Close to the Knives (8 page)

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Authors: David Wojnarowicz

BOOK: Close to the Knives
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BEING QUEER IN AMERICA

A Journal of Disintegration

one
. I'm walking through these hallways where the windows break apart a slow dying sky and a quiet wind follows the heels of the kid as he suddenly steps through a door frame ten rooms down. A quiet and simple grace in his arms and legs as the doorways fold out to produce more doorways and it's all some barbershop vision of mirrors with the wall ending at the distance of sky: small sparks of airplanes in that late blue and yellow and these little black pills stirring like small bees in my belly. The kid passed me earlier in the street about a mile away by the black shiny fence of a church: wrought-iron spikes topped with deadly blades part zulu. But now it's just the sun piercing the waters of a viridian sea; his eyes set in the pale white face, arms a pale shade of red—something monkey, something borneo. His eyes make him look like he's starving for food or just feeling lust or else he's got the look of one of those spiritual types that hover on street corners trying to waylay and sweet-talk some passive kid into a lifetime of psychic control.

If viewed from miles above, this place would just appear to be a small boxlike structure like thousands of others set down along the lines of the rivers in the world; the only difference being that in this one the face of the kid starts moving up the wall past a window framing the perfect hazy coastline with teeth of red factories and an incidental gas tank explosion which sends flowers of black smoke reeling up into the dusk. I could feel his lips against mine from across the room, tasting reefer or milk on them as he disappears through a square hole in the ceiling. I watch as his legs and feet leave the rungs of the metal ladder following his hips through that dark space, the soles of his sneakers floating effortlessly in the opening for a second, then shifting out of view. I followed his motions pulling myself up two rungs at a time and as my head cleared the ceiling I saw him recede farther back in the attic crawlspace. The horizontal red lines of his shirt become dark and indistinct, just the pale rose of his arms still luminous. He turned and leaned up against the wall at a point where a crack in the roof let light pass through illuminating the wall and his head like some old russian icon of a saint in mausoleum darkness. Like him I had to crouch in order to move through the narrow space, walking along the tops of spaced beams like a horizontal ladder so as not to tip and crash through the rotting tin ceiling. I bumped my head a couple of times on unseen pipes and finally reached him. His hands slid from his pockets and over the front of my trousers moving back and forth until there was swelling. My hands drifted over and repeated the actions over his crotch and like water falls from the sky I leaned in close and slid down and unsnapped his jeans button by button using only my teeth. He was wearing no underwear and I peeled back the flaps of his trousers, his dick falling neatly out to rest on my lips. It was uncircumcised, slim and warm. I passed my face underneath it, wetting it slightly, teasingly, finally taking it into my mouth and sliding my hands upward beneath his shirt; the lines of it rippling like water and I felt the downy sensation of hair beneath my palms. His chest was hard: rippling stomach, the curve of it in dim light, the brown heat of his belly against my forehead. His hands slipped softly down my collar and kneaded the muscles of my back, my neck and finally he made a rushing sound with his breath and he came. I could feel it jetting in warm streams hitting the back of my throat: warm liquid sensation. Felt good. Nothing but the energy in his hands speaking with me.

two
. So I'm watching this thing move around in my environment, among friends and strangers: something invisible and abstract and scary; some connect-the-dots version of hell only it's not as simple as hell. It's got no shape yet or else maybe I'm just blind to it or we're just blind to it or else it is just invisible until all the dots are connected. Draw a line from here to there to there to here with all the dots being people you see from miles up in the air or from the ledge of a tall building or the window of a small plane but it's still not that easy, not that abstract because you can't shut out the smell of rotting. You can't shut out the sound of it: the sound of the man standing on the sidewalk trying to scream that he's going to throw himself in front of the passing automobiles because he wants to stop that slowly drawn line approaching him from the distance with all the undeniability of a slow train carrying sixteen tons of pressure; with all the measure and intent of crushing him but the guy is too weak to even get this amount of control over his life, he can't even throw a fit the proper way. You can't shut out the sights and sounds of death, the people waking up with the diseases of small birds or mammals; the people whose faces are entirely black with cancer eating health salads in the lonely seats of restaurants. Those images hurl themselves from the corners of a fast-paced city and you can't even imagine death properly enough to tell this guy you understand what he's railing against. I mean, hell, on the first day that he found out he had this certain virus he bent down to pick up a letter addressed to him that had fallen from the mailbox and he turned and said, “Even something so simple as getting a letter in the mail has an entirely different meaning.”

three
. I walked for hours through the streets after he died, through the gathering darkness and traffic, down into the dying section of town where bodies litter the curbsides and dogs tear apart the stinking garbage by the doorways. There was a green swell to the clouds above the buildings like a green metal retrieved from the river years ago and notions of time were retracting and extending and somewhere in the midst of this I had to take a piss. I kicked around an alleyway among the piles of dead rotting fish, buzzing flies, piles of clothing and fluttering newspapers of the past with photographs of presidents and their waving wives haloed in camera flashes and suddenly in the stench and piling of decaying fish I realized I was staring at a human hand, with the fat pale shape and color of a cherub's hand. It stirred to life and where previously there had been discarded men's suits and playing cards, a fat white man naked down to his waist suddenly materialized and sat up angrily. He had an enormous, pale belly on which was incised a terrible wound from which small white worms tumbled as he gesticulated like a marionette, shrieking, “DO YOU HAVE PERMISSION FROM THE OWNER OF THE ALLEY TO BE HERE?”

I turned and left, walking back into the gray haze of traffic and exhaust, past a skinny prostitute doing the junkie walk bent over at the waist with knuckles dragging the sidewalk. She had some kind of disease on her legs: large bloodless wounds which she attempted to disguise with makeup. Whenever she heard the sound of a car slowing down near the curb, thinking it was a potential customer, she would painfully lift her body up to reveal a delirious smile and dead eyes and a weak flailing of her arms as a sign of greeting. Kids ran back and forth on the sidewalk dragging a small kitten by a rope and a bunch of winos descended like buzzards onto the waves of cars stopped at the nearest traffic light.

My arms sometimes feel twelve feet long and I get consumed by the emptiness and void surrounding and lying beneath each and every action I witness of others and myself. Each little gesture in the movements of the planet in its canyons and arroyos, in its suburbs and cities, in the motions of wind and light, each little action continuing, helping to continue the slow death of ourselves, the slow motion approach of the unveiling of our order and disorder in its ultimate climax beginning with a spark so subtle and beautiful that to trust it is to trust our own stupidity; it sparks in the inversion of wind and then flowers out momentarily in black petals of smoke and light and then extends vertically in an enlargement of a minute vision. In the very center, if one could withstand the light, it would appear to be octopal in its appendages. Wormlike tentacles thousands of feet long vibrate stroboscopically in the bluish mist that exudes from its center. The center is something outside of what we know as visual, more a sensation: a huge fat clockwork of civilizations; the whole onward crush of the world as we know it; all the walking swastikas yap-yapping cartoon video death language; a malfunctioning cannonball filled with bone and gristle and gearwheels and knives and bullets and animals rotting with skeletal remains and pistons and smokestacks pump-pumping cinders and lightning and shreds of flesh, spewing language and motions and shit and entrails in its wake. It's all swirling in every direction simultaneously so that it's neither going forward nor backward, not from side to side, embracing stasis beyond the ordinary sense of stillness one witnesses in death, in a decaying corpse that lasts millions of years in comparison to the sense of time this thing operates within. This is the vision I see beneath the tiniest gesture of wiping one's lips after a meal or observing a traffic light.

four
. I went up to see him in the hospital, it's all septic green or pale brown and yellow, hazes of light filtering in the windows, drenching the day's new flowers with color. There he is propped up in the white sheets with all the inventions of his day leading in and out of his body in the form of tubes and generators and pumps and dials and hisses and his eyes are bare slits with pearly surfaces glimmering inside them like somehow they've stopped reflecting light. Today, as yesterday, his nose is no longer the first thing I see—it's covered in the gray and white color of cancer and it looks bulbous and he said weeks ago when he was out visiting his family in the country for the last time that the little kids playing in the park thought he had the job of a clown somewhere and how he pretended he did—and, today, as yesterday, I am amazed at the fine color of his face and how as he slips closer to death his body looks more healthy. I thought of how he'd expected at least another year but in the last two days he has died twice and now he is taking his time before the third time which would be the final time. At least the doctors had finally agreed to stop jumping up and down on him if he died again and somehow through all of this I realized how much more afraid of death they were than he.

five
. man on second avenue at 2:00
A.M. (N.Y.C.)
: “This guy I know was walking with a friend of his around West Street. They had gone into one of the bars and had a beer and after they left they were walking down the street when this car from Jersey cruised by … kids come around all the time throwin' bottles and screamin' ‘QUEER!' and then taking off—so this car cruised by them real slow and some kid leans out the window sayin', ‘Suck my dick!' and my friend flipped him the finger and said something; all of a sudden the car slams on the brakes and five kids come piling outta the doors and start kicking the shit out of my friend … for the next ten minutes about a hundred guys came outta the bars and from around the corner and surrounded these five kids beating the shit outta my friend—his friend took off right away and later my friend found out that he'd just run home, didn't bother calling the cops or nothing … and all these guys crowding around watching five guys beat up one guy and none of them said or did a fuckin' thing … my friend said the five kids stomped on his head and chest and broke a lot of his ribs and stomped on his legs … at one point he could hardly feel them hitting him—they were jumping up and down on his head and arms and legs and finally he said he remembers jumping up and plowing through the crowd and running … his face was just a puddle of blood … the kids chased after him but he ran faster and faster and through the streets and outta the neighborhood and he kept running till he collapsed somewhere on some side street … later he woke up in the hospital and found out that he had been unconscious for about six days … the doctors told him that he was found by the cops unconscious on West Street surrounded by a bunch of guys who didn't do nothing; apparently he had hallucinated the whole thing of getting up and running away … he had never gotten up … the kids from Jersey got away before the cops even got there.…”

six
. In the skid-row section of town, the only movement in the streets was the automobiles cruising along the curbside and river parking lot. In the dusk they were like aquariums on wheels: amphibious stares of strangers pressed behind glass. Tall granite buildings with tiny windows speckled with fluorescent lights; gray vague shapes in the dripping alleyways and shit and garbage rattling in the wind along the flooded gutters, splashes of red and green neon sliding across the wet pavements. A skinny bum with red bare feet—once somebody's little baby—crawled into a box that once contained a refrigerator nestled in the weeds of an empty parking lot. A small black dog hurtles through the wet evening air amid a squeal of tires and thumping of glass and all civilization is at the wheel.

I pushed through the heavy glass doors and entered the place as a thin pale teenager seated at the elevated desk was yelling at the men in the back to put quarters into the machines or leave. I gave him a couple of dollars and he pumped out eight quarters from a chrome gadget on the desk. I passed through a room of enormous rubber dicks and fuck magazines and entered a moist and dark hallway. A couple of black drag queens with too much lipstick hovered in the shadows of a malfuntioning pinball machine, its flippers clacking and thrumming endlessly while the score-board revolved and whirred. A fat man with skin the color of liver sat in a booth with the door open, his mouth gaping and his tiny, perfect white hands fluttering around his open zipper.

He was the kind of guy I'd rob banks for, leaning against a stone wall, everyone else in the crowded street disappeared. He leaned in front of me rubbed my chest and belly like he'd known me for years—some distant relative—and I left reason behind in one of those moments where all sense of living takes a slow quiet dive into mystery and possibilities. I needed to be shook. I'd forgotten who I was and anything was welcome including the rough tight line of his neck turning in a warm shirt collar. He gave a drunken half smile and stepped inside the alleyway and began climbing the fifteen-foot-high mountain of spare tires. This was next to some gas station. I was fifteen and hungry.

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