Complete Works of Thomas Hardy (Illustrated) (296 page)

The captain concluded that Eustacia, feeling wakeful, had gone for a book, and would have dismissed the matter as unimportant if he had not also heard her distinctly weeping as she passed.

“She is thinking of that husband of hers,” he said to himself. “Ah, the silly goose! she had no business to marry him. I wonder if that letter is really his?”

He arose, threw his boat-cloak round him, opened the door, and said, “Eustacia!” There was no answer. “Eustacia!” he repeated louder, “there is a letter on the mantelpiece for you.”

But no response was made to this statement save an imaginary one from the wind, which seemed to gnaw at the corners of the house, and the stroke of a few drops of rain upon the windows.

He went on to the landing, and stood waiting nearly five minutes. Still she did not return. He went back for a light, and prepared to follow her; but first he looked into her bedroom. There, on the outside of the quilt, was the impression of her form, showing that the bed had not been opened; and, what was more significant, she had not taken her candlestick downstairs. He was now thoroughly alarmed; and hastily putting on his clothes he descended to the front door, which he himself had bolted and locked. It was now unfastened. There was no longer any doubt that Eustacia had left the house at this midnight hour; and whither could she have gone? To follow her was almost impossible. Had the dwelling stood in an ordinary road, two persons setting out, one in each direction, might have made sure of overtaking her; but it was a hopeless task to seek for anybody on a heath in the dark, the practicable directions for flight across it from any point being as numerous as the meridians radiating from the pole. Perplexed what to do, he looked into the parlour, and was vexed to find that the letter still lay there untouched.

At half-past eleven, finding that the house was silent, Eustacia had lighted her candle, put on some warm outer wrappings, taken her bag in her hand, and, extinguishing the light again, descended the staircase. When she got into the outer air she found that it had begun to rain, and as she stood pausing at the door it increased, threatening to come on heavily. But having committed herself to this line of action there was no retreating for bad weather. Even the receipt of Clym’s letter would not have stopped her now. The gloom of the night was funereal; all nature seemed clothed in crape. The spiky points of the fir trees behind the house rose into the sky like the turrets and pinnacles of an abbey. Nothing below the horizon was visible save a light which was still burning in the cottage of Susan Nunsuch.

Eustacia opened her umbrella and went out from the enclosure by the steps over the bank, after which she was beyond all danger of being perceived. Skirting the pool, she followed the path towards Rainbarrow, occasionally stumbling over twisted furze roots, tufts of rushes, or oozing lumps of fleshy fungi, which at this season lay scattered about the heath like the rotten liver and lungs of some colossal animal. The moon and stars were closed up by cloud and rain to the degree of extinction. It was a night which led the traveller’s thoughts instinctively to dwell on nocturnal scenes of disaster in the chronicles of the world, on all that is terrible and dark in history and legend — the last plague of Egypt, the destruction of Sennacherib’s host, the agony in Gethsemane.

Eustacia at length reached Rainbarrow, and stood still there to think. Never was harmony more perfect than that between the chaos of her mind and the chaos of the world without. A sudden recollection had flashed on her this moment — she had not money enough for undertaking a long journey. Amid the fluctuating sentiments of the day her unpractical mind had not dwelt on the necessity of being well-provided, and now that she thoroughly realised the conditions she sighed bitterly and ceased to stand erect, gradually crouching down under the umbrella as if she were drawn into the Barrow by a hand from beneath. Could it be that she was to remain a captive still? Money — she had never felt its value before. Even to efface herself from the country means were required. To ask Wildeve for pecuniary aid without allowing him to accompany her was impossible to a woman with a shadow of pride left in her; to fly as his mistress — and she knew that he loved her — was of the nature of humiliation.

Anyone who had stood by now would have pitied her, not so much on account of her exposure to weather, and isolation from all of humanity except the mouldered remains inside the tumulus; but for that other form of misery which was denoted by the slightly rocking movement that her feelings imparted to her person. Extreme unhappiness weighed visibly upon her. Between the drippings of the rain from her umbrella to her mantle, from her mantle to the heather, from the heather to the earth, very similar sounds could be heard coming from her lips; and the tearfulness of the outer scene was repeated upon her face. The wings of her soul were broken by the cruel obstructiveness of all about her; and even had she seen herself in a promising way of getting to Budmouth, entering a steamer, and sailing to some opposite port, she would have been but little more buoyant, so fearfully malignant were other things. She uttered words aloud. When a woman in such a situation, neither old, deaf, crazed, nor whimsical, takes upon herself to sob and soliloquize aloud there is something grievous the matter.

“Can I go, can I go?” she moaned. “He’s not GREAT enough for me to give myself to — he does not suffice for my desire!... If he had been a Saul or a Bonaparte — ah! But to break my marriage vow for him — it is too poor a luxury!... And I have no money to go alone! And if I could, what comfort to me? I must drag on next year, as I have dragged on this year, and the year after that as before. How I have tried and tried to be a splendid woman, and how destiny has been against me!... I do not deserve my lot!” she cried in a frenzy of bitter revolt. “O, the cruelty of putting me into this ill-conceived world! I was capable of much; but I have been injured and blighted and crushed by things beyond my control! O, how hard it is of Heaven to devise such tortures for me, who have done no harm to Heaven at all!”

The distant light which Eustacia had cursorily observed in leaving the house came, as she had divined, from the cottage window of Susan Nunsuch. What Eustacia did not divine was the occupation of the woman within at that moment. Susan’s sight of her passing figure earlier in the evening, not five minutes after the sick boy’s exclamation, “Mother, I do feel so bad!” persuaded the matron that an evil influence was certainly exercised by Eustacia’s propinquity.

On this account Susan did not go to bed as soon as the evening’s work was over, as she would have done at ordinary times. To counteract the malign spell which she imagined poor Eustacia to be working, the boy’s mother busied herself with a ghastly invention of superstition, calculated to bring powerlessness, atrophy, and annihilation on any human being against whom it was directed. It was a practice well known on Egdon at that date, and one that is not quite extinct at the present day.

She passed with her candle into an inner room, where, among other utensils, were two large brown pans, containing together perhaps a hundredweight of liquid honey, the produce of the bees during the foregoing summer. On a shelf over the pans was a smooth and solid yellow mass of a hemispherical form, consisting of beeswax from the same take of honey. Susan took down the lump, and cutting off several thin slices, heaped them in an iron ladle, with which she returned to the living-room, and placed the vessel in the hot ashes of the fireplace. As soon as the wax had softened to the plasticity of dough she kneaded the pieces together. And now her face became more intent. She began moulding the wax; and it was evident from her manner of manipulation that she was endeavouring to give it some preconceived form. The form was human.

By warming and kneading, cutting and twisting, dismembering and re-joining the incipient image she had in about a quarter of an hour produced a shape which tolerably well resembled a woman, and was about six inches high. She laid it on the table to get cold and hard. Meanwhile she took the candle and went upstairs to where the little boy was lying.

“Did you notice, my dear, what Mrs. Eustacia wore this afternoon besides the dark dress?”

“A red ribbon round her neck.”

“Anything else?”

“No — except sandal-shoes.”

“A red ribbon and sandal-shoes,” she said to herself.

Mrs. Nunsuch went and searched till she found a fragment of the narrowest red ribbon, which she took downstairs and tied round the neck of the image. Then fetching ink and a quilt from the rickety bureau by the window, she blackened the feet of the image to the extent presumably covered by shoes; and on the instep of each foot marked cross-lines in the shape taken by the sandalstrings of those days. Finally she tied a bit of black thread round the upper part of the head, in faint resemblance to a snood worn for confining the hair.

Susan held the object at arm’s length and contemplated it with a satisfaction in which there was no smile. To anybody acquainted with the inhabitants of Egdon Heath the image would have suggested Eustacia Yeobright.

From her workbasket in the window-seat the woman took a paper of pins, of the old long and yellow sort, whose heads were disposed to come off at their first usage. These she began to thrust into the image in all directions, with apparently excruciating energy. Probably as many as fifty were thus inserted, some into the head of the wax model, some into the shoulders, some into the trunk, some upwards through the soles of the feet, till the figure was completely permeated with pins.

She turned to the fire. It had been of turf; and though the high heap of ashes which turf fires produce was somewhat dark and dead on the outside, upon raking it abroad with the shovel the inside of the mass showed a glow of red heat. She took a few pieces of fresh turf from the chimney-corner and built them together over the glow, upon which the fire brightened. Seizing with the tongs the image that she had made of Eustacia, she held it in the heat, and watched it as it began to waste slowly away. And while she stood thus engaged there came from between her lips a murmur of words.

It was a strange jargon — the Lord’s Prayer repeated backwards — the incantation usual in proceedings for obtaining unhallowed assistance against an enemy. Susan uttered the lugubrious discourse three times slowly, and when it was completed the image had considerably diminished. As the wax dropped into the fire a long flame arose from the spot, and curling its tongue round the figure ate still further into its substance. A pin occasionally dropped with the wax, and the embers heated it red as it lay.

CHAPTER 8

Rain, Darkness, and Anxious Wanderers

While the effigy of Eustacia was melting to nothing, and the fair woman herself was standing on Rainbarrow, her soul in an abyss of desolation seldom plumbed by one so young, Yeobright sat lonely at Blooms-End. He had fulfilled his word to Thomasin by sending off Fairway with the letter to his wife, and now waited with increased impatience for some sound or signal of her return. Were Eustacia still at Mistover the very least he expected was that she would send him back a reply tonight by the same hand; though, to leave all to her inclination, he had cautioned Fairway not to ask for an answer. If one were handed to him he was to bring it immediately; if not, he was to go straight home without troubling to come round to Blooms-End again that night.

But secretly Clym had a more pleasing hope. Eustacia might possibly decline to use her pen — it was rather her way to work silently — and surprise him by appearing at his door. How fully her mind was made up to do otherwise he did not know.

To Clym’s regret it began to rain and blow hard as the evening advanced. The wind rasped and scraped at the corners of the house, and filliped the eavesdroppings like peas against the panes. He walked restlessly about the untenanted rooms, stopping strange noises in windows and doors by jamming splinters of wood into the casements and crevices, and pressing together the leadwork of the quarries where it had become loosened from the glass. It was one of those nights when cracks in the walls of old churches widen, when ancient stains on the ceilings of decayed manor houses are renewed and enlarged from the size of a man’s hand to an area of many feet. The little gate in the palings before his dwelling continually opened and clicked together again, but when he looked out eagerly nobody was there; it was as if invisible shapes of the dead were passing in on their way to visit him.

Between ten and eleven o’clock, finding that neither Fairway nor anybody else came to him, he retired to rest, and despite his anxieties soon fell asleep. His sleep, however, was not very sound, by reason of the expectancy he had given way to, and he was easily awakened by a knocking which began at the door about an hour after. Clym arose and looked out of the window. Rain was still falling heavily, the whole expanse of heath before him emitting a subdued hiss under the downpour. It was too dark to see anything at all.

“Who’s there?” he cried.

Light footsteps shifted their position in the porch, and he could just distinguish in a plaintive female voice the words, “O Clym, come down and let me in!”

He flushed hot with agitation. “Surely it is Eustacia!” he murmured. If so, she had indeed come to him unawares.

He hastily got a light, dressed himself, and went down. On his flinging open the door the rays of the candle fell upon a woman closely wrapped up, who at once came forward.

“Thomasin!” he exclaimed in an indescribable tone of disappointment. “It is Thomasin, and on such a night as this! O, where is Eustacia?”

Thomasin it was, wet, frightened, and panting.

“Eustacia? I don’t know, Clym; but I can think,” she said with much perturbation. “Let me come in and rest — I will explain this. There is a great trouble brewing — my husband and Eustacia!”

“What, what?”

“I think my husband is going to leave me or do something dreadful — I don’t know what — Clym, will you go and see? I have nobody to help me but you; Eustacia has not yet come home?”