Button, Button: Uncanny Stories (11 page)

BOOK: Button, Button: Uncanny Stories
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"I don't know. But-well, the Nielsens weren't stupid people. They wouldn't just refuse to teach him."

"Well, whatever they taught him," Harry said, picking up his paper, "it sure doesn't show."

When they asked Miss Edna Frank over that afternoon to meet the boy she was determined to be impartial.

That Paal Nielsen had been reared in miserable fashion was beyond cavil, but the maiden teacher had decided not to allow the knowledge to affect her attitude. The boy needed understanding. The cruel mistreatment of his parents had to be undone and Miss Frank had elected herself to the office.

Striding with a resolute quickness down German Corners' main artery, she recalled that scene in the Nielsen house when she and Sheriff Wheeler had tried to persuade them to

enter Paal in school.

And such a smugness in their faces, thought Miss Frank, remembering. Such a polite disdain. We do not wish our boy in school, she heard Professor Nielsen's words again. Just like that, Miss Frank recalled. Arrogant as you please. We do not wish-Disgusting attitude.

Well, at least the boy was out of it now. That fire was probably the blessing of his life, she thought.

"We wrote to them four, five weeks ago," the sheriff explained, "and we haven't gotten an answer yet. We can't just let the boy go on the way he is. He needs schooling."

"He most certainly does," agreed Miss Frank, her pale features drawn into their usual sum of unyielding dogmatism. There was a wisp of mustache on her upper lip, her chin came almost to a point. On Halloween the children of German Corners watched the sky above her house.

"He's very shy," Cora said, sensing that harshness in the middle-aged teacher. "He'll be terribly frightened. He'll need a lot of understanding."

"He shall receive it," Miss Frank declared. "But let's see the boy."

Cora led Paal down the steps, speaking to him softly. "Don't be afraid, darling. There's nothing to be afraid of."

Paal entered the room and looked into the eyes of Miss Edna Frank.

Only Cora felt the stiffening of his body-as though, instead of the gaunt virgin, he had looked into the petrifying gaze of the Medusa. Miss Frank and the sheriff did not catch the flare of iris in his bright, green eyes, the minute twitching at one corner of his mouth. None of them could sense the leap of panic in his mind.

Miss Frank sat smiling, holding out her hand.

"Come here, child," she said and, for a moment, the gates slammed shut and hid away the writhing shimmer.

"Come on, darling," Cora said, "Miss Frank is here to help you." She led him forward, feeling beneath her fingers the shuddering of terror in him.

Silence again. And, in the moment of it, Paal felt as though he were walking into a century-sealed tomb. Dead winds gushed out upon him, creatures of frustration slithered on his heart, strange flying jealousies and hates rushed by-all obscured by clouds of twisted memory. It was the purgatory that his father had pictured to him once in telling him of myth and legend. This was no legend though.

Her touch was cool and dry. Dark wrenching terrors ran down her veins and poured into him. Inaudibly, the fragment of a scream tightened his throat. Their eyes met again and Paal saw that, for a second, the woman seemed to know that he was looking at her brain.

Then she spoke and he was free again, limp and staring.

"I think we'll get along just fine," she said.

Maelstrom!

He lurched back on his heels and fell against the sheriffs wife.

All the way across the grounds, it had been growing, growing-as if he were a geiger counter moving towards some fantastic pulsing strata of atomic force. Closer, yet closer, the delicate controls within him stirring, glowing, trembling, reacting with increasing violence to the nearness of power. Even though his sensitivity had been weakened by over three months of sound he felt this now, strongly. As though he walked into a center of vitality.

It was the young.

Then the door opened, the voices stopped, and all of it rushed through him like a vast, electric current-all wild and unharnessed. He clung to her, fingers rigid in her skirt, eyes widened, quick breaths falling from his parted lips. His gaze moved shakily across the rows of staring children's faces and waves of distorted energies kept bounding out from them in a snarled, uncontrolled network.

Miss Frank scraped back her chair, stepped down from her six-inch eminence and started down the aisle towards them.

"Good morning," she said, crisply. "We're just about to start our classes for the day."

"I-do hope everything will be all right," Cora said. She glanced down. Paal was looking at the class through a welling haze of tears. "Oh, Paal." She leaned over and ran her fingers through his blond hair, a worried look on her face. "Paal, don't be afraid, dear," she whispered.

He looked at her blankly.

"Darling, there's nothing to be-"

"Now just you leave him here," Miss Frank broke in, putting her hand on Paal's shoulder. She ignored the shudder that rippled through him. "He'll be right at home in no time, Mrs. Wheeler. But you've got to leave him by himself."

"Oh, but-" Cora started.

"No, believe me, it's the only way," Miss Frank insisted. "As long as you stay he'll be upset. Believe me. I've seen such things before."

At first he wouldn't let go of Cora but clung to her as the one familiar thing in this whirlpool of frightening newness. It was only when Miss Frank's hard, thin hands held him back that Cora backed off slowly, anxiously, closing the door and cutting off from Paal the sight of her soft pity.

He stood there trembling, incapable of uttering a single word to ask for help. Confused, his mind sent out tenuous shoots of communication but in the undisciplined tangle they were broken off and lost. He drew back quickly and tried, in vain, to cut himself off. All he could manage to do was let the torrent of needling thoughts continue unopposed until they had become a numbing, meaningless surge.

"Now, Paal," he heard Miss Frank's voice and looked up gingerly at her. The hand drew him from the door. "Come along."

He didn't understand the words but the brittle sound of them was clear enough, the flow of irrational animosity from her was unmistakable. He stumbled along at her side, threading a thin path of consciousness through the living undergrowth of young, untrained minds; the strange admixture of them with their retention of born sensitivity overlaid with the dulling coat of formal inculcation.

She brought him to the front of the room and stood him there, his chest laboring for breath as if the feelings around him were hands pushing and constraining on his body.

"This is Paal Nielsen, class," Miss Frank announced, and sound drew a momentary blade across the stunted weave of thoughts. "We're going to have to be very patient with him. You see, his mother and father never taught him how to talk."

She looked down at him as a prosecuting lawyer might gaze upon exhibit A.

"He can't understand a word of English," she said.

Silence a moment, writhing. Miss Frank tightened her grip on his shoulder.

"Well, we'll help him learn, won't we, class?"

Faint mutterings arose from them; one thin, piping, "Yes, Miss Frank."

"Now, Paal," she said. He didn't turn. She shook his shoulder. "Paal," she said.

He looked at her.

"Can you say your name?" she asked. "Paal? Paal Nielsen? Go ahead. Say your name." Her fingers drew in like talons.

"Say it. Paal. Pa-al."

He sobbed. Miss Frank released her hand.

"You'll learn," she said calmly.

It was not encouragement.

He sat in the middle of it like hooked bait in a current that swirled with devouring mouths, mouths from which endlessly came mind-deadening sounds.

"This is a boat. A boat sails on the water. The men who live on the boat are called sailors."

And, in the primer, the words about the boat printed under a picture of one.

Paal remembered a picture his father had shown him once. It had been a picture of a boat too; but his father had not spoken futile words about the boat. His father had created about the picture every sight and sound heir to it. Great blue rising swells of tide. Gray-green mountain waves, their white tops lashing. Storm winds whistling through the rigging of a bucking, surging, shuddering vessel. The quiet majesty of an ocean sunset, joining, with a scarlet seal, sea and sky.

"This is a farm. Men grow food on the farm. The men who grow food are called farmers."

Words. Empty, with no power to convey the moist, warm feel of earth. The sound of grain fields rustling in the wind like golden seas. The sight of sun setting on a red barn wall. The smell of soft lea winds carrying, from afar, the delicate clank of cowbells.

"This is a forest. A forest is made of trees."

No sense of presence in those black, dogmatic symbols whether sounded or looked upon. No sound of winds rushing like eternal rivers through the high green canopies. No smell of pine and birch, oak and maple and hemlock. No feel of treading on the century-thick carpet of leafy forest floors.

Words. Blunt, sawed-off lengths of hemmed-in meaning; incapable of evocation, of expansion. Black figures on white. This is a cat. This is a dog. Cat, dog. This is a man. This is a woman. Man, woman. Car. Horse. Tree. Desk. Children. Each word a trap, stalking his mind. A snare set to enclose fluid and unbounded comprehension.

Every day she stood him on the platform.

"Paal," she would say, pointing at him, "Paal. Say it. Paal."

He couldn't. He stared at her, too intelligent not to make the connection, too much afraid to seek further.

"Paal." A boney finger prodding at his chest. "Paal. Paal. Paal."

He fought it. He had to fight it. He blanked his gaze and saw nothing of the room around him, concentrating only on his mother's hands. He knew it was a battle. Like a jelling of sickness, he had felt each new encroachment on his sensitivity.

"You're not listening, Paal Nielsen!" Miss Frank would accuse, shaking him. "You're a stubborn, ungrateful boy. Don't you want to be like other children?"

Staring eyes; and her thin, never-to-be-kissed lips stirring, pressing in.

"Sit down," she'd say. He didn't move. She'd move him off the platform with rigid fingers.

"Sit down," she'd say as if talking to a mulish puppy.

Every day.

She was awake in an instant; in another instant, on her feet and hurrying across the darkness of the room. Behind her, Harry slept with laboring breaths. She shut away the sound and let her hand slip off the doorknob as she started across the hall.

"Darling."

He was standing by the window, looking out. As she spoke, he whirled and, in the faint illumination of the night light, she could see the terror written on his face.

"Darling, come to bed." She led him there and tucked him in, then sat beside him, holding his thin, cold hands.

"What is it, dear?"

He looked at her with wide, pained eyes.

"Oh-" She bent over and pressed her warm cheek to his. "What are you afraid of?"

In the dark silence it seemed as if a vision of the schoolroom and Miss Frank standing in it crossed her mind.

"Is it the school?" she asked, thinking it only an idea which had occurred to her.

The answer was in his face.

"But school is nothing to be afraid of, darling," she said. "You-"

She saw tears welling in his eyes, and abruptly she drew him up and held him tightly against herself. Don't be afraid, she thought. Darling, please don't be afraid. I'm here and I love you just as much as they did. I love you even more-

Paal drew back. He stared at her as if he didn't understand.

As the car pulled up in back of the house, Werner saw a woman turn away from the kitchen window.

"If we'd only heard from you," said Wheeler, "but there was never a word. You can't blame us for adopting the boy. We did what we thought was best."

Werner nodded wih short, distracted movements of his head.

"I understand," he said quietly. "We received no letters, however."

They sat in the car in silence, Werner staring through the windshield, Wheeler looking at his hands.

Holger and Fanny dead, Werner was thinking. A horrible discovery to make. The boy exposed to the cruel blunderings of people who did not understand. That was, in a way, even more horrible.

Wheeler was thinking of those letters and of Cora. He should have written again. Still, those letters should have reached Europe. Was it possible they were all missent?

"Well," he said, finally, "you'll-want to see the boy."

"Yes," said Werner.

The two men pushed open the car doors and got out. They walked across the backyard and up the wooden porch steps. Have you taught him how to speak?-Werner almost said but couldn't bring himself to ask. The concept of a boy like Paal exposed to the blunt, deadening forces of usual speech was something he felt uncomfortable thinking about.

"I'll get my wife," said Wheeler. "The living room's in there."

After the sheriff had gone up the back stairs, Werner walked slowly through the hall and into the front room. There he took off his raincoat and hat and dropped them over the back of a wooden chair. Upstairs he could hear the faint sound of voices-a man and woman. The woman sounded upset.

When he heard footsteps, he turned from the window.

The sheriff's wife entered beside her husband. She was smiling politely, but Werner knew she wasn't happy to see him there.

"Please sit down," she said.

He waited until she was in a chair, then settled down on the couch.

"What is it you want?" asked Mrs. Wheeler.

"Did your husband tell you-?"

"He told me who you were," she interrupted, "but not why you want to see Paul." "Paul?" asked Werner, surprised.

"We-" Her hands sought out each other nervously. "-we changed it to Paul. It-seemed more appropriate. For a Wheeler, I mean."

"I see." Werner nodded politely.

Silence.

"Well," Werner said then, "you wish to know why I am here to see-the boy. I will explain as briefly as possible.

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