Complete Stories (39 page)
Authors: Dorothy Parker,Colleen Bresse,Regina Barreca
But there must be
something
I could count. Let’s see. No, I already know by heart how many fingers I have. I could count my bills, I suppose. I could count the things I didn’t do yesterday that I should have done. I could count the things I should do today that I’m not going to do. I’m never going to accomplish anything; that’s perfectly clear to me. I’m never going to be famous. My name will never be writ large on the roster of Those Who Do Things. I don’t do anything. Not one single thing. I used to bite my nails, but I don’t even do that any more. I don’t amount to the powder to blow me to hell. I’ve turned out to be nothing but a bit of flotsam. Flotsam and leave ’em—that’s me from now on. Oh, it’s all terrible.
something
I could count. Let’s see. No, I already know by heart how many fingers I have. I could count my bills, I suppose. I could count the things I didn’t do yesterday that I should have done. I could count the things I should do today that I’m not going to do. I’m never going to accomplish anything; that’s perfectly clear to me. I’m never going to be famous. My name will never be writ large on the roster of Those Who Do Things. I don’t do anything. Not one single thing. I used to bite my nails, but I don’t even do that any more. I don’t amount to the powder to blow me to hell. I’ve turned out to be nothing but a bit of flotsam. Flotsam and leave ’em—that’s me from now on. Oh, it’s all terrible.
Well. This way lies galloping melancholia. Maybe it’s because this is the zero hour. This is the time the swooning soul hangs pendant and vertiginous between the new day and the old, nor dares confront the one or summon back the other. This is the time when all things, known and hidden, are iron to weight the spirit; when all ways, traveled or virgin, fall away from the stumbling feet, when all before the straining eyes is black. Blackness now, everywhere is blackness. This is the time of abomination, the dreadful hour of the victorious dark. For it is always darkest—Was it not that lovable old cynic, La Rochefoucauld, who said that it is always darkest before the deluge?
There. Now you see, don’t you? Here we are again, practically back where we started. La Rochefoucauld, we are here. Ah, come on, son—how about your going your way and letting me go mine? I’ve got my work cut out for me right here; I’ve got all this sleeping to do. Think how I am going to look by daylight if this keeps up. I’ll be a seamy sight for all those rested, clear-eyed, fresh-faced dearest friends of mine—the rats! My
dear
, whatever have you been doing; I thought you were so good lately. Oh, I was helling around with La Rochefoucauld till all hours; we couldn’t stop laughing about your misfortunes. No, this is getting too thick, really. It isn’t right to have this happen to a person, just because she went to bed at ten o’clock once in her life. Honest, I won’t ever do it again. I’ll go straight, after this. I’ll never go to bed again, if I can only sleep now. If I can tear my mind away from a certain French cynic,
circa
1650, and slip into lovely oblivion. 1650. I bet I look as if I’d been awake since then.
dear
, whatever have you been doing; I thought you were so good lately. Oh, I was helling around with La Rochefoucauld till all hours; we couldn’t stop laughing about your misfortunes. No, this is getting too thick, really. It isn’t right to have this happen to a person, just because she went to bed at ten o’clock once in her life. Honest, I won’t ever do it again. I’ll go straight, after this. I’ll never go to bed again, if I can only sleep now. If I can tear my mind away from a certain French cynic,
circa
1650, and slip into lovely oblivion. 1650. I bet I look as if I’d been awake since then.
How do people go to sleep? I’m afraid I’ve lost the knack. I might try busting myself smartly over the temple with the night-light. I might repeat to myself, slowly and soothingly, a list of quotations beautiful from minds profound; if I can remember any of the damn things. That might do it. And it ought effectually to bar that visiting foreigner that’s been hanging around ever since twenty minutes past four. Yes, that’s what I’ll do. Only wait till I turn the pillow; it feels as if La Rochefoucauld had crawled inside the slip.
Now let’s see—where shall we start? Why—er—let’s see. Oh, yes, I know one. This above all, to thine own self be true and it must follow, as the night the day, thou canst not then be false to any man. Now they’re off. And once they get started, they ought to come like hot cakes. Let’s see. Ah, what avail the sceptered race and what the form divine, when every virtue, every grace, Rose Aylmer, all were thine. Let’s see. They also serve who only stand and wait. If Winter comes, can Spring be far behind? Lilies that fester smell far worse than weeds. Silent upon a peak in Darien. Mrs. Porter and her daughter wash their feet in soda-water. And Agatha’s Arth is a hug-the-hearth, but my true love is false. Why did you die when lambs were cropping, you should have died when apples were dropping. Shall be together, breathe and ride, so one day more am I deified, who knows but the world will end tonight. And he shall hear the stroke of eight and not the stroke of nine. They are not long, the weeping and the laughter; love and desire and hate I think will have no portion in us after we pass the gate. But none, I think, do there embrace. I think that I shall never see a poem lovely as a tree. I think I will not hang myself today. Ay tank Ay go home now.
Let’s see. Solitude is the safeguard of mediocrity and the stern companion of genius. Consistency is the hobgoblin of little minds. Something is emotion remembered in tranquillity. A cynic is one who knows the price of everything and the value of nothing. That lovable old cynic is one who—oops, there’s King Charles’s head again. I’ve got to watch myself. Let’s see. Circumstantial evidence is a trout in the milk. Any stigma will do to beat a dogma. If you would learn what God thinks about money, you have only to look at those to whom He has given it. If nobody had ever learned to read, very few people—
All right. That fixes it. I throw in the towel right now. I know when I’m licked. There’ll be no more of this nonsense; I’m going to turn on the light and read my head off. Till the next ten o’clock, if I feel like it. And what does La Rochefoucauld want to make of that? Oh, he
will,
eh? Yes, he will! He and who else? La Rochefoucauld and
what
very few people?
will,
eh? Yes, he will! He and who else? La Rochefoucauld and
what
very few people?
The New Yorker,
August 19, 1933
August 19, 1933
The Waltz
Why, thank you so much. I’d adore to.
I don’t want to dance with him. I don’t want to dance with anybody. And even if I did, it wouldn’t be him. He’d be well down among the last ten. I’ve seen the way he dances; it looks like something you do on Saint Walpurgis Night. Just think, not a quarter of an hour ago, here I was sitting, feeling so sorry for the poor girl he was dancing with. And now
I’m
going to be the poor girl. Well, well. Isn’t it a small world?
I’m
going to be the poor girl. Well, well. Isn’t it a small world?
And a peach of a world, too. A true little corker. Its events are so fascinatingly unpredictable, are not they? Here I was, minding my own business, not doing a stitch of harm to any living soul. And then he comes into my life, all smiles and city manners, to sue me for the favor of one memorable mazurka. Why, he scarcely knows my name, let alone what it stands for. It stands for Despair, Bewilderment, Futility, Degradation, and Premeditated Murder, but little does he wot. I don’t wot his name, either; I haven’t any idea what it is. Jukes, would be my guess from the look in his eyes. How do you do, Mr. Jukes? And how is that dear little brother of yours, with the two heads?
Ah, now why did he have to come around me, with his low requests? Why can’t he let me lead my own life? I ask so little—just to be left alone in my quiet corner of the table, to do my evening brooding over all my sorrows. And he must come, with his bows and his scrapes and his may-I-have-this-ones. And I had to go and tell him that I’d adore to dance with him. I cannot understand why I wasn’t struck right down dead. Yes, and being struck dead would look like a day in the country, compared to struggling out a dance with this boy. But what could I do? Everyone else at the table had got up to dance, except him and me. There was I, trapped. Trapped like a trap in a trap.
What can you say, when a man asks you to dance with him? I most certainly will
not
dance with you, I’ll see you in hell first. Why, thank you, I’d like to awfully, but I’m having labor pains. Oh, yes,
do
let’s dance together—it’s so nice to meet a man who isn’t a scaredy-cat about catching my beri-beri. No. There was nothing for me to do, but say I’d adore to. Well, we might as well get it over with. All right, Cannonball, let’s run out on the field. You won the toss; you can lead.
not
dance with you, I’ll see you in hell first. Why, thank you, I’d like to awfully, but I’m having labor pains. Oh, yes,
do
let’s dance together—it’s so nice to meet a man who isn’t a scaredy-cat about catching my beri-beri. No. There was nothing for me to do, but say I’d adore to. Well, we might as well get it over with. All right, Cannonball, let’s run out on the field. You won the toss; you can lead.
Why, I think it’s more of a waltz, really. Isn’t it? We might just listen to the music a second. Shall we? Oh, yes, it’s a waltz. Mind? Why, I’m simply thrilled. I’d love to waltz with you.
I’d love to waltz with you. I’d love to waltz with you. I’d love to have my tonsils out, I’d love to be in a midnight fire at sea. Well, it’s too late now. We’re getting under way.
Oh.
Oh, dear. Oh, dear, dear, dear. Oh, this is even worse than I thought it would be. I suppose that’s the one dependable law of life—everything is always worse than you thought it was going to be. Oh, if I had any real grasp of what this dance would be like, I’d have held out for sitting it out. Well, it will probably amount to the same thing in the end. We’ll be sitting it out on the floor in a minute, if he keeps this up.
Oh.
Oh, dear. Oh, dear, dear, dear. Oh, this is even worse than I thought it would be. I suppose that’s the one dependable law of life—everything is always worse than you thought it was going to be. Oh, if I had any real grasp of what this dance would be like, I’d have held out for sitting it out. Well, it will probably amount to the same thing in the end. We’ll be sitting it out on the floor in a minute, if he keeps this up.
I’m so glad I brought it to his attention that this is a waltz they’re playing. Heaven knows what might have happened, if he had thought it was something fast; we’d have blown the sides right out of the building. Why does he always want to be somewhere that he isn’t? Why can’t we stay in one place just long enough to get acclimated? It’s this constant rush, rush, rush, that’s the curse of American life. That’s the reason that we’re all of us so
—Ow!
For God’s sake, don’t
kick
, you idiot; this is only second down. Oh, my shin. My poor, poor shin, that I’ve had ever since I was a little girl!
—Ow!
For God’s sake, don’t
kick
, you idiot; this is only second down. Oh, my shin. My poor, poor shin, that I’ve had ever since I was a little girl!
Oh, no, no, no. Goodness, no. It didn’t hurt the least little bit. And anyway it was my fault. Really it was. Truly. Well, you’re just being sweet, to say that. It really was all my fault.
I wonder what I’d better do—kill him this instant, with my naked hands, or wait and let him drop in his traces. Maybe it’s best not to make a scene. I guess I’ll just lie low, and watch the pace get him. He can’t keep this up indefinitely—he’s only flesh and blood. Die he must, and die he shall, for what he did to me. I don’t want to be of the oversensitive type, but you can’t tell me that kick was unpremeditated. Freud says there are no accidents. I’ve led no cloistered life, I’ve known dancing partners who have spoiled my slippers and torn my dress; but when it comes to kicking, I am Outraged Womanhood. When you kick me in the shin,
smile.
smile.
Maybe he didn’t do it maliciously. Maybe it’s just his way of showing his high spirits. I suppose I ought to be glad that one of us is having such a good time. I suppose I ought to think myself lucky if he brings me back alive. Maybe it’s captious to demand of a practically strange man that he leave your shins as he found them. After all, the poor boy’s doing the best he can. Probably he grew up in the hill country, and never had no larnin’. I bet they had to throw him on his back to get shoes on him.
Yes, it’s lovely, isn’t it? It’s simply lovely. It’s the loveliest waltz. Isn’t it? Oh, I think it’s lovely, too.
Why, I’m getting positively drawn to the Triple Threat here. He’s my hero. He has the heart of a lion, and the sinews of a buffalo. Look at him—never a thought of the consequences, never afraid of his face, hurling himself into every scrimmage, eyes shining, cheeks ablaze. And shall it be said that I hung back? No, a thousand times no. What’s it to me if I have to spend the next couple of years in a plaster cast? Come on, Butch, right through them! Who wants to live forever?
Oh. Oh, dear. Oh, he’s all right, thank goodness. For a while I thought they’d have to carry him off the field. Ah, I couldn’t bear to have anything happen to him. I love him. I love him better than anybody in the world. Look at the spirit he gets into a dreary, commonplace waltz; how effete the other dancers seem, beside him. He is youth and vigor and courage, he is strength and gaiety and
—Ow!
Get off my instep, you hulking peasant! What do you think I am, anyway—a gang-plank?
Ow!
—Ow!
Get off my instep, you hulking peasant! What do you think I am, anyway—a gang-plank?
Ow!
No, of course it didn’t hurt. Why, it didn’t a bit. Honestly. And it was all my fault. You see, that little step of yours—well, it’s perfectly lovely, but it’s just a tiny bit tricky to follow at first. Oh, did you work it up yourself? You really did? Well, aren’t you amazing! Oh, now I think I’ve got it. Oh, I think it’s lovely. I was watching you do it when you were dancing before. It’s awfully effective when you look at it.
It’s awfully effective when you look at it. I bet I’m awfully effective when you look at me. My hair is hanging along my cheeks, my skirt is swaddled about me, I can feel the cold damp of my brow. I must look like something out of “The Fall of the House of Usher.” This sort of thing takes a fearful toll of a woman my age. And he worked up his little step himself, he with his degenerate cunning. And it was just a tiny bit tricky at first, but now I think I’ve got it. Two stumbles, slip, and a twenty-yard dash; yes. I’ve got it. I’ve got several other things, too, including a split shin and a bitter heart. I hate this creature I’m chained to. I hated him the moment I saw his leering, bestial face. And here I’ve been locked in his noxious embrace for the thirty-five years this waltz has lasted. Is that orchestra never going to stop playing? Or must this obscene travesty of a dance go on until hell burns out?
Oh, they’re going to play another encore. Oh, goody. Oh, that’s lovely. Tired? I should say I’m not tired. I’d like to go on like this forever.
I should say I’m not tired. I’m dead, that’s all I am. Dead, and in what a cause! And the music is never going to stop playing, and we’re going on like this, Double-Time Charlie and I, throughout eternity. I suppose I won’t care any more, after the first hundred thousand years. I suppose nothing will matter then, not heat nor pain nor broken heart nor cruel, aching weariness. Well. It can’t come too soon for me.
I wonder why I didn’t tell him I was tired. I wonder why I didn’t suggest going back to the table. I could have said let’s just listen to the music. Yes, and if he would, that would be the first bit of attention he has given it all evening. George Jean Nathan said that the lovely rhythms of the waltz should be listened to in stillness and not be accompanied by strange gyrations of the human body. I think that’s what he said. I think it was George Jean Nathan. Anyhow, whatever he said and whoever he was and whatever he’s doing now, he’s better off than I am. That’s safe. Anybody who isn’t waltzing with this Mrs. O’Leary’s cow I’ve got here is having a good time.
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