Complete Works of F. Scott Fitzgerald (Illustrated) (6 page)

BOOK: Complete Works of F. Scott Fitzgerald (Illustrated)
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Amory found the slicker a most valuable classification until his junior year in college, when the outline became so blurred and indeterminate that it had to be subdivided many times, and became only a quality. Amory’s secret ideal had all the slicker qualifications, but, in addition, courage and tremendous brains and talents — also Amory conceded him a bizarre streak that was quite irreconcilable to the slicker proper.

This was a first real break from the hypocrisy of school tradition. The slicker was a definite element of success, differing intrinsically from the prep school “big man.”

  “THE SLICKER”

 

 1. Clever sense of social values.

 

 2. Dresses well.  Pretends that dress is superficial — but knows that it isn’t.

 

 3. Goes into such activities as he can shine in.

 

 4. Gets to college and is, in a worldly way, successful.

 

 5. Hair slicked.

  “THE BIG MAN”

 

 1. Inclined to stupidity and unconscious of social values.

 

 2. Thinks dress is superficial, and is inclined to be

    careless about it.

 

 3. Goes out for everything from a sense of duty.

 

 4. Gets to college and has a problematical future.  Feels lost

    without his circle, and always says that school days were

    happiest, after all.  Goes back to school and makes speeches

    about what St. Regis’s boys are doing.

 

 5. Hair not slicked.

Amory had decided definitely on Princeton, even though he would be the only boy entering that year from St. Regis’. Yale had a romance and glamour from the tales of Minneapolis, and St. Regis’ men who had been “tapped for Skull and Bones,” but Princeton drew him most, with its atmosphere of bright colors and its alluring reputation as the pleasantest country club in America. Dwarfed by the menacing college exams, Amory’s school days drifted into the past. Years afterward, when he went back to St. Regis’, he seemed to have forgotten the successes of sixth-form year, and to be able to picture himself only as the unadjustable boy who had hurried down corridors, jeered at by his rabid contemporaries mad with common sense.

CHAPTER 2. Spires and Gargoyles

 

At first Amory noticed only the wealth of sunshine creeping across the long, green swards, dancing on the leaded window-panes, and swimming around the tops of spires and towers and battlemented walls. Gradually he realized that he was really walking up University Place, self-conscious about his suitcase, developing a new tendency to glare straight ahead when he passed any one. Several times he could have sworn that men turned to look at him critically. He wondered vaguely if there was something the matter with his clothes, and wished he had shaved that morning on the train. He felt unnecessarily stiff and awkward among these white-flannelled, bareheaded youths, who must be juniors and seniors, judging from the savoir faire with which they strolled.

He found that 12 University Place was a large, dilapidated mansion, at present apparently uninhabited, though he knew it housed usually a dozen freshmen. After a hurried skirmish with his landlady he sallied out on a tour of exploration, but he had gone scarcely a block when he became horribly conscious that he must be the only man in town who was wearing a hat. He returned hurriedly to 12 University, left his derby, and, emerging bareheaded, loitered down Nassau Street, stopping to investigate a display of athletic photographs in a store window, including a large one of Allenby, the football captain, and next attracted by the sign “Jigger Shop” over a confectionary window. This sounded familiar, so he sauntered in and took a seat on a high stool.

“Chocolate sundae,” he told a colored person.

“Double chocolate jiggah? Anything else?”

“Why — yes.”

“Bacon bun?”

“Why — yes.”

He munched four of these, finding them of pleasing savor, and then consumed another double-chocolate jigger before ease descended upon him. After a cursory inspection of the pillow-cases, leather pennants, and Gibson Girls that lined the walls, he left, and continued along Nassau Street with his hands in his pockets. Gradually he was learning to distinguish between upper classmen and entering men, even though the freshman cap would not appear until the following Monday. Those who were too obviously, too nervously at home were freshmen, for as each train brought a new contingent it was immediately absorbed into the hatless, white-shod, book-laden throng, whose function seemed to be to drift endlessly up and down the street, emitting great clouds of smoke from brand-new pipes. By afternoon Amory realized that now the newest arrivals were taking him for an upper classman, and he tried conscientiously to look both pleasantly blasé and casually critical, which was as near as he could analyze the prevalent facial expression.

At five o’clock he felt the need of hearing his own voice, so he retreated to his house to see if any one else had arrived. Having climbed the rickety stairs he scrutinized his room resignedly, concluding that it was hopeless to attempt any more inspired decoration than class banners and tiger pictures. There was a tap at the door.

“Come in!”

A slim face with gray eyes and a humorous smile appeared in the doorway.

“Got a hammer?”

“No — sorry. Maybe Mrs. Twelve, or whatever she goes by, has one.”

The stranger advanced into the room.

“You an inmate of this asylum?”

Amory nodded.

“Awful barn for the rent we pay.”

Amory had to agree that it was.

“I thought of the campus,” he said, “but they say there’s so few freshmen that they’re lost. Have to sit around and study for something to do.”

The gray-eyed man decided to introduce himself.

“My name’s Holiday.”

“Blaine’s my name.”

They shook hands with the fashionable low swoop. Amory grinned.

“Where’d you prep?”

“Andover — where did you?”

“St. Regis’s.”

“Oh, did you? I had a cousin there.”

They discussed the cousin thoroughly, and then Holiday announced that he was to meet his brother for dinner at six.

“Come along and have a bite with us.”

“All right.”

At the Kenilworth Amory met Burne Holiday — he of the gray eyes was Kerry — and during a limpid meal of thin soup and anaemic vegetables they stared at the other freshmen, who sat either in small groups looking very ill at ease, or in large groups seeming very much at home.

“I hear Commons is pretty bad,” said Amory.

“That’s the rumor. But you’ve got to eat there — or pay anyways.”

“Crime!”

“Imposition!”

“Oh, at Princeton you’ve got to swallow everything the first year. It’s like a damned prep school.”

Amory agreed.

“Lot of pep, though,” he insisted. “I wouldn’t have gone to Yale for a million.”

“Me either.”

“You going out for anything?” inquired Amory of the elder brother.

“Not me — Burne here is going out for the Prince — the Daily Princetonian, you know.”

“Yes, I know.”

“You going out for anything?”

“Why — yes. I’m going to take a whack at freshman football.”

“Play at St. Regis’s?”

“Some,” admitted Amory depreciatingly, “but I’m getting so damned thin.”

“You’re not thin.”

“Well, I used to be stocky last fall.”

“Oh!”

After supper they attended the movies, where Amory was fascinated by the glib comments of a man in front of him, as well as by the wild yelling and shouting.

“Yoho!”

“Oh, honey-baby — you’re so big and strong, but oh, so gentle!”

“Clinch!”

“Oh, Clinch!”

“Kiss her, kiss ‘at lady, quick!”

“Oh-h-h — !”

A group began whistling “By the Sea,” and the audience took it up noisily. This was followed by an indistinguishable song that included much stamping and then by an endless, incoherent dirge.

   “Oh-h-h-h-h

    She works in a Jam Factoree

    And — that-may-be-all-right

    But you can’t-fool-me

    For I know — DAMN — WELL

    That she DON’T-make-jam-all-night!

    Oh-h-h-h!”

As they pushed out, giving and receiving curious impersonal glances, Amory decided that he liked the movies, wanted to enjoy them as the row of upper classmen in front had enjoyed them, with their arms along the backs of the seats, their comments Gaelic and caustic, their attitude a mixture of critical wit and tolerant amusement.

“Want a sundae — I mean a jigger?” asked Kerry.

“Sure.”

They suppered heavily and then, still sauntering, eased back to 12.

“Wonderful night.”

“It’s a whiz.”

“You men going to unpack?”

“Guess so. Come on, Burne.”

Amory decided to sit for a while on the front steps, so he bade them good night.

The great tapestries of trees had darkened to ghosts back at the last edge of twilight. The early moon had drenched the arches with pale blue, and, weaving over the night, in and out of the gossamer rifts of moon, swept a song, a song with more than a hint of sadness, infinitely transient, infinitely regretful.

He remembered that an alumnus of the nineties had told him of one of Booth Tarkington’s amusements: standing in mid-campus in the small hours and singing tenor songs to the stars, arousing mingled emotions in the couched undergraduates according to the sentiment of their moods.

Now, far down the shadowy line of University Place a white-clad phalanx broke the gloom, and marching figures, white-shirted, white-trousered, swung rhythmically up the street, with linked arms and heads thrown back:

   “Going back — going back,

    Going — back — to — Nas-sau — Hall,

    Going back — going back —

    To the — Best — Old — Place — of — All.

    Going back — going back,

    From all — this — earth-ly — ball,

    We’ll — clear — the — track — as — we — go — back —

    Going — back — to — Nas-sau — Hall!”

Amory closed his eyes as the ghostly procession drew near. The song soared so high that all dropped out except the tenors, who bore the melody triumphantly past the danger-point and relinquished it to the fantastic chorus. Then Amory opened his eyes, half afraid that sight would spoil the rich illusion of harmony.

He sighed eagerly. There at the head of the white platoon marched Allenby, the football captain, slim and defiant, as if aware that this year the hopes of the college rested on him, that his hundred-and-sixty pounds were expected to dodge to victory through the heavy blue and crimson lines.

Fascinated, Amory watched each rank of linked arms as it came abreast, the faces indistinct above the polo shirts, the voices blent in a paean of triumph — and then the procession passed through shadowy Campbell Arch, and the voices grew fainter as it wound eastward over the campus.

The minutes passed and Amory sat there very quietly. He regretted the rule that would forbid freshmen to be outdoors after curfew, for he wanted to ramble through the shadowy scented lanes, where Witherspoon brooded like a dark mother over Whig and Clio, her Attic children, where the black Gothic snake of Little curled down to Cuyler and Patton, these in turn flinging the mystery out over the placid slope rolling to the lake.

 

Princeton of the daytime filtered slowly into his consciousness — West and Reunion, redolent of the sixties, Seventy-nine Hall, brick-red and arrogant, Upper and Lower Pyne, aristocratic Elizabethan ladies not quite content to live among shopkeepers, and, topping all, climbing with clear blue aspiration, the great dreaming spires of Holder and Cleveland towers.

From the first he loved Princeton — its lazy beauty, its half-grasped significance, the wild moonlight revel of the rushes, the handsome, prosperous big-game crowds, and under it all the air of struggle that pervaded his class. From the day when, wild-eyed and exhausted, the jerseyed freshmen sat in the gymnasium and elected some one from Hill School class president, a Lawrenceville celebrity vice-president, a hockey star from St. Paul’s secretary, up until the end of sophomore year it never ceased, that breathless social system, that worship, seldom named, never really admitted, of the bogey “Big Man.”

First it was schools, and Amory, alone from St. Regis’, watched the crowds form and widen and form again; St. Paul’s, Hill, Pomfret, eating at certain tacitly reserved tables in Commons, dressing in their own corners of the gymnasium, and drawing unconsciously about them a barrier of the slightly less important but socially ambitious to protect them from the friendly, rather puzzled high-school element. From the moment he realized this Amory resented social barriers as artificial distinctions made by the strong to bolster up their weak retainers and keep out the almost strong.

Having decided to be one of the gods of the class, he reported for freshman football practice, but in the second week, playing quarter-back, already paragraphed in corners of the Princetonian, he wrenched his knee seriously enough to put him out for the rest of the season. This forced him to retire and consider the situation.

“12 Univee” housed a dozen miscellaneous question-marks. There were three or four inconspicuous and quite startled boys from Lawrenceville, two amateur wild men from a New York private school (Kerry Holiday christened them the “plebeian drunks”), a Jewish youth, also from New York, and, as compensation for Amory, the two Holidays, to whom he took an instant fancy.

The Holidays were rumored twins, but really the dark-haired one, Kerry, was a year older than his blond brother, Burne. Kerry was tall, with humorous gray eyes, and a sudden, attractive smile; he became at once the mentor of the house, reaper of ears that grew too high, censor of conceit, vendor of rare, satirical humor. Amory spread the table of their future friendship with all his ideas of what college should and did mean. Kerry, not inclined as yet to take things seriously, chided him gently for being curious at this inopportune time about the intricacies of the social system, but liked him and was both interested and amused.

BOOK: Complete Works of F. Scott Fitzgerald (Illustrated)
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