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Authors: William Shakespeare

Complete Plays, The (123 page)

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What is the matter?

Othello

Behold, I have a weapon;
A better never did itself sustain
Upon a soldier’s thigh: I have seen the day,
That, with this little arm and this good sword,
I have made my way through more impediments
Than twenty times your stop: but, O vain boast!
Who can control his fate? ’tis not so now.
Be not afraid, though you do see me weapon’d;
Here is my journey’s end, here is my butt,
And very sea-mark of my utmost sail.
Do you go back dismay’d? ’tis a lost fear;
Man but a rush against Othello’s breast,
And he retires. Where should Othello go?
Now, how dost thou look now? O ill-starr’d wench!
Pale as thy smock! when we shall meet at compt,
This look of thine will hurl my soul from heaven,
And fiends will snatch at it. Cold, cold, my girl!
Even like thy chastity. O cursed slave!
Whip me, ye devils,
From the possession of this heavenly sight!
Blow me about in winds! roast me in sulphur!
Wash me in steep-down gulfs of liquid fire!
O Desdemona! Desdemona! dead!
Oh! Oh! Oh!

Enter Lodovico. Montano, Cassio carried in a chair, and Officers with Iago, prisoner

Lodovico

Where is this rash and most unfortunate man?

Othello

That’s he that was Othello: here I am.

Lodovico

Where is that viper? bring the villain forth.

Othello

I look down towards his feet; but that’s a fable.
If that thou best a devil, I cannot kill thee.

Wounds Iago

Lodovico

Wrench his sword from him.

Iago

I bleed, sir; but not kill’d.

Othello

I am not sorry neither: I’ld have thee live;
For, in my sense, ’tis happiness to die.

Lodovico

O thou Othello, thou wert once so good,
Fall’n in the practise of a damned slave,
What shall be said to thee?

Othello

Why, any thing:
An honourable murderer, if you will;
For nought I did in hate, but all in honour.

Lodovico

This wretch hath part confess’d his villany:
Did you and he consent in Cassio’s death?

Othello

Ay.

Cassio

Dear general, I never gave you cause.

Othello

I do believe it, and I ask your pardon.
Will you, I pray, demand that demi-devil
Why he hath thus ensnared my soul and body?

Iago

Demand me nothing: what you know, you know:
From this time forth I never will speak word.

Lodovico

What, not to pray?

Gratiano

 
Torments will ope your lips.

Othello

Well, thou dost best.

Lodovico

Sir, you shall understand what hath befall’n,
Which, as I think, you know not. Here is a letter
Found in the pocket of the slain Roderigo;
And here another: the one of them imports
The death of Cassio to be undertook
By Roderigo.

Othello

O villain!

Cassio

Most heathenish and most gross!

Lodovico

Now here’s another discontented paper,
Found in his pocket too; and this, it seems,
Roderigo meant to have sent this damned villain;
But that belike Iago in the interim
Came in and satisfied him.

Othello

O the pernicious caitiff!
How came you, Cassio, by that handkerchief
That was my wife’s?

Cassio

I found it in my chamber:
And he himself confess’d but even now
That there he dropp’d it for a special purpose
Which wrought to his desire.

Othello

O fool! fool! fool!

Cassio

There is besides in Roderigo’s letter,
How he upbraids Iago, that he made him
Brave me upon the watch; whereon it came
That I was cast: and even but now he spake,
After long seeming dead, Iago hurt him,
Iago set him on.

Lodovico

You must forsake this room, and go with us:
Your power and your command is taken off,
And Cassio rules in Cyprus. For this slave,
If there be any cunning cruelty
That can torment him much and hold him long,
It shall be his. You shall close prisoner rest,
Till that the nature of your fault be known
To the Venetian state. Come, bring him away.

Othello

Soft you; a word or two before you go.
I have done the state some service, and they know’t.
No more of that. I pray you, in your letters,
When you shall these unlucky deeds relate,
Speak of me as I am; nothing extenuate,
Nor set down aught in malice: then must you speak
Of one that loved not wisely but too well;
Of one not easily jealous, but being wrought
Perplex’d in the extreme; of one whose hand,
Like the base Indian, threw a pearl away
Richer than all his tribe; of one whose subdued eyes,
Albeit unused to the melting mood,
Drop tears as fast as the Arabian trees
Their medicinal gum. Set you down this;
And say besides, that in Aleppo once,
Where a malignant and a turban’d Turk
Beat a Venetian and traduced the state,
I took by the throat the circumcised dog,
And smote him, thus.

Stabs himself

Lodovico

O bloody period!

Gratiano

 
All that’s spoke is marr’d.

Othello

I kiss’d thee ere I kill’d thee: no way but this;
Killing myself, to die upon a kiss.

Falls on the bed, and dies

Cassio

This did I fear, but thought he had no weapon;
For he was great of heart.

Lodovico

[To Iago]
 
O Spartan dog,
More fell than anguish, hunger, or the sea!
Look on the tragic loading of this bed;
This is thy work: the object poisons sight;
Let it be hid. Gratiano, keep the house,
And seize upon the fortunes of the Moor,
For they succeed on you. To you, lord governor,
Remains the censure of this hellish villain;
The time, the place, the torture: O, enforce it!
Myself will straight aboard: and to the state
This heavy act with heavy heart relate.

Exeunt

King Lear

T
ABLE
OF
C
ONTENTS

 

C
HARACTERS
OF
THE
P
LAY

A
CT
I

S
CENE
I. K
ING
L
EAR

S
PALACE
.

S
CENE
II. T
HE
E
ARL
OF
G
LOUCESTER

S
CASTLE
.

S
CENE
III. T
HE
D
UKE
OF
A
LBANY

S
PALACE
.

S
CENE
IV. A
HALL
IN
THE
SAME
.

S
CENE
V. C
OURT
BEFORE
THE
SAME
.

A
CT
II

S
CENE
I. G
LOUCESTER

S
CASTLE
.

S
CENE
II. B
EFORE
G
LOUCESTER

S
CASTLE
.

S
CENE
III. A
WOOD
.

S
CENE
IV. B
EFORE
G
LOUCESTER

S
CASTLE
. K
ENT
IN
THE
STOCKS
.

A
CT
III

S
CENE
I. A
HEATH
.

S
CENE
II. A
NOTHER
PART
OF
THE
HEATH
. S
TORM
STILL
.

S
CENE
III. G
LOUCESTER

S
CASTLE
.

S
CENE
IV. T
HE
HEATH
. B
EFORE
A
HOVEL
.

S
CENE
V. G
LOUCESTER

S
CASTLE
.

S
CENE
V
I
. A
CHAMBER
IN
A
FARMHOUSE
ADJOINING
THE
CASTLE
.

S
CENE
V
II
. G
LOUCESTER

S
CASTLE
.

A
CT
IV

S
CENE
I. T
HE
HEATH
.

S
CENE
II. B
EFORE
A
LBANY

S
PALACE
.

S
CENE
III. T
HE
F
RENCH
CAMP
NEAR
D
OVER
.

S
CENE
IV. T
HE
SAME
. A
TENT
.

S
CENE
V. G
LOUCESTER

S
CASTLE
.

S
CENE
V
I
. F
IELDS
NEAR
D
OVER
.

S
CENE
V
II
. A
TENT
IN
THE
F
RENCH
CAMP
. L
EAR
ON
A
BED
ASLEEP
,

A
CT
V

S
CENE
I. T
HE
B
RITISH
CAMP
,
NEAR
D
OVER
.

S
CENE
II. A
FIELD
BETWEEN
THE
TWO
CAMPS
.

S
CENE
III. T
HE
B
RITISH
CAMP
NEAR
D
OVER
.

 

C
HARACTERS
OF
THE
P
LAY

 

Lear
, King of Britain.
King Of France
.
Duke of Burgundy
.
Duke of Cornwall
.
Duke of Albany
.
Earl of Kent
.
Earl of Gloucester
.
Edgar
, son of Gloucester.
Edmund
, bastard son to Gloucester.
Curan
, a courtier.
An Old Man
, tenant to Gloucester.
A Doctor
.
Lear's Fool
.
Oswald
, steward to Goneril.
A Captain
 
under Edmund's command.
Gentlemen
.
A Herald
.
Servants
 
to Cornwall.
Goneril
, daughter to Lear.
Regan
, daughter to Lear.
Cordelia
, daughter to Lear.

Knights attending on Lear, Officers, Messengers, Soldiers, Attendants.

Scene: Britain.

A
CT
I

S
CENE
I. K
ING
L
EAR

S
PALACE
.

Enter Kent, Gloucester, and Edmund

Kent

I thought the king had more affected the Duke of
Albany than Cornwall.

Gloucester

It did always seem so to us: but now, in the division of the kingdom, it appears not which of the dukes he values most; for equalities are so weighed, that curiosity in neither can make choice of either’s moiety.

BOOK: Complete Plays, The
11.99Mb size Format: txt, pdf, ePub
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