Booked for Murder (16 page)

Cruising that same patch in broad daylight was a different experience, even though the sun failed to penetrate as far as the pavement in quite a few streets. There was nothing threatening on this warm summer afternoon. Lindsay sighed. It was hard to imagine she was going to get instant access to the skeletons in Stella's cupboard by driving round Wapping in the sun. About to give up, Lindsay made one last turn into a street that was more of an alley, curving like a scimitar and dead-ending by the ornamental canal. Tucked in a vanway between warehouses was the green Punto.

Lindsay felt a mixture of irritation and satisfaction. If she'd lost Stella, she could have gone back to Helen empty-handed but virtuous. Now she was nailed to her tail for another sticky journey, more likely than not. She turned her car round and backed into a space right at the end of the cul-de-sac. It was on double yellows, but she couldn't imagine a traffic warden coming all the way down there on the off chance in heat like this.

She looked across at the building whose vanway held the Fiat. There was nothing to indicate who the tenants were or what they did. It was simply a blank box in dirty red brick with windows that indicated four floors above the ground-floor level, which had no windows at all. Time to take a chance, Lindsay decided. She got out of the car, leaving it unlocked in case she needed to make a quick getaway, and walked purposefully across the street. The building had a side entrance, a pair of heavy wooden doors at the top of three shallow concrete steps. Lindsay tugged the brass handles, relieved when one
opened and admitted her into a small foyer. Ahead were more double doors, this time steel and reinforced glass. By an entryphone was a bank of etched metal plaques. Dessins Domingo was the tenant of the top floor. Underneath them were Bronzed Bodies—Sculptures, and Media Masters, followed by Heavenly Dolls, Stationary Cycles plc and Gorton Engineering.

Lindsay made a quick note of the names, though she felt fairly sure she wouldn't be far wrong if she looked for Stella Piper at Media Masters. The only question was what Media Masters did, and what Stella was doing there. She walked back to the car and moved it to the street where the cul-de-sac emerged, finding a handy space facing in the direction Stella would logically take to get back to civilization as Lindsay knew it. She settled down for another wait. This time, she didn't have to hang around long. Within ten minutes, the Punto appeared at the junction and shot off into the Wapping labyrinth.

Once they were back on the main road, the route could not have been more simple. Tower Hill down to the Embankment, round the choked artery of Trafalgar Square and up Charing Cross Road, where the traffic was moving so slowly Lindsay could read the promotional posters in the bookshop windows. There were a couple of times when she thought she'd lost Stella at traffic lights, but the rush-hour traffic was so sluggish, she caught up on the next change. At Cambridge Circus, Stella slipped left into Shaftesbury Avenue, then turned right into the pulsating heart of Soho café society. She dog-legged her way through the streets until they reached a backwater where the flesh trade had not yet been ousted by fashion. Stella had slowed down to a crawl, obviously looking for a parking place. Behind Lindsay, a car pulled out and swung round a corner. Quickly, she reversed into the available space and jumped out in time to see Stella losing patience and bumping her car on to the pavement further down the street. She got out and headed back up the street in Lindsay's direction. Lindsay walked casually towards Stella on the opposite pavement, glad of the weather as an excuse for wraparound sunglasses that let her stare without being spotted.

Before she drew level with Lindsay, Stella turned into a shop. Instantly, Lindsay sprinted across the street and followed her in, realizing belatedly she had just walked into a sex shop. Videos for sale
covered one wall, magazines another. Two cabinets in the middle of the floor held sex toys. A swift glance revealed dildos of proportions no one but a hard-core masochist could desire. With an inward shudder, Lindsay drifted towards the counter where Stella was standing, lips pursed in impatience, arms folded and one sandalled foot tapping. Behind the counter was a youth so spectacularly lacking in physical charm that it was hardly surprising he'd chosen to work in a place that recognized the importance of fantasy. He had a phone clamped to one scarlet ear. The other stood out at ninety degrees to his shaven head. The tattooed fingers holding the phone read “shag.” In your dreams, Lindsay thought derisively. Neither of them showed the slightest interest in Lindsay as she pretended to browse the videos.

“He's not answering,” he said in a thickly adenoidal voice.

“I told him I was coming in this afternoon,” Stella said peevishly.

“He never said.”

“He must have told you where he was going.”

“He never. He just said he had some business to sort.” He replaced the phone under the counter. “D'you wanna come back later?”

“Not especially, no. Did your precious boss say when he'd be back?”

The youth shrugged nervously, one finger creeping reflexively towards a nostril. “He never tells me nothing. We're open till ten, though.”

“I know you're open till ten,” Stella said through gritted teeth. Lindsay had often read the expression, but she'd never seen anyone perform it before now. It was impressive, she had to admit. Stella hefted the holdall on to the counter. Where it had been almost empty before, it was now bulging, square corners pushing the fabric out in several places. “Have you got a box?” she demanded.

The youth looked as if gorm had followed couth out of his life a long time ago. “A box?” he echoed.

“A cardboard box? Big enough to hold the tapes I've got in here? I'll leave them for Keith, but I don't want to leave my bag behind,
capisce
?”

“Yeah, right.” The youth disappeared through a bead curtain. Stella drummed her fingers on the counter top. Lindsay moved casually behind her to the opposite wall and started looking at magazines. Out
of the corner of her eye, she could still see Stella. The youth emerged with a box about twice the size of the holdall. “This do?”

Stella didn't even bother to answer. She simply unzipped the bag and transferred about a dozen video tapes into the box. “When Keith shows his face, tell him Stella was here as promised. There's twelve samples in there. Six different films, each cut in two versions—one for America, one for Europe. Tell him to call me with his orders before Monday. Have you got that?” He nodded. “Repeat it back to me,” she commanded.

“Stella came with the samples. Half a dozen films, American and European versions. Orders before Monday.”

“You forgot the crucial bit,” she snarled. “Tell him I get seriously pissed off with men who stand me up.” She zipped the bag up again and stormed out. Lindsay couldn't see any point in following Stella any further. There was no need for overkill. Why bother hunting for a rifle when you already had an Exocet missile, Lindsay wondered.

She abandoned her pretence of studying the repulsive magazines and walked out of the shop. She felt like she needed a shower and a change of clothes, least of all because of the heat. But most of all, she needed a drink. Before she could do that, though, she had one more task to perform.

Glancing up and down the street, she saw a pair of telephone boxes on the corner. She walked up there and shut herself into one, seeing to her surprise that, like American pay phones, it took credit cards as well as money. “Nice one,” she said appreciatively, swiping her card through the slot and calling directory inquiries. A voice worryingly like that of Margaret Thatcher gave her the number of Media Masters and she keyed it in. “Media Masters, Julie-Anne speaking,” a woman's voice chirruped.

Time to play a hunch. “Hey,” Lindsay said, going for Californian. “My name is Catherine Parvenu and I'm an independent film-maker out of Los Angeles. Now, I'm in town for a few days, and I need some video facilities. Can you tell me, do you have editing suites for hire?”

“Well, yes, we do, but I'm afraid they're fully booked until early next week. I can put you on stand-by, if you like, but I can't make any promises.”

“Gee, that's a pity. I really need something right away. Never mind, I've got a couple other numbers I can call. Tell me, do you also do video copying?”

“We do, madam. Single and multiple copies, US and UK format, overnight express facilities available.”

“And do you have spare capacity this week? I'm looking for fifty copies of a one-hour VHS, US format. Can you do that?”

“One moment, madam, let me check the diary . . . Yes, we can accommodate you. When will the master be available?”

“I'll have to get back to you on that. Thanks a lot, Julie-Anne, I'll be back to you tomorrow, okay?”

“We'll look forward to hearing from you.”

“You have a nice day now.” Lindsay intoned the West Coast mantra without obvious irony.

Now she'd confirmed her guess at what Media Masters did, she really needed that drink. Leaving the car where it was, she headed off into the heart of Soho and soon found a café bar where women who were enough like her for it to feel like home sat round a horseshoe-shaped bar drinking beer out of long-necked bottles. She ordered a Rolling Rock and savored the moment's anticipation before the first swallow. She twirled the bottle, expecting to read through the drops of condensation the legend “Brewed in the glass-lined tanks of Old Latrobe.” Instead, she discovered it was brewed in the tradition of Old Latrobe somewhere in the south of England. She sighed so hard the woman next to her asked what was wrong.

“You know that saying, ‘You can never go home any more'?” she asked. The woman nodded, looking a little bemused. “Well, I think I just found out how true it is.”

Chapter 12

T
he memory banks of career waiters never ceased to amaze Lindsay. It must have been at least seven years since she'd eaten in the little family
trattoria
in Camden, but the waiter who had always flirted with her and Cordelia greeted her as if it had been only seven days. “
Bella signorina, come sta?
” he'd asked automatically, sweeping a deep bow in front of her that revealed his hair was starting to thin round the crown.

The exchange continued as it always had. She was fine, how was he? He was so-so, but what was the point of complaining, the government always got in. He ushered her to a familiar table at the back in a corner. The same bad paintings of Sorrento still hung in their identical positions. The walls had acquired some Italia '90 memorabilia, but apart from that everything was the same. Without being asked, the waiter brought Lindsay a Peroni while she studied the menu. It was as if the door to the restaurant was a time slip. When the door opened next, Lindsay half expected to see Cordelia glide in. It was both a relief and a disappointment when Helen swept in instead.

She plonked herself down and mouthed, “Gin and tonic,” at the waiter. “God, what a day,” she sighed.

“It's not going to get any better, trust me on that,” Lindsay said. The waiter placed a sweating glass in front of Helen. “I couldn't believe it when you suggested meeting here. I'd no idea it was still
going. I imagined it would have turned into some terrible pizza parlor. I felt really dislocated when you said the name—this was one of the places I always came with Cordelia. It was our private secret. Like we thought we were the only people who knew about it. We never had dinner with anybody else here. So I didn't expect you to know about it. Illogical, I know, but . . .”

Helen snorted. “You think I could work five minutes' walk away and not know about the best Italian restaurant in north London? Do me a favor! You ready to order? I need the prospect of something solid in me before I can bear to hear any more bad news.”

While they waited for their meal, Lindsay outlined her afternoon discoveries to Helen, who looked more and more glum with every passing sentence. Even the arrival of a lasagne that looked rich enough to have its own Swiss bank account couldn't relieve her gloom. As Lindsay virtuously wolfed her tuna and bean salad, Helen said disconsolately, “It's a bit of a double-edged sword, isn't it? We've found the skeleton in Stella's cupboard, but if I expose her I'm bound to bring Watergaw's reputation down with her.” She banged the end of her fork angrily on the table, attracting glances from the handful of other diners. “I can't bear it,” she raged. “We built this company up from nothing, we've started to get a really good name in the business for delivering what we promise, and now this bitch is using us to make scummy little porno films. How dare she? It's so outrageous that if it had come from anybody except you, I wouldn't have believed a word of it. It's not just that she's exploiting the knickers off me and the company, it's the fact that she's involved in the skin trade. It goes diametrically against everything Watergaw is supposed to stand for.” Her eyes sparkled with anger. “I don't suppose there's any chance that her nasty little racket doesn't involve the company?” she asked, faint hope in her voice.

Lindsay stretched out her free arm and squeezed Helen's hand. “It's always a possibility, but I wouldn't hold out too much hope. But I thought the best thing to do was to get as clear a picture of what's gone on as we possibly can. That's why I suggested we got together tonight, so we can map out a plan of campaign.”

“You've got an idea?” Helen said eagerly.

“Nothing specific. We've got to try and uncover how long it's been going on, how involved Guy is, and, if we can, how seedy these films are. We also need to establish what the involvement of Watergaw is in what she's been up to. It might be that there's a way to manipulate the information so you can get her out of the door and out of the business. But we won't know until we've had a good trawl through her computer and her filing cabinets. Which is why I suggested meeting on this side of town.”