Cat Shout for Joy (19 page)

 

26

J
oe heard Tekla
drag a suitcase across the entry, heard it clunk down a ­couple of steps into the garage and the door slam. He heard a click and then a thunk, as if the tailgate of a hatchback or SUV had been opened Skinning out from beneath the armoire, he slipped down the hall, leaving the gun hidden. Halfway down, he froze. The door to the garage opened and Arnold clumped in—­but he turned away to the kitchen. Joe heard the refrigerator open. While the kid was occupied, Joe hit for the bench and under it.

Tekla's purse stood on top. He longed to claw it open and drag out that narrow brown envelope. He pulled deeper into the shadows as Arnold came back munching, smelling of peanut butter. The boy, turning back into the garage, let the door slam behind him: one of those spring-­hinged jobs as lethal as a spring-­loaded rat trap. Before the door slammed shut Joe tried to see in, see what kind of car, but he got only a glimpse. The space was dim, the big garage door still closed. With Arnold blocking the view, he could see only a dull brown, dirt-­encrusted rear fender and open tailgate where the car had been backed in, perhaps for faster loading. Now, with the inner door to the house shut again, he heard the faint sounds of suitcases thumping into the back and the mumble of their voices, could make out only a few scattered words. Behind him Sam was coming down the hall, sounded as if he were pushing his wheelchair, leaning on it in an uneven walk. The garage door opened again and Tekla came into the entry. “Leave the chair, Arnold will bring it. Arnold, help your father get in the car.”

Arnold appeared, shoving the last of his sandwich in his mouth. In that moment, as he clumsily handed his father down the two steps into the garage, Joe saw the SUV more clearly, but it didn't help much. Faded brown in color and far from new, but he didn't recognize the make, nor could he see a logo. Creeping out straining to see the license, he sucked back fast as Tekla turned.

Picking up her coat and purse from atop the bench above him, and Sam's and Arnold's jackets, she hauled them into the garage, letting the door slam closed. This time Joe heard the dead bolt turn. In a moment the car started, the garage door rumbled up, he heard them pull out and the door rattled down again.

He leaped at the knob, swinging and kicking—­but the dead bolt held tight. They were gone, gone before he'd seen much of the car, and sure as hell they were headed for the freeway.

The van still stood in the narrow drive, the van the police would be watching. Paws sweating in his haste, he searched the house for a phone. He looked everywhere, every room, but found only empty jacks. They must have used only their cell phones. Half their belongings were still scattered about. In Arnold's room, wrinkled clothes, school papers, empty drink cans strewn everywhere. By the front door, the three coats still hung abandoned. But they'd taken the front-­door key.

They couldn't have left it unlocked?
Were
they gone for good and didn't care if someone came in? Maybe they had simply left what they didn't want? Leaping, he swung on the knob until he'd turned it. Holding it, kicking hard against the molding, he fought until he was out of breath but he couldn't force it open.

He wanted out of there, wanted to get to a phone. Turning, he surveyed the small crowded rooms.

He seldom saw a house he couldn't break into or out of. Always he and Dulcie were able to jimmy a window or a lock somewhere. But as he made the rounds of the small cottage, leaping up to each sill, he found himself fighting uselessly. The metal bolt locks were driven down hard into the molding; all were so old they maybe wouldn't slide at all. Didn't these ­people ever open a window? The old house had settled, too, making everything even harder to operate. Maybe the bedroom slider would work better; he had seen a narrow patio beyond. Maybe in spite of the position of the bed, they might have used that opening on warm nights.

Slipping in behind the bedroom draperies, he peered at the slim crack where the moldings met. He could glimpse the engaged dead bolt, the door securely locked. When he leaped for the lever that would unlock it, it flipped right down. Scrambling up again he gripped the handle with both paws and kicked against the wall. Kicked again and again. The door remained solidly closed, stuck tight. Or was it screwed close? Yes, when he examined the bottom molding, there were four big screws embedded.

When he checked the bathroom window, it was frozen in place. They sure as hell didn't believe in fresh air. Or the landlord didn't. Doubling back through the house, he peered up at the ceiling-­high heat vents, their grids secured with rusted screws. Even if he could climb on the bookcase in the boy's room—­which was crowded with junk and sports equipment, not books—­even if he could somehow get into the vent, where would that lead him?

Inside the heater, that's where.

By the time he reached the kitchen, one bruised paw was bleeding and he felt as mean as the Rottweiler. By this time the Bleaks would be well out of town on one of the freeways, headed who knew where? And the van still in the drive to keep Harper's patrol complacent. Springing to the counter beside the sink, he peered out the kitchen window.

The main house was just to his left. Straight ahead across the narrow, scrubby yard and just inside the woven fence, the Rottweiler was demolishing the last of the oak branch. Joe envisioned a huge lump of splinters in the dog's stomach. Despite his distaste for the mean-­tempered animal, Joe didn't envy him that misery.

A light was on in the yellow house, in what looked like the kitchen. Behind the thin curtains he could see a figure moving about, maybe fixing a bite of lunch. Stepping onto the sill Joe tried the window lock, but this, too, was totally stuck. One of those ancient curved jobs that would have to be turned with pliers. Maybe even pliers couldn't budge it—the device was thick with coats of old paint. Watching through the window as the Rottweiler pursued his frenzied chewing, Joe reared up against the glass.

The moment the dog paused to get his breath Joe let out a bloodcurdling yowl and raked his claws down the pane. The scritching sound put even Joe's teeth on edge. The Rottweiler paused, looking up. Joe stretched taller and gave another howl. The dog stared at him, roared, and charged the fence hard enough to break through—­but the fence held. When Joe yowled and clawed again, the Rottweiler's barking frenzy brought the back door crashing open. A broad-­shouldered, bearded man stepped out clutching a leash in one hand, a cell phone in the other, holding the phone to his ear—­talking, and watching the cottage.

Joe couldn't hear a word with the dog roaring. Twice the man stopped talking to shout at the dog, but it kept on barking and lunging. Still talking on the phone, the guy came down off the porch and headed for the cottage. He paused once, looked back uncertainly at the dog, glanced down at the leash, and turned back toward the closed gate.

Don't bring him. Leave him be, he'll only complicate matters, don't bring the damned
dog
.

The man opened the gate, shouting to quiet the animal. When he leashed the Rottweiler, the dog settled down. Together man and beast headed for the cottage.

Joe heard them walking around the yard, circling the house, the dog huffing and snarling. When Joe heard the man's step on the porch and the click of doggy toenails he fled past the front door to the open alcove where the coats were left hanging. He leaped, hung with his paws on the shelf above the hooks. With his hind feet he kicked down the wrinkled jackets, dropped on top of them and pawed them into a heap. They smelled of the boy and of Tekla. Outside the glass, the man had paused, still talking on the phone. Yes, he was talking with the dispatcher. Joe waited, listening.

“No, I'll stay on the line,” the man said irritably. He spoke again to the dog, to quiet him, then he knocked and called out to Tekla. His shadow shone through the obscure glass, waiting, listening, the dog a dark mass moving restlessly against his knee.

When no one answered, he knocked harder and called out again. He waited, then, “They're not home,” he told the dispatcher. “But my dog don't bark for nothing.
Yes,
send the patrol. My dog don't bark for no reason.” When Joe heard keys jingle, he raced halfway down the hall. There, Joe Grey did the unthinkable.

He backed up against the wall and sprayed.

Streaking to the bedroom, he did the same on the bedroom door and then hastily sprayed the bed. Storming back to the entry, he heard the key turn in the lock. Diving beneath the jackets, Joe was out of sight when the door edged open. The Rottweiler, pressing his face at the crack, got a good whiff of tomcat and let out an echoing roar. Joe was peering out, ready to leap up for the closet shelf, when the Rottweiler lunged through, exploded into the entry as black and huge as a rodeo bull, jerking the leash so hard the big man could barely hold him. Charging toward the hall, he bolted for the smell of Joe's markings, the man double-­timing behind him, leaving the door wide.

And Joe was out of there.

Leaping from beneath the jackets, he flew out through the open door as two cops answered the landlord's call, pulling in behind the van.

Parking their police unit, Officers Brennan and Crowley got out and approached the open door, their hands poised near their holstered weapons. Joe watched from the bushes for only a moment and then he was off, scrambling up the oak to the roofs, streaking away home. Racing for a phone, to get the message to Brennan and Crowley before they cleared the house and left again. He wanted them to find the gun, not leave it there unguarded. He wanted them, in proper police procedure, to bag it at once, fresh with Tekla's prints.

 

27

D
ulcie, having been
chauffeured home by Charlie—­like an invalid, she thought irritably—­woke much later warm and cozy curled in Wilma's lap. It was late afternoon, the westering sun slanting in through the living room windows across Wilma's cherry desk. How
hard
she had slept. She woke filled with strange dreams, though already they were fading. She tried to bring them back, but they had flown apart, vanishing into fragments. Why did dreams
do
that?

All that remained was the sense of danger, of Joe Grey's fear. But now even that was fading—­and as fear vanished, she was filled with Joe's wild amusement. She could hear faintly from the dream the roar of a barking dog. She sat up, puzzled, kneading Wilma's leg, pushing Wilma's book aside.

Wilma stroked her, watching her. “What?” she said softly.

“A dog, a huge dog threatening Joe. A gun. And . . . Tekla. Tekla Bleak,” she said, hissing. “But now . . . Joe's all right, it's all right. He's all right,” she said, purring. She looked into the fire that burned on the hearth, trying to sort out what she'd seen, what exactly had happened. As she reached for the dream again, trying to slip back into its shadows, faces and action overlapped into softer visions, and soon she dozed once more and Wilma returned to her book.

But then as she fell into sleep a brighter vision touched Dulcie, not a dream at all but something more alive and urgent shaking her awake, her heart pounding.

“It's time,” she said, leaping down from Wilma's lap. “Something's happening, it's time.”

“The kittens!” Wilma said, shoving her book aside and getting up.

“No,” Dulcie said, “not the kittens. It's Misto.” She shivered, staring at Wilma. “It's time to go to Misto.”

Wilma grabbed her purse, smothered the fire with ashes, found a jacket on the hook in the kitchen. She never questioned Dulcie's perception. She picked Dulcie up ­gently and they were out the kitchen door into the bright afternoon, into the car, backing out. “What did you see? What did you dream?”

Dulcie snuggled close against her. “I was with Misto in another place, not Molena Point, not this world but a place so bright, larger than our world could ever be, the sky stretching away more huge than
our
sky and millions of miles of green hills rolling on and on and up into endlessness . . . And yet,” Dulcie said, “at the same moment we were in our own village, so tiny in those vast spaces. I can't explain how that could be, we floated in eternity but still were in our own tiny village, and then . . . And then Misto and I were in the village library but the room, the book stacks, were dwarfed like a tiny jewel in endless space. We were looking through old, old books at pictures of my little calico, the way I dream of her, the way Misto describes her. We were looking at our girl ­kitten over the centuries. The same sweet face, sly and clever, the same faded calico markings and dark swirling stripes, and her little soft paws.

“There she was in those ancient tapestries and books, in lives so many generations gone. There, in one century and then another, born to different times, though Misto said she will remember little of those lives. But now,” she said, “he has shown her to me for the last time. Now Misto himself is going home. My dream of Courtney is his parting gift.”

Slowing the car, Wilma turned onto the Firettis' street. She felt cold, her hands shaking. Parking before the cottage, she lifted Dulcie as if, Dulcie thought, she were as frail as porcelain. Contritely Dulcie leaped from Wilma's arms into the fern bed by the Firettis' front door, the fronds soft beneath her tummy and paws. She waited as Wilma knocked, both strung tight with heartbreak—­but both would smile and comfort Misto. They would offer only brightness to the old cat, would lay only love before the venerable cat they so treasured.

I
n much the
same way that Dulcie knew Misto needed her, Kit looked up suddenly from hunting gophers in Lucinda's garden. She had come home from MPPD alone, abandoned by Joe, left on her own by Dulcie and Ryan and Charlie; had padded home feeling lonely and not sufficiently praised for finding and retrieving the evidence of shoes; had padded home to her empty house, to hunt alone in her empty garden. But now suddenly she turned from the gopher hole, startled. She listened. She sat very still looking away across the village, hearing in her thoughts a bright whisper. She felt awash suddenly in brilliance. Joy filled her, a need filled her, the old cat was calling to her . . .

She was distracted suddenly as the gopher stuck his head out. She grabbed and killed it all in a second, in a fast reflex, and then she bolted away, left the dead gopher lying limp and forgotten. The old cat was calling her. She raced away through neighbors' gardens and up to the roofs and down and down across the shingles and peaks of cottages and shops, hurrying, sprinting for the Firettis' cottage.

B
ut Joe Grey,
bolting home from the Bleaks' empty rental, was driven by another mission. Still smiling at his well-­timed escape from the Rottweiler, he leaped into his tower and through it onto the high rafter and dropped down onto Clyde's desk. From the love seat Snowball looked up at him sleepily. She was alone; likely Rock was with Ryan. The little white cat yawned, watching him paw at a pile of papers. Finding his cell phone he punched in the one digit for Max Harper. He waited only two rings.

“Harper,” the chief said shortly.

“The Bleaks have skipped. Left town in another car, a small brown SUV. Clothes, suitcases, maps, like they're set to travel. I didn't get a good look at the car, can't tell you the make, couldn't see the license. It was in that little garage where they were renting, it was gone when your officers got there. If they're still there,” Joe said, “there's a gun in the bedroom, under the armoire. A loaded automatic, in a gun case. Get it out before the damned dog—­”

“They have the gun,” Max said, amused. “The dog did find it, but he couldn't get his nose under.” Max was silent, then, “We lifted a ­couple of pretty good prints, good match for Tekla's. We've sent the gun to the lab.”

Once again Joe smiled to hear that Max was confiding in him. This whole situation was different from past cases. But there was something else that he hadn't yet told Max. “There's a second gun in Tekla's suitcase. A big, stainless steel revolver. I couldn't get a good look to tell what make.”

But it was the automatic that was the real evidence. If the riflings on it matched the bullet that killed Ben, they'd have the Bleaks cold. Have evidence far more telling than a notebook and phone and torn pieces from a mouse nest.

And yet now, even after Max had thanked him and they'd ended the call, Joe had an edgy, “something waiting in the background” feeling, as if something were yet to happen. He looked down at Snowball, who was deeply asleep again. He listened to the hollowness of the empty house. He stared away to the east of the village where Ocean Avenue met Highway One, where the Bleaks would have escaped—­and suddenly he was out of there, leaping nervously from the desk to the rafter.

With a sudden sure sense of what
was
wrong, he was through his tower onto the shingles, streaking away across the roofs of the village plaza and the cottages and shops beyond. Heading not toward the tangle of highways where the Bleaks would be speeding, where no cat could ever catch them. Heading for Firetti's Veterinary Clinic, led strongly now by the same urgency that had called Dulcie and had summoned Kit.

I
n the Firetti
bedroom, the old cat didn't sleep. He was not, this day, feeling exhausted; he was not drugged by medication. He had had no pain shots since the night before, nor did he want them. His body was in a transition that he knew well.

Though he was weak, he had put his failing aside, had found a new temporary strength. He sat tall on the bed, snuggled all around by his furry entourage, by Kit and Pan and Dulcie, and now Joe Grey as the tomcat slipped in across the room and up on the bed to join them. In Joe's eyes there was sadness, there was hurt at what was to come.

The cats heard Wilma's and Mary's voices from the living room, but the two women didn't enter. They heard the fire crackle to life and sensed its warmth. The old cat looked at each of them and smiled. He put a paw on the paw of his son Pan, his constant companion these last days. He looked at Kit. “You found shoes,” he said, smiling. “You hauled all that evidence across the yards and hid it for Captain Harper to find.”

Kit beamed.

He looked at Joe and the old cat shook his head. “That Rottweiler could have eaten you in one gulp, tomcat.”

Joe's eyes widened. The venerable cat's omniscience unnerved him.

“You did well, Joe Grey. But you'll soon be a father.” He gave Joe a stern look but said no more. Smiling at Joe, he turned to Dulcie.

“You have another poem in your head, my dear. So much goes on, within. Even as you nurture your kittens, that clear voice nudges you. Those words want life, too. Your verses want to take
their
place in this world. Will you tell us this one?”

“A little of it,” Dulcie shyly. “Just a little . . .”

Duchess of the garbage can

Queen of the alley

Lolling under dustbins

Rolling fat and jolly

No thin beggar, never shy

This lady dines most royally

Fine salami, leftover Brie

Scraps of salmon from the sea

She is beautifully obese

Who feasts on kippers and roast geese

Queen of the garbage can

Duchess of the alley

Accepting largesse with greed

Rolling fat and jolly.

Her words made Misto laugh. “Your children will grow up on poetry,” he told her. “Poetry and,” he said, looking at Joe Grey, “maybe on cop work, too.”

The old cat settled back, and he told them a final tale. He held close his guardians of love. They waited together for his final moment, for the instant when he would step away from them into his next great journey. Misto painted for them, now, realms he would again travel; he gave them views down upon the earth, deep into ancient lands as if those times were again alive. He showed Joe and Dulcie moments from their kittens' own pasts, each experience a tangle of puzzles.

Slyly Misto showed Joe Grey the tomcat's past lives that Joe did not remember and didn't want to remember. At Joe's dismay, Misto laughed.

To Joe, those faraway moments, if they had ever really existed, were gone and done, not part of life here and now. Life was in the moment and that was as it should be.

But for Dulcie and Kit and Pan, the glimpses Misto gave them into kinder realms beyond earthly evil, that promise was a valued gift, and the cats reached their paws close around him. They held Misto, snuggled with him as he dozed in a light and easy sleep. It was later in the small hours of morning that they woke.