Authors: Michael Grant
Tags: #Teen & Young Adult, #Science Fiction & Fantasy, #Science Fiction
much better than looking at that torture chamber on her body.
“I went crazy, yeah. Into the nuthouse with me. I was rich by
then, had my businesses going pretty good, but yeah, off the deep
end, yeah. Meds did nothing; they still talked to me.”
Your conscience, you sick bitch
, Bug Man thought.
“Not my conscience,” she said, for all the world as if he’d said it
out loud. He had to resist the urge to cover his mouth with his hand
lest he say something to get himself killed.
“Psychotic break. Not functional. Everything falling apart . . .
and he came back. Daddy. He said he would if it came to it, if, you
know . . . if. I guess he thought I might eventually get weirded out over
his killing my mother. Drink?”
She poured them each several fingers of bourbon. Bug Man
gulped his down. He needed to pee desperately, but this was so not
the time to ask to be excused.
“Nuts, yeah. So back he came, my daddy. And he said, ‘I know
about this man, this scientist. He’s doing some weird stuff with nano-
technology. Maybe he can help. Only he refused, you see, and Daddy
couldn’t kill him and neither could I, because, well, he was protected.”
“Burnofsky?”
“Burnofsky?” She shook her head. “But good guess. No, it was
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Grey McLure. He was just starting—freaking out over his wife dying
and he couldn’t save her with his new toys. Then his daughter and the
aneurysm, yeah. Yeah. People went crazy, though, see? Off this new
thing he’d invented. This
biot
!”
The word came out in a roar that made Bug Man jump back.
“This biot. So, maybe, yeah, maybe if a dying biot would make
a sane person crazy, hey. Maybe, right? Yeah? Maybe the other way,
too.”
“Jesus. They gave you a biot.”
She nodded. “Yeah. Yeah. My very own. And then they killed it.
And you know what? It worked. It
worked
. I wasn’t crazy anymore.”
The hell you weren’t
, Bug Man did not say.
“The tattoos stopped talking to me. I could cope, yeah. I could
manage. Making tons of money. And then I saw it—saw the game.
Saw the way I could do it. Make a whole new world, yeah.”
She fell silent then, staring down into her drink.
Bug Man stood on wobbly legs and went to the bathroom. In the
glaring fluorescence he stared at his own face as if staring at a ghost.
He was shaking. He felt an urge to sit down and empty his bowels, but
who knew what the crazy woman would do?
Oh, that’s right
, he told himself.
Not crazy. No, she was all cured.
He peed and washed his hands, and having used up all his stall-
ing tactics went back out.
Lystra Reid had not moved a muscle.
He sat down.
And unprompted she said, “Oh, and the actress? Sandra Piper?
Bitch cut me off in traffic.”
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(ARTIFACT)
Plath:
I need Caligula.
Lear:
Name the place.
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SIXTEEN
The news was all about the Nobel madness. Twenty-four hours a day.
MSNBC, Fox, CNN.
Only the BBC made a connection to the bizarre case of the New
Zealand cops.
Only the Web site Buzzfeed made a connection between the
Nobel madness and the inexplicable suicide of Sandra Piper.
Everyone, though, connected it to the bizarre death of the Ameri-
can, Chinese, and Brazilian heads of state.
Fear was spreading. A sharp observer would already be able to
spot a wariness in people’s eyes and in their words. There was a feel-
ing in the air.
Fear. Like the scent of smoke. Like the distant rumble of tank
engines and clanking tracks. Like sirens in the night.
The theories about the cause were: food poisoning, mass hysteria,
and some sort of terrorist attack using a form of nerve agent.
Only Cracked.com actually listed nanotech on its “8 Ways to
Explain the Big Brain Meltdown.”
There were several loops of footage than ran more or less con-
tinuously online and on TV. One was a cell-phone video of a scene
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MICHAEL GRANT
of madness from inside the Golden Hall. A second showed a blood-
stained woman in a party dress rushing from the hall amid a panicked
crowd, then suddenly launching herself at a passing woman and
biting savagely into her neck. Another showed a former American
secretary of state waving madly at invisible flying enemies.
Of course there were also clips of the new president looking sol-
emn and vowing to give the Swedish government any assistance they
required. Ditto footage of the British prime minister, the French pres-
ident, and a long list of folks who had no idea what was going on, all
vowing to get to the bottom of it.
Rye ergot. That was the first guess. Rye ergot, a disease caused by
fungus that grows on some foods and can cause symptoms similar to
an LSD dose.
Tests for rye ergot were all negative.
“Just like Nijinsky,” Keats said. “It’s all connected.” He was watch-
ing the BBC coverage. “It’s all the same bloody thing, isn’t it.”
He was talking to no one. Plath was out, and though a part of
Keats was with her—sitting on his hands, waiting for a cue—he
felt alone. Abandoned. Both here and there. Both large and small.
Slumped into his chair and on edge, ready for a race. Not for the first
time, he wondered mordantly what he had to fear from madness.
Wasn’t this already madness?
Billy was absorbed in a video game. Vincent was there, staring,
almost forgotten by Keats.
Keats sat before the television, watching through his two eyes,
and seeing the windows in his head, watching from other eyes. “It’s
all one. But who?”
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BZRK APOCALYPSE
The voice when it spoke surprised him. What the voice said was
chilling.
“Lear,” Vincent said.
Keats turned to look at him. He was still showing nothing, Vin-
cent. A blank expression, sad eyes. Only his brow seemed to speak of
any emotion; if tension can be called an emotion.
“Lear?” Keats said. “Not the Armstrong mystery weapon?”
“Games,” Vincent said, as though that word should mean every-
thing and the saying of it had exhausted him.
Keats couldn’t quite think of what to say. On the one hand, this was
Vincent. On the other hand, this was mad Vincent. Shattered Vincent.
Seventy percent Vincent.
“You want anything to eat?” Keats asked. “I was thinking of
ordering Chinese.”
“Did Lear just see it?” Vincent mused, ignoring Keats. “Or has
he known all along? Should I ask him?” There was something almost
like a smile on Vincent’s lips. “There will be more.”
Keats might have pursued it, but a few thousand feet away, his
much smaller self saw that the moment was fast approaching. He
readied himself to confront the lion in his den.
With Nijinsky dead, Burnofsky was off his leash. He had no way of
knowing this—not yet—but there was no longer a biot in his head.
Or to be more accurate, there was still a biot attached to his optic
nerve, but no one was peering through those biot eyes any longer.
The biot had no real brain of its own, nor did it have instincts. It
continued to live, but only to live. Immobile.
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MICHAEL GRANT
Burnofsky had a Post-it note. He wrote on it:
Floor 34. Viral
research.
He held this note up in front of his eyes. Held it there for far lon-
ger than it should take to read it. But he guessed that whoever was
running the biot in his head—and he believed it was Nijinsky—would
not be focused on his every moment.
He was careful in the way he did this because Burnofsky knew
perfectly well that his lab was under surveillance. He had come to
accept that fact. Privacy was dead, anyway, particularly if you worked
for the Armstrongs. But he knew the camera locations and angles.
Sometimes he forgot—he had a worrying sense that his little self-
inflicted wound of the other day might have been observed.
Well, the Twins had seen worse, hadn’t they? They’d seen him
puking his guts out. He was morally certain that they’d been watch-
ing one dark night months earlier, back before he’d been wired, when
he had sat for twenty minutes with a loaded pistol in his hand trying
to get up the nerve to put the barrel in his mouth and pull the trigger.
So what was a little cigarette burn, eh? Better than the opium
pipe, right? Better than the vodka bottle. He wasn’t drinking now, not
that he’d made some lifelong decision to quit; he just wasn’t drinking
right now. Or snorting coke. Or smoking opium.
No, he was all cleaned up. He laid the Post-it note down in the
ashtray in front of him, shielding it with his body from the hidden
camera. Then he began to light a cigarette and in the process burned
the note to ashes.
He drew in the smoke of his cigarette and wondered if he would
get to the end of it without burning himself.
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BZRK APOCALYPSE
The burning was—
“Shit,” he muttered. Nijinsky would think it was a reference to a
computer
virus. He wouldn’t understand that Floor 34 was a crash
program involving actual viruses.
Biological
viruses.
Burnofsky had only stumbled upon the information by chance.
He was hiring a new engineer and happened to speak to one of the
people in human resources, who smiled, told him he had plenty of
available engineers, and thank God at least Burnofsky wasn’t looking
for a virologist.
Virologist. A scientist specializing in viruses, of course. And why
was anyone at Armstrong Fancy Gifts Corporation working on bio-
logicals of any kind?
It had to be Floor 34. Burnofsky knew most of what AFGC was
into, he should have known about a biological nano program of any
sort. Were they working on their own version of biots? Were they pre-
paring to toss his nanobots aside? The possibility worried Burnofsky
a bit.
As always when he was anxious, his thoughts went to opium, and
then to his work, and then to Carla. And from there to the Great For-
bidden Memory.
Burnofsky knew exactly what they had done to his brain. He
knew. He was a scientist; he had wired many a person, done to others
what had now been done unto him. He knew that tiny wires in his
brain had been used to create shortcuts—sending thoughts around
the usual circuitous neural pathways to hook into the most intense
sensations.
In other words, he knew that Nijinsky had connected memories
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MICHAEL GRANT
of his daughter’s death to pleasure centers. He knew Nijinsky had
made his greatest guilt into a sick and disturbing fantasy. He knew
that. He could picture the wire in his own brain. He could imagine
just how Nijinsky had done it.
But that changed nothing. It did not stop the physical reaction
when he thought of that most awful of days.
I killed her.
And I’m thrilled.
At first he had thought of using his own nanobots to go in and
rewire himself. But of course Nijinksy would see him. Burnofsky
could take Nijinsky’s biot—Burnofsky wasn’t quite Bug Man or Vin-
cent when it came to nano warfare, but he was confident that he could
outfight Nijinsky.
But somehow . . . No.
Somehow the will to fight back always seemed to dissipate.
Was this still more wiring? Probably. If so, it was effective. He
would form the desire, formulate a plan, start to get his resources in
order, and then, then, then something . . . It would all just leak away.
The answer was no. He would not finish this cigarette by putting
it out in the ashtray.
He took one long, final pull on the cigarette butt—it was down to
the last inch—lifted his shirt, and stabbed it into his stomach.
The pain was staggering. The smell of burned flesh was like
opium, somehow, a narcotic that turned the pain into a dream, a
swirling unreality.
And most of all, it took his mind off Carla. Because despite all of
Nijinsky’s careful work, Burnofsky felt that if he had to endure that
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horror-excitement one more time, he would find his gun and finally
do it.
The HNDS—hover-capable nanobot deployment system—or
“Hounds” were roughly triangular in shape and no bigger than a
paper airplane.
The original drone architecture was under development for the
U.S. military and the CIA. Stealthy, relatively quiet, wonderfully
maneuverable, their only real drawback was that their range was lim-
ited to twenty miles. The military wanted a seventy-five-mile range,
and the CIA weren’t interested unless they could be flown at distances
up to five hundred miles.
So the drones—once designated the hover-capable surveillance
system (HOSS)—had been repurposed. Twenty miles might not quite
be the thing for the soldiers or the spies, but it was perfectly adequate
for use in massed preprogrammed attack by nanobots.