Complete Works of Thomas Hardy (Illustrated) (180 page)

It was all the money he possessed.

“That sum to include everything?”

“Everything. Cutting the name, carriage to Weatherbury, and erection. And I want it now, at once.”

“We could not get anything special worked this week.”

“I must have it now.”

“If you would like one of these in stock it could be got ready immediately.”

“Very well,” said Troy, impatiently. “Let’s see what you have.”

“The best I have in stock is this one,” said the stone-cutter, going into a shed. “Here’s a marble headstone beautifully crocketed, with medallions beneath of typical subjects; here’s the footstone after the same pattern, and here’s the coping to enclose the grave. The polishing alone of the set cost me eleven pounds — the slabs are the best of their kind, and I can warrant them to resist rain and frost for a hundred years without flying.”

“And how much?”

“Well, I could add the name, and put it up at Weatherbury for the sum you mention.”

“Get it done to-day, and I’ll pay the money now.”

The man agreed, and wondered at such a mood in a visitor who wore not a shred of mourning. Troy then wrote the words which were to form the inscription, settled the account and went away. In the afternoon he came back again, and found that the lettering was almost done. He waited in the yard till the tomb was packed, and saw it placed in the cart and starting on its way to Weatherbury, giving directions to the two men who were to accompany it to inquire of the sexton for the grave of the person named in the inscription.

It was quite dark when Troy came out of Casterbridge. He carried rather a heavy basket upon his arm, with which he strode moodily along the road, resting occasionally at bridges and gates, whereon he deposited his burden for a time. Midway on his journey he met, returning in the darkness, the men and the waggon which had conveyed the tomb. He merely inquired if the work was done, and, on being assured that it was, passed on again.

Troy entered Weatherbury churchyard about ten o’clock and went immediately to the corner where he had marked the vacant grave early in the morning. It was on the obscure side of the tower, screened to a great extent from the view of passers along the road — a spot which until lately had been abandoned to heaps of stones and bushes of alder, but now it was cleared and made orderly for interments, by reason of the rapid filling of the ground elsewhere.

Here now stood the tomb as the men had stated, snow-white and shapely in the gloom, consisting of head and foot-stone, and enclosing border of marble-work uniting them. In the midst was mould, suitable for plants.

Troy deposited his basket beside the tomb, and vanished for a few minutes. When he returned he carried a spade and a lantern, the light of which he directed for a few moments upon the marble, whilst he read the inscription. He hung his lantern on the lowest bough of the yew-tree, and took from his basket flower-roots of several varieties. There were bundles of snow-drop, hyacinth and crocus bulbs, violets and double daisies, which were to bloom in early spring, and of carnations, pinks, picotees, lilies of the valley, forget-me-not, summer’s farewell, meadow-saffron and others, for the later seasons of the year.

Troy laid these out upon the grass, and with an impassive face set to work to plant them. The snowdrops were arranged in a line on the outside of the coping, the remainder within the enclosure of the grave. The crocuses and hyacinths were to grow in rows; some of the summer flowers he placed over her head and feet, the lilies and forget-me-nots over her heart. The remainder were dispersed in the spaces between these.

Troy, in his prostration at this time, had no perception that in the futility of these romantic doings, dictated by a remorseful reaction from previous indifference, there was any element of absurdity. Deriving his idiosyncrasies from both sides of the Channel, he showed at such junctures as the present the inelasticity of the Englishman, together with that blindness to the line where sentiment verges on mawkishness, characteristic of the French.

It was a cloudy, muggy, and very dark night, and the rays from Troy’s lantern spread into the two old yews with a strange illuminating power, flickering, as it seemed, up to the black ceiling of cloud above. He felt a large drop of rain upon the back of his hand, and presently one came and entered one of the holes of the lantern, whereupon the candle sputtered and went out. Troy was weary and it being now not far from midnight, and the rain threatening to increase, he resolved to leave the finishing touches of his labour until the day should break. He groped along the wall and over the graves in the dark till he found himself round at the north side. Here he entered the porch, and, reclining upon the bench within, fell asleep.

CHAPTER XLVI

THE GURGOYLE: ITS DOINGS

The tower of Weatherbury Church was a square erection of fourteenth-century date, having two stone gurgoyles on each of the four faces of its parapet. Of these eight carved protuberances only two at this time continued to serve the purpose of their erection — that of spouting the water from the lead roof within. One mouth in each front had been closed by bygone church-wardens as superfluous, and two others were broken away and choked — a matter not of much consequence to the wellbeing of the tower, for the two mouths which still remained open and active were gaping enough to do all the work.

It has been sometimes argued that there is no truer criterion of the vitality of any given art-period than the power of the master-spirits of that time in grotesque; and certainly in the instance of Gothic art there is no disputing the proposition. Weatherbury tower was a somewhat early instance of the use of an ornamental parapet in parish as distinct from cathedral churches, and the gurgoyles, which are the necessary correlatives of a parapet, were exceptionally prominent — of the boldest cut that the hand could shape, and of the most original design that a human brain could conceive. There was, so to speak, that symmetry in their distortion which is less the characteristic of British than of Continental grotesques of the period. All the eight were different from each other. A beholder was convinced that nothing on earth could be more hideous than those he saw on the north side until he went round to the south. Of the two on this latter face, only that at the south-eastern corner concerns the story. It was too human to be called like a dragon, too impish to be like a man, too animal to be like a fiend, and not enough like a bird to be called a griffin. This horrible stone entity was fashioned as if covered with a wrinkled hide; it had short, erect ears, eyes starting from their sockets, and its fingers and hands were seizing the corners of its mouth, which they thus seemed to pull open to give free passage to the water it vomited. The lower row of teeth was quite washed away, though the upper still remained. Here and thus, jutting a couple of feet from the wall against which its feet rested as a support, the creature had for four hundred years laughed at the surrounding landscape, voicelessly in dry weather, and in wet with a gurgling and snorting sound.

Troy slept on in the porch, and the rain increased outside. Presently the gurgoyle spat. In due time a small stream began to trickle through the seventy feet of aerial space between its mouth and the ground, which the water-drops smote like duckshot in their accelerated velocity. The stream thickened in substance, and increased in power, gradually spouting further and yet further from the side of the tower. When the rain fell in a steady and ceaseless torrent the stream dashed downward in volumes.

We follow its course to the ground at this point of time. The end of the liquid parabola has come forward from the wall, has advanced over the plinth mouldings, over a heap of stones, over the marble border, into the midst of Fanny Robin’s grave.

The force of the stream had, until very lately, been received upon some loose stones spread thereabout, which had acted as a shield to the soil under the onset. These during the summer had been cleared from the ground, and there was now nothing to resist the down-fall but the bare earth. For several years the stream had not spouted so far from the tower as it was doing on this night, and such a contingency had been over-looked. Sometimes this obscure corner received no inhabitant for the space of two or three years, and then it was usually but a pauper, a poacher, or other sinner of undignified sins.

The persistent torrent from the gurgoyle’s jaws directed all its vengeance into the grave. The rich tawny mould was stirred into motion, and boiled like chocolate. The water accumulated and washed deeper down, and the roar of the pool thus formed spread into the night as the head and chief among other noises of the kind created by the deluging rain. The flowers so carefully planted by Fanny’s repentant lover began to move and writhe in their bed. The winter-violets turned slowly upside down, and became a mere mat of mud. Soon the snowdrop and other bulbs danced in the boiling mass like ingredients in a cauldron. Plants of the tufted species were loosened, rose to the surface, and floated off.

Troy did not awake from his comfortless sleep till it was broad day. Not having been in bed for two nights his shoulders felt stiff, his feet tender, and his head heavy. He remembered his position, arose, shivered, took the spade, and again went out.

The rain had quite ceased, and the sun was shining through the green, brown, and yellow leaves, now sparkling and varnished by the raindrops to the brightness of similar effects in the landscapes of Ruysdael and Hobbema, and full of all those infinite beauties that arise from the union of water and colour with high lights. The air was rendered so transparent by the heavy fall of rain that the autumn hues of the middle distance were as rich as those near at hand, and the remote fields intercepted by the angle of the tower appeared in the same plane as the tower itself.

He entered the gravel path which would take him behind the tower. The path, instead of being stony as it had been the night before, was browned over with a thin coating of mud. At one place in the path he saw a tuft of stringy roots washed white and clean as a bundle of tendons. He picked it up — surely it could not be one of the primroses he had planted? He saw a bulb, another, and another as he advanced. Beyond doubt they were the crocuses. With a face of perplexed dismay Troy turned the corner and then beheld the wreck the stream had made.

The pool upon the grave had soaked away into the ground, and in its place was a hollow. The disturbed earth was washed over the grass and pathway in the guise of the brown mud he had already seen, and it spotted the marble tombstone with the same stains. Nearly all the flowers were washed clean out of the ground, and they lay, roots upwards, on the spots whither they had been splashed by the stream.

Troy’s brow became heavily contracted. He set his teeth closely, and his compressed lips moved as those of one in great pain. This singular accident, by a strange confluence of emotions in him, was felt as the sharpest sting of all. Troy’s face was very expressive, and any observer who had seen him now would hardly have believed him to be a man who had laughed, and sung, and poured love-trifles into a woman’s ear. To curse his miserable lot was at first his impulse, but even that lowest stage of rebellion needed an activity whose absence was necessarily antecedent to the existence of the morbid misery which wrung him. The sight, coming as it did, superimposed upon the other dark scenery of the previous days, formed a sort of climax to the whole panorama, and it was more than he could endure. Sanguine by nature, Troy had a power of eluding grief by simply adjourning it. He could put off the consideration of any particular spectre till the matter had become old and softened by time. The planting of flowers on Fanny’s grave had been perhaps but a species of elusion of the primary grief, and now it was as if his intention had been known and circumvented.

Almost for the first time in his life, Troy, as he stood by this dismantled grave, wished himself another man. It is seldom that a person with much animal spirit does not feel that the fact of his life being his own is the one qualification which singles it out as a more hopeful life than that of others who may actually resemble him in every particular. Troy had felt, in his transient way, hundreds of times, that he could not envy other people their condition, because the possession of that condition would have necessitated a different personality, when he desired no other than his own. He had not minded the peculiarities of his birth, the vicissitudes of his life, the meteor-like uncertainty of all that related to him, because these appertained to the hero of his story, without whom there would have been no story at all for him; and it seemed to be only in the nature of things that matters would right themselves at some proper date and wind up well. This very morning the illusion completed its disappearance, and, as it were, all of a sudden, Troy hated himself. The suddenness was probably more apparent than real. A coral reef which just comes short of the ocean surface is no more to the horizon than if it had never been begun, and the mere finishing stroke is what often appears to create an event which has long been potentially an accomplished thing.

He stood and meditated — a miserable man. Whither should he go? “He that is accursed, let him be accursed still,” was the pitiless anathema written in this spoliated effort of his new-born solicitousness. A man who has spent his primal strength in journeying in one direction has not much spirit left for reversing his course. Troy had, since yesterday, faintly reversed his; but the merest opposition had disheartened him. To turn about would have been hard enough under the greatest providential encouragement; but to find that Providence, far from helping him into a new course, or showing any wish that he might adopt one, actually jeered his first trembling and critical attempt in that kind, was more than nature could bear.

He slowly withdrew from the grave. He did not attempt to fill up the hole, replace the flowers, or do anything at all. He simply threw up his cards and forswore his game for that time and always. Going out of the churchyard silently and unobserved — none of the villagers having yet risen — he passed down some fields at the back, and emerged just as secretly upon the high road. Shortly afterwards he had gone from the village.