Brimstone Seduction (3 page)

Those images held her still for his kiss.

Or did they? Her body mocked her need for an excuse. This—the heat, the masculine aura drawing her in, the night-cloaked scent that clung to his earthy skin and his hair and clothes—wasn't he enough?

Right now, he was everything.

Because by then his soft, tracing lips had discovered her mouth in the dark, and a more intimate exploration of it had begun—lips, teeth, tongue. So velvety and alive with tremors and gasps and the sudden moist dip of his tongue.

A hot coil unfurled in her abdomen, her nipples peaked and her knees grew weak.

Then Severne pressed the handle of her cello case into her right hand. Her fingers curled around the indentions they'd made over fifteen years of constant companionship to the leather-bound grip.

“Never trust a daemon bearing gifts, Katherine D'Arcy. There's always a price to be paid,” he murmured into her hair when she slumped loose-limbed and faint against the firm wall of his body.

“No,” she protested. But it was too late. She'd accepted the cello like a long-lost love. The Order warned against communicating with daemons. Hell was structured around a complex system of negotiating. She could feel daemonic power like static in the air as some unspoken bargain physically materialized around them, beginning with her acceptance of her case from his hand.

He lifted her and the cello easily. He cradled her against his chest, but she couldn't make her body resist or her hand release the cello. He carried her and the instrument upstairs and placed her beside the boy on the bed with the cello case cool and lifeless on the other side.

Then he made the trade.

He picked up the daemon child.

Kat couldn't move. He was no longer touching her, but his heat had remained, leaving her lethargic and weak.

Somehow she had agreed without meaning to. The cello for the child. The daemonic bargain held her in place. She couldn't fight its power.

“Come and play for me in Baton Rouge, Katherine. We have more bargains to make. I can help you find your sister,” John Severne said.

“Never trust a daemon,” Kat promised her pillow. She refused to let her tears fall. Or maybe it was daemon manipulations that suspended each perfect droplet on her lashes as Severne walked away.

Chapter 2

H
e could hear the siren song that sounded when her heart beat, when she inhaled and exhaled. But that wasn't what called him to her. It was the subtle scent of her, beneath soap, blended with a hint of verbena perfume. Like cotton warmed by the sun, but cooled by the breeze on a spring day, there was a freshness, a goodness to her, untouched by Brimstone.

Untainted.

And she thought he was a daemon.

He settled the boy with the costume matron, Sybil, who had been at l'Opéra Severne almost as long as he had. She'd always appeared as an older woman with that particular blend of sternness and maternal habits that made everyone defer to her in case she should decide to box their ears or swat their behinds. She looked no older than she'd looked the day he'd been ushered into her care when he was about the age of the boy he'd brought from Savannah.

Katherine D'Arcy was wrong.

No surprise that his Brimstone-tainted blood had fooled her. He wasn't a daemon, but his grandfather had inked a deal with the devil in Severne blood. The Brimstone had come after, scorching their veins with its invasive mark.

He was only an heir to damnation, but Katherine D'Arcy was associated with the Order of Samuel, and in such a woman's eyes there could be little difference.

Once he'd settled the boy with Sybil, he made his way back to the suite of rooms that made up his apartment several stories below and behind the grand opera stage for which the house was famous. The seemingly endless levels of basement beneath the opera shouldn't have existed in a city that itself was beneath the flood plain of the mighty Mississippi, but nothing followed natural law here.

The opera house was a universe unto itself, influenced by its damned denizens and masters.

Its gilded mahogany columns and highly polished boards held ground against elaborately carved wainscoting more baroque than anything else you'd find in the river city. The carvings seemed to gambol and change as you passed, often reflecting your own experiences and thoughts back to you as if some long ago sculptor had chiseled out premonitory dreams in a laudanum haze. And all the shadows were draped in heavy layers of black-and-crimson satin and velvet curtains, which in spite of being impeccably maintained always ended up seeming shabby chic in the candlelight.

Time, distance, reality were softened inside l'Opéra, but the softness didn't mute the cruelty of an eternity in the luxurious chains of candlelit opulence you couldn't escape.

His rooms were more austere, but still overly filled with the detritus of centuries. His prison was made even more claustrophobic by books and art and textiles from too many years and fears to count.

Resisting the oppression of time had helped to harden him as much as his constant training had.

Only his bedroom reflected his true taste for simplicity. In it, the only furnishings were a large black cypress bed and a matching trunk bound with cracked leather straps and a heavy iron padlock.

He opened the trunk with gloved hands, carefully removing an iron cask. Even with the gloves, the heat of the metal fittings of the cask was uncomfortable to his hands. Without the added protection of the Brimstone in his blood, he would have been horribly burned.

He placed the cask on the hardwood floor, noting the scorch marks from it having been placed there before. The trunk was lined with lead or it would have turned to ash. Good thing his task wouldn't take long.

He opened the iron lid, a habitual move that was still momentous every single time.

Inside the box, on a bed of coals, lay a rolled parchment. A curl of smoke rose lazily from one end, but there were no flames. He picked it up, ignoring the prickle of burns to his fingertips.

Slowly he unrolled the scroll.

The first names on the list had been marked through years ago. Their glow had faded to smudged black. But the second-to-last name on the list still shone like an ember in his dimly lit bedroom. It brightened even as he watched, and suddenly a line of fire scratched across the name. The blazing line flickered, flared and then went out.

In time, the name of the boy's mother would fade as the others had before her.

Lavinia.

It would blaze in his mind much longer than that.

This time there was no corresponding pain as a slash of black was added to his scarred forearm like a grim tattoo. He hadn't actually dispatched Lavinia himself. But there were many more marks from his shoulder down to beyond the crook of his elbow. A torturous tally he couldn't ignore. One appeared each time he sent a daemon back to hell. Sometimes he wondered if the black marks reached deep, all the way to his heart. Marks that would stay with him forever even after he was free.

There was only one name left on the list.

Michael.

After centuries of damnation's shackles, he was almost free. More importantly, his father would be free before he died. They'd suffered under the burden of Thomas Severne's lust for success. The only way they could regain their souls was to hunt down the daemons on the scroll.

A being had to be extremely evil to wind up on hell's blacklist. Or so he told himself when the nights grew long.

The boy was sleeping. He'd been reassured by the familiar warmth of Brimstone and by Sybil's welcome. Severne was suddenly fiercely glad the old monk had been the one to dispatch Lavinia. The gladness stung. It was a weakness he couldn't afford. Not now when his father's soul was almost within his grasp before it was too late. He had always been as hard as he had to be. He'd grown even harder over time. His father needed him to stay strong.

He'd sent thirty daemons on the list back to hell. Usually a name was enough. Younger daemons were horrible at incognito. They always revealed their secret at the wrong time, in the wrong place. They shared their true name out of passion or pride, and then he was inevitably there to catch them. Because he didn't rest. He'd watched those thirty daemons consumed by the very fire he feared as a corruption in his own veins. The boy here in his home would be a constant reminder.

Severne allowed the scroll to roll in on itself. He replaced it in the cask and then set the cask back in the trunk.

Only one name left... Michael.

But he might be the one that got away if Severne failed to use Katherine D'Arcy the way he intended. Michael had proved illusive. He was one of the ancient ones. They were much more experienced and discreet and much harder to find.

He rose from the trunk, but stood in the dark for a long time with the glow of the scroll still gleaming behind his eyes. He fingered the network of fine white scars that he'd received over the decades from daemon bites and claws or whatever weapons they could wield against him. Those marks were also reminders. Of what he had done. Of what he still had to do.

Hard.

Katherine's skin had been perfectly smooth. So very soft to his touch.

He didn't touch the tally marks. He suspected they'd scorch his fingers as badly as the scroll. If not literally, then figuratively, because of the guilt each mark represented.

She was coming. He could feel her approach, a distant tug on his senses that was both anticipation and... Her lips had been sweet, flavored by a vanilla lip balm and the champagne she'd been given after her performance. He hadn't had to kiss her to influence her. The Brimstone in his veins gave him heightened powers of persuasion. A touch would have sufficed. He'd tasted her because he'd had to, but he hadn't expected the taste to linger on his tongue. Most flavors were burned away before he could even enjoy them.

She threatened to soften him. He could feel the seduction of what it would be like to ease into her arms. Instead, she was the one who had to be seduced. He needed her to complete his task and end his imprisonment. The contract Thomas Severne had inked with hell must be fulfilled before Levi Severne died.

He left the bedroom to pass into a room that looked more medieval torture chamber than exercise room. He'd crafted most of the equipment himself to test his limits and push his body to become as iron as it could be though still flesh and bone. He began what would be hours of training with one thought burning in his mind.

When he was finished with Katherine D'Arcy, she would be scarred, as well. His seduction and betrayal would irreparably mark her heart.

Chapter 3

W
hen Kat made it to Baton Rouge after driving the rest of the night and into the next day, she couldn't shy away from her memories any longer. The city was a blend of modern glass and steel from the present and neo-Gothic architecture from times long past. It wasn't hard to find the opera house because it sat on Severne Row, a street time had forgotten to touch. While much of Old South Baton Rouge had been claimed by poverty and, later, revitalization, Severne Row had stayed the same for decades.

They'd been to l'Opéra Severne as children accompanying their mother on tour. Even then, the theater was infamous for being devoted to a darkly Gothic version of Gounod's
Faust
, its most popular draw. Their mother had been a contralto Marthe for several nights while they'd watched in awe on velveteen seats of pale, faded scarlet.

She pulled up to the theater and parked the nondescript sedan she'd rented with a friend's help so her name wouldn't be on the paperwork. Later the rental company would come to claim it. Kat was an old hat at traveling quietly and lightly. She had only a couple of suitcases in the trunk.

She carried them to the side entrance, where Victorian-style signs directed employees away from the main portico. She did pause to look up at the grand porches with their arches and massive stairs. The curving style of the rails was both beautiful and intimidating, oversized to denote the palatial quality of the building they pointed to.

When she moved to the side door, it pressed inward easily, and the shadowed interior sighed a welcome to her travel-weary senses.

The scent of the place evoked sudden visceral memories: swinging her legs clad in white tights, her feet tucked into polished Mary Janes, the scratchiness of her ruffled tulle skirt with its wide satin belt far too fancy for fidgets, and Victoria humming along, lost in rapt enjoyment of their mother's inspired performance.

She could sense again the hush, the thrill and the music swelling until it claimed her to the marrow of her bones.

That night she'd known she would never sing.

It was the polished maple that called to her, the hollow reverberations coaxed to fill an entire room—lofted cathedral ceiling and all—in spite of humble nylon and steel beginnings.

Dust. Lemon floor polish. Wax and powder. As soon as she breathed the air in the two-hundred-year-old opera house again, she knew she'd missed it. She'd been in thousands of auditoriums, theaters and even more magnificent venues.

But it was the Théâtre de l'Opéra Severne that had shown her the way in which she could hold Reynard at bay.

She'd been fascinated by the orchestra pit, but especially the stringed instruments. The sound and movement of the musicians had transfixed her, and when they had plucked at the strings, they had plucked at her soul.

Her first cello came soon after. Then lessons. Then obsession. Her calloused fingers, the muscles in her gracefully bowed back and her well-shaped arms all because of Severne's opera house.

Had she recognized its echo in him? The interior of the whole building was as expectant as John Severne was coiled and prepared. The same ready-for-what-was-about-to-happen filled both the theater and the man.

The daemon
, she corrected herself. Lest she forget. The residual heat that still made her movements languid and slow—it mocked her.

Kat walked through the side mezzanine with her cello case, though she'd left her suitcases in a pile by the door at the usher's urging. Now the same usher led her through the building to Severne's offices.

Compared to the humid outdoors of Baton Rouge—more moistened by the Mississippi River than cooled by it—the interior of the opera house was shadowed and cool. The atmosphere was close down the columned corridor with almost too many details to make out in the scant light of midafternoon, when no candles were lit and few lamps glowed. She could see the rough texture of carvings on the wainscoting, but she couldn't pause to make out exactly what the carvings were about. It was only her imagination that made it appear as if hundreds of faces rendered in the wood turned to follow her movements as she walked by.

She was escorted. It was formal and old-fashioned, but she didn't want to be rude to the eager-to-please uniformed young man. Whether he strived to please her or his employer, she couldn't be sure. But she thought the latter because there was an urgency to his steps slightly more colored by fear than a young woman in a sundress would inspire.

As she followed, his mood was contagious. She thought maybe her old tulle and satin would have been more appropriate for a job interview in this vintage setting than the light cotton dress she'd worn for travel between one hot Southern city and another even hotter. She recalled with perfect clarity John Severne's hard, deadly form beneath his shredded evening attire, and as she did, she also recalled the velvet tease of his tongue.

Her arms and legs might be gauche and exposed, but she'd already been more intimate with the daemon than she'd been with another man. It was impossible to forge relationships when your lifestyle was one of running, constantly running. She couldn't trust intimacy. She avoided it at all costs. Oh, she'd had hurried kisses in moments when her guard had fallen, but she'd never allowed herself to fall fully, to indulge fully in desires to touch and taste.

And now was probably not the best time to wonder why a daemon had been able to breach her usual defenses.

The usher opened the double doors of what she supposed to be John Severne's office. With a flourish and a bow, he stepped aside. Her wedge sandals on the Persian carpet didn't fit into this sudden 1863 in which she found herself.

She wanted to play her cello. She could make music that would fit, music that would fill, no matter the time or place or her attire.

“The boy is fine,” Severne said. He walked into the office from another room. The desk, the polished cabinetry and gleaming glass, the dark cherry floor covered in luxurious woven rugs no doubt created decades ago in the Middle East—none of it prepared her for
this
John Severne.

She'd thought his evening clothes had given a false impression of sophisticated ease. She'd been more right than she could have known. She'd felt the hardness of his form, his energy and his heat. She'd sensed his preparedness.

Now she saw what she'd only sensed before.

He wore a pair of low-slung shorts; all else was bared to the lamplight and her stunned gaze. She'd been to gyms. She'd seen people ripped for appearance or for health. This was so obviously not that.

Severne walked into the room wiping his chest and arms and the back of his neck with a snow-white towel. He came around a beautiful desk that would have looked at home in a French palace, and Kat instinctively placed her cello case on the floor in front of her. She didn't hide behind it...exactly, but she blushed when Severne saw the move for what it was. Defense. His gaze flicked from her face to the case and back again. Green eyes. Deep, dark green that had looked black when she'd seen him before at night.

“I want to see him,” Kat replied, looking at John Severne during the day for the first time.

He was still shadowed. There were few windows to let in outside light. Those that existed were heavily draped in black and red satin. But she could still see him better than before. What she saw confirmed what she'd already supposed. He was no polished gentleman. Almost nude, his hard, muscular body was too seriously honed to be called athletic.

How had she ever supposed him to be human?

She wasn't a sculptor, but if she had been, she would have wept because Michelangelo was dead and a master should memorialize John Severne's body. Yet the leanness of him, the lack of one ounce of spare flesh, was as painful as it was beautiful.

He took not one second of ease.

His tension was absolute.

She knew this about him as surely as she knew how to coax the perfect note from a string.

His pale skin, so harshly honed, was marked by more than exercise. There were faded scars across his chest, abdomen and back. She tried not to trace them with her eyes. Whatever suffering he endured—or courted—wasn't hers to see. The black slashes of numerous tattoos down one arm from his shoulder to his elbow were almost as sacrosanct as the scars. Something private. She tried to look away, but the marks gleamed darkly like his hair and his eyes.

“He's having his lessons right now. I thought a semblance of normalcy would help him adjust. He seems bright. He's definitely had schooling in spite of his unusual circumstances. But he'll join us for dinner. Later tonight,” Severne said. “I'm glad you accepted my invitation.”

The fine-cut lines of his lips stood out, or was it only the memory of the taste of them that made them seem noticeable to her?

She could feel his Brimstone heat even at this distance. It prickled her skin as if she was in the same room with a roaring fire.

How could she have stayed away?

With the boy involved, it wasn't a choice to her at all. But deeper parts of her had to acknowledge the pull of John Severne had influenced her decision to come to Baton Rouge as much, or more, than the child.

He stood across from her, but he wasn't even pretending to be relaxed. Not like before. His energy was there for her to see, barely contained. As if he might take her in his arms again if she said or did the wrong thing. Or the right thing. Depending on how you looked at it.

The thought made her stand frozen, a rabbit who sensed a predator and feared to twitch a whisker in case the movement would lead it into a leap for the fox's mouth rather than standing idle and waiting to be devoured.

“What about Victoria? Where is my sister?” Kat asked.

“I travel often,” Severne began. “Various business interests require my diligent attention. I wasn't here when your sister disappeared, but I'm told she was—is—a brilliant Marguerite. The first performance of the season is two weeks away, and...”

“She's gone,” Kat said, as any hope that Reynard might have been wrong evaporated.

“I came to you in Savannah and invited you here because there's no evidence of foul play. She was performing under an assumed name, as I understand she often does. She told us she has a stalker. My manager was more than happy to accommodate her wishes to engage her stellar talent under an alias. I'm assuming I met this stalker last night? He seemed completely ignorant of her whereabouts. The only hope of finding your sister is in the clues she might have left among her life and friends here at l'Opéra Severne. If you follow in her footsteps...” Severne suggested. “I'm afraid there's a distance between me and my employees that prevents me from discovering more about her disappearance.”

He was a daemon. He couldn't be trusted. And yet she was so conditioned to fear Reynard that this seemed better. Not safer, but better. He'd asked her here because Victoria had disappeared. There was more to it than that. There had to be. But walking away wasn't an option. Not when the last place her sister had been seen was this opera house.

“I might vanish without a trace, as well,” Kat said.

“No. That won't happen. I'm here now,” Severne said. “I won't be called away again. You'll have my undivided attention.”

As if his mere presence would keep her safe. He was a daemon. Not a bodyguard. He might look like he could take on an army of Reynards, but it would be a mistake to trust him. Why should he stand at her back and protect her from the Order of Samuel and other daemons while she tried to ascertain what had happened to Victoria? He couldn't have perfectly altruistic motives. He was a daemon. They weren't known for noble intentions.

“Play for me. Let me see what I've done in offering you a seat without an audition,” Severne challenged her.

His bare muscular body stood out in stark relief against the polished antiques of his office. On the desk, several deep purple calla lilies sat in a crystal vase. Like Severne, the lilies stood out. A hint of passion, life, color...but their petals were stiff and perfect like Severne's physique.

Kat hesitated. She should walk away. Where better to leave a daemon child than with a daemon? But the memory of the boy's angelic face and the hope of finding clues to her sister's whereabouts held her in place.

And pride.

There was no denying the frisson of need that rose up in her when he said “Play for me” in his deep voice, smoothed by a creole accent less influenced by modern inflections probably because it had been influenced by Parisian émigrés decades ago. Daemons weren't immortal, but they lived a very long time. If she played for him, she would be playing for someone who had heard celebrated masters play.

Now he reined in his energy to appear more casual. He moved closer. She could detect a hint of smoky sandalwood, sweat and a lightly concentrated scent that was the heated air of the opera house itself settled on Severne's hair and skin. The sensual impact of that recognition made her knees turn soft.

She loved the theater scent. To breathe it on him messed with her equilibrium.

He couldn't be trusted. He smelled like heaven, but his veins flowed with the fires of hell.

“Play for me, Katherine,” he repeated, and this time her eyelids closed against the compelling drawl in his words.

“I'll play for Victoria,” Kat said to cool whatever charge there was between them.

Severne sat on a straight, tall-backed chair as if it was a throne. He'd placed the towel around his neck, and it hung there like a gentleman's scarf. He waited for her to sit on a chair arranged across from him and open her case. She took out her cello and her bow. The familiar motions were a meditation even under Severne's watchful eye.

This was her best defense against the fascination building in her for this daemon she couldn't avoid. She'd always used music to fight the pull that drew her to daemon blood. Maybe it would help her against the pull she felt for lips and lean muscled heat, for the musical history he'd lived through.