Complete Works of Thomas Hardy (Illustrated) (153 page)

“Now, Cainy, shoulder your two, and off. Good morning, Mr. Boldwood.” The shepherd lifted the sixteen large legs and four small bodies he had himself brought, and vanished with them in the direction of the lambing field hard by — their frames being now in a sleek and hopeful state, pleasantly contrasting with their death’s-door plight of half an hour before.

Boldwood followed him a little way up the field, hesitated, and turned back. He followed him again with a last resolve, annihilating return. On approaching the nook in which the fold was constructed, the farmer drew out his pocket-book, unfastened it, and allowed it to lie open on his hand. A letter was revealed — Bathsheba’s.

“I was going to ask you, Oak,” he said, with unreal carelessness, “if you know whose writing this is?”

Oak glanced into the book, and replied instantly, with a flushed face, “Miss Everdene’s.”

Oak had coloured simply at the consciousness of sounding her name. He now felt a strangely distressing qualm from a new thought. The letter could of course be no other than anonymous, or the inquiry would not have been necessary.

Boldwood mistook his confusion: sensitive persons are always ready with their “Is it I?” in preference to objective reasoning.

“The question was perfectly fair,” he returned — and there was something incongruous in the serious earnestness with which he applied himself to an argument on a valentine. “You know it is always expected that privy inquiries will be made: that’s where the — fun lies.” If the word “fun” had been “torture,” it could not have been uttered with a more constrained and restless countenance than was Boldwood’s then.

Soon parting from Gabriel, the lonely and reserved man returned to his house to breakfast — feeling twinges of shame and regret at having so far exposed his mood by those fevered questions to a stranger. He again placed the letter on the mantelpiece, and sat down to think of the circumstances attending it by the light of Gabriel’s information.

CHAPTER XVI

ALL SAINTS’ AND ALL SOULS’

On a week-day morning a small congregation, consisting mainly of women and girls, rose from its knees in the mouldy nave of a church called All Saints’, in the distant barrack-town before-mentioned, at the end of a service without a sermon. They were about to disperse, when a smart footstep, entering the porch and coming up the central passage, arrested their attention. The step echoed with a ring unusual in a church; it was the clink of spurs. Everybody looked. A young cavalry soldier in a red uniform, with the three chevrons of a sergeant upon his sleeve, strode up the aisle, with an embarrassment which was only the more marked by the intense vigour of his step, and by the determination upon his face to show none. A slight flush had mounted his cheek by the time he had run the gauntlet between these women; but, passing on through the chancel arch, he never paused till he came close to the altar railing. Here for a moment he stood alone.

The officiating curate, who had not yet doffed his surplice, perceived the new-comer, and followed him to the communion-space. He whispered to the soldier, and then beckoned to the clerk, who in his turn whispered to an elderly woman, apparently his wife, and they also went up the chancel steps.

“‘Tis a wedding!” murmured some of the women, brightening. “Let’s wait!”

The majority again sat down.

There was a creaking of machinery behind, and some of the young ones turned their heads. From the interior face of the west wall of the tower projected a little canopy with a quarter-jack and small bell beneath it, the automaton being driven by the same clock machinery that struck the large bell in the tower. Between the tower and the church was a close screen, the door of which was kept shut during services, hiding this grotesque clockwork from sight. At present, however, the door was open, and the egress of the jack, the blows on the bell, and the mannikin’s retreat into the nook again, were visible to many, and audible throughout the church.

The jack had struck half-past eleven.

“Where’s the woman?” whispered some of the spectators.

The young sergeant stood still with the abnormal rigidity of the old pillars around. He faced the south-east, and was as silent as he was still.

The silence grew to be a noticeable thing as the minutes went on, and nobody else appeared, and not a soul moved. The rattle of the quarter-jack again from its niche, its blows for three-quarters, its fussy retreat, were almost painfully abrupt, and caused many of the congregation to start palpably.

“I wonder where the woman is!” a voice whispered again.

There began now that slight shifting of feet, that artificial coughing among several, which betrays a nervous suspense. At length there was a titter. But the soldier never moved. There he stood, his face to the south-east, upright as a column, his cap in his hand.

The clock ticked on. The women threw off their nervousness, and titters and giggling became more frequent. Then came a dead silence. Every one was waiting for the end. Some persons may have noticed how extraordinarily the striking of quarters seems to quicken the flight of time. It was hardly credible that the jack had not got wrong with the minutes when the rattle began again, the puppet emerged, and the four quarters were struck fitfully as before. One could almost be positive that there was a malicious leer upon the hideous creature’s face, and a mischievous delight in its twitchings. Then followed the dull and remote resonance of the twelve heavy strokes in the tower above. The women were impressed, and there was no giggle this time.

The clergyman glided into the vestry, and the clerk vanished. The sergeant had not yet turned; every woman in the church was waiting to see his face, and he appeared to know it. At last he did turn, and stalked resolutely down the nave, braving them all, with a compressed lip. Two bowed and toothless old almsmen then looked at each other and chuckled, innocently enough; but the sound had a strange weird effect in that place.

Opposite to the church was a paved square, around which several overhanging wood buildings of old time cast a picturesque shade. The young man on leaving the door went to cross the square, when, in the middle, he met a little woman. The expression of her face, which had been one of intense anxiety, sank at the sight of his nearly to terror.

“Well?” he said, in a suppressed passion, fixedly looking at her.

“Oh, Frank — I made a mistake! — I thought that church with the spire was All Saints’, and I was at the door at half-past eleven to a minute as you said. I waited till a quarter to twelve, and found then that I was in All Souls’. But I wasn’t much frightened, for I thought it could be to-morrow as well.”

“You fool, for so fooling me! But say no more.”

“Shall it be to-morrow, Frank?” she asked blankly.

“To-morrow!” and he gave vent to a hoarse laugh. “I don’t go through that experience again for some time, I warrant you!”

“But after all,” she expostulated in a trembling voice, “the mistake was not such a terrible thing! Now, dear Frank, when shall it be?”

“Ah, when? God knows!” he said, with a light irony, and turning from her walked rapidly away.

CHAPTER XVII

IN THE MARKET-PLACE

On Saturday Boldwood was in Casterbridge market house as usual, when the disturber of his dreams entered and became visible to him. Adam had awakened from his deep sleep, and behold! there was Eve. The farmer took courage, and for the first time really looked at her.

Material causes and emotional effects are not to be arranged in regular equation. The result from capital employed in the production of any movement of a mental nature is sometimes as tremendous as the cause itself is absurdly minute. When women are in a freakish mood, their usual intuition, either from carelessness or inherent defect, seemingly fails to teach them this, and hence it was that Bathsheba was fated to be astonished to-day.

Boldwood looked at her — not slily, critically, or understandingly, but blankly at gaze, in the way a reaper looks up at a passing train — as something foreign to his element, and but dimly understood. To Boldwood women had been remote phenomena rather than necessary complements — comets of such uncertain aspect, movement, and permanence, that whether their orbits were as geometrical, unchangeable, and as subject to laws as his own, or as absolutely erratic as they superficially appeared, he had not deemed it his duty to consider.

He saw her black hair, her correct facial curves and profile, and the roundness of her chin and throat. He saw then the side of her eyelids, eyes, and lashes, and the shape of her ear. Next he noticed her figure, her skirt, and the very soles of her shoes.

Boldwood thought her beautiful, but wondered whether he was right in his thought, for it seemed impossible that this romance in the flesh, if so sweet as he imagined, could have been going on long without creating a commotion of delight among men, and provoking more inquiry than Bathsheba had done, even though that was not a little. To the best of his judgement neither nature nor art could improve this perfect one of an imperfect many. His heart began to move within him. Boldwood, it must be remembered, though forty years of age, had never before inspected a woman with the very centre and force of his glance; they had struck upon all his senses at wide angles.

Was she really beautiful? He could not assure himself that his opinion was true even now. He furtively said to a neighbour, “Is Miss Everdene considered handsome?”

“Oh yes; she was a good deal noticed the first time she came, if you remember. A very handsome girl indeed.”

A man is never more credulous than in receiving favourable opinions on the beauty of a woman he is half, or quite, in love with; a mere child’s word on the point has the weight of an R.A.’s. Boldwood was satisfied now.

And this charming woman had in effect said to him, “Marry me.” Why should she have done that strange thing? Boldwood’s blindness to the difference between approving of what circumstances suggest, and originating what they do not suggest, was well matched by Bathsheba’s insensibility to the possibly great issues of little beginnings.

She was at this moment coolly dealing with a dashing young farmer, adding up accounts with him as indifferently as if his face had been the pages of a ledger. It was evident that such a nature as his had no attraction for a woman of Bathsheba’s taste. But Boldwood grew hot down to his hands with an incipient jealousy; he trod for the first time the threshold of “the injured lover’s hell.” His first impulse was to go and thrust himself between them. This could be done, but only in one way — by asking to see a sample of her corn. Boldwood renounced the idea. He could not make the request; it was debasing loveliness to ask it to buy and sell, and jarred with his conceptions of her.

All this time Bathsheba was conscious of having broken into that dignified stronghold at last. His eyes, she knew, were following her everywhere. This was a triumph; and had it come naturally, such a triumph would have been the sweeter to her for this piquing delay. But it had been brought about by misdirected ingenuity, and she valued it only as she valued an artificial flower or a wax fruit.

Being a woman with some good sense in reasoning on subjects wherein her heart was not involved, Bathsheba genuinely repented that a freak which had owed its existence as much to Liddy as to herself, should ever have been undertaken, to disturb the placidity of a man she respected too highly to deliberately tease.

She that day nearly formed the intention of begging his pardon on the very next occasion of their meeting. The worst features of this arrangement were that, if he thought she ridiculed him, an apology would increase the offence by being disbelieved; and if he thought she wanted him to woo her, it would read like additional evidence of her forwardness.

CHAPTER XVIII

Boldwood in Meditation — Regret

Boldwood was tenant of what was called Little Weatherbury Farm, and his person was the nearest approach to aristocracy that this remoter quarter of the parish could boast of. Genteel strangers, whose god was their town, who might happen to be compelled to linger about this nook for a day, heard the sound of light wheels, and prayed to see good society, to the degree of a solitary lord, or squire at the very least, but it was only Mr. Boldwood going out for the day. They heard the sound of wheels yet once more, and were re-animated to expectancy: it was only Mr. Boldwood coming home again.

His house stood recessed from the road, and the stables, which are to a farm what a fireplace is to a room, were behind, their lower portions being lost amid bushes of laurel. Inside the blue door, open half-way down, were to be seen at this time the backs and tails of half-a-dozen warm and contented horses standing in their stalls; and as thus viewed, they presented alternations of roan and bay, in shapes like a Moorish arch, the tail being a streak down the midst of each. Over these, and lost to the eye gazing in from the outer light, the mouths of the same animals could be heard busily sustaining the above-named warmth and plumpness by quantities of oats and hay. The restless and shadowy figure of a colt wandered about a loose-box at the end, whilst the steady grind of all the eaters was occasionally diversified by the rattle of a rope or the stamp of a foot.

Pacing up and down at the heels of the animals was Farmer Boldwood himself. This place was his almonry and cloister in one: here, after looking to the feeding of his four-footed dependants, the celibate would walk and meditate of an evening till the moon’s rays streamed in through the cobwebbed windows, or total darkness enveloped the scene.

His square-framed perpendicularity showed more fully now than in the crowd and bustle of the market-house. In this meditative walk his foot met the floor with heel and toe simultaneously, and his fine reddish-fleshed face was bent downwards just enough to render obscure the still mouth and the well-rounded though rather prominent and broad chin. A few clear and thread-like horizontal lines were the only interruption to the otherwise smooth surface of his large forehead.