Brick Lane (8 page)

He took down his framed certificates and explained them to her. 'This one is from the Centre for Meditation and Healing in Victoria Street. Basically it is a qualification in transcendental philosophy. Here's the one from Writers' Bureau, a correspondence course. I applied for some jobs as a journalist after that. And I wrote some short stories as well. I have a letter from the
Bexleyheath Advertiser
somewhere. I'll look it out for you. It says, "We were most interested in your story, 'A Prince Among Peasants', but unfortunately it is not suitable for our publication. Thank you for your interest in the
Bexleyheath Advertiser."
It was a nice letter, I kept it somewhere.

'Now
this
is not actually a certificate as such. It's from Morley College evening classes on nineteenth-century economic thought, and it's just directions to the school, but that's all they gave out. No certificates. Here's my mathematics A level. That was a struggle. This is cycling proficiency, and this is my acceptance letter for the IT Communications course – I only managed to get to a couple of classes.'

He talked and she listened. Often she had the feeling he was not talking to her, or rather that she was only part of a larger audience for whom the speech was meant. He smiled at her but his eyes were always searching, as if she were a face in the crowd singled out for only a moment. He was loud, he talked, he joked, and he sang or hummed. Sometimes he read a book and sang at the same time. Or he read, watched television and talked. Only his eyes were unhappy. What are we doing here, they said, what are we doing on this round, jolly face?

It was when he talked about promotion that Chanu grew serious. 'This Mrs Thatcher is making more cuts. Spending cuts, spending cuts, that's all we hear. The council is being squeezed dry. Now we have to pay if we want biscuits with our tea. It's ridiculous. And it could affect my promotion.' And then he was silent for a while, and Nazneen began to include the promotion in her prayers, although it came below her prayer for another letter from Hasina.

Once or twice she went out. She asked Chanu for a new sari. They looked in the shop windows on Bethnal Green Road. 'The pink with yellow is very nice,' she said. 'Do you think so?'

'Let me think,' said Chanu. He closed his eyes. Nazneen looked up at the grey towers, the blown-by forgotten strands of sky between them. She watched the traffic. There were more cars than people out here, a roaring metal army tearing up the town. A huge truck blocked her line of vision, petrol on her tongue, engines in her ears. The people who passed walked quickly, looked ahead at nothing or looked down at the pavement to negotiate puddles, litter and excrement. The white women wore clinging trousers, like tights with the feet cut out. They pushed prams and their mouths worked furiously. Their children screeched at them and they screeched back. A pair went by who were differently dressed, in short dark skirts with matching jackets. Their shoulders were padded up and out. They could balance a bucket on each side and not spill a drop of water. They saw her looking and whispered together. They walked and laughed, and looked at her over their puffy shoulders.

'According to Hume,' said Chanu, 'aaah, ahem.' He prepared himself. He spoke in English at some length, then screwed up his face. 'It's not easy to translate. Let me try. "All the objects of human reason or enquiry may naturally be divided into two kinds, that is, Relations of Ideas, and Matters of Fact." Yes, I think that is a reasonable translation. He gives some examples from geometry and arithmetic of the first kind, meaning Relations of Ideas. "That three times five is equal to the half of thirty." Do you follow? "Though there never was a circle or triangle in nature the truths demonstrated by Euclid would for ever retain their certainty and evidence." Are you with me? Don't worry about the circle and triangle. They are from his other examples.

'Don't be anxious, I am getting to the point shortly. "Matters of fact, which are the second objects of human reason, are not ascertained in the same manner; nor is our evidence of their truth, however great, of a like nature." This he illustrates, to my mind, brilliantly.
"That the sun will not rise tomorrow
is no less intelligible a proposition and implies no more contradiction than the affirmation,
that it will rise."

'Do you see? Two proper objects of human enquiry, and you ask me if the pink and yellow is nice? What shall I say? I can say that it is nice or not nice, and how could I be wrong?' He stopped and smiled at Nazneen. She saw that he was waiting for a reply.

'I think it is nice, but I don't mind.'

He laughed and went inside the shop. He returned with the length of fabric. 'Foundations of Modern Philosophy. It's a very interesting module. Here is your sari.'

That night, as she lay awake next to her snoring husband, Nazneen wondered what kind of job it was that he had where the rising of the sun or the failure of the sun to rise could be a topic for serious discussion. If these were the things he had to learn to advance himself, what could he be doing? He worked for the local council. This much she understood. But whenever she asked what he did he gave such a long reply that she got lost in it and although she understood the words, they got together in such a way that their meaning became unclear, or she became confused by them. She remembered Chanu's words about the sun and wondered what he meant. If the sun did not rise tomorrow that would be beyond everyone's understanding but God's. And to say that it will
not
rise, and then that it
will
is definitely a contradiction.
As sure as when I say the bed is too soft and toss and turn all night because of it, and Chanu says it is not too soft and falls asleep immediately. But then both of us can be right in our own way about the bed, but not about the sun. Either way, what is the point in lying awake and thinking about it? Let me sleep, let me sleep, let me sleep.
And she drifted off to where she wanted to be, in Gouripur tracing letters in the dirt with a stick while Hasina danced around her on six-year-old feet. In Gouripur, in her dreams, she was always a girl and Hasina was always six. Amma scolded and cuddled, and smelled as sweet as the skin on the milk when it had been boiled all day with sugar. Abba sat on the choki, sang and clapped. He called out to them and took them on his lap, and sent them away with a rough kiss on the cheek. Then they walked around the lake to watch the fishermen pulling in great nets of silver fish, and saw the muscles knot on their arms and legs and chests. When she woke she thought
I know what I would wish
but by now she knew that where she wanted to go was not a different place but a different time. She was free to wish it but it would never be.

She did not often go out. 'Why should you go out?' said Chanu. 'If you go out, ten people will say, "I saw her walking on the street." And I will look like a fool. Personally, I don't mind if you go out but these people are so ignorant. What can you do?'

She never said anything to this.

'Besides, I get everything for you that you need from the shops. Anything you want, you only have to ask.'

She never said anything to this.

'I don't stop you from doing anything. I am westernized now. It is lucky for you that you married an educated man. That was a stroke of luck.'

She carried on with her chores.

'And anyway, if you were in Bangladesh you would not go out. Coming here you are not missing anything, only broadening your horizons.'

She razored away the dead flesh around his corns. She did not let the razor slip.

The days passed more easily now than at first. It was just a matter of waiting, as Amma always said. She had waited and now they passed more easily. If it wasn't for worrying about Hasina, she could call herself calm.
Just wait and see, that's all we can do.
How often she had heard those words. Amma always wiped away her tears with those words. When the harvest was poor, when her own mother was taken ill, when floods threatened, when Abba disappeared and stayed away for days at a time. She cried because crying was called for, but she accepted it, whatever it was. 'Such a saint,' Abba said. And then she died, and in dying proved life unpredictable and beyond control.

Mumtaz found her, leaning low over the sacks of rice in the store hut, staked through the heart by a spear. 'She had fallen,' said Mumtaz, 'and the spear was the only thing holding her up. It looked . . . It looked as if she was still falling.'

At the funeral Mumtaz said, 'Your mother was wearing her best sari. I think that's nice, don't you?'

After a mourning period, Abba took another wife. She appeared suddenly out of nowhere and Abba said, 'This is your new mother.' Four weeks later, just as suddenly, she went. She was never mentioned again.

'Your mother was wearing her best sari,' said Mumtaz. 'It's strange. It wasn't a special day, after all.'

She never spoke to Abba after that, not that Nazneen saw. She always kept back the choicest bits of meat for Nazneen and Hasina. She kissed them all the time, even though they were fourteen and twelve. And she talked about Amma, over and over, as if you could change something by talking about it. 'I don't know why those spears were in the store, and wedged like that. So dangerous.' Hasina always ran off when she started, but Nazneen just stayed and listened.

Razia moved to Rosemead block, two floors beneath the tattoo lady. Staying on the estate did not count as going out. Nazneen, on the short journey over from Seasalter House, began to strike up acquaintances. She nodded to the apoplectic man in vest and shorts who flung open his door every time she passed it in the harshly lit corridor. She smiled at the Bengali girls who chattered about boys at top volume on the stairs but fell silent as she passed. Razia introduced her to other Bengali wives on the estate. Sometimes they would call and drink tea with her. She enjoyed the company although most times she did not mention it to Chanu. She did not look at the group of young Bengali men who stood in the bottom of the stairwell, combing their hair and smoking or making loud, sudden hoots so that their voices bounded around the concrete shell of the building and rained down on her like firecrackers. In the summer evenings they stood outside next to the big metal bins and played with the iron shutters that should have kept the bins out of sight. They rattled them up and down or kicked against them, and appeared to find pleasure in these simple activities. Nazneen did not look directly at them but they were respectful as she passed, standing aside and extending salaam.