Complete Works of Thomas Hardy (Illustrated) (303 page)
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Authors: Thomas Hardy
They walked towards Blooms-End together. When they reached the front it was dark, and the shutters were closed, so that nothing of the interior could be seen.
“Come round this way,” said Clym. “My entrance is at the back for the present.”
The two went round and ascended the crooked stair in darkness till Clym’s sitting-room on the upper floor was reached, where he lit a candle, Charley entering gently behind. Yeobright searched his desk, and taking out a sheet of tissue-paper unfolded from it two or three undulating locks of raven hair, which fell over the paper like black streams. From these he selected one, wrapped it up, and gave it to the lad, whose eyes had filled with tears. He kissed the packet, put it in his pocket, and said in a voice of emotion, “O, Mr. Clym, how good you are to me!”
“I will go a little way with you,” said Clym. And amid the noise of merriment from below they descended. Their path to the front led them close to a little side window, whence the rays of candles streamed across the shrubs. The window, being screened from general observation by the bushes, had been left unblinded, so that a person in this private nook could see all that was going on within the room which contained the wedding guests, except in so far as vision was hindered by the green antiquity of the panes.
“Charley, what are they doing?” said Clym. “My sight is weaker again tonight, and the glass of this window is not good.”
Charley wiped his own eyes, which were rather blurred with moisture, and stepped closer to the casement. “Mr. Venn is asking Christian Cantle to sing,” he replied, “and Christian is moving about in his chair as if he were much frightened at the question, and his father has struck up a stave instead of him.”
“Yes, I can hear the old man’s voice,” said Clym. “So there’s to be no dancing, I suppose. And is Thomasin in the room? I see something moving in front of the candles that resembles her shape, I think.”
“Yes. She do seem happy. She is red in the face, and laughing at something Fairway has said to her. O my!”
“What noise was that?” said Clym.
“Mr. Venn is so tall that he knocked his head against the beam in gieing a skip as he passed under. Mrs. Venn has run up quite frightened and now she’s put her hand to his head to feel if there’s a lump. And now they be all laughing again as if nothing had happened.”
“Do any of them seem to care about my not being there?” Clym asked.
“No, not a bit in the world. Now they are all holding up their glasses and drinking somebody’s health.”
“I wonder if it is mine?”
“No, ‘tis Mr. and Mrs. Venn’s, because he is making a hearty sort of speech. There — now Mrs. Venn has got up, and is going away to put on her things, I think.”
“Well, they haven’t concerned themselves about me, and it is quite right they should not. It is all as it should be, and Thomasin at least is happy. We will not stay any longer now, as they will soon be coming out to go home.”
He accompanied the lad into the heath on his way home, and, returning alone to the house a quarter of an hour later, found Venn and Thomasin ready to start, all the guests having departed in his absence. The wedded pair took their seats in the four-wheeled dogcart which Venn’s head milker and handy man had driven from Stickleford to fetch them in; little Eustacia and the nurse were packed securely upon the open flap behind; and the milker, on an ancient overstepping pony, whose shoes clashed like cymbals at every tread, rode in the rear, in the manner of a body-servant of the last century.
“Now we leave you in absolute possession of your own house again,” said Thomasin as she bent down to wish her cousin good night. “It will be rather lonely for you, Clym, after the hubbub we have been making.”
“O, that’s no inconvenience,” said Clym, smiling rather sadly. And then the party drove off and vanished in the night shades, and Yeobright entered the house. The ticking of the clock was the only sound that greeted him, for not a soul remained; Christian, who acted as cook, valet, and gardener to Clym, sleeping at his father’s house. Yeobright sat down in one of the vacant chairs, and remained in thought a long time. His mother’s old chair was opposite; it had been sat in that evening by those who had scarcely remembered that it ever was hers. But to Clym she was almost a presence there, now as always. Whatever she was in other people’s memories, in his she was the sublime saint whose radiance even his tenderness for Eustacia could not obscure. But his heart was heavy, that Mother had NOT crowned him in the day of his espousals and in the day of the gladness of his heart. And events had borne out the accuracy of her judgment, and proved the devotedness of her care. He should have heeded her for Eustacia’s sake even more than for his own. “It was all my fault,” he whispered. “O, my mother, my mother! would to God that I could live my life again, and endure for you what you endured for me!”
On the Sunday after this wedding an unusual sight was to be seen on Rainbarrow. From a distance there simply appeared to be a motionless figure standing on the top of the tumulus, just as Eustacia had stood on that lonely summit some two years and a half before. But now it was fine warm weather, with only a summer breeze blowing, and early afternoon instead of dull twilight. Those who ascended to the immediate neighbourhood of the Barrow perceived that the erect form in the centre, piercing the sky, was not really alone. Round him upon the slopes of the Barrow a number of heathmen and women were reclining or sitting at their ease. They listened to the words of the man in their midst, who was preaching, while they abstractedly pulled heather, stripped ferns, or tossed pebbles down the slope. This was the first of a series of moral lectures or Sermons on the Mount, which were to be delivered from the same place every Sunday afternoon as long as the fine weather lasted.
The commanding elevation of Rainbarrow had been chosen for two reasons: first, that it occupied a central position among the remote cottages around; secondly, that the preacher thereon could be seen from all adjacent points as soon as he arrived at his post, the view of him being thus a convenient signal to those stragglers who wished to draw near. The speaker was bareheaded, and the breeze at each waft gently lifted and lowered his hair, somewhat too thin for a man of his years, these still numbering less than thirty-three. He wore a shade over his eyes, and his face was pensive and lined; but, though these bodily features were marked with decay there was no defect in the tones of his voice, which were rich, musical, and stirring. He stated that his discourses to people were to be sometimes secular, and sometimes religious, but never dogmatic; and that his texts would be taken from all kinds of books. This afternoon the words were as follows: —
“‘And the king rose up to meet her, and bowed himself unto her, and sat down on his throne, and caused a seat to be set for the king’s mother; and she sat on his right hand. Then she said, I desire one small petition of thee; I pray thee say me not nay. And the king said unto her, Ask, on, my mother: for I will not say thee nay.’“
Yeobright had, in fact, found his vocation in the career of an itinerant open-air preacher and lecturer on morally unimpeachable subjects; and from this day he laboured incessantly in that office, speaking not only in simple language on Rainbarrow and in the hamlets round, but in a more cultivated strain elsewhere — from the steps and porticoes of town halls, from market-crosses, from conduits, on esplanades and on wharves, from the parapets of bridges, in barns and outhouses, and all other such places in the neighbouring Wessex towns and villages. He left alone creeds and systems of philosophy, finding enough and more than enough to occupy his tongue in the opinions and actions common to all good men. Some believed him, and some believed not; some said that his words were commonplace, others complained of his want of theological doctrine; while others again remarked that it was well enough for a man to take to preaching who could not see to do anything else. But everywhere he was kindly received, for the story of his life had become generally known.
THE TRUMPET-MAJOR
The Trumpet-Major
was published in 1880 and tells the story of Anne Garland, who is pursued by three suitors: John Loveday, the trumpet major in a British regiment, who honest and loyal; his brother Bob, an unreliable sailor; and Festus Derriman, the cowardly son of the local squire. The novel’s setting, during the Napoleonic wars, is uncharacteristic in Hardy’s work, which is usually more contemporary to the time of publication.
Emma Hardy, the great writer’s first wife
THE TRUMPET-MAJOR
CONTENTS
THE TRUMPET-MAJOR
JOHN LOVEDAY
A SOLDIER IN THE WAR WITH BUONAPARTE
AND
ROBERT HIS BROTHER
FIRST MATE IN THE MERCHANT SERVICE
PREFACE
The present tale is founded more largely on testimony — oral and written — than any other in this series. The external incidents which direct its course are mostly an unexaggerated reproduction of the recollections of old persons well known to the author in childhood, but now long dead, who were eye-witnesses of those scenes. If wholly transcribed their recollections would have filled a volume thrice the length of ‘The Trumpet-Major.’
Down to the middle of this century, and later, there were not wanting, in the neighbourhood of the places more or less clearly indicated herein, casual relics of the circumstances amid which the action moves — our preparations for defence against the threatened invasion of England by Buonaparte. An outhouse door riddled with bullet-holes, which had been extemporized by a solitary man as a target for firelock practice when the landing was hourly expected, a heap of bricks and clods on a beacon-hill, which had formed the chimney and walls of the hut occupied by the beacon-keeper, worm-eaten shafts and iron heads of pikes for the use of those who had no better weapons, ridges on the down thrown up during the encampment, fragments of volunteer uniform, and other such lingering remains, brought to my imagination in early childhood the state of affairs at the date of the war more vividly than volumes of history could have done.
Those who have attempted to construct a coherent narrative of past times from the fragmentary information furnished by survivors, are aware of the difficulty of ascertaining the true sequence of events indiscriminately recalled. For this purpose the newspapers of the date were indispensable. Of other documents consulted I may mention, for the satisfaction of those who love a true story, that the ‘Address to all Ranks and Descriptions of Englishmen’ was transcribed from an original copy in a local museum; that the hieroglyphic portrait of Napoleon existed as a print down to the present day in an old woman’s cottage near ‘Overcombe;’ that the particulars of the King’s doings at his favourite watering-place were augmented by details from records of the time. The drilling scene of the local militia received some additions from an account given in so grave a work as Gifford’s ‘History of the Wars of the French Revolution’ (London, 1817). But on reference to the History I find I was mistaken in supposing the account to be advanced as authentic, or to refer to rural England. However, it does in a large degree accord with the local traditions of such scenes that I have heard recounted, times without number, and the system of drill was tested by reference to the Army Regulations of 1801, and other military handbooks. Almost the whole narrative of the supposed landing of the French in the Bay is from oral relation as aforesaid. Other proofs of the veracity of this chronicle have escaped my recollection.