Can't Be Satisfied (70 page)

Arnold, Kokomo,
ref1

Arnold, Mack,
ref1

Aron, Evelyn,
ref1
,
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,
ref3

Associated Records,
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Atlantic Records,
ref1
,
ref2

“Atomic Bomb Blues,”
ref1

Austin, Mary,
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,
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,
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,
ref4

Austin, Texas,
ref1

Avedon, Richard,
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Avery Fisher Hall,
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Aykroyd, Dan,
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“Baby Please Don’t Go,”
ref1
,
ref2
,
ref2
,
ref3

Baker, Kenny,
ref1

The Band,
ref1
,
ref2

Bang Bang.
See
Williams, Charles

Barbecue Bob,
ref1

Barber, Chris,
ref1
,
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,
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,
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,
ref5
,
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,
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Bass, Ralph,
ref1
,
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,
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Batt’s Restaurant,
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,
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Beacon Theater,
ref1

Beale Black and Blue
(McKee and Chisenhall)
ref1

Beale Street,
ref1
,
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“Be Honest with Me,”
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Bell, Carey,
ref1
,
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,
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Bell Grove Missionary Baptist Church,
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“Bell Telephone Presents the Blues” (TV)
ref1

Below, Fred,
ref1
,
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,
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Belushi, John,
ref1

Bentley, Bill,
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Berry, Chuck,
ref1
,
ref2
,
ref3
; band members and,
ref1
; Chess Records and,
ref1
;
“Come On,”
ref1
; criminal charges against,
ref1
; effect of, on blues,
ref1
; “Maybellene,”
ref1
; Spann and,
ref1

Berry, Mabel,
ref1

The Best of Muddy Waters
(album)
ref1
,
ref2
,
ref3
,
ref4
,
ref5

The Big Bopper,
ref1

Big Foot Chester,
ref1

Big John’s,
ref1

Bilbo, Theodore G.,
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Billboard,
ref1
,
ref2
; blues music and,
ref1
,
ref2
; Chess Records and,
ref1
,
ref2
;
Electric Mud
(album),
ref1
; “Hoochie Coochie Man,”
ref1
; “I’m
Ready,”
ref1
; Little Walter and,
ref1
; “Maybellene,”
ref1
; Moondog Coronation Ball,
ref1
; Most-Played Jukebox Race Records chart,
ref1
,
ref2
; on standby markets,
ref1
; “Standing Around
Crying,”
ref1
; Trendsetter Award,
ref1

Bishop, Elvin,
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Black Boy
(Wright)
ref1

Black Ensemble Theater Company,
ref1

Black Metropolis
(Wright)
ref1

“Black Night,”
ref1

“Black Spider Blues,”
ref1

Blackstone Rangers,
ref1
,
ref2
,
ref3

Blackwell, Scrapper,
ref1

Bland, Bobby “Blue,”
ref1
,
ref2
,
ref3

Blind Blake,
ref1

Blind Pig Records,
ref1

Bloomfield, Michael,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
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,
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“Blow Wind Blow,”
ref1
,
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,
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,
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,
ref5

“Bluebird Blues,”
ref1
,
ref2

Bluebird Records,
ref1
,
ref2
,
ref3
,
ref4

blues,
ref1
,
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,
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,
ref4
; bottleneck style,
ref1
; Chicago,
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,
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,
ref3
; chiffon,
ref1
; church and,
ref1
; country,
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,
ref2
,
ref3
,
ref4
,
ref5
; Delta,
ref1
; early development of,
ref1
; electric,
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,
ref2
; folk music and,
ref1
,
ref2
; form of,
ref1
; gospel music and,
ref1
,
ref2
; labels producing,
ref1
; lyrical structure of,
ref1
,
ref2
; poverty and,
ref1
; rock
and roll and,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
; spirituals and,
ref1
; St. Louis,
ref1
; West Side sound,
ref1
; white audiences and,
ref1
,
ref2
,
ref3
,
ref4

“The Blues and Gospel Train” (TV)
ref1

“Blues Before Sunrise,”
ref1
,
ref2
,
ref3
,
ref4

Blues Blues Blues
(album)
ref1
,
ref2

Blues Brothers
(film)
ref1

Blues Foundation,
ref1
,
ref2
,
ref3

Blues from Big Bill’s Copa Cabana
(album)
ref1
,
ref2

Blues from the Cradle
(album)
ref1

“The Blues Had a Baby,”
ref1

Blues Hall of Fame,
ref1
,
ref2
,
ref3

Blues Incorporated,
ref1
,
ref2

Blue Sky Records,
ref1

A Blues Life
(Townsend and Greensmith)
ref1

Blue Smitty,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8

Blues Sky
(album)
ref1

Blues Unlimited
(album)
ref1

Blues Way label,
ref1

The Blues World of Little Walter
(album)
ref1

Bohaner, Scott,
ref1
,
ref2

“Boll Weevil,”
ref1

Bolton, Andrew,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
; car accident and,
ref1
; covers Muddy’s jobs,
ref1
; death of,
ref1
; as driver,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
; in Muddy’s Chicago house,
ref1
,
ref2
,
ref3
; physical description of,
ref1
,
ref2
; Sumlin and,
ref1

“Boogie Chillen,”
ref1

Boogie Woogie Inn,
ref1
,
ref2

bootlegging,
ref1

“Born in Chicago,”
ref1
,
ref2

Bossmen
(Rooney)
ref1

Boston Phoenix,
ref1

bottleneck blues,
ref1

Bottom Line,
ref1

The Bottom of the Blues
(album)
ref1
,
ref2

Bowie, David,
ref1

Boyd, Eddie,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7

Boyd, Joe,
ref1
,
ref2

Brenston, Jackie,
ref1

“Bring It On Home to Me,”
ref1

Brisbin, John,
ref1

Brooks, Harvey,
ref1

Broonzy, Big Bill,
ref1
,
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,
ref3
,
ref4
,
ref5
,
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,
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,
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,
ref9
,
ref10

Brown, Carrie,
ref1

Brown, Earl,
ref1

Brown, James,
ref1
,
ref2

Brown, J. T.,
ref1

Brown, Lee,
ref1

Brown, Willie,
ref1
,
ref2

“Brown-Eyed Handsome Man,”
ref1

Brown’s Village,
ref1

brozine,
ref1
,
ref2

Bubba.
See
Mildred (outside wife)

Buford, George “Mojo,”
ref1
,
ref2
,
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,
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,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11

Burbridge, Graham,
ref1

Burch, Ken,
ref1

Burdon, Eric,
ref1

Burnett, Chester,
ref1
,
ref2

Burnside, Annie Mae,
ref1

Burnside, R. L.,
ref1
,
ref2

“Burr Clover Blues,”
ref1
,
ref2
,
ref3

Butera, Sam,
ref1

Butterfield, Paul,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
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,
ref8

Butterfield Blues Band,
ref1

Cadet Concept,
ref1

Cafe au Go-Go,
ref1

“Caldonia,”
ref1

Cameron, Scott: band troubles and,
ref1
; Chess Records and,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
; Dixon and,
ref1
; Geneva and, 361;
The Last Waltz
(film),
ref1
; as manager,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
;
Mandingo
(film),
ref1
; Muddy’s death and,
ref1
; Muddy’s family and,
ref1
,
ref2
; Muddy’s recordings and,
ref1
,
ref2
,
ref3

“Canary Bird,”
ref1

canned heat,
ref1
,
ref2

Can’t Get No Grinding
(album)
ref1
,
ref2
,
ref3

“Can’t Get No Grinding,”
ref1

Carnegie Hall,
ref1
,
ref2
,
ref3
,
ref4

Carr, Leroy,
ref1
,
ref2
,
ref3
,
ref4

Carter, James “Sweet Lucy,”
ref1
,
ref2

Carter, Jimmy,
ref1

Cash Box,
ref1
,
ref2

“Catfish Blues,”
ref1

Catfish Records,
ref1

C. D. (valet)
ref1
,
ref2
,
ref3

Cellar Door,
ref1

Chance Records,
ref1

Charles, Ray,
ref1
,
ref2

Charters, Sam,
ref1

Chasin’ That Devil Music
(Wardlow)
ref1

Chatmon Brothers,
ref1

Chauvard, Marcel,
ref1
,
ref2

Checkerboard Lounge,
ref1
,
ref2

Chenier, Clifton,
ref1

Chess, Leonard: Aristocrat sessions,
ref1
;
Billboard
and,
ref1
; blues market and,
ref1
; Chess Records
sold,
ref1
,
ref2
,
ref3
; Chuck Berry and,
ref1
; death of,
ref1
; early history of,
ref1
; gigs and,
ref1
,
ref2
; heart attack of,
ref1
; “Hoochie Coochie Man,”
ref1
; lawsuit and,
ref1
; Library of Congress recordings and,
ref1
; as manager,
ref1
,
ref2
;
Muddy’s family and,
ref1
,
ref2
; offices moved,
ref1
; payola charge,
ref1
; recordings by,
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
; Rogers and,
ref1
,
ref2
; Spann and,
ref1
; Sunnyland Slim and,
ref1

Chess, Marshall,
ref1
; Arc Music Publishing,
ref1
,
ref2
; Bloomfield and,
ref1
,
ref2
; Cadet Concept,
ref1
; Chess Records sold,
ref1
,
ref2
,
ref3
;
Electric Mud
album,
ref1
,
ref2
; lawsuit and,
ref1
; Leonard and,
ref1
,
ref2
,
ref3
; Muddy’s car accident,
ref1
; on paying royalties,
ref1
,
ref2
; Rolling Stones and,
ref1
; white audiences,
ref1

Chess, Phil,
ref1
; Aristocrat sessions,
ref1
; on blues music,
ref1
,
ref2
; Chess Records
sold,
ref1
,
ref2
,
ref3
,
ref4
; early history of,
ref1
; Goldberg and,
ref1
; “Hoochie Coochie Man,”
ref1
; lawsuit and,
ref1
,
ref2
; left Chess Records,
ref1
; recordings and,
ref1
,
ref2
; Sunnyland Slim and,
ref1