Book of the Dead (24 page)

    
“Neither Kay nor Lucy knows Dr. Self is here,” Benton says.

    
“Lucy is good friends with Josh.”

    
“Jesus Christ. She sees him when she’s scanned. They talk about computers. Why would he tell her?”

    
Across the canal, a seagull on a rooftop cries like a cat, and a tourist tosses bread to it, and the bird cries more.

    
“What I’m saying is hypothetical, of course,” Dr. Maroni says. “I suppose it entered my mind because he calls her often when the computer’s down or there’s some other problem he can’t fix. You see, it’s too much for Josh to be an MRI tech and the IT.”

    
“What?”

    
“The question is where she’ll go and what further trouble she’ll cause.”

    
“New York, I assume,” Benton says.

    
“You’ll tell me when you know.” Dr. Maroni drinks. “This is all hypothetical. I mean about Lucy.”

    
“Even if Josh told her, are you making the leap that she then told Captain Poma, who she doesn’t even know?”

    
“We need to monitor Dr. Self when she leaves,” Dr. Maroni says. “She’s going to cause trouble.”

    
“What is all this cryptic talk? I don’t understand,” Benton says.

    
“I can see that. It’s a shame. Well, no great matter. She’ll be gone. You’ll tell me where she goes.”

    
“No great matter? If she finds out someone told Captain Poma she’s a patient at McLean or was a patient here, it’s a HIPAA violation. She’ll cause trouble, all right, which is exactly what she wants.”

    
“I have no control over what he tells her or when. The Carabinieri’s in charge of the investigation.”

    
“I don’t understand what’s going on here, Paulo. When I did the SCID, she told me about the patient she referred to you,” Benton says, frustration in his voice. “I don’t understand why you didn’t tell me.”

    
Along the canal, apartment facades are muted pastel shades, and brick is exposed where the plaster is worn away. A polished teak boat passes beneath an arched brick bridge, and the captain stands, and the bridge is very low, and his head almost touches it. He works the throttle with his thumb.

    
“Yes, she did refer a patient to me. Otto has asked me about it,” Dr. Maroni says. “Last night I told him what I know. At least, what I’m at liberty to say.”

    
“It would have been nice if you’d told me.”

    
“Now I’m telling you. If you hadn’t brought it up, I still would be telling you. I saw him several times in the space of several weeks. Last November,” Dr. Maroni says.

    
“He calls himself the Sandman. According to Dr. Self. Does that sound familiar?”

    
“I know nothing about the name Sandman.”

    
“She says that’s how he signs his e-mails,” Benton says.

    
“When she called my office last October and asked me to see this man in Rome, she didn’t supply me with any e-mails. She never said anything about him calling himself the Sandman. He never mentioned the name when he saw me in my office. Twice, I believe. In Rome, as I’ve said. I have no information that would lead me to conclude he’s killed anyone, and I told Otto the same thing. So I can’t give you access to his file or my evaluation of him, and I know you understand this, Benton.”

    
Dr. Maroni reaches for the decanter and refills his glass as the sun settles into the canal. Air blowing through the open shutters is cooler, and the canal smell isn’t as strong.

    
“Can you give me any information about him at all?” Benton asks. “Any personal history? A physical description? I know he was in Iraq. That’s all I know.”

    
“I couldn’t if I wanted to, Benton. I don’t have my notes.”

    
“Meaning there could be important information in them.”

    
“Hypothetically,” Dr. Maroni says.

    
“Don’t you think you should check?”

    
“I don’t have them,” Dr. Maroni says.

    
“You don’t have them?”

    
“Not in Rome, is what I mean,” he says from his sinking city.

    
Hours later, the Kick ’N Horse Saloon, twenty miles north of Charleston.

    
Marino sits across the table from Shandy Snook, both of them eating chicken-fried steak with biscuits, gravy, and grits. His cell phone rings. He looks at the number on the display.

    
“Who is it?” she says, sipping a bloody Mary through a straw.

    
“Why can’t people leave me alone?”

    
“Better not be what I think it is,” she says. “It’s seven-damn-o’clock, and we’re eating dinner.”

    
“I ain’t here.” Marino pushes a button to silence the phone, acts like it doesn’t bother him.

    
“Yeah.” She loudly slurps up the last of her drink, reminding him of Drano unclogging a sink. “Nobody home.”

    
Inside the saloon’s Feed Troff, Lynyrd Skynyrd’s booming through the speakers, the Budweiser neon signs are lit up, ceiling fans slowly turn. Saddles and autographs fill the walls, and models of motorcycles and rodeo horses and ceramic snakes decorate windowsills. The wooden tables are packed with bikers. More bikers are outside on the porch, everybody eating and drinking and getting ready for the Hed Shop Boys concert.

    
“Son of a bitch,” Marino mumbles, staring at the cell phone on the table, at the wireless Bluetooth earpiece next to it. Ignoring the call is impossible. It’s her. Even though the display says Restricted, he knows it’s her. By now she’s bound to have seen what’s on the desktop of his computer. He’s surprised and irritated it’s taken this long. At the same time, he feels the thrill of vindication. He imagines Dr. Self wanting him like Shandy does. Wearing him out like Shandy does. For a solid week, he’s gotten no sleep.

    
“Like I always say, the person’s not going to get any deader, right?” Shandy reminds him. “Let the Big Chief take care of it for once.”

    
It’s her. Shandy doesn’t know it. Assumes it’s some funeral home. Marino reaches for his bourbon and ginger, keeps glancing at his cell phone.

    
“Let her take care of it for once,” Shandy rants on. “Fuck her.”

    
Marino doesn’t answer, his tension growing as he swirls what’s left of his drink. Not answering Scarpetta’s calls or returning them makes his chest tight with anxiety. He thinks about what Dr. Self said and feels deceived and abused. His face heats up. For the better part of twenty years, Scarpetta has made him feel he’s not good enough, when maybe the problem is her. That’s right. It’s probably her. She doesn’t like men. Hell, no. And all these years she’s made him feel the problem is him.

    
“Let the Big Chief take care of whoever the latest stiff is. She’s got nothing better to do,” Shandy says.

    
“You don’t know a thing about her or what she’s doing, either.”

    
“You’d be surprised what I know about her. Better watch it.” Shandy motions for another drink.

    
“Better watch what?”

    
“You sticking up for her. Because it sure is getting on my nerves. Like maybe you keep forgetting who I am in your life.”

    
“After a whole week.”

    
“Just remember, baby. It’s not on call. But at her beck and call,” she says. “Why should you? Why should you always jump when she says it? Jump! Jump!” She snaps her fingers and laughs.

    
“Shut the fuck up.”

    
“Jump! Jump!” She leans forward so he can see what’s inside her silk vest.

    
Marino reaches for his phone, reaches for his earpiece.

    
“Truth is?” She’s not wearing a bra. “She treats you like you’re nothing more than an answering service, a flunky, a nobody. I’m not the first person who’s said it.”

    
“I don’t let anybody treat me like that,” he says. “We’ll see who the nobody is.” He thinks of Dr. Self and imagines himself on international TV.

    
Shandy reaches under the table, and he can see down her vest, see as much as he wants. She rubs him.

    
“Don’t,” he says, waiting and getting anxious and angry.

    
Pretty soon, other bikers will find excuses to walk past so they can take in the sight of her leaning against the table just right. He watches her do it, and her breasts swell and her cleavage deepens. She knows how to lean into a conversation so anybody interested can imagine a mouthful of her. A big guy with a big gut and a chain attached to his wallet slowly gets up from the bar. He takes his time walking to the men’s room, taking in the view, and Marino feels violent.

    
“You don’t like it?” Shandy rubs him. “’Cause it sure feels to me like you do. Remember last night, baby? Like a damn teenager.”

    
“Don’t,” he says.

    
“Why? Am I giving you a hard time?” says Shandy, who prides herself on her way with words.

    
He moves her hand. “Not now.”

    
He returns Scarpetta’s call. “Marino here,” he says curtly, as if he’s talking to a stranger, so Shandy won’t know who it is.

    
“I need to see you,” Scarpetta says to him.

    
“Yeah. What time?” Marino acts like he doesn’t know her, and he’s aroused and jealous as bikers wander past the table, looking at his dark, exotic girlfriend exposing herself.

    
“As soon as you can get here. To my house,” Scarpetta’s voice says in his earpiece, and her tone is one he’s not accustomed to, and he senses her fury like an approaching storm. She’s seen the e-mails, he’s sure of it.

    
Shandy gives him a who are you talking to? look.

    
“Yeah, I guess so.” Marino feigns irritation, glancing at his watch. “Be there in a half-hour.” He hangs up, says to Shandy, “A body coming in.”

    
She looks at him as if trying to read the truth in his eyes, as if for some reason she knows he’s lying. “Which funeral home?” She leans back in her chair.

    
“Meddicks’. Again. What a squirrel. Must do nothing but drive that damn hearse morning, noon, and night. What we call an ambulance chaser.”

    
“Oh,” she says. “That sucks.” Her attention wanders to a man in a flame-pattern do-rag, his boots low in the heel. He pays no attention to them as he walks past their table to the ATM.

    
Marino noticed him when they got here earlier, has never seen him before. He watches him get a pitiful five bucks out of the ATM while his mutt of a dog sleeps curled up in a chair at the bar. The man hasn’t petted him once or even asked the bartender for a treat for him – not so much as a bowl of water.

    
“I don’t know why it’s got to be you,” Shandy starts in again, but her voice is different. Quieter, colder, the way she gets with the first frost of spite. “When you think of all you know and all you’ve done. The big-shot homicide detective. You ought to be the boss, not her. Not her dyke niece, either.” She drags the last of a biscuit through white gravy smeared on her paper plate. “The Big Chief’s kind of turned you into the Invisible Man.”

    
“I told you. Don’t talk about Lucy like that. You don’t know shit.”

    
“Truth is truth. I don’t need you to tell me. Everyone in this bar knows what kind of saddle she rides.”

    
“You can shut up about her.” Marino angrily finishes his drink. “You keep your mouth shut about Lucy. Me and her go back to when she was a kid. I taught her how to drive, taught her how to shoot, and I don’t want to hear another word. You got it?” He wants another drink, knows he shouldn’t, has already had three bourbons, strong ones. He lights two cigarettes, one for Shandy, one for him. “We’ll see who’s invisible.”