Come Hell or Highball

 

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For Zach and Jennifer—my biggest supporters through thick and thin

 

I've always loved high style in low company.

—A
NITA
L
OOS

 

1

May 30, 1923

In all fairness, my husband was the one who
should've
been murdered.

Each of the mourners, huddled beneath dripping umbrellas around his open grave, must've itched to kill him at one point or another. That was the sort of fellow he'd been. Ginky. Insufferable. Yet it was only a heart attack that sent Alfred Woodby slinking over the Great Divide in his hand-stitched wing tips. It was someone else entirely who would get blipped off.

“Bastard,” I mumbled, and pitched a clod of damp earth down onto Alfie's casket.

My cook, Berta Lundgren, stout and stern beside me in her black rubberized raincoat, clutched the locket at her throat. “Not yet, Mrs. Woodby,” she whispered in her homey Swedish accent.

“Sorry,” I mouthed.

All eyes were upon me, glaring out in silence from beneath trickling hat brims.

The ham-shaped priest on the far side of the grave made an
ahem
and resumed the burial rites. “Unto Almighty God we commend the soul of our brother departed, and we commit his body to the ground. Earth to earth—”

Chisholm Woodby, Alfie's younger brother, tossed the second chunk of soil onto the casket.
Thunk
. Chisholm's smooth-shaven jaw was clenched. He had the same dark, suave good looks Alfie had had. But whereas Alfie's eyes had glittered with misdemeanors real and imagined, Chisholm's face had the moral pinch of a world-class prig.

Still, Chisholm surely must've dreamt from time to time of popping off Alfie, heir to the Woodby millions.

“—ashes to ashes—”

Then there were Alfie's pals—those, anyway, who'd managed to peel themselves out of bed early enough to attend a ten o'clock funeral. These were for the most part dissipated playboys, inheritors of vast family fortunes and mosquito-like intellects. Fizzy Van Hoogenband, as a choice example, still wore last night's glad rags. His bow tie was unraveled, lipstick sullied his collar, and he had droops like a basset hound's under his eyes. Fizzy showered a handful of earth onto the casket. The cigarette that dangled from his lips fell into the grave, too.

Mightn't one of Alfie's gin-and-jazz-club cronies longed to whack him over cards, girls, or dinner reservations at Philippe's?

“—dust to dust.”

Which brought me to the girls. Alfie had had many weaknesses. His heart, evidently. Cashmere socks. Anything gold and engraved. And chorus girls. A gaggle was in attendance at the burial. I studied them surreptitiously. Vampy, bob-haired damsels shivering in cheap dresses, legs bare. Lots of vermilion lipstick. Most of them were peroxide blondes, but one of them—short and compact like a tightrope walker, wearing black satin and a fox fur—had bordello-red waves under her cloche hat. For a second, her eyes met mine. Then her gaze darted back to the casket below.

Broadway was probably swarming with chorus girls who had yenned to throttle Alfie.

“Mrs. Woodby,” Berta whispered in my ear, “stop twitching, for goodness' sake. Anyone would think you needed to visit the
powder room
.” She straightened her hat, patted her gray bun, and trained her eyes back onto the droning priest.

I flattened my lips, simulating grief. Who would buy it? The thing was, I'd been nineteen, only a girl, when my parents thrust me into a union with Alfie. My marriage had been a stroke of fortune for Father's Wall Street endeavors and a windfall for Mother's social calendar. But Alfie had been a horror of a husband. I'd survived my marriage with an unholy combination of highballs, detective novels, and chocolate layer cake.

Really, anyone would think that
I
should've killed Alfie.

Now I was a thirty-one-year-old Society Matron with life unspooling like blank ticker tape before me, an apartment on Park Avenue, a rambling oceanfront mansion, and oodles of bucks I hadn't the foggiest how to start spending.

“Lord have mercy upon us,” the priest finished. He drew a hankie from somewhere inside his vestments and swabbed his rain-spattered forehead.

*   *   *

St. Percival's Cemetery in Hare's Hollow, New York, is a charming spot to push up the daisies. Acres of rolling green grass, antique headstones, and graceful old trees overlook the little town, with a vista of Long Island Sound beyond. That morning, however, a low gray sky churned. As soon as the burial ended, everyone hoofed it toward the long row of parked motorcars.

“Darling!” someone shrilled just as Berta and I set out for my own motorcar.

Phooey.

I turned. Olive Arbuckle, Society Queen Bee, sidled toward me. She wore an eel-black dropped-waist dress and a black taffeta raincoat. Years of tennis, sailboating, golf, and dressage had whittled Olive's figure down to that of a dried herring. Her girthy husband, Horace, trundled behind, holding an umbrella over her.

“Lola, you
poor
darling.” Olive smooched the air on either side of my hat. “Such a shock, a dreadful shock for us all.”

“So awfully sorry for your loss, Lola,” Horace said. His mountainous bulk was clothed in fine Italian wool, and a fedora hid his balding head.

Horace Arbuckle was a food industrialist. As a young man, he'd inherited his father's two-bit canned goods business and nurtured it into a whopping success. Everyone, of course, is familiar with his bestselling item, Auntie Arbuckle's Pork and Beans.

“How are you feeling?” Olive asked me. “Keeping up your strength?” Her eyes flicked to my ankles.

Okay, I admit it. I wasn't blessed by Nature with a flapper's physique. Without high heels, it is at times difficult to distinguish exactly where my legs end and my feet begin. And these new cylindrical fashions are a bit of a challenge, since I carry somewhat more freight on my luggage rack (so to speak) than is fashionable, and my bustline would have been better appreciated in Anna Karenina's day.

Nonetheless, I do adore beautiful things.
I
thought I cut quite the figure of a chic widow that morning: drapey black raincoat that buttoned over one hip, black hat with a neat little brim, black T-strap heels. My Dutch-bobbed hair was glossy brown, and I wore just enough face paint to flatter my dark blue eyes.

Nobody needed to know that egg yolk hair treatments, gallons of Pond's cream, and an industrial-grade girdle made it all possible.

“I'm fine,” I said to Olive. “Truly.”

“And I see you have your—your housemaid in attendance?”

“Cook, actually,” I said.

Berta drew up all five feet one inch of herself in magisterial silence.

“My family could not arrive in time for the funeral,” I said.

“What a pity.”

Not really. “Yes,” I said. “They set off from Rome just as soon as they heard the news. I believe they'll arrive home sometime tomorrow.” Mother, Father, and my sister, Lillian, were at present hurtling across the Atlantic aboard a Cunard ocean liner, returning from a three-month-long European shopping excursion. “And my brother, Andrew, is in the thick of studying for his final exams at Yale, so I told him to stay absolutely chained to his desk, or Father would be cross.” I actually suspected that little Andy—the rotten apple of Mother's eye—was carousing with his fraternity buddies.

“Ah, well, at least the hired help are there for you,” Olive said.

“Berta is my rock.”

In fact, Berta had demanded that I drive her to the funeral. Somehow, Berta always managed to get her way with me. Probably something to do with her cinnamon rolls. My butler, Hibbers, had offered to deliver Berta to the cemetery in the estate's Ford depot hack but Berta had refused, saying the depot hack smelled of underarm.

No other member of my staff had come to the cemetery, blaming headaches and sniffles and the need to prepare the funeral luncheon. Alfie had not been adored.

“Horace and I cannot, I'm afraid, go to luncheon at your place today,” Olive said. “Some dreary business thing has come up, you know. But we wished to extend an invitation to you, for this weekend. It'll be a simply
scrummy
gathering. Quite small, intimate, really, but”—her eyes glittered—“Bruno Luciano will be there.”

Horace sighed.

“Bruno Luciano?” I asked. “Do you mean the motion picture actor?”

“Yes!” Olive squealed.

I tried to picture Bruno Luciano—Byronic matinee idol, star of
All About Town
and
Casanova
—playing tennis doubles with Olive and Horace.

“I met the head of a great big new motion picture production company,” Olive said. “Pantheon Pictures—have you heard of it? Their studio is in Flushing, Queens, quite in the middle of the industry. Well, Mr. Zucker, the company head, was at the Cliffords' country place last weekend. We simply hit it off.”

“Latched on like a leech,” Horace said.

Olive was undeterred. “Mr. Zucker's girlfriend, Sadie Street, is to be the next big star. She's got a contract to be Bruno Luciano's leading lady in three new pictures. Only, they've been having a bit of a tiff.”

My eyes were glazing over. “Who's having a tiff?”

“Bruno Luciano,” Olive said. “And the starlet. Sadie Street. So, I said to Mr. Zucker, why, my country place is a simply
brilliant
spot for them to have a sort of, I don't know, a sort of reconciliation.”

“Goddam reporters already crawling around the place,” Horace said.

Berta clutched her locket at Horace's
goddam
.

“But, darling,” Olive said to him, “
we
haven't got any secrets. It's true.” She turned back to me, eyes aglow. “Reporters absolutely everywhere, for the motion picture weeklies
and
the papers. They somehow got wind of the reconciliation at our place and are angling for photographs of Bruno.”