Complete Works of Thomas Hardy (Illustrated) (1009 page)

BOOK: Complete Works of Thomas Hardy (Illustrated)
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I have grieved ever since: to have balked future pain,
My blood’s tendance foreknown,
Had been triumph. Nights long stretched awake I have lain
Perplexed in endeavours to balk future pain
By uncovering the drift of their drama. In vain,
Though therein lay my own.

 

 

THE CATCHING BALLET OF THE WEDDING CLOTHES

(
Temp. Guliel IV.)

 

“A gentleman’s coming
To court me, they say;
The ringers are told,
And the band is to play.
O why should he do it
Now poor Jack’s away?
I surely shall rue it:
Come, white witch, and say!”

 

“The gentleman’s coming
To marry you, dear;
They tell at the turnpikes
That he has been here!
He rode here in secret,
To gain eye of you: —
Throw over the sailor,
Is what I should do!”

 

“I will not throw over
Poor Jack: no, indeed,
For a new unknown lover
Who loves at such speed,

 

And writes to the ringers,
And orders the band,
As if I could only
Obey his command!

 

“La! now here is something
Close packed in a box,
And strapped up and corded,
And held with two locks!”
“Dear, that’s from him, surely,
As we may suppose?
Ay, through the chink shining
I spy wedding clothes!”

 

“Yes — here’s a drawn bonnet,
And tortoiseshell combs,
And a silk gown, silk stockings,
And scents of rare blooms;
And shoes, too, of satin,
Quite past all my pride:
O, how will it end, witch;
I can’t be his bride!”

 

“Don’t waste you in weeping:
Not worth it is man!
Beshrew me, my deary,
I’ve shaped a new plan.
Wear the clothes of the rich one,
Since he will not see,
But marry the poor one
You love faithfully.”

 

“Here’s a last packet. . . . Never!
It knocks me to bits —
The ring! ‘
Just to try on
,
To see if it fits.”
O I cannot!” . . . But Jack said,
Quite cool, when he came,
“Well, it will save money,
And be just the same.”

 

The marriage took place,
Yes; as vowed, she was true
To her dear sailor Jack
Ere the gentleman knew;
But she wore the rich clothing,
Much joyed at such guise,
Yet fearing and trembling
With tears in her eyes.

 

And at midnight, between her
And him she had wed,
The gentleman’s figure
Arose up and said:
“My too-cruel darling,
In spite of your oaths,
You have married the man
Of the ring and the clothes!”

 

Thence on, would confront her,
When sleep had grown slack,
His face on the pillow
Between her and Jack;
And he nightly kept whispering:
“You surely must see,
Though your tongue-tip took him, Love,
Your body took me.”

 

Till she sighed: “Yes, my word,
It must be confessed o’ me,
Jack has; but this man
Can claim all the rest o’ me!
And off to go with him
Bewitched am I now:
I’d fain not be two men’s,
And won’t, anyhow!”

 

So she pleaded and pleaded
From daybreak till dark,
Converting the parish
(Save parson and clerk).

 

She then wrote to Jack thus:
“I’m torn with mind-strife:
She who wears a man’s bride-clothes
Must be the man’s wife!”

 

And still she kept plaining,
Till Jack he wrote: “Aye!”
And the villagers gathered,
And on a fixed day,
They went out alertly
And stood in a row,
Quite blithe with excitement
To see John’s wife go.

 

Some were facing her dwelling,
And some on the bridge,
And some at the corner,
And some by the ridge.
With a nod and a word
The coach stopped at her door,
And she upped like a bird,
And they saw her no more.

 

‘Twas told that, years after,
When autumn winds wave,
A wealthy old lady
Stood long at Jack’s grave,
And while her coach waited: —
She mused there; and then
She stepped in, and never
Came thither again.

 

1919.

 

 

A WINSOME WOMAN

SONG

 

There’s no winsome woman so winsome as she;
Some are flower-like in mouth,
Some have fire in the eyes,
Some feed a soul’s drouth
Trilling words music-wise;
But where are these gifts all in one found to be
Save in her known to me?

 

What her thoughts are I read not, but this much I know,
That she, too, will pass
From the sun and the air
To her cave under grass;
And the world will declare,
“No such woman as his passioned utterances show
Walked this planet, we trow!”

 

 

THE BALLAD OF LOVE’S SKELETON

(179*)

 

“Come, let’s to Culliford Hill and Wood,
And watch the squirrels climb,
And look in sunny places there
For shepherds’ thyme.”

 

— ”Can I have heart for Culliford Wood,
And hill and bank and tree,
Who know and ponder over all
Things done by me!”

 

— ”Then, Dear, don hat, and come along:
We’ll strut the Royal strand;
King George has just arrived, his Court,
His guards, and band.”

 

— ”You are a Baron of the King’s Court
From Hanover lately come,
And can forget in song and dance
What chills me numb.

 

“Well be the royal scenes for you,
And band beyond compare,
But how is she who hates her crime
To frolic there?

 

“O why did you so urge and say
‘Twould soil your noble name! —
I should have prized a little child,
And faced the shame.

 

“I see the child —
that should have been
,
But was not
, born alive;
With such a deed in a woman’s life
A year seems five.

 

“I asked not for the wifely rank,
Nor maiden honour saved;
To call a nestling thing my own
Was all I craved.

 

“For what’s the hurt of shame to one
Of no more note than me?
Can littlest life beneath the sun
More littled be?”

 

— ”Nay, never grieve. The day is bright,
Just as it was ere then:
In the Assembly Rooms to-night
Let’s joy again!

 

“The new Quick-Step is the sweetest dance
For lively toes and heels;
And when we tire of that we’ll prance
Bewitching reels.

 

“Dear, never grieve! As once we whirled
So let us whirl to-night,
Forgetting all things save ourselves
Till dawning light.

 

“The King and Queen, Princesses three,
Have promised to meet there
The mayor and townsfolk. I’ve my card
And One to spare.

 

“The Court will dance at the upper end;
Only a cord between
Them and the burgher-throng below;
A brilliant scene!”

 

— ”I’ll go. You’ve still my heart in thrall:
Save you, all’s dark to me.
And God knows what, when love is all,
The end will be!”

 

 

A PRIVATE MAN ON PUBLIC MEN

When my contemporaries were driving
Their coach through Life with strain and striving,
And raking riches into heaps,
And ably pleading in the Courts
With smart rejoinders and retorts,
Or where the Senate nightly keeps
Its vigils, till their fames were fanned
By rumour’s tongue throughout the land,
I lived in quiet, screened, unknown,
Pondering upon some stick or stone,
Or news of some rare book or bird
Latterly bought, or seen, or heard,
Not wishing ever to set eyes on
The surging crowd beyond the horizon,
Tasting years of moderate gladness
Mellowed by sundry days of sadness,
Shut from the noise of the world without,
Hearing but dimly its rush and rout,
Unenvying those amid its roar,
Little endowed, not wanting more.

 

 

CHRISTMAS IN THE ELGIN ROOM

BRITISH MUSEUM: EARLY LAST CENTURY

 

“What is the noise that shakes the night,
And seems to soar to the Pole-star height?”
 — ”Christmas bells,
The watchman tells
Who walks this hall that blears us captives with its blight.”

 

“And what, then, mean such clangs, so clear?”
“ — ’Tis said to have been a day of cheer,
And source of grace
To the human race
Long ere their woven sails winged us to exile here.

 

“We are those whom Christmas overthrew
Some centuries after Pheidias knew
How to shape us
And bedrape us
And to set us in Athena’s temple for men’s view.

 

“O it is sad now we are sold —
We gods! for Borean people’s gold,
And brought to the gloom
Of this gaunt room
Which sunlight shuns, and sweet Aurore but enters cold.

 

“For all these bells, would I were still
Radiant as on Athenai’s Hill.”
 — ”And I, and I!”
The others sigh,
“Before this Christ was known, and we had men’s good will.”

 

Thereat old Helios could but nod,
Throbbed, too, the Ilissus River-god,
And the torsos there
Of deities fair,
Whose limbs were shards beneath some Acropolitan clod:

 

Demeter too, Poseidon hoar,
Persephone, and many more
Of Zeus’ high breed, —
All loth to heed
What the bells sang that night which shook them to the core.

 

1905 and 1926.

 

 

WE ARE GETTING TO THE END

We are getting to the end of visioning
The impossible within this universe,
Such as that better whiles may follow worse,
And that our race may mend by reasoning.

 

We know that even as larks in cages sing
Unthoughtful of deliverance from the curse
That holds them lifelong in a latticed hearse,
We ply spasmodically our pleasuring.

 

And that when nations set them to lay waste
Their neighbours’ heritage by foot and horse,
And hack their pleasant plains in festering seams,
They may again, — not warely, or from taste,
But tickled mad by some demonic force. —
Yes. We are getting to the end of dreams!

 

 

HE RESOLVES TO SAY NO MORE

O my soul, keep the rest unknown!
It is too like a sound of moan
When the charnel-eyed
Pale Horse has nighed:
Yea, none shall gather what I hide!

 

Why load men’s minds with more to bear
That bear already ails to spare?
From now alway
Till my last day
What I discern I will not say.

 

Let Time roll backward if it will;
(Magians who drive the midnight quill
With brain aglow
Can see it so,)
What I have learnt no man shall know.

 

And if my vision range beyond
The blinkered sight of souls in bond,
 — By truth made free —
I’ll let all be,
And show to no man what I see.

 

 

The Poems

 

Max Gate, Dorchester — the grand house built by Hardy’s father and brother for the famous writer in later years.

 

LIST OF POEMS IN CHRONOLOGICAL ORDER

 

THE TEMPORARY THE ALL

AMABEL

HAP

IN VISION I ROAMED TO -

AT A BRIDAL TO -

POSTPONEMENT

A CONFESSION TO A FRIEND IN TROUBLE

NEUTRAL TONES

SHE AT HIS FUNERAL

HER INITIALS

HER DILEMMA (IN — - CHURCH)

REVULSION

SHE, TO HIM — I

SHE, TO HIM — II

SHE, TO HIM — III

SHE, TO HIM — IV

DITTY (E. L G.)

THE SERGEANT’S SONG (1803)

VALENCIENNES

SAN SEBASTIAN

THE STRANGER’S SONG

THE BURGHERS (17-)

LEIPZIG

THE PEASANT’S CONFESSION

THE ALARM

HER DEATH AND AFTER

THE DANCE AT THE PHOENIX

THE CASTERBRIDGE CAPTAINS (KHYBER PASS, 1842)

A SIGN-SEEKER

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