Authors: Robert Jackson Bennett
He needs to moveâhe
knows
he will moveâbut he can't just yet. He can't bring himself to take a step.
The smell of blood and cigarettes is overpowering. His limbs feel faint; his heart is a hum. Sigrud je Harkvaldsson has never felt he wanted many things in his life, not with the fervent desire that some people wish for things, but right now, more than anything, he wishes to disbelieve reality, to defy what lies before him with such ferocity that the world itself is forced to obey, sending this sight scurrying back into its hole like some creeping vermin.
But he cannot. So he is left alone with the dark, empty room, the smell of cigarettes, and the young woman lying on the table.
He walks across the room to her.
He remembers when he first saw her. He was young, too young to be a father. A child, really, and his wife Hild the same. He crept into the dark bedroom, feeling he was infringing upon matters forbidden to him, for up until then only women had entered this room, an endless chain of old women and young serving girls and, of course, Hild's mother, who helped her through her labor. So to open the door to the bedroom was like peeking through to some holy temple, barred to filthy commoners such as he. But instead of any rituals or sacred ceremonies there was just Hild lying in the big bed, wan and sweaty but smiling, and her mother sitting on the side of the bed, and the basket on the table beside them. Hild said, “Come in,” her voice creaky and cracked from exhaustion. “Come in and look at her.” And Sigrud did so. And though he had fought for his father and sailed across many dangerous seas, he suddenly felt deeply confused and afraid, perhaps sensing, unconsciously, that his world was about to change.
And that was exactly what happened as he came to stand over the basket and the tiny pink person swaddled at its bottom, her face crinkled in displeasure, as if her birth had been an intolerable inconvenience to her. And he remembers now, as he crosses the dark room in the fortress, how he reached down to her, his hands suddenly so big and rough and unwieldy as he stroked one soft, pink cheek with his knuckle and said her name.
Sigrud stands over the body on the table.
She is dirty and mussed, her collar askew in a manner she never would have tolerated in waking life. Bits of ferns and bracken cling to her clothing, and her glasses are missing and strands of hair fall around her face. Yet despite all this she is as beautiful as he remembers her, cool and calm and utterly collected, a creature blessed or perhaps cursed with unimpeachable confidence. Even in death she appears sure of herself.
“Signe,” he whispers.
Her left breast is dark with blood. An exit woundâthey shot her in the back.
His hands are shaking.
To fight so long to have a thing, and to grasp it so briefly before it is yet again ripped awayâ¦
The door of the hospital ward bursts open. Three soldiers move in, riflings ready. “Hands up!” shouts one. “Hands
up
! Now!”
Sigrud stares down at the face of his daughter.
“We found your damned rope ladder,” says another soldier. “We figured this would be the first place you'd be.”
He strokes her cheek with one big, raw knuckle.
The soldiers draw closer. “Hands up, or are you deaf?”
Something falls with a
pat pat
onto the table beside his daughter. Sigrud looks at it and realizes it's blood.
His nose is bleeding. He holds his left hand out and catches three drops in his palm, the white glove turning dark, the scar below throbbing with pain.
He whispers, “I used to chase her through the forest.”
“What?” says one of the soldiers. “What the hells did you say?”
More blood falls into his open palm. Sigrud makes a fist and begins to move.
Mulaghesh is still stewing in her jail cell when she hears the gunshot. It's muffled by the thick walls of the fortress, but she knows what it is immediately.
“What in hells?” She walks to the bars of her door and looks to the guard. “Heyâwhat the hells is going on?”
The guard, disconcerted, draws her sidearm. Mulaghesh sees she has lousy trigger discipline, because she puts her finger on the damn thing immediately. The guard takes a step back, looking through the glass window in the door to the prison hallway.
“What the fuck is going on?” says Mulaghesh again.
“Quiet!” says the guard.
There's silence. Then from somewhere nearby comes a bloodcurdling scream, long and loud.
The scream stops shortâtoo short. Then more silence.
“Shit,” says Mulaghesh.
“Quiet!” shouts the guard.
An enormous crash from outside the hallway door. Someone is screaming, not in threat or assault, but in sheer terror.
Then there's a face at the doorâa young Saypuri soldier, his eyes wide in fright. He pounds on the glass, crying, “Open the door! Open the door, you've got to let me in! Let me in,
let me in
!”
“What?” says the guard. “Pishal, what in hells is happening out there?”
The soldier outside the glass looks over his shoulder at something. “By all the fucking seas, Ananth, let me in!”
The guard glances at Mulaghesh. “This is probably your doing, isn't it? Some damn shtanis sent here to rescue you⦔
“Do I
look
like I know what's going on?” says Mulaghesh.
The guard hesitates, then raises her pistol and cautiously opens the door. The Saypuri soldier bursts in, terrified. “Thank the seas!” he cries. “Thank all the seas! Now shut it andâ”
The soldier never finishes his sentence, as something bright redâa hand, perhaps?âreaches through the gap and rips him back through the door with terrifying speed, as if there were a rope tied to his waist with an auto at the other end. The soldier screams in terror, flailing uselessly at the door and the frame, but within a fraction of a second he's gone, the door slamming shut behind him.
“Son of a bitch!” shouts the guard. She pulls the door back open, pistol raised, and leaps through. Once again the door slams shut, its bang echoing down the hallway.
Silence.
Mulaghesh waits. And waits.
There's a scream from the other side of the door. A fine spray of blood mists over the glass window, and there is a great banging as someone fumbles with the handle. The door flies open, and the guard comes stumbling back through.
Her left arm is bloody and awkwardly twisted, as if it's been caught in some kind of monstrous machinery. She's obviously in shock, but she still has wits enough to slam the door shut with her good shoulder and lock it. She doesn't quite succeed in this last task, leaving the old iron latch just half closed, but she turns and limps down the hall to Mulaghesh.
“What the hells is happening out there, Private?” says Mulaghesh, horrified.
“Help me,” whimpers the guard. “You'veâ¦You've got to
help
me.”
“What is going on?”
“He's an animal!” she says, her mouth working to make the words. “He's a
monster
! Please, you've got to help me!”
“Open the jail cell and I will!”
The guard tries to unclip the ring of keys from her belt, but she's in too much shock to manage it.
“Hurry, damn you!” says Mulaghesh.
There's a terrific crash from the door as something on the other side slams into it. The guard stops and stares at it in horror. The door shudders again as another enormous blow strikes it. Then another, and another.
The glass window quivers. There's a tiny creak as the latch she only half closed slowly begins to give way.
“Oh, no,” whispers the guard.
With one final crash the door flies open. Mulaghesh can hardly see what's on the other side before there's a soft
thump
and the guard begins screaming, not in terror but in agony. She looks at the guard and realizes that a knife has somehow sprouted from the guard's left side, up under her arm. The knife is huge and thick and black, and is quite familiar to Mulaghesh.
Sigrud je Harkvaldsson walks through the door, his chest heaving with either exertion or wrath. He's covered from head to toe in blood, his face and chest spattered with fans of gore. His face is bruised and there's a slash on his left arm, but besides these tokens it is quite clear that he was the decisive victor of whatever fights he's been in.
“Sigrud, what are you
doing
?” shouts Mulaghesh. Her fury rises as she realizes who Sigrud must have been fightingâand likely killing. “What have you done, you motherfucker,
what have you done!
”
Sigrud ignores her and walks to the guard, who is feebly attempting to crawl away. He grasps her by the head and waist and lifts her into the air, and as he does Mulaghesh sees the steady flow of blood pouring from his noseâ¦.
He's in a berserk rage,
she realizes.
He's gone mad.
Though she has no idea what would put him in such a state, she rapidly begins to realize that Sigrud is now likely the most dangerous thing in Fort Thinadeshi.
She watches in horror as Sigrud slams the guard's head into the bars of the jail cell with so much force that the skin on the young girl's forehead pops open like a bag packed too tight. The guard goes silent and her eyes blank, unconscious or worse.
“Stop it!” screams Mulaghesh. “Stop it!”
But he doesn't. He slams the guard's head into the bars over and over again, thrusting forward with one arm, and with each blow her face deforms just a little more, splitting along the temple and the cheek. Blood wells up from around the guard's right eye as Sigrud pounds her head into the bars with a sickening, steady pace.
“You piece of shit!” screams Mulaghesh. “You stupid bastard!”
When the guard is beaten beyond all recognition, Sigrud tosses her aside and lunges at the bars like a wild animal. Mulaghesh is just barely fast enough to escape the grasp of his fingers, which nearly catch her neck. He screams furiously, straining to reach her, kicking and beating at the bars. Then, growling, he steps back, grasps the bars, and begins to pull.
The jail cell should be too strong for himâit really
should
. But Mulaghesh knows that Fort Thinadeshi is quite old, so, like the latch on the hallway door, not everything is built to modern engineering standards. This makes her deeply concerned when something in the doorway begins to creak and moan, and puffs of dust come floating down as if the very stone is about to give way.
Sigrud, growling and snarling, digs his heels in and heaves again. The hinges of the door begin to whine.
She knows that if he gets through that door he'll likely tear her to pieces. Mulaghesh is no slouch at close-quarters combat, but she's seen Sigrud single-handedly kill half a dozen people in combat, and he's got an age, weight, and limb advantage. She eyes the guard's corpse and the knife sticking out of her, which Sigrud has thankfully forgotten, but it's too far away.
“Sigrud!” she shouts. She steps closer. “Fucking snap out of it alreadyâ”
His hand snatches out and grabs her prosthetic hand. He rips her forward, and the buckles along her arm begin to give.
“Fucking do it, then!” she screams at him. “Kill me if you have the guts!”
He rips her prosthetic off, which sends them both stumbling back. Sigrud stands, his face furious, gripping the prosthetic like he plans to crush it, his knuckles white and his fingers flexing.
Yet it holds. The metal does not bend.
Sigrud pauses. He blinks and slowly looks down at the metal hand in his grasp. He stares at the hand like he doesn't quite understand what it is. Then he begins blinking rapidly, face trembling, and he cradles the prosthetic in his hands as if it were a child.
“No,” he murmurs. “No, no, no⦔
“What the hell is the matter with you?” snarls Mulaghesh. “You're lucky you're not dead, you stupid bastard! Though you damned well should be! You've
murdered
Saypuri soldiers!”
“She's gone,” he whispers. It's like he's speaking to her prosthetic. “She'sâ¦She's really gone.”
“She certainly fucking is,” says Mulaghesh. “I hope you're damned well happy! She was a soldier of Saypur, a
soldier of Saypur!
An innocent damned bystander and you fucking beat her to death! Do you understand what that means? If this is your idea of a jailbreak, it's a piss-poor one!”
“I thoughtâ¦I thought it was all a dream,” says Sigrud. He looks up at Mulaghesh, his one gray eye pale and burning on his bloodied face. “Andâ¦And Signe? It wasn't a dream, was it? She'sâ¦She's⦔
“What are you talking about?”
“Iâ¦I dreamed I found her here, dead, lying on a table,” he whispers. “Shot in the back. I dreamt they shot her in the woods outside of Smolisk's house.”
It feels like Mulaghesh has just swallowed a lump of ice. What Sigrud is describing sounds chillingly plausible.
“Wait. Are you saying she'sâ¦she's
dead
? Signe's
dead
?”
“I thought I dreamed it.” His voice is a whimper. “But Iâ¦I don't think I did. She's dead, isn't she. My daughter is dead. They took her from me just when I got her back.” Then his face twists up and, to her shock, Sigrud je Harkvaldsson begins to weep.
Mulaghesh kneels at the door. She's not yet forgiven him for what he's done, but at least now she understands what sent him into a rage. “Biswal had Signe shot?”
“I don't know,” he says through his tears. “I don't know. But she is dead. They have her on a table here. They stole her body and hid it away.”
“I'mâ¦I'm sorry, Sigrud,” says Mulaghesh. “I'm truly sorry. Iâ¦I would never have asked her to come if⦔ She trails off. She knows such comments are useless.
“I wasn't there for her!” he says, sobbing. “I wasn't there! Never when she needed me, not ever!”