Christmas Holiday

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Authors: W. Somerset Maugham

BOOK: Christmas Holiday
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Acclaim for
W. SOMERSET MAUGHAM

“[
Christmas Holiday
] is an unsettling tale.… Brilliant.”

—The New York Times

“Maugham remains the consummate craftsman.… [His writing is] so compact, so economical, so closely motivated, so skillfully written, that it rivets attention from the first page to last.”

—Saturday Review of Literature

“[Maugham’s] excessively rare gift of story-telling … is almost the equal of imagination itself.”

—The Sunday Times
(London)

“It is very difficult for a writer of my generation, if he is honest, to pretend indifference to the work of Somerset Maugham.… He was always so entirely
there
.”

—Gore Vidal

FIRST VINTAGE INTERNATIONAL EDITION, DECEMBER 2000

Copyright 1939 by W. Somerset Maugham
Copyright renewed 1967 by Elizabeth Lady Glendevon

All rights reserved under International and Pan-American copyright conventions. Published in the United States by Vintage Books, a division of Random House, Inc., New York. Originally published in hardcover in the United States by Doubleday, Doran & Company, Inc., New York, in 1939.

Vintage is a registered trademark and Vintage International and colophon are trademarks of Random House, Inc.

Library of Congress Cataloging-in-Publication Data Maugham, W. Somerset (William Somerset), 1874-1965. Christmas holiday / W. Somerset Maugham.
p. cm.
eISBN: 978-0-307-78711-8
1. British-France-Fiction. 2. British-French Guiana-Fiction. 3. Devil’s Island (French Guiana)-Fiction. 4. Paris (France)-Fiction. 5. Young men-Fiction. 6. Criminals-Fiction.
I. Title.
PR6025.A86 C4 2000
823’.912-dc21
00-033413

www.vintagebooks.com

v3.1

Contents
i

W
ITH A JOURNEY BEFORE HIM
, Charley Mason’s mother was anxious that he should make a good breakfast, but he was too excited to eat. It was Christmas Eve and he was going to Paris. They had got through the mass of work that quarter-day brought with it, and his father, having no need to go to the office, drove him to Victoria. When they were stopped for several minutes by a traffic block in Grosvenor Gardens Charley, afraid that he would miss the train, went white with anxiety. His father chuckled.

“You’ve got the best part of half an hour.”

But it was a relief to arrive.

“Well, good-bye, old boy,” his father said, “have a good time and don’t get into more mischief than you can help.”

The steamer backed into the harbour and the sight of the gray, tall, dingy houses of Calais filled him with elation. It was a raw day and the wind blew bitter. He strode along the platform as though he walked on air. The Golden Arrow, powerful, rich and impressive, which stood there waiting for him, was no ordinary
train, but a symbol of romance. While the light lasted he looked out of the window and he laughed in his heart as he recognized the pictures he had seen in galleries; sand dunes, with patches of grass gray under the leaden sky, cramped villages of poor persons’ houses with slate roofs, and then a broad, sad landscape of ploughed fields and sparse bare trees; but the day seemed in a hurry to be gone from the cheerless scene and in a short while, when he looked out, he could see only his own reflection and behind it the polished mahogany of the Pullman. He wished he had come by air. That was what he’d wanted to do, but his mother had put her foot down; she’d persuaded his father that in the middle of winter it was a silly risk to take, and his father, usually so reasonable, had made it a condition of his going on the jaunt that he should take the train.

Of course Charley had been to Paris before, half a dozen times at least, but this was the first time that he had ever gone alone. It was a special treat that his father was giving him for a special reason: he had completed a year’s work in his father’s office and had passed the necessary examinations to enable him to follow usefully his chosen calling. For as long as Charley could remember, his father and mother, his sister Patsy and he had spent Christmas at Godalming with their cousins the Terry-Masons; and to explain why Leslie Mason, after talking over the matter with his wife, had one evening, a smile on his kindly face, asked his son whether instead of coming with them as usual he would like to spend a few days in Paris by himself, it is necessary to go back a little. It is necessary indeed to go back
to the middle of the nineteenth century, when an industrious and intelligent man called Sibert Mason, who had been head gardener at a grand place in Sussex and had married the cook, bought with his savings and hers a few acres north of London and set up as a market gardener. Though he was then forty and his wife not far from it they had eight children. He prospered, and with the money he made, bought little bits of land in what was still open country. The city expanded and his market garden acquired value as a building site; with money borrowed from the bank he put up a row of villas and in a short while let them all on lease. It would be tedious to go into the details of his progress, and it is enough to say that when he died, at the age of eighty-four, the few acres he had bought to grow vegetables for Covent Garden, and the properties he had continued to acquire whenever opportunity presented, were covered with bricks and mortar. Sibert Mason took care that his children should receive the education that had been denied him. They moved up in the social scale. He made the Mason Estate, as he had somewhat grandly named it, into a private company and at his death each child received a certain number of shares as an inheritance. The Mason Estate was well managed and though it could not compare in importance with the Westminster or the Portman Estate, for its situation was modest and it had long ceased to have any value as a residential quarter, shops, warehouses, factories, slums, long rows of dingy houses in two storeys, made it sufficiently profitable to enable its proprietors, through no merit and little exertion of their own, to live like the gentlemen
and ladies they were now become. Indeed, the head of the family, the only surviving child of old Sibert’s eldest son, a brother having been killed in the war and a sister by a fall in the hunting-field, was a very rich man. He was a member of parliament and at the time of King George the Fifth’s Jubilee had been created a baronet. He had tacked his wife’s name on to his own and was now known as Sir Wilfred Terry-Mason. The family had hopes that his staunch allegiance to the Tory party and the fact that he had a safe seat would result in his being raised to the peerage.

Leslie Mason, youngest of Sibert’s many grandchildren, had been sent to a public school and to Cambridge. His share in the Estate brought him in two thousand pounds a year, but to this was added another thousand which he received as secretary of the company. Once a year there was a meeting attended by such members of the family as were in England, for of the third generation some were serving their country in distant parts of the Empire, and some were gentlemen of leisure who were often abroad, and with Sir Wilfred in the chair, he presented the highly satisfactory statement which the chartered accountants had prepared.

Leslie Mason was a man of varied interests. At this time he was in the early fifties, tall, with a good figure, and with his blue eyes, fine gray hair worn rather long, and high colour, of an agreeable aspect. He looked more like a soldier or a colonial governor home on leave than a house agent and you would never have guessed that his grandfather was a gardener and his grandmother a cook. He was a good golfer, for which
pastime he had ample leisure, and a good shot. But Leslie Mason was more than a sportsman; he was keenly interested in the arts. The rest of the family had no such foibles and they looked upon Leslie’s predilections with an amused tolerance, but when, for some reason or other, one of them wanted to buy a piece of furniture or a picture, his advice was sought and taken. It was natural enough that he should know what he was talking about, for he had married a painter’s daughter. John Peron, his wife’s father, was a member of the Royal Academy and for a long time, between the eighties and the end of the century, had made a good income by painting pictures of young women in eighteenth-century costume dallying with young men similarly dight. He painted them in gardens of old world flowers, in leafy bowers and in parlours furnished correctly with the chairs and tables of the period. But now when his pictures turned up at Christie’s they were sold for thirty shillings or two pounds. Venetia Mason had inherited quite a number when her father died, but they had long stood in a box-room, covered with dust, their faces to the wall; for at this time of day even filial affection could not persuade her that they were anything but dreadful. The Leslie Masons were not in the least ashamed of the fact that his grandmother had been a cook, indeed with their friends they were apt to make a facetious point of it, but it embarrassed them to speak of John Peron. Some of the Mason relations still had on their walls examples of his work; they were a mortification to Venetia.

“I see you’ve still got father’s picture there,” she
said. “Don’t you think it dates rather? Why don’t you put it in one of the spare rooms?”

“My father-in-law was a very charming old man,” said Leslie, “with beautiful manners, but I’m afraid he wasn’t a very good painter.”

“Well, my governor gave a tidy sum for it. It would be absurd to put a picture that cost three hundred pounds in a spare bedroom, but if you feel like that about it, I’ll tell you what I’ll do, I’ll sell it you for a hundred and fifty.”

For though in the course of three generations they had become ladies and gentlemen, the Masons had not lost their business acumen.

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