Complete Works of Emile Zola (1302 page)

BOOK: Complete Works of Emile Zola
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The bearers, the priests, and the ailing ones themselves had just intonated a canticle, the song of Bernadette, and all rolled along amid the besetting “Aves,” so that the little carts, the litters, and the pedestrians descended the sloping road like a swollen and overflowing torrent of roaring water. At the corner of the Rue Saint-Joseph, near the Plateau de la Merlasse, a family of excursionists, who had come from Cauterets or Bagneres, stood at the edge of the footway, overcome with profound astonishment. These people were evidently well-to-do
bourgeois
, the father and mother very correct in appearance and demeanour, while their two big girls, attired in light-coloured dresses, had the smiling faces of happy creatures who are amusing themselves. But their first feeling of surprise was soon followed by terror, a growing terror, as if they beheld the opening of some pesthouse of ancient times, some hospital of the legendary ages, evacuated after a great epidemic. The two girls became quite pale, while the father and the mother felt icy cold in presence of that endless
defile
of so many horrors, the pestilential emanations of which were blown full in their faces. O God! to think that such hideousness, such filth, such suffering, should exist! Was it possible — under that magnificently radiant sun, under those broad heavens so full of light and joy whither the freshness of the Gave’s waters ascended, and the breeze of morning wafted the pure perfumes of the mountains!

When Pierre, at the head of the
cortege
, reached the Plateau de la Merlasse, he found himself immersed in that clear sunlight, that fresh and balmy air. He turned round and smiled affectionately at Marie; and as they came out on the Place du Rosaire in the morning splendour, they were both enchanted with the lovely panorama which spread around them.

In front, on the east, was Old Lourdes, lying in a broad fold of the ground beyond a rock. The sun was rising behind the distant mountains, and its oblique rays clearly outlined the dark lilac mass of that solitary rock, which was crowned by the tower and crumbling walls of the ancient castle, once the redoubtable key of the seven valleys. Through the dancing, golden dust you discerned little of the ruined pile except some stately outlines, some huge blocks of building which looked as though reared by Cyclopean hands; and beyond the rock you but vaguely distinguished the discoloured, intermingled house-roofs of the old town. Nearer in than the castle, however, the new town — the rich and noisy city which had sprung up in a few years as though by miracle — spread out on either hand, displaying its hotels, its stylish shops, its lodging-houses all with white fronts smiling amidst patches of greenery. Then there was the Gave flowing along at the base of the rock, rolling clamorous, clear waters, now blue and now green, now deep as they passed under the old bridge, and now leaping as they careered under the new one, which the Fathers of the Immaculate Conception had built in order to connect the Grotto with the railway station and the recently opened Boulevard. And as a background to this delightful picture, this fresh water, this greenery, this gay, scattered, rejuvenated town, the little and the big Gers arose, two huge ridges of bare rock and low herbage, which, in the projected shade that bathed them, assumed delicate tints of pale mauve and green, fading softly into pink.

Then, upon the north, on the right bank of the Gave, beyond the hills followed by the railway line, the heights of La Buala ascended, their wooded slopes radiant in the morning light. On that side lay Bartres. More to the left arose the Serre de Julos, dominated by the Miramont. Other crests, far off, faded away into the ether. And in the foreground, rising in tiers among the grassy valleys beyond the Gave, a number of convents, which seemed to have sprung up in this region of prodigies like early vegetation, imparted some measure of life to the landscape. First, there was an Orphan Asylum founded by the Sisters of Nevers, whose vast buildings shone brightly in the sunlight. Next came the Carmelite convent, on the highway to Pau, just in front of the Grotto; and then that of the Assumptionists higher up, skirting the road to Poueyferre; whilst the Dominicans showed but a corner of their roofs, sequestered in the far-away solitude. And at last appeared the establishment of the Sisters of the Immaculate Conception, those who were called the Blue Sisters, and who had founded at the far end of the valley a home where they received well-to-do lady pilgrims, desirous of solitude, as boarders.

At that early hour all the bells of these convents were pealing joyfully in the crystalline atmosphere, whilst the bells of other convents, on the other, the southern horizon, answered them with the same silvery strains of joy. The bell of the nunnery of Sainte Clarissa, near the old bridge, rang a scale of gay, clear notes, which one might have fancied to be the chirruping of a bird. And on this side of the town, also, there were valleys that dipped down between the ridges, and mountains that upreared their bare sides, a commingling of smiling and of agitated nature, an endless surging of heights amongst which you noticed those of Visens, whose slopes the sunlight tinged ornately with soft blue and carmine of a rippling, moire-like effect.

However, when Marie and Pierre turned their eyes to the west, they were quite dazzled. The sun rays were here streaming on the large and the little Beout with their cupolas of unequal height. And on this side the background was one of gold and purple, a dazzling mountain on whose sides one could only discern the road which snaked between the trees on its way to the Calvary above. And here, too, against the sunlit background, radiant like an aureola, stood out the three superposed churches which at the voice of Bernadette had sprung from the rock to the glory of the Blessed Virgin. First of all, down below, came the church of the Rosary, squat, circular, and half cut out of the rock, at the farther end of an esplanade on either side of which, like two huge arms, were colossal gradient ways ascending gently to the Crypt church. Vast labour had been expended here, a quarryful of stones had been cut and set in position, there were arches as lofty as naves supporting the gigantic terraced avenues which had been constructed so that the processions might roll along in all their pomp, and the little conveyances containing sick children might ascend without hindrance to the divine presence. Then came the Crypt, the subterranean church within the rock, with only its low door visible above the church of the Rosary, whose paved roof, with its vast promenade, formed a continuation of the terraced inclines. And at last, from the summit sprang the Basilica, somewhat slender and frail, recalling some finely chased jewel of the Renascence, and looking very new and very white — like a prayer, a spotless dove, soaring aloft from the rocks of Massabielle. The spire, which appeared the more delicate and slight when compared with the gigantic inclines below, seemed like the little vertical flame of a taper set in the midst of the vast landscape, those endless waves of valleys and mountains. By the side, too, of the dense greenery of the Calvary hill, it looked fragile and candid, like childish faith; and at sight of it you instinctively thought of the little white arm, the little thin hand of the puny girl, who had here pointed to Heaven in the crisis of her human sufferings. You could not see the Grotto, the entrance of which was on the left, at the base of the rock. Beyond the Basilica, the only buildings which caught the eye were the heavy square pile where the Fathers of the Immaculate Conception had their abode, and the episcopal palace, standing much farther away, in a spreading, wooded valley. And the three churches were flaming in the morning glow, and the rain of gold scattered by the sun rays was sweeping the whole countryside, whilst the flying peals of the bells seemed to be the very vibration of the light, the musical awakening of the lovely day that was now beginning.

Whilst crossing the Place du Rosaire, Pierre and Marie glanced at the Esplanade, the public walk with its long central lawn skirted by broad parallel paths and extending as far as the new bridge. Here, with face turned towards the Basilica, was the great crowned statue of the Virgin. All the sufferers crossed themselves as they went by. And still passionately chanting its canticle, the fearful
cortege
rolled on, through nature in festive array. Under the dazzling sky, past the mountains of gold and purple, amidst the centenarian trees, symbolical of health, the running waters whose freshness was eternal, that
cortege
still and ever marched on with its sufferers, whom nature, if not God, had condemned, those who were afflicted with skin diseases, those whose flesh was eaten away, those who were dropsical and inflated like wine-skins, and those whom rheumatism and paralysis had twisted into postures of agony. And the victims of hydrocephalus followed, with the dancers of St. Vitus, the consumptives, the rickety, the epileptic, the cancerous, the goitrous, the blind, the mad, and the idiotic. “Ave, ave, ave, Maria!” they sang; and the stubborn plaint acquired increased volume, as nearer and nearer to the Grotto it bore that abominable torrent of human wretchedness and pain, amidst all the fright and horror of the passers-by, who stopped short, unable to stir, their hearts frozen as this nightmare swept before their eyes.

Pierre and Marie were the first to pass under the lofty arcade of one of the terraced inclines. And then, as they followed the quay of the Gave, they all at once came upon the Grotto. And Marie, whom Pierre wheeled as near to the railing as possible, was only able to raise herself in her little conveyance, and murmur: “O most Blessed Virgin, Virgin most loved!”

She had seen neither the entrances to the piscinas nor the twelve-piped fountain, which she had just passed; nor did she distinguish any better the shop on her left hand where crucifixes, chaplets, statuettes, pictures, and other religious articles were sold, or the stone pulpit on her right which Father Massias already occupied. Her eyes were dazzled by the splendour of the Grotto; it seemed to her as if a hundred thousand tapers were burning there behind the railing, filling the low entrance with the glow of a furnace and illuminating, as with star rays, the statue of the Virgin, which stood, higher up, at the edge of a narrow ogive-like cavity. And for her, apart from that glorious apparition, nothing existed there, neither the crutches with which a part of the vault had been covered, nor the piles of bouquets fading away amidst the ivy and the eglantine, nor even the altar placed in the centre near a little portable organ over which a cover had been thrown. However, as she raised her eyes above the rock, she once more beheld the slender white Basilica profiled against the sky, its slight, tapering spire soaring into the azure of the Infinite like a prayer.

“O Virgin most powerful — Queen of the Virgins — Holy Virgin of Virgins!”

Pierre had now succeeded in wheeling Marie’s box to the front rank, beyond the numerous oak benches which were set out here in the open air as in the nave of a church. Nearly all these benches were already occupied by those sufferers who could sit down, while the vacant spaces were soon filled with litters and little vehicles whose wheels became entangled together, and on whose close-packed mattresses and pillows all sorts of diseases were gathered pell-mell. Immediately on arriving, the young priest had recognised the Vignerons seated with their sorry child Gustave in the middle of a bench, and now, on the flagstones, he caught sight of the lace-trimmed bed of Madame Dieulafay, beside whom her husband and sister knelt in prayer. Moreover, all the patients of Madame de Jonquiere’s carriage took up position here — M. Sabathier and Brother Isidore side by side, Madame Vetu reclining hopelessly in a conveyance, Elise Rouquet seated, La Grivotte excited and raising herself on her clenched hands. Pierre also again perceived Madame Maze, standing somewhat apart from the others, and humbling herself in prayer; whilst Madame Vincent, who had fallen on her knees, still holding her little Rose in her arms, presented the child to the Virgin with ardent entreaty, the distracted gesture of a mother soliciting compassion from the mother of divine grace. And around this reserved space was the ever-growing throng of pilgrims, the pressing, jostling mob which gradually stretched to the parapet overlooking the Gave.

“O Virgin most merciful,” continued Marie in an undertone, “Virgin most faithful, Virgin conceived without sin!”

Then, almost fainting, she spoke no more, but with her lips still moving, as though in silent prayer, gazed distractedly at Pierre. He thought that she wished to speak to him and leant forward: “Shall I remain here at your disposal to take you to the piscina by-and-by?” he asked.

But as soon as she understood him she shook her head. And then in a feverish way she said: “No, no, I don’t want to be bathed this morning. It seems to me that one must be truly worthy, truly pure, truly holy before seeking the miracle! I want to spend the whole morning in imploring it with joined hands; I want to pray, to pray with all my strength and all my soul—” She was stifling, and paused. Then she added: “Don’t come to take me back to the hospital till eleven o’clock. I will not let them take me from here till then.”

However, Pierre did not go away, but remained near her. For a moment, he even fell upon his knees; he also would have liked to pray with the same burning faith, to beg of God the cure of that poor sick child, whom he loved with such fraternal affection. But since he had reached the Grotto he had felt a singular sensation invading him, a covert revolt, as it were, which hampered the pious flight of his prayer. He wished to believe; he had spent the whole night hoping that belief would once more blossom in his soul, like some lovely flower of innocence and candour, as soon as he should have knelt upon the soil of that land of miracle. And yet he only experienced discomfort and anxiety in presence of the theatrical scene before him, that pale stiff statue in the false light of the tapers, with the chaplet shop full of jostling customers on the one hand, and the large stone pulpit whence a Father of the Assumption was shouting “Aves” on the other. Had his soul become utterly withered then? Could no divine dew again impregnate it with innocence, render it like the souls of little children, who at the slightest caressing touch of the sacred legend give themselves to it entirely?

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