Bougainvillea (18 page)

“I have a feeling something has to be missing,” Quinn said aloud.

“But what?” Larue asked.

“If not an instrument, maybe a piece of music,” Quinn said. “Two musicians are dead, and there has to be a reason. I can't believe anyone was so jealous of someone else's talent that they resorted to murder. There has to be more going on here. If I'm right about something being missing, it's crucial for us to figure out what.”

Larue nodded. “In Holton Morelli's case, it's not going to be easy. He lived alone. He was fifty-six and just lost his wife to cancer. His one son is in the service. He was given leave to come home, but to the best of his knowledge, nothing was missing from the house, but of course he hasn't been there for a while, so...”

“Same area of the city?” Quinn asked.

Larue shook his head. “Faubourg Marigny.”

“Since I didn't see the other crime scene,” Quinn said, “what else was similar?”

“Enough to point to there being one killer,” Larue said. “Holton Morelli was bashed in the head after letting his murderer into his house. Then he was tied to a chair with electrical tape, tortured and beaten to a pulp with an amp.”

“Tortured how?” Quinn asked.

“Burns from a cigarette,” Dr. Hubert put in, nodding.

“I'll need to see his file,” Quinn said. “The killer tortured those men because he wanted something. I can't imagine these guys weren't willing to give it up. They would have been ready to do anything to save their lives.”

“Once they were attacked, the murderer had to kill them if he wanted to escape being accused of the crime,” Larue pointed out. “Why not just give up the information before it got to that point?”

“Maybe they didn't know the information the killer wanted,” Quinn suggested.

“Can we be sure the killer wanted something? Maybe he just enjoyed torture. There are sadists out there who do,” Larue reminded him.

Quinn nodded. “That's true. But I'd bet
this
killer wanted something.”

“You're probably right, and we'll have to discover what it is.” Larue stared at Quinn assessingly. “I'm sure you'll find out what it is. Why the hell do you think I called you in?” He smiled. “Not to mention you play the guitar and have at least a passing familiarity with the local music scene.”

Quinn lowered his head, grinning. “Thanks.”

“You coming on up?” Grace called down to Quinn.

“Yep, right now.”

He headed up the stairs. Larue didn't follow him; he was still concentrating on the body and the surrounding area.

“We're examining everything in the place,” Grace said, “but there were no glasses out, no cigarette butts—I don't believe there was any socializing before the killer made his move.”

“I agree. The way I see it, Barrett let the killer in, a few words were exchanged and then the killer decked him,” Quinn said.

“Based on the evidence, I agree. That splotch by the door could have come from a facial wound. My guess is, analysis will show it's mixed with saliva,” Grace said. “I suspect he was stunned by the blow, which the killer delivered right inside the door, or even that he was knocked out stone-cold. We're searching the place thoroughly. At some point the killer was probably in every room, looking for...whatever. Anyway, come in and check out the music room.”

Quinn followed her through the first door on the upper level. A drum set took up most of one corner; two guitars and a bass sat in their stands nearby. A few tambourines lay in a basket, and a keyboard on a stand was pushed up against one wall. A tipped-over saxophone stand sat underneath the keyboard, but there was no sign of the sax itself or its case. There didn't appear to be room for another instrument, but there was no way to know for sure without asking someone who'd been there before.

“Sheet music? That type of thing?”

“Next room—it's an office. But it's neat and organized. There are papers on the desk, including sheet music, but the piles are all neat and squared up. It doesn't look like anything's been disturbed,” Grace said.

“Curious.”

“Maybe. Or maybe the killer squared up all the piles when he was done to hide what he'd been looking for.”

Quinn looked through the other rooms. A closet had been left open, but if the drawers had been opened and their contents searched, the killer had put everything back the way he'd found it.

Judging by marks in the dust, the killer had definitely looked under the bed, though.

So had the killer been looking for an object of a certain size?

“Are we having the same idea?” Grace asked, interrupting his thoughts. “The guy was looking for something at least as big as a bread box.”

“Looks like it. Well, I want to talk to the landlord. Thanks, Grace. And the usual, of course. Keep me posted, please.”

She nodded. “You know I will.”

“Your thoughts, as well as anything scientific,” he said.

“You bet, Quinn.”

He hurried back downstairs.

Larue was waiting for him. He stepped outside, and Quinn followed.

Larue turned to him. “We have a sadistic killer on our hands,” he said.

“I think that's obvious,” Quinn said.

Larue met Quinn's eyes, his own expression thoughtful. “The night of the first murder, there was a holdup in the street. A group of musicians was stopped at gunpoint late at night. All that was taken were their instruments—sax, guitar, harmonica, if I remember right. One fellow was hurt pretty badly, pistol-whipped.”

“Did they give you a description of their attacker?”

“They said he was medium build. They thought tall. He had a ‘plastic' face. And they're pretty sure he was wearing a wig.”

“A plastic face?” Quinn asked. “Probably a mask. God knows you can buy any kind of mask around here.”

“You have to admit, it does seem similar enough to hint at a connection, though. Assaulting a group of musicians in the street, and then two musicians murdered, the first the same night as the assault.”

“Yes. Although as far as we know he left all the instruments behind in both murders.”

“True. But it seems probable that it's the same person—someone with a hate on for musicians—and he's escalating.” “And at a fantastic degree. We're going to have dead musicians lying across the entire city if we don't get to the truth quickly.”

“Okay, so we'll have a visit with Mrs. Ruby then get to the hospital and talk to Lacey Cavanaugh,” Larue said grimly.

* * *

There was nothing like the sound of a sax.

Danni Cafferty stood just outside La Porte Rouge and listened to the music spilling from the Bourbon Street pub. It was delightful.

Somehow the addition of a sax seemed to make almost anything sound better—richer, deeper, truer.

Wolf, at her side, barked, breaking her concentration. “Hey, boy,” she said, patting the hybrid's head. “It's okay, I'm coming. I just wasn't expecting to be so enchanted. Beautiful, isn't it? No, maybe cool or...mournful, in a way. There's something deep and passionate about a sax, huh?”

Wolf barked again as if in complete agreement and wagged his tail.

She looked into the club. From the side door she could see the band. It was darker in the club than it was outside, and it took her a minute to see the sax player. He was tall, lean and striking. She thought instantly that he was a New Orleans boy, born and bred, the way he played his sax. And there was something special about him. He was a beautiful golden color, with close-cropped dark hair, and he leaned into his music as if he'd been born listening to it, born to play. He wasn't playing alone, of course, but it seemed to her that he was amazing—even in a city filled with amazing musicians.

She couldn't listen all evening, she told herself. Quinn had called to tell her that Jake—Detective Larue, his ex-partner from his days as a NOLA cop—was coming by to see them that night. She was carrying takeout from her friend's new restaurant on St. Ann's, and she'd actually meant to head down the block to Royal but had decided to walk along Bourbon for a few blocks first.

She hadn't meant to get so distracted.

The song—something by Bruce Springsteen—ended. And then, despite the difference in the light inside and out, she realized that the sax player was staring at her. Well,
she
was standing in the bar's doorway with a giant hybrid wolf–German shepherd at her side. She told herself it was Wolf. That the guy was staring at the dog by her side. People always stared at Wolf. They were either terrified, or they wanted to cuddle him.

But the truth was, the man
wasn't
looking at the dog, he was staring straight at her. As if he knew her.

She frowned.

Did she know him?

She might. She'd gone to school here, along with a number of her high school classmates who had never moved away, and while they might all live in different areas now and do different things, they ran into one another now and then. The guy did seem familiar. He might have been one of the kids who, like her, ended up in a local private school after the storms had struck, since their own schools had been flooded.

But she wasn't sure. She lifted a hand and waved, then shouted, “Way to go! Wow!”

Then she left, still feeling a little uneasy.

She turned at the next corner and cut down to Royal Street, heading for her house and her souvenir and collectibles shop, The Cheshire Cat, that occupied a chunk of the first floor.

The front door was open when Danni reached the shop, which was just as it should have been. They didn't officially close until seven, and it was barely past six.

Billie MacDougall—who had been her dad's right-hand man and assistant until the day he died and was now hers—was behind the counter. Billie looked like a cross between an aging Billy Idol and Riff Raff from The Rocky Horror Picture Show. He was skinny as a beanpole, but his looks were deceptive, because he had a wiry strength. He was also the best employee—and friend—anyone could ever have.

“Dinner!” he said, grinning as he saw her, his Scot's burr coming out in the single word despite his decades in America.

She walked to the counter and set down her bags of takeout. “Figures I could help out a friend with a new place and have something wonderful to eat.”

“Do I smell lasagna?” Billie asked eagerly.

She smiled. “You do indeed. When Adriana decided to open a restaurant, I suspected it would be Italian, since she's first generation herself. I'm sure it's excellent, too. I loved eating at her house when I was growing up.”

Billie made a face. “You doona like Scottish fare, lass?”

Danni laughed. “Sure, I love it. Not that it's plentiful in New Orleans,” she said drily.

“Plentiful enough in this house. If I've made it, it's Scottish. And you love my cooking.”

“This is America. We love everything. But if you've suddenly discovered that you don't like Italian, you don't have to eat it, you know.”

“Don't be cheeky, lass. I'll just take the bags to the kitchen and get things set up,” he told her, grabbing the food. “I'll go ahead and have me dinner then watch the shop till closing so you and Quinn can take as much time as you like for dinner.” He grinned at her. “That is, if there's any food left.”

“I bought a salad, bruschetta and a whole tray of lasagna,” she said. “I don't believe you could possibly eat it all.”

“You never do know now, do you? Make fun of me and Scot's cooking, will you?” Billie said.

Danni grinned. “Is Quinn back yet? I don't know why he went to the station if Jake said he was coming here.”

“He didn't go to the station,” Billie said, heading toward the kitchen.

“Then why did you say he did when we talked this afternoon?” Danni asked.

“I never said that. I said he was on the phone with Larue and then he left,” Billie called from the kitchen doorway. “You just assumed he was going to the station.”

“Then where
did
he go?” she asked.

“Wherever he went, he had to leave quickly,” Billie said. “And I don't ask the man for a schedule when he leaves the house, just as I don't ask you. When he's ready, he tells me. Which is after he tells you, most of the time, so I guess we'll both know soon enough.”

“You're right. I just hope he gets back while the food is still warm,” she said.

“We do own that thing called a microwave,” Billie said.

“Ah, but is it Scottish?” she murmured drily.

“I heard that!” Billie called back.

Danni grinned, walking around the counter to take the stool behind it. Wolf followed her and curled up at her feet.

She glanced at the computer; they'd had a busy enough day for a Thursday. Billie had sold a number of the handmade fleur-de-lis necklaces one of the local vendors had started making. They were delicate and beautiful, and while only gold-or silver-plated, they sold for almost a hundred dollars because of the work involved. She was glad to see that people still valued craftsmanship.

She noticed, too, that he'd also sold several of her own watercolors of the French Quarter. While the shop—and other matters—tended to take up a lot of her time, she had majored in art and actually had something of a local following. She loved visual art, and her favorite medium to work with was either watercolors or oils on canvas. Despite the fact their last case had involved a long-dead artist and a painting, she was determined not to lose her passion for her art.

The bell over the door gave off its pleasant little tinkling sound, and she looked up.

It was the sax player.

In fact, the sax was in his hand, its case in the other.

“Hello,” she said, frowning slightly. He had followed her here, she thought. Still, it was early evening. There was still light in the sky and plenty of people out and about on Royal Street, many of them seeking restaurants and bars, but some of them shopping, as well.