Complete Stories And Poems Of Edgar Allan Poe (129 page)

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Authors: Edgar Allan Poe

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BOOK: Complete Stories And Poems Of Edgar Allan Poe
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I assured him that I should never say it again as long as I lived. He kissed me and continued:

“As for the tone heterogeneous, it is merely a judicious mixture, in equal proportions, of all the other tones in the world, and is consequently made up of every thing deep, great, odd, piquant, pertinent, and pretty.

“Let us suppose now you have determined upon your incidents and tone. The most important portion -- in fact, the soul of the whole business, is yet to be attended to -- I allude to the filling up. It is not to be supposed that a lady, or gentleman either, has been leading the life of a book worm. And yet above all things it is necessary that your article have an air of erudition, or at least afford evidence of extensive general reading. Now I’ll put you in the way of accomplishing this point. See here!” (pulling down some three or four ordinary-looking volumes, and opening them at random). “By casting your eye down almost any page of any book in the world, you will be able to perceive at once a host of little scraps of either learning or bel-espritism, which are the very thing for the spicing of a Blackwood article. You might as well note down a few while I read them to you. I shall make two divisions: first, Piquant Facts for the Manufacture of Similes, and, second, Piquant Expressions to be introduced as occasion may require. Write now!” -- and I wrote as he dictated.

“PIQUANT FACTS FOR SIMILES. ‘There were originally but three Muses -- Melete, Mneme, Aoede -- meditation, memory, and singing.’ You may make a good deal of that little fact if properly worked. You see it is not generally known, and looks recherche. You must be careful and give the thing with a downright improviso air.

“Again. ‘The river Alpheus passed beneath the sea, and emerged without injury to the purity of its waters.’ Rather stale that, to be sure, but, if properly dressed and dished up, will look quite as fresh as ever.

“Here is something better. ‘The Persian Iris appears to some persons to possess a sweet and very powerful perfume, while to others it is perfectly scentless.’ Fine that, and very delicate! Turn it about a little, and it will do wonders. We’ll have some thing else in the botanical line. There’s nothing goes down so well, especially with the help of a little Latin. Write!

“‘The Epidendrum Flos Aeris, of Java, bears a very beautiful flower, and will live when pulled up by the roots. The natives suspend it by a cord from the ceiling, and enjoy its fragrance for years.’ That’s capital! That will do for the similes. Now for the Piquant Expressions.


PIQUANT
EXPRESSIONS
. ‘The Venerable Chinese novel Ju-Kiao-Li.’ Good! By introducing these few words with dexterity you will evince your intimate acquaintance with the language and literature of the Chinese. With the aid of this you may either get along without either Arabic, or Sanscrit, or Chickasaw. There is no passing muster, however, without Spanish, Italian, German, Latin, and Greek. I must look you out a little specimen of each. Any scrap will answer, because you must depend upon your own ingenuity to make it fit into your article. Now write!

“‘Aussi tendre que Zaire’ -- as tender as Zaire-French. Alludes to the frequent repetition of the phrase, la tendre Zaire, in the French tragedy of that name. Properly introduced, will show not only your knowledge of the language, but your general reading and wit. You can say, for instance, that the chicken you were eating (write an article about being choked to death by a chicken-bone) was not altogether aussi tendre que Zaire. Write!

‘Van muerte tan escondida,

Que no te sienta venir,

Porque el plazer del morir,

No mestorne a dar la vida.’

“That’s Spanish -- from Miguel de Cervantes. ‘Come quickly, O death! but be sure and don’t let me see you coming, lest the pleasure I shall feel at your appearance should unfortunately bring me back again to life.’ This you may slip in quite a propos when you are struggling in the last agonies with the chicken-bone. Write!

‘Il pover ‘huomo che non se’n era accorto, Andava combattendo, e era morto.’

That’s Italian, you perceive -- from Ariosto. It means that a great hero, in the heat of combat, not perceiving that he had been fairly killed, continued to fight valiantly, dead as he was. The application of this to your own case is obvious -- for I trust, Miss Psyche, that you will not neglect to kick for at least an hour and a half after you have been choked to death by that chicken-bone. Please to write!

‘Und sterb’ich doch, no sterb’ich denn

Durch sie -- durch sie!’

That’s German -- from Schiller. ‘And if I die, at least I die -- for thee -- for thee!’ Here it is clear that you are apostrophizing the cause of your disaster, the chicken. Indeed what gentleman (or lady either) of sense, wouldn’t die, I should like to know, for a well fattened capon of the right Molucca breed, stuffed with capers and mushrooms, and served up in a salad-bowl, with orange-jellies en mosaiques. Write! (You can get them that way at Tortoni’s) -- Write, if you please!

“Here is a nice little Latin phrase, and rare too, (one can’t be too recherche or brief in one’s Latin, it’s getting so common -- ignoratio elenchi. He has committed an ignoratio elenchi -- that is to say, he has understood the words of your proposition, but not the idea. The man was a fool, you see. Some poor fellow whom you address while choking with that chicken-bone, and who therefore didn’t precisely understand what you were talking about. Throw the ignoratio elenchi in his teeth, and, at once, you have him annihilated. If he dares to reply, you can tell him from Lucan (here it is) that speeches are mere anemonae verborum, anemone words. The anemone, with great brilliancy, has no smell. Or, if he begins to bluster, you may be down upon him with insomnia Jovis, reveries of Jupiter -- a phrase which Silius Italicus (see here!) applies to thoughts pompous and inflated. This will be sure and cut him to the heart. He can do nothing but roll over and die. Will you be kind enough to write?

“In Greek we must have some thing pretty -- from Demosthenes, for example. [Greek phrase]

[Anerh o pheugoen kai palin makesetai] There is a tolerably good translation of it in Hudibras

‘For he that flies may fight again,

Which he can never do that’s slain.’

In a Blackwood article nothing makes so fine a show as your Greek. The very letters have an air of profundity about them. Only observe, madam, the astute look of that Epsilon! That Phi ought certainly to be a bishop! Was ever there a smarter fellow than that Omicron? Just twig that Tau! In short, there is nothing like Greek for a genuine sensation-paper. In the present case your application is the most obvious thing in the world. Rap out the sentence, with a huge oath, and by way of ultimatum at the good-for-nothing dunder-headed villain who couldn’t understand your plain English in relation to the chicken-bone. He’ll take the hint and be off, you may depend upon it.”

These were all the instructions Mr. B. could afford me upon the topic in question, but I felt they would be entirely sufficient. I was, at length, able to write a genuine Blackwood article, and determined to do it forthwith. In taking leave of me, Mr. B. made a proposition for the purchase of the paper when written; but as he could offer me only fifty guineas a sheet, I thought it better to let our society have it, than sacrifice it for so paltry a sum. Notwithstanding this niggardly spirit, however, the gentleman showed his consideration for me in all other respects, and indeed treated me with the greatest civility. His parting words made a deep impression upon my heart, and I hope I shall always remember them with gratitude.

“My dear Miss Zenobia,” he said, while the tears stood in his eyes, “is there anything else I can do to promote the success of your laudable undertaking? Let me reflect! It is just possible that you may not be able, so soon as convenient, to -- to -- get yourself drowned, or -- choked with a chicken-bone, or -- or hung, -- or -- bitten by a -- but stay! Now I think me of it, there are a couple of very excellent bull-dogs in the yard -- fine fellows, I assure you -- savage, and all that -- indeed just the thing for your money -- they’ll have you eaten up, auricula and all, in less than five minutes (here’s my watch!) -- and then only think of the sensations! Here! I say -- Tom! -- Peter! -- Dick, you villain! -- let out those” -- but as I was really in a great hurry, and had not another moment to spare, I was reluctantly forced to expedite my departure, and accordingly took leave at once -- somewhat more abruptly, I admit, than strict courtesy would have otherwise allowed.

It was my primary object upon quitting Mr. Blackwood, to get into some immediate difficulty, pursuant to his advice, and with this view I spent the greater part of the day in wandering about Edinburgh, seeking for desperate adventures -- adventures adequate to the intensity of my feelings, and adapted to the vast character of the article I intended to write. In this excursion I was attended by one negro -- servant, Pompey, and my little lap-dog Diana, whom I had brought with me from Philadelphia. It was not, however, until late in the afternoon that I fully succeeded in my arduous undertaking. An important event then happened of which the following Blackwood article, in the tone heterogeneous, is the substance and result.

A PREDICAMENT

What chance, good lady, hath bereft you thus?


COMUS
.

IT was a quiet and still afternoon when I strolled forth in the goodly city of Edina. The confusion and bustle in the streets were terrible. Men were talking. Women were screaming. Children were choking. Pigs were whistling. Carts they rattled. Bulls they bellowed. Cows they lowed. Horses they neighed. Cats they caterwauled. Dogs they danced. Danced! Could it then be possible? Danced! Alas, thought I, my dancing days are over! Thus it is ever. What a host of gloomy recollections will ever and anon be awakened in the mind of genius and imaginative contemplation, especially of a genius doomed to the everlasting and eternal, and continual, and, as one might say, the -- continued -- yes, the continued and continuous, bitter, harassing, disturbing, and, if I may be allowed the expression, the very disturbing influence of the serene, and godlike, and heavenly, and exalted, and elevated, and purifying effect of what may be rightly termed the most enviable, the most truly enviable -- nay! the most benignly beautiful, the most deliciously ethereal, and, as it were, the most pretty (if I may use so bold an expression) thing (pardon me, gentle reader!) in the world -- but I am always led away by my feelings. In such a mind, I repeat, what a host of recollections are stirred up by a trifle! The dogs danced! I -- I could not! They frisked -- I wept. They capered -- I sobbed aloud. Touching circumstances! which cannot fail to bring to the recollection of the classical reader that exquisite passage in relation to the fitness of things, which is to be found in the commencement of the third volume of that admirable and venerable Chinese novel the Jo-Go-Slow.

In my solitary walk through, the city I had two humble but faithful companions. Diana, my poodle! sweetest of creatures! She had a quantity of hair over her one eye, and a blue ribband tied fashionably around her neck. Diana was not more than five inches in height, but her head was somewhat bigger than her body, and her tail being cut off exceedingly close, gave an air of injured innocence to the interesting animal which rendered her a favorite with all.

And Pompey, my negro! -- sweet Pompey! how shall I ever forget thee? I had taken Pompey’s arm. He was three feet in height (I like to be particular) and about seventy, or perhaps eighty, years of age. He had bow-legs and was corpulent. His mouth should not be called small, nor his ears short. His teeth, however, were like pearl, and his large full eyes were deliciously white. Nature had endowed him with no neck, and had placed his ankles (as usual with that race) in the middle of the upper portion of the feet. He was clad with a striking simplicity. His sole garments were a stock of nine inches in height, and a nearly -- new drab overcoat which had formerly been in the service of the tall, stately, and illustrious Dr. Moneypenny. It was a good overcoat. It was well cut. It was well made. The coat was nearly new. Pompey held it up out of the dirt with both hands.

There were three persons in our party, and two of them have already been the subject of remark. There was a third -- that person was myself. I am the Signora Psyche Zenobia. I am not Suky Snobbs. My appearance is commanding. On the memorable occasion of which I speak I was habited in a crimson satin dress, with a sky-blue Arabian mantelet. And the dress had trimmings of green agraffas, and seven graceful flounces of the orange-colored auricula. I thus formed the third of the party. There was the poodle. There was Pompey. There was myself. We were three. Thus it is said there were originally but three Furies -- Melty, Nimmy, and Hetty -- Meditation, Memory, and Fiddling.

Leaning upon the arm of the gallant Pompey, and attended at a respectable distance by Diana, I proceeded down one of the populous and very pleasant streets of the now deserted Edina. On a sudden, there presented itself to view a church -- a Gothic cathedral -- vast, venerable, and with a tall steeple, which towered into the sky. What madness now possessed me? Why did I rush upon my fate? I was seized with an uncontrollable desire to ascend the giddy pinnacle, and then survey the immense extent of the city. The door of the cathedral stood invitingly open. My destiny prevailed. I entered the ominous archway. Where then was my guardian angel? -- if indeed such angels there be. If! Distressing monosyllable! what world of mystery, and meaning, and doubt, and uncertainty is there involved in thy two letters! I entered the ominous archway! I entered; and, without injury to my orange-colored auriculas, I passed beneath the portal, and emerged within the vestibule. Thus it is said the immense river Alfred passed, unscathed, and unwetted, beneath the sea.

I thought the staircase would never have an end. Round! Yes, they went round and up, and round and up and round and up, until I could not help surmising, with the sagacious Pompey, upon whose supporting arm I leaned in all the confidence of early affection -- I could not help surmising that the upper end of the continuous spiral ladder had been accidentally, or perhaps designedly, removed. I paused for breath; and, in the meantime, an accident occurred of too momentous a nature in a moral, and also in a metaphysical point of view, to be passed over without notice. It appeared to me -- indeed I was quite confident of the fact -- I could not be mistaken -- no! I had, for some moments, carefully and anxiously observed the motions of my Diana -- I say that I could not be mistaken -- Diana smelt a rat! At once I called Pompey’s attention to the subject, and he -- he agreed with me. There was then no longer any reasonable room for doubt. The rat had been smelled -- and by Diana. Heavens! shall I ever forget the intense excitement of the moment? Alas! what is the boasted intellect of man? The rat! -- it was there -- that is to say, it was somewhere. Diana smelled the rat. I -- I could not! Thus it is said the Prussian Isis has, for some persons, a sweet and very powerful perfume, while to others it is perfectly scentless.

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