Complete Works of F. Scott Fitzgerald (Illustrated) (218 page)

“There was a rat considered my ear with the air of a gourmet,” he continued, dusting his hands on his breeches. “I told him in the rat’s peculiar idiom that I was deadly poison, so he took himself off.”

“Let’s hear of this night’s lechery!” insisted Wessel angrily.

Soft Shoes touched his thumb to his nose and wiggled the fingers derisively at Wessel.

“Street gamin!” muttered Wessel.

“Have you any paper?” demanded Soft Shoes irrelevantly, and then rudely added, “or can you write?”

“Why should I give you paper?”

“You wanted to hear of the night’s entertainment. So you shall, an you give me pen, ink, a sheaf of paper, and a room to myself.”

Wessel hesitated.

“Get out!” he said finally.

“As you will. Yet you have missed a most intriguing story.”

Wessel wavered — he was soft as taffy, that man — gave in. Soft Shoes went into the adjoining room with the begrudged writing materials and precisely closed the door. Wessel grunted and returned to “The Faerie Queene”; so silence came once more upon the house.

III

Three o’clock went into four. The room paled, the dark outside was shot through with damp and chill, and Wessel, cupping his brain in his hands, bent low over his table, tracing through the pattern of knights and fairies and the harrowing distresses of many girls. There were dragons chortling along the narrow street outside; when the sleepy armorer’s boy began his work at half-past five the heavy clink and clank of plate and linked mail swelled to the echo of a marching cavalcade.

A fog shut down at the first flare of dawn, and the room was grayish yellow at six when Wessel tiptoed to his cupboard bedchamber and pulled open the door. His guest turned on him a face pale as parchment in which two distraught eyes burned like great red letters. He had drawn a chair close to Wessel’s prie-dieu which he was using as a desk; and on it was an amazing stack of closely written pages. With a long sigh Wessel withdrew and returned to his siren, calling himself fool for not claiming his bed here at dawn.

The dump of boots outside, the croaking of old beldames from attic to attic, the dull murmur of morning, unnerved him, and, dozing, he slumped in his chair, his brain, overladen with sound and color, working intolerably over the imagery that stacked it. In this restless dream of his he was one of a thousand groaning bodies crushed near the sun, a helpless bridge for the strong-eyed Apollo. The dream tore at him, scraped along his mind like a ragged knife. When a hot hand touched his shoulder, he awoke with what was nearly a scream to find the fog thick in the room and his guest, a gray ghost of misty stuff, beside him with a pile of paper in his hand.

“It should be a most intriguing tale, I believe, though it requires some going over. May I ask you to lock it away, and in God’s name let me sleep?”

He waited for no answer, but thrust the pile at Wessel, and literally poured himself like stuff from a suddenly inverted bottle upon a couch in the corner, slept, with his breathing regular, but his brow wrinkled in a curious and somewhat uncanny manner.

Wessel yawned sleepily and, glancing at the scrawled, uncertain first page, he began reading aloud very softly:

The Rape of Lucrece

   ”From the besieged Ardea all in post,
   Borne by the trustless wings of false desire,
   Lust-breathing Tarquin leaves the Roman host — “

“O RUSSET WITCH!”

Merlin Grainger was employed by the Moonlight Quill Bookshop, which you may have visited, just around the corner from the Ritz-Carlton on Forty-seventh Street. The Moonlight Quill is, or rather was, a very romantic little store, considered radical and admitted dark. It was spotted interiorly with red and orange posters of breathless exotic intent, and lit no less by the shiny reflecting bindings of special editions than by the great squat lamp of crimson satin that, lighted through all the day, swung overhead. It was truly a mellow bookshop. The words “Moonlight Quill” were worked over the door in a sort of serpentine embroidery. The windows seemed always full of something that had passed the literary censors with little to spare; volumes with covers of deep orange which offer their titles on little white paper squares. And over all there was the smell of the musk, which the clever, inscrutable Mr. Moonlight Quill ordered to be sprinkled about-the smell half of a curiosity shop in Dickens’ London and half of a coffee-house on the warm shores of the Bosphorus.

From nine until five-thirty Merlin Grainger asked bored old ladies in black and young men with dark circles under their eyes if they “cared for this fellow” or were interested in first editions. Did they buy novels with Arabs on the cover, or books which gave Shakespeare’s newest sonnets as dictated psychically to Miss Sutton of South Dakota? he sniffed. As a matter of fact, his own taste ran to these latter, but as an employee at the Moonlight Quill he assumed for the working day the attitude of a disillusioned connoisseur.

After he had crawled over the window display to pull down the front shade at five-thirty every afternoon, and said good-bye to the mysterious Mr. Moonlight Quill and the lady clerk, Miss McCracken, and the lady stenographer, Miss Masters, he went home to the girl, Caroline. He did not eat supper with Caroline. It is unbelievable that Caroline would have considered eating off his bureau with the collar buttons dangerously near the cottage cheese, and the ends of Merlin’s necktie just missing his glass of milk — he had never asked her to eat with him. He ate alone. He went into Braegdort’s delicatessen on Sixth Avenue and bought a box of crackers, a tube of anchovy paste, and some oranges, or else a little jar of sausages and some potato salad and a bottled soft drink, and with these in a brown package he went to his room at Fifty-something West Fifty-eighth Street and ate his supper and saw Caroline.

Caroline was a very young and gay person who lived with some older lady and was possibly nineteen. She was like a ghost in that she never existed until evening. She sprang into life when the lights went on in her apartment at about six, and she disappeared, at the latest, about midnight. Her apartment was a nice one, in a nice building with a white stone front, opposite the south side of Central Park. The back of her apartment faced the single window of the single room occupied by the single Mr. Grainger.

He called her Caroline because there was a picture that looked like her on the jacket of a book of that name down at the Moonlight Quill.

Now, Merlin Grainger was a thin young man of twenty-five, with dark hair and no mustache or beard or anything like that, but Caroline was dazzling and light, with a shimmering morass of russet waves to take the place of hair, and the sort of features that remind you of kisses — the sort of features you thought belonged to your first love, but know, when you come across an old picture, didn’t. She dressed in pink or blue usually, but of late she had sometimes put on a slender black gown that was evidently her especial pride, for whenever she wore it she would stand regarding a certain place on the wall, which Merlin thought most be a mirror. She sat usually in the profile chair near the window, but sometimes honored the chaise longue by the lamp, and often she leaned ‘way back and smoked a cigarette with posturings of her arms and hands that Merlin considered very graceful.

At another time she had come to the window and stood in it magnificently, and looked out because the moon had lost its way and was dripping the strangest and most transforming brilliance into the areaway between, turning the motif of ash-cans and clothes-lines into a vivid impressionism of silver casks and gigantic gossamer cobwebs. Merlin was sitting in plain sight, eating cottage cheese with sugar and milk on it; and so quickly did he reach out for the window cord that he tipped the cottage cheese into his lap with his free hand — and the milk was cold and the sugar made spots on his trousers, and he was sure that she had seen him after all.

Sometimes there were callers — men in dinner coats, who stood and bowed, hat in hand and coat on arm, as they talked to Caroline; then bowed some more and followed her out of the light, obviously bound for a play or for a dance. Other young men came and sat and smoked cigarettes, and seemed trying to tell Caroline something — she sitting either in the profile chair and watching them with eager intentness or else in the chaise longue by the lamp, looking very lovely and youthfully inscrutable indeed.

Merlin enjoyed these calls. Of some of the men he approved. Others won only his grudging toleration, one or two he loathed — especially the most frequent caller, a man with black hair and a black goatee and a pitch-dark soul, who seemed to Merlin vaguely familiar, but whom he was never quite able to recognize.

Now, Merlin’s whole life was not “bound up with this romance he had constructed”; it was not “the happiest hour of his day.” He never arrived in time to rescue Caroline from “clutches”; nor did he even marry her. A much stranger thing happened than any of these, and it is this strange thing that will presently be set down here. It began one October afternoon when she walked briskly into the mellow interior of the Moonlight Quill.

It was a dark afternoon, threatening rain and the end of the world, and done in that particularly gloomy gray in which only New York afternoons indulge. A breeze was crying down the streets, whisking along battered newspapers and pieces of things, and little lights were pricking out all the windows — it was so desolate that one was sorry for the tops of sky-scrapers lost up there in the dark green and gray heaven, and felt that now surely the farce was to close, and presently all the buildings would collapse like card houses, and pile up in a dusty, sardonic heap upon all the millions who presumed to wind in and out of them.

At least these were the sort of musings that lay heavily upon the soul of Merlin Grainger, as he stood by the window putting a dozen books back in a row after a cyclonic visit by a lady with ermine trimmings. He looked out of the window full of the most distressing thoughts — of the early novels of H. G. Wells, of the boot of Genesis, of how Thomas Edison had said that in thirty years there would be no dwelling-houses upon the island, but only a vast and turbulent bazaar; and then he set the last book right side up, turned — and Caroline walked coolly into the shop.

She was dressed in a jaunty but conventional walking costume — he remembered this when he thought about it later. Her skirt was plaid, pleated like a concertina; her jacket was a soft but brisk tan; her shoes and spats were brown and her hat, small and trim, completed her like the top of a very expensive and beautifully filled candy box.

Merlin, breathless and startled, advanced nervously toward her.

“Good-afternoon — “ he said, and then stopped — why, he did not know, except that it came to him that something very portentous in his life was about to occur, and that it would need no furbishing but silence, and the proper amount of expectant attention. And in that minute before the thing began to happen he had the sense of a breathless second hanging suspended in time: he saw through the glass partition that bounded off the little office the malevolent conical head of his employer, Mr. Moonlight Quill, bent over his correspondence. He saw Miss McCracken and Miss Masters as two patches of hair drooping over piles of paper; he saw the crimson lamp overhead, and noticed with a touch of pleasure how really pleasant and romantic it made the book-store seem.

Then the thing happened, or rather it began to happen. Caroline picked up a volume of poems lying loose upon a pile, fingered it absently with her slender white hand, and suddenly, with an easy gesture, tossed it upward toward the ceiling where it disappeared in the crimson lamp and lodged there, seen through the illuminated silk as a dark, bulging rectangle. This pleased her — she broke into young, contagious laughter, in which Merlin found himself presently joining.

“It stayed up!” she cried merrily. “It stayed up, didn’t it?” To both of them this seemed the height of brilliant absurdity. Their laughter mingled, filled the bookshop, and Merlin was glad to find that her voice was rich and full of sorcery.

“Try another,” he found himself suggesting — “try a red one.”

At this her laughter increased, and she had to rest her hands upon the stack to steady herself.

“Try another,” she managed to articulate between spasms of mirth. “Oh, golly, try another!”

“Try two.”

“Yes, try two. Oh, I’ll choke if I don’t stop laughing. Here it goes.”

Suiting her action to the word, she picked up a red book and sent it in a gentle hyperbola toward the ceiling, where it sank into the lamp beside the first. It was a few minutes before either of them could do more than rock back and forth in helpless glee; but then by mutual agreement they took up the sport anew, this time in unison. Merlin seized a large, specially bound French classic and whirled it upward. Applauding his own accuracy, he took a best-seller in one hand and a book on barnacles in the other, and waited breathlessly while she made her shot. Then the business waxed fast and furious — sometimes they alternated, and, watching, he found how supple she was in every movement; sometimes one of them made shot after shot, picking up the nearest book, sending it off, merely taking time to follow it with a glance before reaching for another. Within three minutes they had cleared a little place on the table, and the lamp of crimson satin was so bulging with books that it was near breaking.

“Silly game, basket-ball,” she cried scornfully as a book left her hand. “High-school girls play it in hideous bloomers.”

“Idiotic,” he agreed.

She paused in the act of tossing a book, and replaced it suddenly in its position on the table.

“I think we’ve got room to sit down now,” she said gravely.

They had; they had cleared an ample space for two. With a faint touch of nervousness Merlin glanced toward Mr. Moonlight Quill’s glass partition, but the three heads were still bent earnestly over their work, and it was evident that they had not seen what had gone on in the shop. So when Caroline put her hands on the table and hoisted herself up Merlin calmly imitated her, and they sat side by side looking very earnestly at each other.