Collected Stories (50 page)

How could I have guarded against Bart’s “What if …” or protected us all from his laconic “easy-peasy”? If one lives with dreamers and encourages their aberrations something is bound to go wrong. Now I understand what it is to be the parent of brilliant children, children reared with no discipline, their every fantasy pandered to. Thus one creates one’s own assassins.

The factory tour is over now and Bart sits in my office eyeing me with the cunning of a dog, pretending servility, but with confused plans and strategies showing in his dog-wet eyes.

He understood nothing of factories or my fear of them. His model factory is a nightmare far more obscene than anything my simple mind could have created.

For they have made a factory that is quiet. They have worried about aesthetics.

Areas of peaceful blue and whole fields of the most lyrical green. In these ideal conditions people perform insulting functions, successfully imitating the functions of mid-twentieth-century machinery.

This is Bart and Sergei’s masterpiece, their gift to me. They have the mentality of art students who think they can change the world by spraying their hair silver.

They make me think of other obscenities. For instance, a Georg Jensen guillotine made from the finest silver and shaped with due concern for function and aesthetic appeal. Alternatively, condemned cells decorated with pretty blue bunny patterns from children’s nurseries.

In order to achieve these effects they have reduced profit by 6.5 per cent.

In here it is very quiet. No noise comes from the staff outside. I have seen them, huddled together in little groups at the windows staring at Sergei. They seem anaesthetized. They have the glazed eyes of people too frightened to see anything that might get them into trouble. Thus they avoided Bart’s eyes. He pranced through like a spider, his hand on his gun, the fury in his veins bursting to fill the room like black ink in water.

Now in the silence of my office I see the extent to which he is afflicted by hurt and misunderstanding. Trying to talk to him, I put my hand on his arm. He flinches from me. In that terrible instant I am alone on the pack ice, the string inside me taut and all that lonely ice going in front of me no matter which way I turn. And he, Bart, looking at me guilty and afraid and angry and does he want to kill me?

Yes, he does.

He will learn to use his burning cat. He hates me because I killed his friend. It was a misunderstanding. It was his fault, not mine. If
they hadn’t cheated I would never have made the mistake. His friend Sergei, the little turd, he thought he was clever but he was a fool. Sergei, his stupid mouth dribbling black blood on the top of the wire fence. If only his siphoning of funds had been more subtle. There were two other ways to do it, but he did it like a petty-cash clerk. It was this which upset me the most. It was this which put me over the line and left me here, alone, threatened by the one person I thought my friend.

He may wish to kill me.

But I, alone on the ice, have eyes like the headlights of a truck. I have power. I will do anything. And I have made enough bad dreams that one more dying face will make not the slightest scrap of difference. Anyone who wants to cling on to their life won’t fuck around with me too willingly, though their hand might easily encircle my wrist, though they have the strength to crush me with their bare arms, for I am fearful and my fear makes me mighty.

And I am not mad, but rather I have opened the door you all keep locked with frightened bolts and little prayers. I am more like you than you know. You have not inspected the halls and attics. You haven’t got yourself grubby in the cellars. Instead you sit in the front room in worn blue jeans, reading about atrocities in the Sunday papers.

Now Bart will do as I wish for he wishes to live and is weak because of it. I am a freight train, black smoke curling back, thundering down the steel lines of terrible logic.

So now I speak to him so quietly that I am forcing him to strain towards me. Trucks have been destroyed attempting to enter the plant. It is time, I tell him, that the scrub be cleared of unemployed.

It will give him something to do. It will give him a use for his rage. He can think about his friend, whom I didn’t kill. He was killed by the people in the scrub, whoever they are. They are the ones holding up trucks and stopping business, and business must go on. BUSINESS MUST GO ON. That is what the hell we are here for. There is no other reason for this. This is the time that is sold to the devil. It is time lost, never to be relived, time stolen so it can be OK later and I can live in white sheets and ironed shirts and drink gin and tonic in long glasses, well away from all this.

Then I can have the luxury of nightmares, and pay the price
gladly, for it will only be my sleep which will be taken and not my waking hours as well.

All around the plant seemed very, very still. The sun had gone down, leaving behind a sky of the clearest blue I had ever seen. But even as I watched, this moment passed and darkness claimed it.

I watched Bart lead his contingent of workers through the dusk in the direction of the front gate. Each man had a flamethrower strapped to his back and I smiled to think that these men had been producing food to feed those whom they would now destroy.

I watched the operation from the roof of the canteen, using binoculars Sergei had left behind.

As I watched men run through the heat, burning other men alive, I knew that thousands of men had stood on hills or roofs and watched such scenes of terrible destruction, the result of nothing more than their fear and their intelligence.

In the scrub the bodies of those who hated me were charred and smouldering.

I touched my arm, marvelling at the fineness of hairs and skin, the pretty pinkness glowing through the fingernails, the web-like mystery of the palm, the whiteness underneath the forearm and the curious sensitivity where the arm bends.

I wished I had been born a great painter. I would have worn fine clothes and celebrated the glories of man. I would have stood aloft, a judge, rather than wearily kept vigil on this hill, hunchbacked, crippled, one more guilty fool with blood on his hands.

Before I have finished writing this, the story of how you were born, I will be forty-four years old and the events and feelings which make up the story will be at least eight months old. You are lying in the next room in a cotton jump-suit. You have five teeth. You cannot walk. You do not seem interested in crawling. You are sound asleep.

I have put off writing this so long that, now the time is here, I do not want to write it. I cannot think. Laziness. Wooden shutters over the memory. Nothing comes, no pictures, no feelings, but the architecture of the hospital at Camperdown.

You were born in the King George V Hospital in Missenden Road, Camperdown, a building that won an award for its architecture. It was opened during the Second World War, but its post-Bauhaus modern style has its roots in that time before the First World War, with an optimism about the technological future that we may never have again.

I liked this building. I liked its smooth, rounded, shiny corners. I liked its wide stairs. I liked the huge sash-windows, even the big blue-and-white-checked tiles: when I remember this building there is sunshine splashed across those tiles, but there were times when it seemed that other memories might triumph and it would be remembered for the harshness of its neon lights and emptiness of the corridors.

A week before you were born, I sat with your mother in a four-bed ward on the eleventh floor of this building. In this ward she received blood transfusions from plum-red plastic bags suspended on rickety stainless-steel stands. The blood did not always flow smoothly The bags had to be fiddled with, the stand had to be raised, lowered, have its drip-rate increased, decreased, inspected by the sister who had been a political prisoner in Chile, by the sister from the Solomon Islands, by others I don’t remember. The blood entered your mother through a needle in her forearm. When the vein collapsed, a new one had to be found. This was caused by a kind of bruising called “tissuing”. We soon knew all about tissuing. It made her arm hurt like hell.

She was bright-eyed and animated as always, but her lips had a slight blue tinge and her skin had a tight, translucent quality.

She was in this room on the west because her blood appeared to be dying. Some thought the blood was killing itself. This is what we all feared, none more than me, for when I heard her blood-count was so low, the first thing I thought (stop that thought, cut it off, bury it) was cancer.

This did not necessarily have a lot to do with Alison, but with me, and how I had grown up, with a mother who was preoccupied with cancer and who, going into surgery for suspected breast cancer, begged the doctor to “cut them both off”. When my mother’s friend Enid Tanner boasted of her hard stomach muscles, my mother envisaged a growth. When her father complained of a sore elbow, my mother threatened the old man: “All right, we’ll take you up to Doctor Campbell and she’ll cut it off.” When I was ten, my mother’s brother got cancer and they cut his leg off right up near the hip and took photographs of him, naked, one-legged, to show other doctors the success of the operation.

When I heard your mother’s blood-count was low, I was my mother’s son. I thought: cancer.

I remembered what Alison had told me of that great tragedy of her grandparents’ life, how their son (her uncle) had leukaemia, how her grandfather then bought him the car (a Ford Prefect? a Morris Minor?) he had hitherto refused him, how the dying boy had driven for miles and miles, hours and hours while his cells attacked each other.

I tried to stop this thought, to cut it off. It grew again, like a thistle whose root has not been removed and must grow again, every time, stronger and stronger.

The best haematological unit in Australia was on hand to deal with the problem. They worked in the hospital across the road, the Royal Prince Alfred. They were friendly and efficient. They were not at all like I had imagined big hospital specialists to be. They took blood samples, but the blood did not tell them enough. They returned to take marrow from your mother’s bones. They brought a big needle with them that would give you the horrors if you could see the size of it.

The doctor’s speciality was leukaemia, but he said to us: “We
don’t think it’s anything really nasty.” Thus “nasty” became a code for cancer.

They diagnosed megaloblastic anaemia which, although we did not realize it, is the condition of the blood and not the disease itself.

Walking through the streets in Shimbashi in Tokyo, your mother once told me that a fortune-teller had told her she would die young. At the time she told me this, we had not known each other very long. It was July. We had fallen in love in May. We were still stumbling over each other’s feelings in the dark. I took this secret of your mother’s lightly, not thinking about the weight it must carry, what it might mean to talk about it. I hurt her; we fought, in the street by the Shimbashi railway station, in a street with shop windows advertising cosmetic surgery, in the Dai-Ichi Hotel in the Ginza district of Tokyo, Japan.

When they took the bone marrow from your mother’s spine, I held her hand. The needle had a cruel diameter, was less a needle than an instrument for removing a plug. She was very brave. Her wrists seemed too thin, her skin too white and shiny, her eyes too big and bright. She held my hand because of pain. I held hers because I loved her, because I could not think of living if I did not have her. I thought of what she had told me in Tokyo. I wished there was a God I could pray to.

I flew to Canberra on 7 May 1984. It was my forty-first birthday. I had injured my back and should have been lying flat on a board. I had come from a life with a woman which had reached, for both of us, a state of chronic unhappiness. I will tell you the truth: I was on that aeroplane to Canberra because I hoped I might fall in love. This made me a dangerous person.

There was a playwrights’ conference in Canberra. I hoped there would be a woman there who would love me as I would love her. This was a fantasy I had had before, getting on aeroplanes to foreign cities, riding in taxis towards hotels in Melbourne, in Adelaide, in Brisbane. I do not mean that I was thinking about sex, or an affair, but that I was looking for someone to spend my life with. Also — and I swear I have not invented this after the fact — I had a vision of your mother’s neck.

I hardly knew her. I met her once at a dinner when I hardly noticed her. I met her a second time when I saw, in a meeting room, the back
of her neck. We spoke that time, but I was argumentative and I did not think of her in what I can only call “that way”.

And yet as the aeroplane came down to land in Canberra, I saw your mother’s neck, and thought: maybe Alison Summers will be there. She was the dramaturge at the Nimrod Theatre. It was a playwrights’ conference. She should be there.

And she was. And we fell in love. And we stayed up till four in the morning every morning talking. And there were other men, everywhere, in love with her. I didn’t know about the other men. I knew only that I was in love as I had not been since I was eighteen years old. I wanted to marry Alison Summers, and at the end of the first night we had been out together when I walked her to the door of her room, and we had, for the first time, ever so lightly, kissed on the lips — and also, I must tell you, for it was delectable and wonderful, I kissed your mother on her long, beautiful neck — and when we had kissed and patted the air between us and said “all right” a number of times, and I had walked back to my room where I had, because of my back injury, a thin mattress lying flat on the floor, and when I was in this bed, I said, aloud, to the empty room: “I am going to live with Alison.”

And I went to sleep so happy I must have been smiling.

She did not know what I told the room. And it was three or four days before I could see her again, three or four days before we could go out together, spend time alone, and I could tell her what I thought.