse rather than hard work, and disused was how they smel ed in the smal room. “I’ve had a fair life, and it’s only right I should make way for someone who can work the new machines. I’ve had enough of a life to help me cope with the dole.”

His visitors stared as if they meant to dul him into accepting whatever they were offering. The sight of their faces stretched tight by their smiles was so disagreeably fascinating that he jumped, having lost his sense of time passing, when one spoke. “Your life is empty until you let him in.”

“Isn’t two of you enough? Who’s that, now?”

The figure on his left reached in a pocket, and the overal s pul ed flat at the crotch. The jerky hand produced a videocassette that bore a picture of a priest. “I can’t play that,” Bright said.

His visitors pivoted sluggishly to survey the room. Their smiles turned away from him, turned back unchanged. They must have seen that his radio could play cassettes, for now the righthand visitor was holding one. “Listen before it’s too late,” they urged in unison.

“As soon as I’ve time.” Bright would have promised more just then to rid himself of their locked smiles and their stale sweetish odor. He held open the door to the vestibule and shrank back as one floundered in the doorway while the other fumbled at the outer door. He held his breath as the second set of footsteps plodded through the vestibule, and let out a gasp of relief as the outer door slammed.

Perhaps deodorants were contrary to their faith. He opened the window and leaned into the night to breathe. More of the building opposite was unlit, as if a flood of darkness were rising through the floors, and he would have expected to see more houses lit by now. He could hear more than one muffled hymn, or perhaps the same one at different stages of its development.

He was wondering where he’d seen the face of the priest on the videocassette.

When the smoke of a bonfire began to scrape his throat, he closed the window. He set up the ironing board and switched on the electric iron. It took him half an hour to press his clothes, and he stil couldn’t remember what he’d read about the priest. Perhaps he could remind himself. He carried the radio to his chair by the window.

As he lifted the cassette out of its plastic box, he winced. A sharp corner of the cassette had pricked him. He sucked his thumb and gnawed it to dislodge the sliver of plastic that had penetrated his skin. He dropped the cassette into the player and snapped the aperture shut, then he switched on, trying to ignore the ache in his thumb. He heard a hiss, the click of a microphone, a voice. “I am Father Lazarus. I’m going to tel you the whole truth,” it said.

It was light as a disc jockey’s voice, and virtual y sexless. Bright knew the name; perhaps he would be able to place it now that the ache was fading. “If you knew the truth,” the voice said,

“wouldn’t you want to help your fel ow man by tel ing him?”

“Depends,” Bright growled, blaming the voice for the injury to his thumb.

“And if you’ve just said no, don’t you see that proves you don’t know the truth?”

“Ho ho, very clever,” Bright scoffed. The absence of the pain was unexpectedly comforting: it felt like a calm in which he need do nothing except let the voice reach him. “Get on with it,” he muttered.

“Christ was the truth. He was the word that couldn’t deny itself although they made him suffer al the torments of the damned. Why would they have treated him like that if they hadn’t been afraid of the truth? He was the truth made flesh, born without the preamble of lust and never indulging in it himself, and we have only to become vessels of the truth to welcome him back before it’s too late.”

Not too late to recal where he’d seen the priest’s face, Bright thought, if he didn’t nod off first, he felt so numbed. “Look around you,” the voice was saying, “and see how late it is. Look and see the world ending in corruption and lust and man’s indifference.”

The suggestion seemed knowing. If you looked out at the suburb, you would see the littered walkways where nobody walked at night except addicts and muggers and drunks. There was better elsewhere, Bright told himself, and managed to turn his head on its stiff neck toward the portrait photograph. “Can you want the world to end this way?” the priest demanded. “Isn’t it true that you wish you could change it but feel helpless? Believe me, you can. Christ says you can. He had to suffer agonies for the truth, but we offer you the end of pain and the beginning of eternal life. The resurrection of the body has begun.”

Not this body, Bright thought feebly. His injured hand alone felt as heavy as himself. Even when he realized that he’d left the iron switched on, it seemed insufficient reason for him to move.

“Neither men nor women shal we be in the world to come,” the voice was intoning. “The flesh shal be freed of the lusts that have blinded us to the truth.”

He blamed sex for everything, Bright mused, and instantly he remembered.
EVANGELIST IS

VOODOO WIDOWER
, the headline inside a tabloid had said, months ago. The priest had gone to Haiti to save his wife’s people, only for her to return to her old faith and refuse to go home with him. Hadn’t he been quoted in the paper as vowing to use his enemies’ methods to defeat them? Certainly he’d announced that he was renaming himself Lazarus. His voice seemed to be growing louder, so loud that the speaker ought to be vibrating. “The Word of God wil fil your emptiness. You wil go forth to save your fel ow man and be rewarded on the day of judgment.

Man was made to praise God, and so he did until woman tempted him in the garden. When the sound of our praise is so great that it reaches heaven, our savior shal return.”

Bright did feel emptied, hardly there at al . If giving in to the voice gave him back his strength, wouldn’t that prove it was tel ing the truth? But he felt as if it wanted to take the place of his entire life. He gazed at the photograph, remembering the good-byes at the bus station, the last kiss and the pressure of her hands on his, the glow of the bus turning the buds on a tree into green fairy lights as the vehicle vanished over the crest of a hil , and then he realized that the priest’s voice had stopped.

He felt as if he’d outwitted the tape until a choir began the hymn he had been hearing al day.

The emptiness within him was urging him to join in, but he wouldn’t while he had any strength.

He managed to suck his bottom lip between his teeth and gnaw it, though he wasn’t sure if he could feel even a distant ache. Voodoo widower, he chanted to himself to break up the oppressive repetition of the hymn, voodoo widower. He was fending off the hymn, though it seemed impossibly loud in his head, when he heard another sound. The outer door was opening.

He couldn’t move, he couldn’t even cal out. The numbness that had spread from his thumb through his body had sculpted him to the chair. He heard the outer door slam as bodies blundered voicelessly about the vestibule. The door to the room inched open, then jerked wide, and the two overal ed figures struggled into the room.

He’d known who they were as soon as he’d heard the outer door. The hymn on the tape must have been a signal that he was finished—that he was like them. They’d tampered with the latch on their way out, he realized dul y. He seemed incapable of feeling or reacting, even when the larger of the figures leaned down to gaze into his eyes, presumably to check that they were blank, and Bright saw how the gray, stretched lips were fraying at the corners. For a moment Bright thought the man’s eyes were going to pop out of their seedy sockets at him, yet he felt no inclination to flinch. Perhaps he was recognizing himself as he would be—yet didn’t that mean he wasn’t finished after al ?

The man stood back from scrutinizing him and turned up the volume of the hymn. Bright thought the words were meant to fil his head, but he could stil choose what to think. He wasn’t that empty, he’d done his bit of good for the world, he’d stood aside to give someone else a chance. Whatever the priest had brought back from Haiti might have deadened Bright’s body, but it hadn’t quite deadened his mind. He fixed his gaze on the photograph and thought of the day he’d walked on a mountain with her. He was beginning to fight back toward his feelings when the other man came out of the kitchen, bearing the sharpest knife in the place.

They weren’t supposed to make Bright suffer, the tape had said so. He could see no injuries on them. Suppose there were mutilations that weren’t visible? “Neither men nor women shal we be in the world to come.” At last Bright understood why his visitors seemed sexless. He tried to shrink back as the man who had turned up the hymn took hold of the electric iron.

The man grasped it by the point before he found the handle. Bright saw the gray skin of his fingers curl up like charred paper, but the man didn’t react at al . He closed his free hand around the handle and waited while his companion plodded toward Bright, the edge of the knife blade glinting like a razor. “It helps if you sing,” said the man with the knife. Though Bright had never been particularly religious, nobody could have prayed harder than he started to pray then. He was praying that by the time the first of them reached him, he would feel as little as they did.

4. Home Delivery By Stephen King

Considering that it was probably the end of the world, Maddie Pace thought she was doing a good job.
Hel
of a good job. She thought that she just might be coping with the End of Everything better than anyone else on earth. And she was
positive
she was coping better than any other
pregnant
woman on earth.

Coping
.

Maddie Pace, of al people.

Maddie Pace, who sometimes couldn’t sleep if, after a visit from Reverend Peebles, she spied a dust-bunny under the dining room table—just the thought that Reverend Peebles
might
have seen that dust-bunny could be enough to keep her awake until two in the morning.

Maddie Pace, who, as Maddie Sul ivan, used to drive her fiancé Jack crazy when she froze over a menu, debating entrées sometimes for as long as half an hour.

“Maddie, why don’t you just flip a coin?” he’d asked her once after she had managed to narrow it down to a choice between the braised veal and the lamb chops… and then could get no further. “I’ve had five bottles of this goddam German beer already, and if you don’t make up y’mind pretty damn quick, there’s gonna be a drunk lobsterman under the table before we ever get any food
on
it!”

So she had smiled nervously, ordered the braised veal… and then lay awake until wel past midnight, wondering if the chops might not have been better.

She’d had no trouble coping with Jack’s proposal, however; she accepted it and him quickly, and with tremendous relief. Fol owing the death of her father, Maddie and her mother had lived an aimless, cloudy sort of life on Deer Isle, off the coast of Maine. “If I wasn’t around to tel them women where to squat and lean against the wheel,” George Sul ivan had been fond of saying while in his cups and among his friends at Buster’s Tavern or in the back room of Daggett’s Barber Shop, “I don’t know what the hel they’d do.”

When he died of a massive coronary, Maddie was nineteen and minding the town library weekday evenings at a salary of $41.50 a week. Her mother was minding the house—or had been, that was, when George reminded her (sometimes with a good, hard shot to the ear) that she had a house that needed minding.

He was right.

They didn’t speak of it because it embarrassed them, but he was right and both of them knew it.

Without George around to tel them where to squat and lean to the wheel, they didn’t know what the hel to do. Money wasn’t the problem; George had believed passionately in insurance, and when he dropped down dead during the tiebreaker frame of the League Bowl-Offs at Big Duke’s Big Ten in Yarmouth, his wife had come into better than a hundred thousand dol ars. And island life was cheap, if you owned your own home and kept your garden weeded and knew how to put up your own vegetables come fal . The
problem
was having nothing to focus on. The
problem
was how the center seemed to have dropped out of their lives when George went facedown in his Island Amoco bowling shirt just over the foul line of lane nineteen in Big Duke’s (and goddam if he hadn’t picked up the spare they needed to win, too). With George gone their lives had become an eerie sort of blur.

It’s like being lost in a heavy fog, Maddie thought sometimes. Only instead of looking for the road, or a house, or the vil age, or just some landmark like that lightning-struck pine in the Altons’ woodlot, I am looking for the wheel. If I can ever find the wheel, maybe I can tel
myself
to squat and lean my shoulder to it.

BOOK: Book of the Dead: A Zombie Anthology
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