Chthon (22 page)

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Authors: Piers Anthony

BOOK: Chthon
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Aton could not reply immediately. She had waited a long time—but their meeting
had
been too soon. “Death and love were always linked, for us,” he said, not looking at her. “The death of illusion, the love of pain. I had to think that you were evil, and you had to let me believe that. But my resistance was stronger than desire. I left you, after all.”

“Did you, Aton?”

The path became steep, though the wind had dropped. He helped her climb, though she did not need it. Their discussion died as she seemed to metamorphose again, to fit his lonely parade of memories. Now she wore a pack and her blonde hair fluttered in an idle gust. On her wrist the silver circlet glittered.

Aton felt a qualm, suddenly wondering whether there had ever been an interlude with a pretty slave girl, a second love hoping pitifully to combat the first—a love that would have saved him from Chthon, had he been able to accept it. Had she been a genuine person at all? Or only another translation of his imagination? Had he ever really left the side of the minionette?

Theme of the shell! Were you part of the broken song? Was my dream vain, even then?

Even then…

Nothing dies on Idyllia—except hope.

They were at the top of a hillock representing a mountain. Aton forgot his doubt. Under the massing clouds the view was beautiful, bright with that special color of early dusk. The shell, the song—no use to understand.

“I love you!” he shouted, his voice distant in his own ears. “I love you—” and once again his emotion was honest and strong.

Her hair was red; it was black; it was writhing in pain and she fell, as she had to fall, stricken cruelly. Thunder blasted sky and forest and field and love, and the rain fell, drenching, soiling all of it. And the melody he loved was washing away and soaking its blood into the ground.

He tumbled after, rolling, bumping, down the hillside, shocked with the blow he had dealt unwittingly, grasping at the song and finding only mud and torn weeds. Love was forbidden. He had never taken a woman for love, only for morbid purpose. Always the song had severed love—and now he was beyond the song; he had lost it, broken it forever… and the cold water sheeting into his upturned face was drowning him.

The rain stopped, in an hour or an instant, and Aton was in the swamp at the foot of the hill, beside the foul pond that bred the vicious annual larvae and spawned the deadly blight. On the far side lay the body, naked, lovely, but not dead, not dead. From the dark surface of the pool came a green glow, a Chthon-glow, casting back the slimed shadows and betraying the ominous ripple at the rim.

Suppressed memories stirred in him, intimations of horror and terrible slaughter. He had been here before. He had—

The undead body rose, and the hair was neither blonde nor fire but a soggy in-between. The form of it was not divinity but merely female. She came at him, circling the dark pool, treading on a narrow ledge.

Aton stood on that ledge too, unable to retreat from the noisome brink. There would be no way to avoid her, except to run around that nightmare track in helpless flight, unable to understand his panic. He did not yield to it; he stood and watched her slow march toward him, her small, heavy steps. He watched her second body march in step behind the first, and the third behind that: many bodies, horrible bodies.

Terror triumphed. He spun away from the pool—but the choking rain was up in walls he could not penetrate, arching unbroken into an opaque dome overhead. He could not break out.

He looked into the pool, and it seemed to him that the shapes in it were not tall weeds, but tongues. One was larger than the rest, nearer; it was a gross tubular tongue that came up blindly casting for flesh. It would sense him soon, and slap its way in his direction.

He fled, feet skidding. But from the opposite direction some other thing was coming, something dense and lateral, a massive spike, and there was no escape.

Aton spread himself with his back to the slippery wall, raised his eyes to the arching bowl above, and forced himself to think.

He thought not lucidly and not well, the appetite of his intellect gagging on the sickening stuff before it, but digesting enough to save his waning strength and make his world stand still for just a moment.

This impasse, this horror is somehow of my own making. It cannot be real, in a physical sense. Only in Chthon are such things literal.

My mind has clothed its tumult in some frightening allegory, as it has done before. It has dramatized my mental conflict, forcing me to solve it now, or give up the pretense of sanity. I am standing on the bank of the swamp pond, and there is no monster in it, no wall around it; there is only the incipient blight and the steady rain. There are no reduplicating figures closing in on me, no terrible spike from the other side; only the woman I love and must hate, the alluring minionette.

But the
conflict
, he knew, was real, and his moment of decision had come—whatever the elements of it might be, and whatever its resolution might mean. He was trapped by a web spun long ago, when he had followed the half-heard melody into the wood and became its slave. Throughout his life he had been unable either to complete it or to escape it. Chthon itself had not resolved that dilemma. Now he had to face the ghastly alternatives himself, and embrace the rigors of that choice.

The marching column of women represented Malice, in all her forms: ubiquitous, but unable to accept direct love. His normal emotion was a sword, wielded against the minionette. Should he slay her with that love?

Or should he wait for the dread spike closing from the other side: the obscene inversion of their relationship? Impaled on it, he would become a creature of perpetual hate, a minion, his self-identity and integrity buried in sadism.
She
would flourish; her song would be complete. But he—

He stared into the rank water and saw huge movements there, and heard the limber tongue slap nearer. He could escape his choice by flinging himself into the maw of that personified muck. The septic threads of slime would foul his skin and imprint in it the malodorous blight that had taken his father. It would not be merciful.

Did Aurelius still live? Aton did not know.

There had to be some other alternative. Some outlet that would free him, or at least postpone the choice. A drain, an exit from the pool—some rushing aperture leading into the unknown, but an escape, a relief. Could he find it?

When he recognized his need for it, it was there: an opening into the unknown. It might lead to death, or to choices more appalling even than those he fled from. Once taken, this step could never be withdrawn, as a plunge into a waterfall cannot be reversed. He hesitated.

“Aurelius is dead,” the minionette said, very close. She would have felt the old man go, vanquished at last by the genuine pool-monster, the blight. Aton had felt the loss himself, had felt the cessation of an emotional compartment, in that half-telepathy he had never before admitted he possessed. That same sense hinted darkly that he had had some part in the death of his father, however unintentionally. Had the decision he was making been so wide-ranging? Was this the price of his escape?

Committed now, by obscure circumstance, he took the step, refusing to examine whatever hideous price was being exacted. He would skirt the verge of insanity itself. For the sake of the fainting hope it offered. The swirling vortex sucked him in, and the dark smothering wave closed over him, carrying him after all to—

 

Fifteen

Aton found himself on the surface of the spotel asteroid, naked between its bulk and the immensity of space. Naked because this rock was featureless and night was close; no gravity comforted him with her embrace, no atmosphere caressed his clinging suit. Only the static action of his boots maintained his tenuous contact with the little planet, linking them firmly enough so long as he did not deliberately wrench both feet away at once. So long as he did not jump.

He looked about, awed in his blood by this singular and not unpleasant confrontation with inanimate nature. Behind him was the lock of the spotel, leading to the shuttle he meant to pilot away from here, leading also to the plush interior and an offering he could not accept. No matter what she said, what she was, she was forbidden. He had to get away from her. But first, this walk on the surface, to calm himself.

Ahead was almost total isolation, and he needed that. Easily was the contrast made between the facets of man, with his measurable accomplishment and immeasurable loneliness, who thus traversed a rock on which he could not live.

This asteroid was flat, a fragment from some larger body; it reminded one of the ancient days of the Earth-home and the fearful, foot-loose ancestors who thought their world was flat. The would have been right, had they lived here.

This featureless tableau was as barren as the landscape of his life. The bright stars were all about, this nightside, promising excitement and adventure and comfort in their great numbers, if only it were possible to step to their population. Yet he had
been
in those far systems already, and had suffered through their evanescent promise and found his heart alone.

Long strides carried his body across the plateau as he ran, one foot always touching, throwing himself toward the edge of a plain that the vacuum’s clarity claimed was miles away. Its end was precipice, the brink of the tiny planet limned against the starlight in a thin vice-versa silhouette. He would throw himself off, into oblivion, to fall forever through the open reaches of his wasted intellect, inchoate at last.

Too soon he reached that fringe. His mind balked at the attempt. My flesh, he thought with bitter humor, is willing; it is my spirit that is weak.

Momentum, deceptive in the absence of gravity, carried him on. He spun around the broken edge, boots clinging as tenaciously to land as his spirit clung to a barren life. The asteroid was thin, this far side, scarcely a hundred feet in depth. Mountainously jagged strata exposed the wound that had torn it from its mother-lode and flung it into limbo an eternity ago. With what terrible pain had it begun its journey, alone, so much alone?

He bent and found a fossil: a great leaf-shape imprinted in the stone, larger than his hand. It was the skeletal remnant of a living thing, more lovely in its demise than ever it had been in life. For never would its beauty fade; never would its essence die.

His gloved fingers caressed the fixed serrations in honor of a lingering camaraderie. Would the fossil of Aton ride through space with such indifferent éclat?

Death, where is now thy—

He tried to shake off the mood by climbing toward the bright sunside of the asteroid. The leaf must have grown in sunshine, once. If one could only enter the heaven of the fossil’s past, see the waving foliage, touch the mighty tree. Turn back the metronome of matter, allow all doubts to be resolved in the soft embrace of life’s origins.

The sharp horizon brightened as he approached sun-side. One heave, around the second corner—

He was bathed in the warm brilliance of that sun; light, light everywhere, banishing all dark and all doubt.

The mechanism of the suit compensated immediately, protecting him, allowing him to look out upon the land, to see the air on it, the shining mists in the air, the growing things in the soil, the great green leaves.

To me this land is lush and lovely, convex hills so high and fine, matching mounds so softly rounded, waiting for—

Aton shook himself, the sealed suit shifting with him like a second skin. What was happening to him? Why was he thinking in metric feet? There was no atmosphere; there could be no trees, no poetry. This was a bare slab of rock hurtling in orbit around a numbered star. There could be no security in hallucination. If he ever really forgot where he was, death would be a blunt reminder.

Yet down beyond those yearning mountains, where the passive waters shine, the source of life is waiting for me, waiting while I—

Shocked, Aton turned again, resuming his progress toward the fossil at the planet’s edge. Somehow, unconsciously, he had traveled farther down the valley, lulled by the hint of some fierce ecstasy—to which he dared not yield. Something was speaking to him, luring him, drawing him onward to some unimaginable rendezvous.

Beyond the mountains are the waters, thick and warm as fresh-let blood.

“Jill!” he cried. “Stay out of my fantasy.” I fled from your cruelty ten years ago; I hardly remember you; you don’t belong here; I am afraid of the thing you stand for: the feel of blood upon my hand, the sound of laughter at my ear. Not blood, you say—not blood, but bliss, offered to my fourteenth year.

Aton turned once more, breathing hard, trying to achieve the objectivity of the stone leaf. That had been the turning point. Until then he had been in control of himself.

Reality came back, showing the conical outcroppings he had walked between, the glaring shadows they cast in the beam of the distant sun. As he watched, those shadows softened, became misty. The hills turned green and more than green, breathing with luxury.

Before him was a curving field leading down to a valley sheltered between gently rolling bluffs. The secret lake was there, more exciting, more inviting than any isolated mirage. The bliss it offered within its depths no longer wholly repelled him. His blood sang with the need to enjoy that liquid, to plunge himself totally into it. He had come from it; he would return to it.

No! But the vision reached inside his resistance and turned it off, leaving a faint muted protest tingling far behind. Fourteen steps he took to reach that lake, and hesitated, afraid to pass beyond the nameless barrier within himself. The water called, it called, but that tiny castrate conscience, damned somewhere behind the frozen leaf, pleaded with him not to sacrifice the thing he had been for the thing he would become. The shaking sweat mottled his face as he fought, knowing that the outcome had already been determined, but fighting still to preserve the forms of a bygone innocence.

Slowly a hand came up to unfasten the helmet of his suit. Could it be his own? The clasps came open, the seals were broken, the helmet came away from his head. He did not die. The air of the valley came to him then, musky and sweet, exhilarating in its freshness. He tasted the bloom of it and felt strong. Soon the remainder of his impeding suit was off; naked, he ran on to the water.

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