Boy Caesar

‘The novel is sexually graphic but brilliant in its employment of history and its understanding of historical research.’

– Brad Hooper,
Booklist

‘Baroque time-travelling reading thrills … Reed’s tale tackles control and being out-of-control in virtuoso style.’

–
Scotsman

The Roman gay world is mirrored in Jim’s relations with his duplicitous partner Danny and the contemporary London scene they inhabit. Events take a weird twist when Jim discovers that his partner is living a double life as a member of a Soho cult involving bizarre sex rites on Hampstead Heath. Jim, repulsed by the cult’s activities, finds his relationship with Danny at an end and that he has become a target for the leader’s reprisals. He is forced to take refuge with a female friend, Masako, with whom he visits Rome to investigate sites associated with Heliogabalus. She leads him to a meeting with a wealthy young man called Antonio who claims to be the emperor reincarnated. When Jim and Masako return to London, Antonio pays them a visit which leads to a conclusion every bit as dramatic as Heliogabalus’ own murder. An electrifying poetic recreation of a bizarre period of ancient history, this narrative also dissolves boundaries of gender in the complex relationship of Jim and Masako.

JEREMY REED is a prolific writer of poetry and prose, both fiction and non-fiction, with seven of his novels and five works of non-fiction published by Peter Owen. He has won the National Poetry Competition, the Eric Gregory Award and the Somerset Maugham Award. He is also the author of well-received biographies of Lou Reed, Marc Almond and Scott Walker.

For Lene and Moo

‘Only by going too far will you get anywhere at all.’

– Francis Bacon in conversation

Elagabalus, or Heliogabalus as he is better known because he worshipped the sun, was Roman emperor between the years
AD
218 and 222. Literally ‘Boy Caesar’, he came to power at the age of fourteen and was brutally assassinated by the Army shortly after his eighteenth birthday.

Born in Emesa, Syria, he was an essentially benign ruler, remembered for his notorious extravagance, fanatical devotion to his own solar god – to whom he erected temples in Rome, the theatricality of his appearance and his same-sex marriages. An idealist, who had his mother introduce a woman’s senate into the rigidly guarded male hierarchy dominating the Roman Empire, the pro-feminine Heliogabalus alienated both the ruling classes and the drive-unit behind their power – the Army.

Popular with the people on account of his generosity and relaxed system of government, Heliogabalus fought no wars and conducted no personal vendettas against his enemies. Little is known about his life before he became emperor, but the historic impact of his short reign was such that his name has become synonymous with decadent hedonism.

Heliogabalus liquidated a fortune even greater than Nero at the height of his spending. His dramatically colourful reign, recreated here and given the contrast of a 21st-century journeyer in the process of researching his life, is aimed at giving Boy Caesar another bite at the apple.

I have, throughout the novel, taken the liberty of fusing classical and modern times in Jim’s reading of Heliogabalus, a method of dissolving past into present and present into past not dissimilar to the technique employed by Derek Jarman in films such as
Caravaggio
and
Sebastiane.

Jeremy Reed

Thanks to a joy in death or in the new, despite bereavement, and in contrast to ordinary life, all moralities had broken down. What prevailed was the joy of the transsexual, of the requiem, of the kamikaze. Of the hero.

– Jean Genet,
Prisoner of Love

The year is
AD
218. From where he stood, pointing his left cheekbone up for the mirror, Heliogabalus was aware that he was being watched. The sensation frisked his nerves, causing him to freeze. The idea that there was two of him, and that the other meant trouble, had been cooking in his unconscious for a long time.

He could hear the rain outside knuckling the little yellow pompons of flowering mimosa. The unseasonable rains had been returning day after day, the rapping staccato of brilliant showers seeming even to break into his sleep and make noise in his dreams. He was fourteen years old. So much had happened already that he remembered highlights in his life with total recall.

For weeks now, encouraged by his mother Symiamira and her entourage of lovers, Heliogabalus had dared to entertain the hope of becoming not only emperor but caesar. Was he not, after all, reputed to be the illegitimate son of the butchered Caracalla and as such the last of the Antonines?

No matter how tenuous his claims to the imperial title, he knew instinctually that he was about to take up with his destiny. It was somewhere out there on the exhaustive highway that led to Rome. His mother had fed him with ambition the way a slow poison accumulates in the system. It was she who had condoned his wish to make up like a girl and live out his same-sex attractions. She had fine-tuned his aesthetic, allowed him to wear her dresses and been right behind him in his fanatical devotion to the god Elagabal. But more than anything she had impressed on him his difference. He was set apart, she claimed, by the data in his blood. An emperor’s sperm had patterned menus in his genes.

His imagination had needed little prompting. Already he saw himself dragging it in front of the Senate. It was his plan to affront their machismo by insisting that women should be introduced into the governing body. He had it in mind to subvert the whole
gender-bias on which Roman society was founded. In the hours in which he was thrown in on himself and had nothing to do, he would create scenarios in his head, like shooting random footage. In these documentaries he was invariably in the process of entering Rome, and to his astonishment there was nobody there. He had come to a dead city.

Alone and waiting for his tutor to return him to the world of Ovid’s
Metamorphoses,
he busied himself regrouping a vase of candy-pink peonies. The cerise, fist-sized flowers were the colour of sunsets he had known while out riding, the sweat stinging his eyes as he pushed a strawberry roan to overkill in the foothills. His mother had taught him always to be alert to his destiny. For years he had devoted himself exclusively to the cult of the sun-god Elagabal, worshipped at Emesa in the form of a black phallic stone, universally believed to have dropped there out of the sky. He was, as he reminded himself, blood of the Emesan dynasty as well as an emperor in the making. But he was, above all, impatient. The overbite he brought to life was a response to the feeling that he would die young. He could get no purchase on the idea of growing old and of his biological arc peaking.

When his tutor came into the room it was to complain of the violent rainstorms. Despite the use of a saucer-shaped orange umbrella, he was wet through. Heliogabalus had a lot of time for the unorthodox Serge, a man who pointed up the aesthetic aspect of every study. Serge reminded him at times of the little incidental detail used to decorate an almond cake: the cherry dipped in alcohol.

‘We’ll look at what Ovid has to say of Tiresias’ encounter with the snakes today,’ Serge said. ‘But there’s important news awaiting you, and the lesson may be cut short. Something to do with war and the necessity to act fast.’

‘How I wish they could get it over quickly,’ Heliogabalus said. ‘I’ve no interest in politics.’

‘We live or die by affairs of state. You must learn at all times to be diplomatic.’

‘But I won’t be manipulated,’ Heliogabalus fired off, feeling his individuality come up in a rush of confused emotions.

‘These are dangerous things for a young man to say,’ Serge cautioned, the tone of his voice implying a shared complicity of ideas.

Heliogabalus could hear the big rains washing the glass conservatory. His mind jumped to Ovid’s story of Tiresias and how the latter had undergone a sex-change after disturbing two snakes mating in the forest. The way he interpreted it was to read the encounter as a metaphor for the subject’s initiation into the underworld mysteries. Tiresias in being changed into his opposite was also engaged in the process of becoming himself. Serge had encouraged him in his particular take on the theme of transformation, a subject so dear to Heliogabalus that he could place himself in the story and imagine the powerful hormonal switch triggered in his endocrine glands. He had wanted to call musicians in and make a performance of the scene, but Serge had advised against it, saying that the intentions could be misinterpreted.

Quickly establishing a groove for his line of enquiry, he asked Serge why it was that Tiresias had hit out at the snakes with a stick. He couldn’t see for himself why this act of violence should have occurred. ‘Why did he do that?’ he asked. ‘Sex is hardly abhorrent in any form.’

Heliogabalus realized the moment he had spoken that he should have sat on his views. His tutor’s signal this time was to avert his eyes and look away, the adopted gesture counting for more than words.

‘I’m inclined to think,’ Serge said, ‘that we can interpret Tiresias’ stick as symbolizing a caduceus or magician’s wand. You will recall that after eight years of experiencing life as a woman the scene repeats itself. Tiresias goes back to the same place, encounters the identical snakes engaged in sex, hits them with his stick and instantly reverts to being a man.’

‘The way I see it,’ Heliogabalus said, ‘is more to do with the Dionysian mysteries. If Dionysus is a man who wants to be a woman while remaining a man, then Tiresias also fits this description.’

‘Dangerous subject for a youth,’ Serge commented. ‘Ovid himself, remember, died in exile in the Black Sea.’

Heliogabalus smiled. He liked pushing boundaries with Serge and adopting cutting-edge theories that upended his tutor’s beliefs. He knew, too, that his pro-gay expressions were received by Serge with a tacit but secret air of approval.

Serge looked away again. The inconsistent highlights in his hair were to Heliogabalus a sign that his tutor paid insufficient care to the consistency of dye. He could see too many dark roots showing through the blond. Serge looked tired, enforcing the fact that his middle years had come as a source of disillusion. Somewhere beneath the surface, he suspected, was a man in the process of unplugging from the mains.

‘We must observe limits,’ Serge said, looking out at a dense cluster of magnolia trees, their white flowers fisted to debris by the rain’s assault.

Heliogabalus knew that he was pushing an unorthodox line with his tutor, but he could not help himself. If he became emperor, against all the odds, then he would honour Serge and reward him with a suitable sinecure. But he had his own views on the subject and was determined to speak.

‘I’ve written something I would like you to hear,’ he said, picking up the notebook in which he had made sketchy impressions of the difference he perceived between right and left brain functioning, a theory that had grown up from his reading of the Greek mystery cults.

‘The way I see it,’ he said, determined to speak, ‘is that the political male, denied access to right-brain hemisphere functioning, with its accent on imagination, feels immediately challenged when confronted by the feminine within his own species. While governments exist to maintain left-side control –’

‘These views are not helpful to your future,’ Serge interrupted.

‘But they are integral to my beliefs.’ Heliogabalus took a deep breath and continued, ‘It’s my contention that Rome with its partially shut down right-brain hemisphere epitomizes government by outmoded machismo. A constitution in need of being challenged by a pro-feminine emperor.’

‘I must ask you to suppress such thoughts. They are dangerous to you and a death sentence to me.’

‘You can’t kill imagination,’ Heliogabalus retorted, ‘but you can kill the person carrying it. As for me, I couldn’t care. If I go to Rome it will be on my terms.’

Serge looked out again through the glass wall at the stripped magnolias. Heliogabalus knew that his sentiments had met with approval, even if Serge would never outwardly condone such ideas. The sky looked soapy with rainclouds. Inwardly he dreaded the prospect of having to take to the field against Macrinus and prove himself to a largely mercenary army.