Catching Fire (6 page)

“Oh, who knows where Haymitch is,” says Effie. I didn't really expect Haymitch, because he's probably just getting to bed. “Cinna was up late working on organizing your garment car. He must have over a hundred outfits for you. Your evening clothes are exquisite. And Peeta's team is probably still asleep.”

“Doesn't he need prepping?” I ask.

“Not the way you do,” Effie replies.

What does this mean? It means I get to spend the morning having the hair ripped off my body while Peeta sleeps in. I hadn't thought about it much, but in the arena at least some of the boys got to keep their body hair whereas none of the girls did. I can remember Peeta's now, as I bathed him by the stream. Very blond in the sunlight, once the mud and blood had been washed away. Only his face remained completely smooth. Not one of the boys grew a beard, and many were old enough to. I wonder what they did to them.

If I feel ragged, my prep team seems in worse condition, knocking back coffee and sharing brightly colored little pills. As far as I can tell, they never get up before noon unless there's some sort of national emergency, like my leg hair. I was so happy when it grew back in, too. As if it were a sign that things might be returning to normal. I run my fingers along the soft, curly down on my legs and give myself over to the team. None of them are up to their usual chatter, so I can hear every strand being yanked from its follicle. I have to soak in a tub full of a thick, unpleasant-smelling solution, while my face and hair are plastered with creams. Two more baths follow in other, less offensive, concoctions. I'm plucked and scoured and massaged and anointed until I'm raw.

Flavius tilts up my chin and sighs. “It's a shame Cinna said no alterations on you.”

“Yes, we could really make you something special,” says Octavia.

“When she's older,” says Venia almost grimly. “Then he'll have to let us.”

Do what? Blow my lips up like President Snow's? Tattoo my breasts? Dye my skin magenta and implant gems in it? Cut decorative patterns in my face? Give me curved talons? Or cat's whiskers? I saw all these things and more on the people in the Capitol. Do they really have no idea how freakish they look to the rest of us?

The thought of being left to my prep team's fashion whims only adds to the miseries competing for my attention— my abused body, my lack of sleep, my mandatory marriage, and the terror of being unable to satisfy President Snow's demands. By the time I reach lunch, where Effie, Cinna, Portia, Haymitch, and Peeta have started without me, I'm too weighed down to talk. They're raving about the food and how well they sleep on trains. Everyone's all full of excitement about the tour. Well, everyone but Haymitch. He's nursing a hangover and picking at a muffin. I'm not really hungry, either, maybe because I loaded up on too much rich stuff this morning or maybe because I'm so unhappy. I play around with a bowl of broth, eating only a spoonful or two. I can't even look at Peeta—my designated future husband—although I know none of this is his fault.

People notice, try to bring me into the conversation, but I just brush them off. At some point, the train stops. Our server reports it will not just be for a fuel stop — some part has malfunctioned and must be replaced. It will require at least an hour. This sends Effie into a state. She pulls out her schedule and begins to work out how the delay will impact every event for the rest of our lives. Finally I just can't stand to listen to her anymore.

“No one cares, Effie!” I snap. Everyone at the table stares at me, even Haymitch, who you'd think would be on my side in this matter since Effie drives him nuts. I'm immediately put on the defensive. “Well, no one does!” I say, and get up and leave the dining car.

The train suddenly seems stifling and I'm definitely queasy now. I find the exit door, force it open — triggering some sort of alarm, which I ignore — and jump to the ground, expecting to land in snow. But the air's warm and balmy against my skin. The trees still wear green leaves. How far south have we come in a day? I walk along the track, squinting against the bright sunlight, already regretting my words to Effie. She's hardly to blame for my current predicament. I should go back and apologize. My outburst was the height of bad manners, and manners matter deeply to her. But my feet continue on along the track, past the end of the train, leaving it behind. An hour's delay. I can walk at least twenty minutes in one direction and make it back with plenty of time to spare. Instead, after a couple hundred yards, I sink to the ground and sit there, looking into the distance. If I had a bow and arrows, would I just keep going?

After a while I hear footsteps behind me. It'll be Haymitch, coming to chew me out. It's not like I don't deserve it, but I still don't want to hear it. “I'm not in the mood for a lecture,” I warn the clump of weeds by my shoes.

“I'll try to keep it brief.” Peeta takes a seat beside me. “I thought you were Haymitch,” I say.

“No, he's still working on that muffin.” I watch as Peeta positions his artificial leg. “Bad day, huh?” “It's nothing,” I say.

He takes a deep breath. “Look, Katniss, I've been wanting to talk to you about the way I acted on the train. I mean, the last train. The one that brought us home. I knew you had something with Gale. I was jealous of him before I even officially met you. And it wasn't fair to hold you to anything that happened in the Games. I'm sorry.”

His apology takes me by surprise. It's true that Peeta froze me out after I confessed that my love for him during the Games was something of an act. But I don't hold that against him. In the arena, I'd played that romance angle for all it was worth. There had been times when I didn't honestly know how I felt about him. I still don't, really.

“I'm sorry, too,” I say. I'm not sure for what exactly. Maybe because there's a real chance I'm about to destroy him.

“There's nothing for you to be sorry about. You were just keeping us alive. But I don't want us to go on like this, ignoring each other in real life and falling into the snow every time there's a camera around. So I thought if I stopped being so, you know, wounded, we could take a shot at just being friends,” he says.

All my friends are probably going to end up dead, but refusing Peeta wouldn't keep him safe. “Okay,” I say. His offer does make me feel better. Less duplicitous somehow. It would be nice if he'd come to me with this earlier, before I knew that President Snow had other plans and just being friends was not an option for us anymore. But either way, I'm glad we're speaking again.

“So what's wrong?” he asks.

I can't tell him. I pick at the clump of weeds.

“Let's start with something more basic. Isn't it strange that I know you'd risk your life to save mine ... but I don't know what your favorite color is?” he says.

A smile creeps onto my lips. “Green. What's yours?”

“Orange,” he says.

“Orange? Like Effie's hair?” I say.

“A bit more muted,” he says. “More like ... sunset.”

Sunset. I can see it immediately, the rim of the descending sun, the sky streaked with soft shades of orange. Beautiful. I remember the tiger lily cookie and, now that Peeta is talking to me again, it's all I can do not to recount the whole story about President Snow. But I know Haymitch wouldn't want me to. I'd better stick to small talk.

“You know, everyone's always raving about your paintings. I feel bad I haven't seen them,” I say.

“Well, I've got a whole train car full.” He rises and offers me his hand. “Come on.”

It's good to feel his fingers entwined with mine again, not for show but in actual friendship. We walk back to the train hand in hand. At the door, I remember. “I've got to apologize to Effie first.”

“Don't be afraid to lay it on thick,” Peeta tells me.

So when we go back to the dining car, where the others are still at lunch, I give Effie an apology that I think is overkill but in her mind probably just manages to compensate for my breach of etiquette. To her credit, Effie accepts graciously. She says it's clear I'm under a lot of pressure. And her comments about the necessity of someone attending to the schedule only last about five minutes. Really, I've gotten off easily.

When Effie finishes, Peeta leads me down a few cars to see his paintings. I don't know what I expected. Larger versions of the flower cookies maybe. But this is something entirely different. Peeta has painted the Games.

Some you wouldn't get right away, if you hadn't been with him in the arena yourself. Water dripping through the cracks in our cave. The dry pond bed. A pair of hands, his own, digging for roots. Others any viewer would recognize. The golden horn called the Cornucopia. Clove arranging the knives inside her jacket. One of the mutts, unmistakably the blond, green-eyed one meant to be Glimmer, snarling as it makes its way toward us. And me. I am everywhere. High up in a tree. Beating a shirt against the stones in the stream. Lying unconscious in a pool of blood. And one I can't place — perhaps this is how I looked when his fever was high—emerging from a silver gray mist that matches my eyes exactly.

“What do you think?” he asks.

“I hate them,” I say. I can almost smell the blood, the dirt, the unnatural breath of the mutt. “All I do is go around trying to forget the arena and you've brought it, back to life. How do you remember these things so exactly?”

“I see them every night,” he says.

I know what he means. Nightmares — which I was no stranger to before the Games — now plague me whenever I sleep. But the old standby, the one of my father being blown to bits in the mines, is rare. Instead I relive versions of what happened in the arena. My worthless attempt to save Rue. Peeta bleeding to death. Glimmer's bloated body disintegrating in my hands. Cato's horrific end with the muttations. These are the most frequent visitors. “Me, too. Does it help? To paint them out?”

“I don't know. I think I'm a little less afraid of going to sleep at night, or I tell myself I am,” he says. “But they haven't gone anywhere.”

“Maybe they won't. Haymitch’s haven't.” Haymitch doesn't say so, but I'm sure this is why he doesn't like to sleep in the dark.

“No. But for me, it's better to wake up with a paintbrush than a knife in my hand,” he says. “So you really hate them?”

“Yes. But they're extraordinary. Really,” I say. And they are. But I don't want to look at them anymore. “Want to see my talent? Cinna did a great job on it.”

Peeta laughs. “Later.” The train lurches forward, and I can see the land moving past us through the window. “Come on, we're almost to District Eleven. Let's go take a look at it.”

We go down to the last car on the train. There are chairs and couches to sit on, but what's wonderful is that the back windows retract into the ceiling so you're riding outside, in the fresh air, and you can see a wide sweep of the landscape. Huge open fields with herds of dairy cattle grazing in them. So unlike our own heavily wooded home.

We slow slightly and I think we might be coming in for another stop, when a fence rises up before us. Towering at least thirty-five feet in the air and topped with wicked coils of barbed wire, it makes ours back in District 12 look childish. My eyes quickly inspect the base, which is lined with enormous metal plates. There would be no burrowing under those, no escaping to hunt. Then I see the watchtowers, placed evenly apart, manned with armed guards, so out of place among the fields of wildflowers around them.

“That's something different,” says Peeta.

Rue did give me the impression that the rules in District 11 were more harshly enforced. But I never imagined something like this.

Now the crops begin, stretched out as far as the eye can see. Men, women, and children wearing straw hats to keep off the sun straighten up, turn our way, take a moment to stretch their backs as they watch our train go by. I can see orchards in the distance, and I wonder if that's where Rue would have worked, collecting the fruit from the slimmest branches at the tops of the trees. Small communities of shacks — by comparison the houses in the Seam are upscale — spring up here and there, but they're all deserted. Every hand must be needed for the harvest.

On and on it goes. I can't believe the size of District 11. “How many people do you think live here?” Peeta asks. I shake my head. In school they refer to it as a large district, that's all. No actual figures on the population. But those kids we see on camera waiting for the reaping each year, they can't be but a sampling of the ones who actually live here. What do they do? Have preliminary drawings? Pick the winners ahead of time and make sure they're in the crowd? How exactly did Rue end up on that stage with nothing but the wind offering to take her place?

I begin to weary of the vastness, the endlessness of this place. When Effie comes to tell us to dress, I don't object.

I go to my compartment and let the prep team do my hair and makeup. Cinna comes in with a pretty orange frock patterned with autumn leaves. I think how much Peeta will like the color.

Effie gets Peeta and me together and goes through the day's program one last time. In some districts the victors ride through the city while the residents cheer. But in 11 — maybe because there's not much of a city to begin with, things being so spread out, or maybe because they don't want to waste so many people while the harvest is on — the public appearance is confined to the square. It takes place before their Justice Building, a huge marble structure. Once, it must have been a thing of beauty, but time has taken its toll. Even on television you can see ivy overtaking the crumbling facade, the sag of the roof. The square itself is ringed with run-down storefronts, most of which are abandoned. Wherever the well-to-do live in District 11, it's not here.

Our entire public performance will be staged outside on what Effie refers to as the verandah, the tiled expanse between the front doors and the stairs that's shaded by a roof supported by columns. Peeta and I will be introduced, the mayor of 11 will read a speech in our honor, and we'll respond with a scripted thank-you provided by the Capitol. If a victor had any special allies among the dead tributes, it is considered good form to add a few personal comments as well. I should say something about Rue, and Thresh, too, really, but every time I tried to write it at home, I ended up with a blank paper staring me in the face: It's hard for me to talk about them without getting emotional. Fortunately, Peeta has a little something worked up, and with some slight alterations, it can count for both of us. At the end of the ceremony, we'll be presented with some sort of plaque, and then we can withdraw to the Justice Building, where a special dinner will be served.