Complete Works of F. Scott Fitzgerald (Illustrated) (229 page)

As the Yale tradition slipped into the past he became more and more of a popular figure among his classmates in New York, more popular than he had ever been in college. He lived in a great house, and had the means of introducing young men into other great houses. Moreover, his life already seemed secure, while theirs, for the most part, had arrived again at precarious beginnings. They commenced to turn to him for amusement and escape, and Anson responded readily, taking pleasure in helping people and arranging their affairs.

There were no men in Paula’s letters now, but a note of tenderness ran through them that had not been there before. From several sources he heard that she had “a heavy beau,” Lowell Thayer, a Bostonian of wealth and position, and though he was sure she still loved him, it made him uneasy to think that he might lose her, after all. Save for one unsatisfactory day she had not been in New York for almost five months, and as the rumors multiplied he became increasingly anxious to see her. In February he took his vacation and went down to Florida.

Palm Beach sprawled plump and opulent between the sparkling sapphire of Lake Worth, flawed here and there by house-boats at anchor, and the great turquoise bar of the Atlantic Ocean. The huge bulks of the Breakers and the Royal Poinciana rose as twin paunches from the bright level of the sand, and around them clustered the Dancing Glade, Bradley’s House of Chance, and a dozen modistes and milliners with goods at triple prices from New York. Upon the trellissed veranda of the Breakers two hundred women stepped right, stepped left, wheeled, and slid in that then celebrated calisthenic known as the double-shuffle, while in half-time to the music two thousand bracelets clicked up and down on two hundred arms.

At the Everglades Club after dark Paula and Lowell Thayer and Anson and a casual fourth played bridge with hot cards. It seemed to Anson that her kind, serious face was wan and tired--she had been around now for four, five, years. He had known her for three.

“Two spades.”

“Cigarette? . . . Oh, I beg your pardon. By me.”

“By.”

“I’ll double three spades.”

There were a dozen tables of bridge in the room, which was filling up with smoke. Anson’s eyes met Paula’s, held them persistently even when Thayer’s glance fell between them. . . .

“What was bid?” he asked abstractedly.

“Rose of Washington Square”

sang the young people in the corners:

“I’m withering there
In basement air--”

The smoke banked like fog, and the opening of a door filled the room with blown swirls of ectoplasm. Little Bright Eyes streaked past the tables seeking Mr. Conan Doyle among the Englishmen who were posing as Englishmen about the lobby.

“You could cut it with a knife.”

“. . . cut it with a knife.”

“. . . a knife.”

At the end of the rubber Paula suddenly got up and spoke to Anson in a tense, low voice. With scarcely a glance at Lowell Thayer, they walked out the door and descended a long flight of stone steps--in a moment they were walking hand in hand along the moonlit beach.

“Darling, darling. . . .” They embraced recklessly, passionately, in a shadow. . . . Then Paula drew back her face to let his lips say what she wanted to hear--she could feel the words forming as they kissed again. . . . Again she broke away, listening, but as he pulled her close once more she realized that he had said nothing--only “
Darling! Darling!
” in that deep, sad whisper that always made her cry. Humbly, obediently, her emotions yielded to him and the tears streamed down her face, but her heart kept on crying: “Ask me--oh, Anson, dearest, ask me!”

“Paula. . . .
Paula!
”

The words wrung her heart like hands, and Anson, feeling her tremble, knew that emotion was enough. He need say no more, commit their destinies to no practical enigma. Why should he, when he might hold her so, biding his own time, for another year--forever? He was considering them both, her more than himself. For a moment, when she said suddenly that she must go back to her hotel, he hesitated, thinking, first, “This is the moment, after all,” and then: “No, let it wait--she is mine. . . .”

He had forgotten that Paula too was worn away inside with the strain of three years. Her mood passed forever in the night.

He went back to New York next morning filled with a certain restless dissatisfaction. There was a pretty débutante he knew in his car, and for two days they took their meals together. At first he told her a little about Paula and invented an esoteric incompatibility that was keeping them apart. The girl was of a wild, impulsive nature, and she was flattered by Anson’s confidences. Like Kipling’s soldier, he might have possessed himself of most of her before he reached New York, but luckily he was sober and kept control. Late in April, without warning, he received a telegram from Bar Harbor in which Paula told him that she was engaged to Lowell Thayer, and that they would be married immediately in Boston. What he never really believed could happen had happened at last.

Anson filled himself with whiskey that morning, and going to the office, carried on his work without a break--rather with a fear of what would happen if he stopped. In the evening he went out as usual, saying nothing of what had occurred; he was cordial, humorous, unabstracted. But one thing he could not help--for three days, in any place, in any company, he would suddenly bend his head into his hands and cry like a child.

V

In 1922 when Anson went abroad with the junior partner to investigate some London loans, the journey intimated that he was to be taken into the firm. He was twenty-seven now, a little heavy without being definitely stout, and with a manner older than his years. Old people and young people liked him and trusted him, and mothers felt safe when their daughters were in his charge, for he had a way, when he came into a room, of putting himself on a footing with the oldest and most conservative people there. “You and I,” he seemed to say, “we’re solid. We understand.”

He had an instinctive and rather charitable knowledge of the weaknesses of men and women, and, like a priest, it made him the more concerned for the maintenance of outward forms. It was typical of him that every Sunday morning he taught in a fashionable Episcopal Sunday-school--even though a cold shower and a quick change into a cutaway coat were all that separated him from the wild night before. Once, by some mutual instinct, several children got up from the front row and moved to the last. He told this story frequently, and it was usually greeted with hilarious laughter.

After his father’s death he was the practical head of his family, and, in effect, guided the destinies of the younger children. Through a complication his authority did not extend to his father’s estate, which was administrated by his Uncle Robert, who was the horsey member of the family, a good-natured, hard-drinking member of that set which centers about Wheatley Hills.

Uncle Robert and his wife, Edna, had been great friends of Anson’s youth, and the former was disappointed when his nephew’s superiority failed to take a horsey form. He backed him for a city club which was the most difficult in America to enter--one could only join if one’s family had “helped to build up New York” (or, in other words, were rich before 1880)--and when Anson, after his election, neglected it for the Yale Club, Uncle Robert gave him a little talk on the subject. But when on top of that Anson declined to enter Robert Hunter’s own conservative and somewhat neglected brokerage house, his manner grew cooler. Like a primary teacher who has taught all he knew, he slipped out of Anson’s life.

There were so many friends in Anson’s life--scarcely one for whom he had not done some unusual kindness and scarcely one whom he did not occasionally embarrass by his bursts of rough conversation or his habit of getting drunk whenever and however he liked. It annoyed him when any one else blundered in that regard--about his own lapses he was always humorous. Odd things happened to him and he told them with infectious laughter.

I was working in New York that spring, and I used to lunch with him at the Yale Club, which my university was sharing until the completion of our own. I had read of Paula’s marriage, and one afternoon, when I asked him about her, something moved him to tell me the story. After that he frequently invited me to family dinners at his house and behaved as though there was a special relation between us, as though with his confidence a little of that consuming memory had passed into me.

I found that despite the trusting mothers, his attitude toward girls was not indiscriminately protective. It was up to the girl--if she showed an inclination toward looseness, she must take care of herself, even with him.

“Life,” he would explain sometimes, “has made a cynic of me.”

By life he meant Paula. Sometimes, especially when he was drinking, it became a little twisted in his mind, and he thought that she had callously thrown him over.

This “cynicism,” or rather his realization that naturally fast girls were not worth sparing, led to his affair with Dolly Karger. It wasn’t his only affair in those years, but it came nearest to touching him deeply, and it had a profound effect upon his attitude toward life.

Dolly was the daughter of a notorious “publicist” who had married into society. She herself grew up into the Junior League, came out at the Plaza, and went to the Assembly; and only a few old families like the Hunters could question whether or not she “belonged,” for her picture was often in the papers, and she had more enviable attention than many girls who undoubtedly did. She was dark-haired, with carmine lips and a high, lovely color, which she concealed under pinkish-gray powder all through the first year out, because high color was unfashionable--Victorian-pale was the thing to be. She wore black, severe suits and stood with her hands in her pockets leaning a little forward, with a humorous restraint on her face. She danced exquisitely--better than anything she liked to dance--better than anything except making love. Since she was ten she had always been in love, and, usually, with some boy who didn’t respond to her. Those who did--and there were many--bored her after a brief encounter, but for her failures she reserved the warmest spot in her heart. When she met them she would always try once more--sometimes she succeeded, more often she failed.

It never occurred to this gypsy of the unattainable that there was a certain resemblance in those who refused to love her--they shared a hard intuition that saw through to her weakness, not a weakness of emotion but a weakness of rudder. Anson perceived this when he first met her, less than a month after Paula’s marriage. He was drinking rather heavily, and he pretended for a week that he was falling in love with her. Then he dropped her abruptly and forgot--immediately he took up the commanding position in her heart.

Like so many girls of that day Dolly was slackly and indiscreetly wild. The unconventionality of a slightly older generation had been simply one facet of a post-war movement to discredit obsolete manners--Dolly’s was both older and shabbier, and she saw in Anson the two extremes which the emotionally shiftless woman seeks, an abandon to indulgence alternating with a protective strength. In his character she felt both the sybarite and the solid rock, and these two satisfied every need of her nature.

She felt that it was going to be difficult, but she mistook the reason--she thought that Anson and his family expected a more spectacular marriage, but she guessed immediately that her advantage lay in his tendency to drink.

They met at the large débutante dances, but as her infatuation increased they managed to be more and more together. Like most mothers, Mrs. Karger believed that Anson was exceptionally reliable, so she allowed Dolly to go with him to distant country clubs and suburban houses without inquiring closely into their activities or questioning her explanations when they came in late. At first these explanations might have been accurate, but Dolly’s worldly ideas of capturing Anson were soon engulfed in the rising sweep of her emotion. Kisses in the back of taxis and motor-cars were no longer enough; they did a curious thing:

They dropped out of their world for a while and made another world just beneath it where Anson’s tippling and Dolly’s irregular hours would be less noticed and commented on. It was composed, this world, of varying elements--several of Anson’s Yale friends and their wives, two or three young brokers and bond salesmen and a handful of unattached men, fresh from college, with money and a propensity to dissipation. What this world lacked in spaciousness and scale it made up for by allowing them a liberty that it scarcely permitted itself. Moreover, it centered around them and permitted Dolly the pleasure of a faint condescension--a pleasure which Anson, whose whole life was a condescension from the certitudes of his childhood, was unable to share.

He was not in love with her, and in the long feverish winter of their affair he frequently told her so. In the spring he was weary--he wanted to renew his life at some other source--moreover, he saw that either he must break with her now or accept the responsibility of a definite seduction. Her family’s encouraging attitude precipitated his decision--one evening when Mr. Karger knocked discreetly at the library door to announce that he had left a bottle of old brandy in the dining-room, Anson felt that life was hemming him in. That night he wrote her a short letter in which he told her that he was going on his vacation, and that in view of all the circumstances they had better meet no more.

It was June. His family had closed up the house and gone to the country, so he was living temporarily at the Yale Club. I had heard about his affair with Dolly as it developed--accounts salted with humor, for he despised unstable women, and granted them no place in the social edifice in which he believed--and when he told me that night that he was definitely breaking with her I was glad. I had seen Dolly here and there, and each time with a feeling of pity at the hopelessness of her struggle, and of shame at knowing so much about her that I had no right to know. She was what is known as “a pretty little thing,” but there was a certain recklessness which rather fascinated me. Her dedication to the goddess of waste would have been less obvious had she been less spirited--she would most certainly throw herself away, but I was glad when I heard that the sacrifice would not be consummated in my sight.