Complete Works of Joseph Conrad (Illustrated) (731 page)

BOOK: Complete Works of Joseph Conrad (Illustrated)
2.85Mb size Format: txt, pdf, ePub

“Hurrying down again, I found an impressive scene in the gloom of the big cellar. The man who personated the inspector (he was no stranger to the part) was speaking harshly, and giving bogus orders to his bogus subordinates for the removal of his prisoners. Evidently nothing enlightening had happened so far. Horne, saturnine and swarthy, waited with folded arms, and his patient, moody expectation had an air of stoicism well in keeping with the situation. I detected in the shadows one of the Hermione Street group surreptitiously chewing up and swallowing a small piece of paper. Some compromising scrap, I suppose; perhaps just a note of a few names and addresses. He was a true and faithful ‘companion.’ But the fund of secret malice which lurks at the bottom of our sympathies caused me to feel amused at that perfectly uncalled-for performance.

“In every other respect the risky experiment, the theatrical coup, if you like to call it so, seemed to have failed. The deception could not be kept up much longer; the explanation would bring about a very embarrassing and even grave situation. The man who had eaten the paper would be furious. The fellows who had bolted away would be angry, too.

“To add to my vexation, the door communicating with the other cellar, where the printing-presses were, flew open, and our young lady revolutionist appeared, a black silhouette in a close-fitting dress and a large hat, with the blaze of gas flaring in there at her back. Over her shoulder I perceived the arched eyebrows and the red necktie of her brother.

“The last people in the world I wanted to see then! They had gone that evening to some amateur concert for the delectation of the poor people, you know; but she had insisted on leaving early, on purpose to call in Hermione Street on the way home, under the pretext of having some work to do. Her usual task was to correct the proofs of the Italian and French editions of the Alarm Bell and the Firebrand.” . . .

“Heavens!” I murmured. I had been shown once a few copies of these publications. Nothing, in my opinion, could have been less fit for the eyes of a young lady. They were the most advanced things of the sort; advanced, I mean, beyond all bounds of reason and decency. One of them preached the dissolution of all social and domestic ties; the other advocated systematic murder. To think of a young girl calmly tracking printers’ errors all along the sort of abominable sentences I remembered was intolerable to my sentiment of womanhood. Mr. X, after giving me a glance, pursued steadily.

“I think, however, that she came mostly to exercise her fascinations upon Sevrin, and to receive his homage in her queenly and condescending way. She was aware of both — her power and his homage — and enjoyed them with, I dare say, complete innocence. We have no ground in expediency or morals to quarrel with her on that account. Charm in woman and exceptional intelligence in man are a law unto themselves. Is it not so?”

I refrained from expressing my abhorrence of that licentious doctrine because of my curiosity.

“But what happened then?” I hastened to ask.

X went on crumbling slowly a small piece of bread with a careless left hand.

“What happened, in effect,” he confessed, “is that she saved the situation.”

“She gave you an opportunity to end your rather sinister farce,” I suggested.

“Yes,” he said, preserving his impassive bearing. “The farce was bound to end soon. And it ended in a very few minutes. And it ended well. Had she not come in, it might have ended badly. Her brother, of course, did not count. They had slipped into the house quietly some time before. The printing-cellar had an entrance of its own. Not finding any one there, she sat down to her proofs, expecting Sevrin to return to his work at any moment. He did not do so. She grew impatient, heard through the door the sounds of a disturbance in the other cellar and naturally came in to see what was the matter.

“Sevrin had been with us. At first he had seemed to me the most amazed of the whole raided lot. He appeared for an instant as if paralyzed with astonishment. He stood rooted to the spot. He never moved a limb. A solitary gas-jet flared near his head; all the other lights had been put out at the first alarm. And presently, from my dark corner, I observed on his shaven actor’s face an expression of puzzled, vexed watchfulness. He knitted his heavy eyebrows. The corners of his mouth dropped scornfully. He was angry. Most likely he had seen through the game, and I regretted I had not taken him from the first into my complete confidence.

“But with the appearance of the girl he became obviously alarmed. It was plain. I could see it grow. The change of his expression was swift and startling. And I did not know why. The reason never occurred to me. I was merely astonished at the extreme alteration of the man’s face. Of course he had not been aware of her presence in the other cellar; but that did not explain the shock her advent had given him. For a moment he seemed to have been reduced to imbecility. He opened his mouth as if to shout, or perhaps only to gasp. At any rate, it was somebody else who shouted. This somebody else was the heroic comrade whom I had detected swallowing a piece of paper. With laudable presence of mind he let out a warning yell.

“‘It’s the police! Back! Back! Run back, and bolt the door behind you.’

“It was an excellent hint; but instead of retreating the girl continued to advance, followed by her long-faced brother in his knickerbocker suit, in which he had been singing comic songs for the entertainment of a joyless proletariat. She advanced not as if she had failed to understand — the word ‘police’ has an unmistakable sound — but rather as if she could not help herself. She did not advance with the free gait and expanding presence of a distinguished amateur anarchist amongst poor, struggling professionals, but with slightly raised shoulders, and her elbows pressed close to her body, as if trying to shrink within herself. Her eyes were fixed immovably upon Sevrin. Sevrin the man, I fancy; not Sevrin the anarchist. But she advanced. And that was natural. For all their assumption of independence, girls of that class are used to the feeling of being specially protected, as, in fact, they are. This feeling accounts for nine tenths of their audacious gestures. Her face had gone completely colourless. Ghastly. Fancy having it brought home to her so brutally that she was the sort of person who must run away from the police! I believe she was pale with indignation, mostly, though there was, of course, also the concern for her intact personality, a vague dread of some sort of rudeness. And, naturally, she turned to a man, to the man on whom she had a claim of fascination and homage — the man who could not conceivably fail her at any juncture.”

“But,” I cried, amazed at this analysis, “if it had been serious, real, I mean — as she thought it was — what could she expect him to do for her?”

X never moved a muscle of his face.

“Goodness knows. I imagine that this charming, generous, and independent creature had never known in her life a single genuine thought; I mean a single thought detached from small human vanities, or whose source was not in some conventional perception. All I know is that after advancing a few steps she extended her hand towards the motionless Sevrin. And that at least was no gesture. It was a natural movement. As to what she expected him to do, who can tell? The impossible. But whatever she expected, it could not have come up, I am safe to say, to what he had made up his mind to do, even before that entreating hand had appealed to him so directly. It had not been necessary. From the moment he had seen her enter that cellar, he had made up his mind to sacrifice his future usefulness, to throw off the impenetrable, solidly fastened mask it had been his pride to wear — ”

“What do you mean?” I interrupted, puzzled. “Was it Sevrin, then, who was — ”

“He was. The most persistent, the most dangerous, the craftiest, the most systematic of informers. A genius amongst betrayers. Fortunately for us, he was unique. The man was a fanatic, I have told you. Fortunately, again, for us, he had fallen in love with the accomplished and innocent gestures of that girl. An actor in desperate earnest himself, he must have believed in the absolute value of conventional signs. As to the grossness of the trap into which he fell, the explanation must be that two sentiments of such absorbing magnitude cannot exist simultaneously in one heart. The danger of that other and unconscious comedian robbed him of his vision, of his perspicacity, of his judgment. Indeed, it did at first rob him of his self-possession. But he regained that through the necessity — as it appeared to him imperiously — to do something at once. To do what? Why, to get her out of the house as quickly as possible. He was desperately anxious to do that. I have told you he was terrified. It could not be about himself. He had been surprised and annoyed at a move quite unforeseen and premature. I may even say he had been furious. He was accustomed to arrange the last scene of his betrayals with a deep, subtle art which left his revolutionist reputation untouched. But it seems clear to me that at the same time he had resolved to make the best of it, to keep his mask resolutely on. It was only with the discovery of her being in the house that everything — the forced calm, the restraint of his fanaticism, the mask — all came off together in a kind of panic. Why panic, do you ask? The answer is very simple. He remembered — or, I dare say, he had never forgotten — the Professor alone at the top of the house, pursuing his researches, surrounded by tins upon tins of Stone’s Dried Soup. There was enough in some few of them to bury us all where we stood under a heap of bricks. Sevrin, of course, was aware of that. And we must believe, also, that he knew the exact character of the man. He had gauged so many such characters! Or perhaps he only gave the Professor credit for what he himself was capable of. But, in any case, the effect was produced. And suddenly he raised his voice in authority.

“‘Get the lady away at once.’

“It turned out that he was as hoarse as a crow; result, no doubt, of the intense emotion. It passed off in a moment. But these fateful words issued forth from his contracted throat in a discordant, ridiculous croak. They required no answer. The thing was done. However, the man personating the inspector judged it expedient to say roughly:

“‘She shall go soon enough, together with the rest of you.’

“These were the last words belonging to the comedy part of this affair.

“Oblivious of everything and everybody, Sevrin strode towards him and seized the lapels of his coat. Under his thin bluish cheeks one could see his jaws working with passion.

“‘You have men posted outside. Get the lady taken home at once. Do you hear? Now. Before you try to get hold of the man upstairs.’

“‘Oh! There is a man upstairs,’ scoffed the other, openly. ‘Well, he shall be brought down in time to see the end of this.’

“But Sevrin, beside himself, took no heed of the tone.

“‘Who’s the imbecile meddler who sent you blundering here? Didn’t you understand your instructions? Don’t you know anything? It’s incredible. Here — ’

“He dropped the lapels of the coat and, plunging his hand into his breast, jerked feverishly at something under his shirt. At last he produced a small square pocket of soft leather, which must have been hanging like a scapulary from his neck by the tape whose broken ends dangled from his fist.

“‘Look inside,’ he spluttered, flinging it in the other’s face. And instantly he turned round towards the girl. She stood just behind him, perfectly still and silent. Her set, white face gave an illusion of placidity. Only her staring eyes seemed bigger and darker.

“He spoke rapidly, with nervous assurance. I heard him distinctly promise her to make everything as clear as daylight presently. But that was all I caught. He stood close to her, never attempting to touch her even with the tip of his little finger — and she stared at him stupidly. For a moment, however, her eyelids descended slowly, pathetically, and then, with the long black eyelashes lying on her white cheeks, she looked ready to fall down in a swoon. But she never even swayed where she stood. He urged her loudly to follow him at once, and walked towards the door at the bottom of the cellar stairs without looking behind him. And, as a matter of fact, she did move after him a pace or two. But, of course, he was not allowed to reach the door. There were angry exclamations, a short, fierce scuffle. Flung away violently, he came flying backwards upon her, and fell. She threw out her arms in a gesture of dismay and stepped aside, just clear of his head, which struck the ground heavily near her shoe.

“He grunted with the shock. By the time he had picked himself up, slowly, dazedly, he was awake to the reality of things. The man into whose hands he had thrust the leather case had extracted therefrom a narrow strip of bluish paper. He held it up above his head, and, as after the scuffle an expectant uneasy stillness reigned once more, he threw it down disdainfully with the words, ‘I think, comrades, that this proof was hardly necessary.’

“Quick as thought, the girl stooped after the fluttering slip. Holding it spread out in both hands, she looked at it; then, without raising her eyes, opened her fingers slowly and let it fall.

“I examined that curious document afterwards. It was signed by a very high personage, and stamped and countersigned by other high officials in various countries of Europe. In his trade — or shall I say, in his mission? — that sort of talisman might have been necessary, no doubt. Even to the police itself — all but the heads — he had been known only as Sevrin the noted anarchist.

“He hung his head, biting his lower lip. A change had come over him, a sort of thoughtful, absorbed calmness. Nevertheless, he panted. His sides worked visibly, and his nostrils expanded and collapsed in weird contrast with his sombre aspect of a fanatical monk in a meditative attitude, but with something, too, in his face of an actor intent upon the terrible exigencies of his part. Before him Horne declaimed, haggard and bearded, like an inspired denunciatory prophet from a wilderness. Two fanatics. They were made to understand each other. Does this surprise you? I suppose you think that such people would be foaming at the mouth and snarling at each other?”

Other books

Wicked in Your Arms by Sophie Jordan
Split Code by Dorothy Dunnett
Miedo y asco en Las Vegas by Hunter S. Thompson
Overheated by Shoshanna Evers
The Wizzle War by Gordon Korman
Smoldering Nights by Carlisle, Lisa
Twisted Strands by Margaret Dickinson