Briefing for a Descent Into Hell (14 page)

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Authors: Doris Lessing

Tags: #Fiction, #Literary, #Psychological

BOOK: Briefing for a Descent Into Hell
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Yes, but farther out, on the third crookedly spinning planet, it is harder to keep that knowledge, the sanity and simplicity of the great Sun, and indeed poor Earth is far from grace, and so it was easy to see, for at that tempo of spin that enabled me to watch clearly the marrying of events on earth and in the rest of its fellow planets, I watched how wars and famines, and earthquakes and disasters, floods and terrors, epidemics and plagues of insects and rats and flying things came and went according to the pressures from the combinations of the planets and the sun—and the moon.
For a swarm of locusts, a spreading of viruses, like the life of humanity, is governed elsewhere. The life of man, that little crust of matter, which was not even visible until one swooped down close as a bird might sweep in and out for a quick survey of a glittering shoal of fish that puckered a wave’s broad flank, that pulse’s intensity and size and health was set by Mercury and Venus, Mars and Jupiter, Saturn, Neptune, Uranus, and Pluto, and their movements, and the Centre of light that fed them all. Man, that flicker of life, diminished in numbers and multiplied, was peace-loving or murderous—in bondage. For when a war flared up involving half the earth masses of the globe, or when the earth’s population doubled in a handful of years and for the first time in known history, or when in every place that men lived they rioted and fought and scuffled and screamed and killed and wept against their fate, it was because the balance of the planets had shifted, or a comet came too close—or the moon spoke, voicing the cold, the compulsion; and now, bending in as close as I dared to watch, I saw how the earth and its moon cycled and circled and how both earth and water pulsed and swelled and vibrated on Earth, as matter swelled and moved and vibrated on the Moon, on the cold moon, on the cold dead moon, the warm Earth’s cold sister, the stepchild, the terrible moon who sucks and leeches and clutches on to the warm earth that was alive, for the moon wanted to live, the moon
would
live, the moon was like a poor sad still-born babe, but the baby would live, it fought to live, as eggs drag lime from hen’s bones, and foetuses pull life from their mothers, the moon sucked and leeched and was like a dragging magnet of need that was the earth’s first metronome in
the dance of the planets, for it was nearest, it was the deprived and half-starved twin, the earth’s other self, the Necessity.

Here was the frightful cold weight of sorrow that had lain on the edge of my mind since I had first been absorbed into the Crystal—the knowledge of the moon and its need. So close was the moon, so much part of earth, that it
was
earth—for seen even from that short distance they looked like a pair of brothers always in movement about each other. The moon was so very close, the always present force that is easiest overlooked when the tiny human mind looks for reasons and answers. Much easier to look out—right out, beyond even the furthest orbits of Uranus and Pluto, out to Riga, even to that other mirror, far Andromeda and beyond that to …

Oh yes, that’s what our mind does most easily, but right here, in close, so close it is locked with us in a dance that moves waters and earth in tides twice a day, and swings in our veins and arteries and the tides of thought in our minds—close, flesh of our flesh, thought of our thought, Moon, Earth’s stepchild, setting our stature, setting our growth, feeding appetites and making them. Moon spinning closer in to Earth makes animals and plants such and such a size and Moon lost or disintegrated or wandering further away changes animals, plants, the height of tides and probably the movement of land masses and ice masses, changes life as draconically as a sudden shower in a desert will change everything overnight. On the surface of the little Earth, a little green film, and part and parcel with this film, being fed by it, the crust of microbes, mankind, mad,
moonmad, lunatic. To celestial eyes, seen like a broth of microbes under a microscope, always at war and destruction, this scum of microbes thinks, it can see itself, it begins slowly to sense itself as one, a function, a note in the harmony, and this
is
its point and function, and where the scummy film transcends itself, here and here only, and never where these mad microbes say I, I, I, I, I, for saying I, I, I, I, is their madness, this is where they have been struck lunatic, made moon-mad, round the bend, crazy, for these microbes are a whole, they form a unity, they have a single mind, a single being, and never can they say I, I, without making the celestial watchers roll with laughter or weep with pity—since I suppose we are free to presume compassion and derisiveness in the guardians of the microbes; or at least we are free to imagine nothing else—compassion and amusement being our qualities, but who knows what sort of a colour or a sound laughter, tears, make there in that finer kind of air?

Some sort of a divorce there has been somewhere along the path of this race of man between the “I” and the “We,” some sort of a terrible falling-away, and I (who am not I, but part of a whole composed of other human beings as they are of me) hovering here as if between the wings of a great white bird, feel as if I am spinning back (though it may be forwards, who knows?) yes, spinning back into a vortex of terror, like a birth in reverse, and it is towards a catastrophe, yes, that was when the microbes, the little broth that is humanity, was knocked senseless, hit for six, knocked out of their true understanding, so that ever since most have said, I, I, I, I, I, I, I, and cannot, save for a few, say, We.

Yes, but what awful blow or knock? What sent us off centre, and away from the sweet sanity of We? In a moment I’ll know, I’m being sucked back like a mite revolving in the vortex of the bathwater, eddying into the millrace, back, back, and then, Crash! the Comet; it comes hurtling out of the dark space, gives Earth a blow to midriff, and, deflected in its course, rushes off into the dark again, taking some of the atmosphere with it, and, leaving Earth no longer circling sane and steady, but wobbling back and forth, gyrating like a top, and all askew, which is when the seasons were born, beloved of poets, but worse, the air changed, the air that they breathed which kept them sane and healthy, saying We in love and understanding for the developing organ in a celestial body which they were. The air that had been the food of sane and loving understanding became a deadly poison, the lungs of these poor little animals laboured and changed and adapted, and their poor brains, all muddled and befuddled laboured to work at all, and worked badly, a machine all awry, but always teased and tormented by a queer half memory of the time before they became poisoned and spoiled and could not think and hated each other instead of loving. And there hung Earth, a casualty, all amiss, but soon they forgot, their newly-poisoned air became their normality, a forgetting by vanity, and … but Crash, look, I’m on the other side of the Catastrophe, I’m before it. Though I’m free, too, to say “after,” since like “up and down” it is interchangeable and entirely how you look at it, how you are situated, as is backwards and forwards. But man-wise, microbe-wise, I am before the Crash and in a cool, sweet, loving air that rings with harmony, is
harmony, Is, yes, and here am I, voyager, Odysseus bound for home at last, the Seeker in home waters, spiteful Neptune outwitted and Jupiter’s daughter my friend and guide.

All men make caves of shadow for their eyes
With hats and hands, sockets, lashes, brows,
So tender pupils dare look at the light.
In Northlands too where light lies shadowless
A man will lift his hand to guard his eyes;
It’s a thing that I’ve seen done in strong moonlight.
At any blaze too fierce, that warden hand
Goes to its post, keeping a dark:
Like cats’, men’s eyes grow large and soft with night.
New eyes they are, and still not used to see,
Taking in facets, individual,
With no skill yet to use them round and right.
Think: beasts on all fours we were, low,
With horizontal gaze kept safely from
That pulsing flaming all eye-searing bright.
Yet had to come that inevitable day
A small brave beast raised up his paw to branch,
Pulled himself high—and staggered on his height.
Our human babes have shown us how it was.
They clamber up; we, vigilant,
Let them learn the folly of their fright.
At that first venture, light stooped in salute,
Like to like, a shimmer in the mind,
And the beast thought it “angel”—as indeed we might.
One paw, earth-freed, held fast the slippery branch;
The other, freed, waited, while the eyes
Lifted at last to birds and clouds in flight.
And so he balanced there, a beast upright,
And the angel, saving what he’d hardly won
Jerked up that idle hand to guard his sight,
In that most common gesture that is done.
Man may not look directly at his sun.

I gotta use words when I talk to you
. Probably that sequence of words, I’ve got to use words, is a definition of all literature, seen from a different perspective.

Enmeshed like a chord in Bach, part of a disc as exquisitely coloured as a jellyfish, all pulsing harmonies, the disc being a swirl or spiral, made up of sun and planets and baby planets and all their accretions, enmeshed, too, in Andromeda time, galaxy time, moon time (oh woe and alas) looking at the thing from any point of view but Earth Time, it is possible a change of emphasis from Saturn to Jupiter involving a change in all conditions on Earth and taking centuries (our time) may perhaps have had to find its message thus: That Jupiter fought Saturn (or Zeus, Chronos) fair and square in mortal (or immortal) combat and—not killed—but defeated him, and thereafter Jupiter was God to Earth. But here is a thought and not for the first time—of course not, there is no thought for the first time—why God? The vastest, most kingly and, so they say, most benign of planets whose rays envelop Earth in justice and equanimity (so they say) and touching certain sections of humanity, that
grey mould struggling for survival in its struggling green scum, with more particularity than other sections. And on Mount Olympus bearded Jove, or Jupiter, lorded it over the subsidiary Gods—not without a certain magnificent tetchiness. But why Father? Why Father of Gods and Men? For who is our Father? Who? None other than the Sun, whose name is the deep chord underlying all others, Father Sun, Amen, Amen, as the Christians still pray. Why not Father Sun, as Lord on Olympus, why Jove, or Jupiter, Zeus? For on that mountain Phoebus Apollo was a god like others, among others—very odd, that! Of course, man cannot look directly at his Sun. Gods go in disguise, even now, as then they were, or might be, Pillars of Fire—Forcefields, Wavelengths, Presences. It is possible that the Sun, like other monarchs, needs deputies, and who more suitable than Jupiter, who is like a modest little mirror to the Sun, being, like the Sun, a swirl of coloured gas, and having, like the Sun, its parcel of little planets. After all, Sun is an item in the celestial swarm on an equal basis with the other stars, chiming in key with them, and having its chief business with them—for this is nothing if not a heirarchical universe, like it or not, fellow democrats. Sun can probably be viewed, though for any mortal to think such a thought comes hard, a lèse-majesté indeed, as an atom on a different time-and-motion scale, having comradeship with other, equal atoms, all being units of the galaxy, while galaxies are units and equals on another level, where suns are as tinily swarming as men (that broth of microbes) are to planets. Russian dolls, Chinese boxes!—and this is why it is not unreasonable to imagine the Great Sun, giving Jupiter a careless nod: “Be
my deputy my son! I have other more important business to attend in my peer group!”

Why Jupiter at all, if Saturn once held that place?—or at least, so the old myths do suggest. But why is it unreasonable to suppose that planets, as indeed, stars—like people—change character; for a weighty, responsible old planet in its maturity may give a very different report of itself than the same creature in its skittish youth. Perhaps Jupiter grew into the post, Lord of the Gods (as butlers are lord in the servants’ hall, the Master and Mistress being too far out of sight to count), a deputy God, while Saturn got too bad-tempered for the position. After all Saturn ate his children. They do say that Saturn’s rings are the smashed remnants of former planets.

Who knows but that our little system is an unfortunate one, and peculiarly vulnerable to visiting comets and intermittent visitors of various kinds? Or perhaps all stars, planets, planet’s planets, are as subject to sudden calamity as men are, and the correct government and management of a star and its planets, or indeed, a galaxy and its suns, is a prudent balancing and husbanding of probabilities and substances? Who knows but that beings are not moved about among the planets, in one shape or another, as plants are moved about in a garden, or even taken indoors when frost is expected? When that comet came winging in from the dark beyond Pluto and went Bang! into poor Earth, perhaps there were warnings sent then from Jupiter (or Saturn, if it was his regency)—Take Care, Earth! the message might have gone. Or even: “Poor Earth, would you like to send us some of your inhabitants to live out a hundred or so
generations as Our guests, until the unfortunate results of that Collision subside. Not on Us, of course: pure flame we are, burning Gas, like our Father, the Sun—but one of our planets would do nicely, with a little adaptation on your part.” For we may suppose, I am sure, that Planets are altogether gentler and more humane than poor beast Man, lifting his bloody muzzle to his lurid sky, to howl out his misery and his exhaustion in between battles with his kind.

And who would convey these messages? (They have to use words when they talk to us.) For one may imagine that Hermes or Mercury (or Thoth or Buddha), the planet nearest to the Sun our Father, may transmit messages from the Gods by the fact of his condition, the shifting and meshing of the planets causing him (at certain times) to shed substances on Earth as invisible to Earth’s senses (though not to her new and her soon-to-be-invented or re-invented instruments) as the solar wind. But why Mercury—why Mercury messenger to Jupiter … there is an idea of doubleness here, of substitution, like Jupiter with the Sun. For consider how Athene, Minerva, is as much a messenger as is Mercury, the Sun’s nearest child. We may play with the idea—why not? Gnats may sing to kings, and their songs have to be guessing games. Gnats are sure they have a few ideas of their own, for the seconds their lives last. But perhaps Minerva, Jupiter’s daughter, has the same position vis-à-vis Jupiter as Mercury with the Sun. Our great lump of cold glassily ringing Moon, planet to our planethood, is in intimate enough relation with us, what of Jupiter with his—is it now twelve, subsidiaries? Perhaps the largest of them, a healthy, bouncing, rather managing girl, but handsome
enough with her flashing blue eyes, runs errands for her father. A pulse darts earthwards from Jupiter’s child, a synchronising in the machinery of Jupiter, the other planets, his planets, makes an impulse that becomes thoughts in the minds of men.

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