Authors: Saul Williams
until we became the crosses that broke his spine.
Tell me how hate became dogma,
how love became an international distress signal.
Truth? God is a cutter.
She parades slash marks around Paradise
and plays with asps in her spare time;
call her Cleopatra with a mortal complex.
On her last bad day,
she lucid dreamt the Matrix and called it “Earth”
because “Gaea” sounded too easy to fall in love with.
She is in love with energy.
(She only gave humans sex organs because she confused us with the trees.)
Truth: God is a woman with Body Dysmorphic Disorder,
but she can come back if we let her-
stop superimposing our rough drafts of God
onto an unsuspecting deity
because she is running out of room on her arms
to carve an identity from.
Still workshopping the theory of everything
being birthed in her belly,
she hasn't gotten to existence yet.
Save sexuality for second grade,
for she is just learning to spell her name
in kindergarten calligraphy,
and I guarantee it looks nothing like
Jesus or Buddha or Allah,
like Krishna or Moses.
It looks like
big-bang theories
collapsing under the weight of change,
like a little boy finger-painting forever with a smile on his face
and it sounds, suspiciously, like home.
You are the sweat on the brow of a mother
in her thirteenth hour of labor.
You are the fickle fingers of a child grazing
a splintery fence midday.
You are a sixteen-syllable sentence uttered
by a woman with beautiful lips.
You are the thousands of end-of-the-world
kisses in constant exchange at each
terminal.
You speak and rain falls upward.
You blink and butterflies dissolve.
There are shells of people out there trying,
each day, to become an atom in the vast
dance of your movements,
to seek the mode in the range of your
emotions.
You are
bottled
nebulae with a cork
that is waiting to pop
You are lunar flora: prickly pear cacti which
fill craters steeping in a celestial marinade
hailing from the Horsehead.
And should you stand beneath the sun for too
long, the land which surrounds you
would recede
into
the
dark
recesses
from whence it came,
and the soft luminescence of your eyes
would suffice to lead your way.
We learn in grade school,
that there is a finite amount
of matter on Earth. All that will ever
be on this planet, already is.
And there will never be any less.
It's a hard concept to accept at first.
Because every last bit
of my grandmother's body
seems to be gone. But in fact,
science says, even if you cremate
the arms and legs and ribcage
of the person you loved,
every molecule is still here,
it's just that all the space
between
the
bones
and
the
blood
is now eliminated, and so,
someone that used to take up
a whole bed, now, fits into a shoebox.
And my best friend's daughter,
seemed to just start growing
inside her, as if she came from
nowhere and nothing,
but in fact, she is actually,
all the hamburgers
that her mother ate
for nine months
transformed into fingers and toes
and green eyeballs and golden curls.
And the only exception at all,
the only way for more matter
to arrive on earth is if
meteors
or some other astronomical objects
unexpectedly
glide our way
to
land
on one of our islands
or in one of our seas
and that's what I think
I want to liken Love to,
at least for the metaphorical
purpose of this poem.
Because when it arrives, it does so
with an
other-worldly
crash
into the
continents
that are
our chests. And it is so strange,
so new, that I cannot believe
it was here all along, disguising itself
as some other thing.
I know, science says, Love is not matter,
but most days, it feels heavier than rocks.
And what I want to know
is where it goes when you
feel certain that you cannot
find it anymore.
There are ex-wives all over
the world, who at one point,
promised everything they ever knew
to their husbands,
allowed children
that were made of half of him
to swim inside her,
and drink from her,
and she thought he was a miracle,
better than any other answered prayer,
and then he destroyed her somehow.
Somewhere along the way
he forgot how extraordinary she was,
stopped seeing the certainly amazing
parts of her, and now
she hates him with a fever
that could cook a stew.
But where did all that Love go?
Where does it sit now, though perhaps
quiet, changed, but still with the same
number of atoms and molecules,
once as big as a mountain, now as small
as a seedâbut it has to be here
somewhere, right?
I my
s
elf, have Loved in a Large way.
Love that
w
as the size of an army
of dinosaurs, and now, I feel nothing
for that ov
e
r-and-done Love.
I almost, cannot even remember
that Love, I have to read old poems
and inscriptions to find
p
roof that i
t
ever was. But it has to be here
somewhere, right?
Maybe I will find it
under the rug
, or swept
into a corner that I never visit,
or inside an old compact.
I suppose I may not even recognize it
when I do. Perhaps it is just
a spoonful of glitter now, and when
I come across it I will think it is
some
eye-shadow
that I forgot I bought.
I will maybe just shake my head
and wonder why I ever thought
that it would look good on me.
I Love in a Large way, right now.
And if I wake up in the middle
of the night
, and look quietly
at the Love that sleeps beside me,
I cannot ever imagine
it leaving this
planet
for anything.
I am certain, despite what science says,
that Love is matter, that it will
never go away, and never get less.
I am also certain,
that it was not here all along,
and instead, it came
dressed
in
flame
from outer space.
I fasten my mouth around yours like a plummet
from the bow of a sinking ship.
Suck
the red wine
from your breath until it hurts, until good memory
rises above us like
God-ash
and nothing is real
but your tongue, your coiled breath banging
the rusty screen door of my throat like a moan
that breaks free
and dance
s across the dark.
The sticky shiner mooned around my eye socket
like a rain cloud waters at the touch, you pull my t-shirt
delicate as knifepoint up and over my head. It stings
where his pinky knuckle carved out a chunk
in my lip like a wood splitter. I am a hazard tank of bruise
and shame; you are a prayer that remembers how to listen.
The coin-edge crest in the crook of my nose
where that lonely bastard's ring trucked into my skull
beneath that streetlight is still open and pink,
unstitched cartilage cursing at the air like an armless demon â
you place
your lips
on every part of me that has retreated
to a corner I never thought I'd find, soft and new,
whisper
the
names
of each wildfire hue
beginning to eggplant swell and settle into a tornado
around my eye.
I love you,
harder than ever
and am overflowing with words I do not have.
Again. We are naked as morning in the black of this
brilliant summer heat.
Wrapped
in the tree-trunk
capes of each other's wordless mouths like animals,
clawing from the water at our feet.
As if, I too, were in the bayou I kill a fly
in
my hands & stare
into the elm    blood from my cut
lip on a
bottle   s
omething moves and we call it Evenin'
rolling over in her slip   of shade and nightsound        as if, I too
were in the bayou      sweat lit underlantern   the body's tender
meridians    you close your teeth on    something bucks
in the switchgrass    who else but Evenin'
shaking
loose
her blanket of prey as if
I too, were in the bayou how  first I rip tissue from the bone
then
break
its sweet white horn
I.
Outside my window, through the orange drapes,
I can see a
light
on in the building facing mine.
It is late now, an hour past when well-behaved
citizens will have gone to sleep, and I wonder
who it is that finds themselves restless in this
perfect
heat
. Perhaps it is two people, lying
next to each other on the mattress, sheets
thrown to the
ground
, knotted on the floor. It
is too hot for lovemaking, surely. Too hot even
for touching. No, I am sure they have both just
been lying there awake,
sweating
into their
pillows, breathing in the muggy darkness, both
hands placed by their sides, fingers spread
open. They have both been lying still, one
of them
desperately
trying to fall asleep, the
other measuring the distance between their
fingertips, waiting until the humidity becomes
too wet, the
fire
on the skin too near; waiting
until this moment to turn on the bedside lamp.
Deciding finally, to honor
th
is kind of a
rou
sal
with something other than breath.
II.
Most days, wakin
g
is the
h
ardest.
But it is also when Poetry arrivesâ
stands patiently outside the shower,
places its hands on the mirror,
wipes away the steam.
And then there are days when
sleeping is the hardest. The fight
o
f
muscl
e
against world b
e
comes
so constant, tha
t
surrendering
to slumber doesn't promise
nearly enough relief. These are
the times when hands feel nothing
but empty. And these
are the times when the ceiling fan
is left off. When this heat
becomes the only lover
to hold, the only weight
that feels familiar anymore.
III.
Tonight, I raised my hand to my face
to brush away an untamed curl of hair,
and when it slid past my nose, it smelled
suddenly of you. Not your cologne, or
the soap
you
use, not shampoo or aftershave.
That skinsmell I find tucked into your
neckplaceâthat late afternoon nap's shadow
that rises and fa
ll
s, rises and falls against
my sheets, leaving traces of you in every
pillowcase. I held very still, and closed
my eyes, trying to keep whatever particles
of you I had managed to steal, until breathing
itself became too obtrusive, until even my
inhale meant losing you. So then I didn't
breathe at all, just held my hand against my
cheek, and for a moment, felt that it was you.
I'm not supposed to fall in love.
I must submit to someone else's wants.
At 5 o'clock on Friday evening during Ramadan,
I am supposed to be answering the call to prayer
Not answering his call beckoning me into his room
My hands are supposed to be holding the curving spine of my Qur'an,
Not holding with the curving spine of his neck.
Must I submit to someone else's wants?
My mother taught me how to tie my
hijab
.
Daddy taught me how to pray five times a day.
Grandma taught me how to write in Arabic,
& Papa taught me how to recite my prayers each night.
But no one taught me how to fall in love.
I see us in the mirror in his room, and I
Wonder what of me I see reflected back?
His eyes on mine, and we are in the mirror.
I see what they pray I never would become.
His hands rise to my head: I submit to his fingers' wants
My
hijab
cascades to floor in slow motion.
His fingers run slowly through my black hair