Charlaine Harris (23 page)

“Why?”

“I don't believe Mary Nell would ever threaten to kill herself,” I said. “I don't believe she would resort to tactics like this to win your interest. I think she's too proud.”

“She's sixteen.”

“Yeah, but she's got her backbone in straight.”

“So, why are we going?”

“Because Sybil wants us there badly enough to lie about it, and I want to know why.”

“I don't know, maybe we should just go back to the motel. It's thundering, and you know there may be lightning.”

“I got that.” As a matter of fact, the Tylenol hadn't prevented the ferocious headache building behind my eyes. “But I think we should go to Sybil's.” Something was pushing me, and I had a bad feeling it wasn't something smart.

I spotted a flash of lightning out of the corner of my eye and tried not to flinch. I was safe, in a car, and when I got out, I'd be very careful not to step into a downed electrical wire or hold a golf club or stand under a tree or do any of the myriad things people did that increased their chances of being electrocuted by lightning, either directly or indirectly. But I couldn't help ducking and hiding my face.

“You can't do this,” Tolliver said. “We need to get inside.”

“Go to the Teagues' house,” I yelled. I was terrified, but I was driven.

He didn't say anything else, but turned in the right direction. I was ashamed of myself for yelling at my brother, but I was also strangely light-headed and focused on what lay ahead. A little part of my brain was still gnawing at the problem: Why would Dell and Teenie have to die, if Dell wasn't Dick Teague's son? What secret was so important that all those people had to die, the people who could reveal it?

The Teague house was mostly dark when we pulled up to it. I'd imagined it would be blazing with light, but only one window glowed through the darkness. None of the outside lights were on, which I thought was strange. If I'd been Sybil, I'd have turned on all the outside lights once I'd made sure company was coming, especially on an evening when bad weather was obviously imminent.

“This is bad,” Tolliver said slowly. He didn't elaborate. He didn't need to. We parked at the front of the house. The rain drummed on the roof of the car. “I think you better call your cop buddy,” he said to me. “I think we better stay out of that house until we have someone with authority here.” He switched on the dome light.

“I can't count on him being the one on call,” I said, but I dialed his home number on the chance that Hollis was snug and warm and dry in his little house. No answer. I tried the sheriff's office. The dispatcher answered. She sounded distracted. I could hear the radio squawking in the background. “Is Hollis on patrol?” I asked.

“No, he's answering a call about a tree being across the road on County Road 212,” she snapped. “And I got a
three-car accident on Marley Street.” I could see that a personal call to a busy officer would not be priority.

“Tell him to come to the Teagues' house as soon as he can,” I said. “Tell him it's very important. I think a crime's been committed there.”

“Someone'll come as soon as they can get free from the ones we're sure about,” she said, and she hung up the phone.

“Okay, we're on our own,” I told Tolliver. He switched off the light, leaving us in a dark island of dry warmth. The cold rain was pelting down, drenching the lawn and rinsing off the car. The flashes of lightning were only occasional. I could stand it, I told myself. We'd parked at the end of the sidewalk that led directly to the main doors. The garage, with its door into the kitchen, was to our left on the west side of the house.

“I'll go in the front, you go in the garage door,” I said. By the distant glow of the streetlights, I could see Tolliver open his mouth to protest, then close it again.

“All right,” he said. “On the count of three. One, two, three!”

We leapt from our respective sides of the car and took off for our separate goals. I reached mine first, without being hit by anything except leaves and twigs snapped from a tree by the high winds.

The front door wasn't locked. That might not mean anything. I was pretty sure that in Sarne no one locked up until they turned in for the night. But the hair on my neck prickled. I pushed it open, but only a foot.

The door opened directly into the large formal living room, which was unlit and shadowy. The rain running down
the big picture window and the streetlight shining through it made the room seem underwater in the glimpse I had before I crouched and rolled as I pushed the door wide open. A shot whistled past and above me. I scrambled to take cover behind a big chair. I'd never held a gun in my life, but I was regretting my lack of firepower at this instant.

There was a scream from somewhere else in the big house. I thought it came from the back, maybe from the family room.

Where was Tolliver? But he'd have heard the shot. He'd be careful.

For an unbearably long moment, nothing more happened. I wondered how many people were hiding from each other in these rooms, and I wondered if I'd survive to find out.

Gradually, my eyes became used to the faint and watery light. Though the drapes had been partially drawn, I could identify the furniture by shape.

There was another doorway directly opposite the front entrance, and I was pretty sure that was where the shot had come from. I took a deep breath and rolled from the armchair to a coffee table. Next step, the couch. That would put me within a few feet of the other doorway, which was the only way into the rest of the house, if I was remembering the layout correctly.

“Nell!” I yelled, hoping to distract the shooter from Tolliver's progress, wherever he was. “Sybil!”

There was an answering shriek from the second floor. I didn't know which one of them was yelling, and I didn't know the location or number of people in the house, but I did know all of them were alive. Not a buzz in my head.

I'd been feeling very determined, but now the storm
kicked up a notch. The rain began lashing harder at the window and soaking the carpet through the open front door. The rumble of thunder became almost continuous, and the crack of lightning followed right after. I felt as though I was pinned on a map and the lightning could see me, was tracking me, getting closer and closer until it could hit me again. Then I'd lose everything. The unimaginable pain would arc through me for the second time, and I'd lose my sight or my memory or the use of my leg, or something else irreplaceable. I moaned in fear, covering my eyes, and when I took my hands away, a man was standing over me with a gun in his hand.

In a desperate attempt to save my life, I dove at him, grabbing him around the knees and bringing him down. The gun went off; he'd had his finger on the trigger, oh God oh God. But if I was hit I didn't know it yet, and when he swung the gun at my head I grabbed his wrist with both hands and clung to it, literally for dear life.

Maybe my intense fear made me stronger than usual, because I was able to keep my hold on him though he hit at me with his other arm and thrashed around to shake me off. He was trying to bring the gun to bear on me, trying to force his arm into a straight line so he could fire at me, and as we rolled around in a snarling heap I saw my chance and sank my teeth into the fleshy heel of his hand and bit down with all my might. He gave a cry of pain—
yay!
—and let go of the gun. I would like to say that had been my intent, but if it was, I'd made the decision on a level I'd never tapped consciously.

Then the lights came on in the room, blinding me, and a shape I thought was Tolliver leaped forward. All three of us
were in the melee on the floor, crashing into tables and sending heavy lamps toppling to the pale carpet.

“Stop!” screamed a new voice. “I've got a gun!”

We all froze. I still had my teeth in the man's hand, and Tolliver had raised a heavy glass ornament shaped like an apple to bash in his head. For the first time, I unclenched my teeth and looked up at the man's face. Paul Edwards. He was a far cry from the suave lawyer I'd met in the sheriff's office. He was wearing a flannel shirt and khakis and sneakers, and his hair was completely disheveled. He was panting heavily, and blood was streaming from his hand where I'd bitten him. Most striking of all was the absence of that calm assurance he'd had, the certainly that his little world was his to rule and order. He looked more like a raccoon that had been treed—bared teeth and glinting eyes and hissing noises.

“Oh my God, Paul,” Sybil said, the gun wavering in her hand. Dammit, why does everyone have a gun? Sybil's was smaller, but looked just as lethal. “Oh, my God.” She was as struck by the transformation as I was, probably more. “How could you do this?”

I hoped she was asking him, not us. At least the light had made the storm retreat in my forest of fears. Tolliver gently set the glass apple on a table by the kitchen doorway.

“Sybil, I couldn't let them know.” He was trying to sound reasonable, but it just came out weak.

“That's what you said before, when you made me call them. I still don't understand.”

Tolliver and I might as well not have been in the room.

I noticed for the first time that Sybil had a scarf tied to
one wrist, and the other wrist was deeply scored with a red line. He'd had her tied up.

“Where's Nell?” I croaked, but neither of them answered. They were so focused on each other, we weren't even on the same planet. I noticed that Tolliver silently bent to retrieve Paul's gun where it lay against the baseboard. The gun looked horribly functional in the expensive, feminine room, which right now was not looking its orderly best. Tolliver slid the gun under the skirt of the couch. Good.

“Sybil, we were together for so long,” Paul said. “So long. You'd never divorce him. You'd never even agree to quit sleeping with him.”

“He was my
husband,
for God's sake!” she said harshly.

“So when Helen divorced that bastard Jay, she . . .” Paul looked at the carpet as if it covered a secret he needed to know. “We got close.”

“You had an affair with her,” Sybil said, absolutely stunned. “With that low-class drunken slut. After you denied it to my face! Harvey was right.”

I risked a look at Tolliver. He met my eyes and we exchanged looks.

“I knew Dell was really my son,” Paul said. “But Teenie was mine, too.”

“No,” said Sybil, shaking her head from side to side. “No.”

“Yes,” he said. But his eyes were straying now and again to the gun. Sybil was holding it pretty steady, for now. Tolliver and I had edged away from Paul, naturally, not wanting to be in the line of fire, but now I wondered if we shouldn't have kept hold of him, and possibly Tolliver
should have bashed him with the glass apple, just to be sure. The lawyer was getting his spirit back, the longer Sybil talked to him without shooting him.

“You could have just told them,” she said. “You could have just told them.”

“I did tell them,” he said. “That day they died. I did tell them.” His voice was unsteady, as shaky as Sybil's.

“You killed them? Why'd you kill your son, our son?” Tears were running down her cheeks, but she wasn't ready to crumple yet. I'd been right when I'd pegged her as stoic.

“Because Teenie was pregnant, you stupid cow,” he said, retreating to a more comfortable emotion, anger. “Teenie was pregnant, and she wouldn't have an abortion! Said it was wrong! And your son, our son, wouldn't make her!”

“Pregnant! Oh! Oh, my God. How did you find out?”

“From me.” A bedraggled Nell stood in the doorway. She had a letter opener in her hands, and her wrists held the same red marks that her mother's showed. “I'm the most stupid person in the world, Mama. I was so worried about Teenie being pregnant that when Dell told me, I thought I'd ask Paul to talk to her, tell her to give it up for adoption. Dell was too young to get married, Mama, and I just didn't want to be Teenie Hopkins' sister-in-law. So they died! He killed them, Mama, and it's all my fault!”

“Don't you ever think that, Mary Nell. It's
his
fault.” Sybil gestured with the gun toward her longtime lover.

It seemed to me it was sort of Sybil's fault, too, but I wasn't going to raise any issues as long as she was holding the gun. While I was being ignored, I wanted to put a safer distance between me and Paul Edwards, so I was edging
back to the far end of the couch. On Edwards's other side, Tolliver was shifting himself a little closer to the two women, but he was careful to keep the line of fire between Sybil and Paul free and clear.

“Yes, it's my fault,” Paul gabbled. He was looking around the floor surreptitiously. He was looking for his gun. Paul Edwards was not down for the count.

“You need to tie him up,” Tolliver suggested. “Call the police.”

Nell began to move back through the doorway, presumably to go into the kitchen to call the police, but Paul made a sudden move and she stilled.

“No, don't call,” Paul said. “Mary Nell, I'm your dad, too. Don't give me up.”