Complete Works of Thomas Hardy (Illustrated) (903 page)

Tinglings of pride pervaded Car’line’s spasmodic little frame as she journeyed down with Ned to the place she had left two or three years before, in silence and under a cloud. To return to where she had once been despised, a smiling London wife with a distinct London accent, was a triumph which the world did not witness every day.

The train did not stop at the petty roadside station that lay nearest to Stickleford, and the trio went on to Casterbridge. Ned thought it a good opportunity to make a few preliminary inquiries for employment at workshops in the borough where he had been known; and feeling cold from her journey, and it being dry underfoot and only dusk as yet, with a moon on the point of rising, Car’line and her little girl walked on toward Stickleford, leaving Ned to follow at a quicker pace, and pick her up at a certain halfway house, widely known as an inn.

“The woman and child pursued the well-remembered way comfortably enough, though they were both becoming wearied. In the course of three miles they had passed Heedless-William’s Pond, the familiar landmark by Bloom’s End, and were drawing near the Quiet Woman, a lone roadside hostel on the lower verge of the Egdon Heath, since and for many years abolished. In stepping up toward it Car’line heard more voices within than had formerly been customary at such an hour, and she learned that an auction of fat stock had been held near the spot that afternoon. The child would be the better for a rest as well as herself, she thought, and she entered.

The guests and customers overflowed into the passage, and Car’line had no sooner crossed the threshold than a man whom she remembered by sight came forward with a glass and mug in his hands toward a friend leaning against the wall; but, seeing her, very gallantly offered her a drink of the liquor, which was gin-and-beer hot, pouring her out a tumblerful and saying, in a moment or two: “Surely, ‘tis little Car’line Aspent that was down at Stickleford?”

She assented, and, though she did not exactly want this beverage, she drank it since it was offered, and her entertainer begged her to come in further and sit down. Once within the room she found that all the persons present were seated close against the walls, and there being a chair vacant she did the same. An explanation of their position occurred the next moment. In the opposite corner stood Mop, rosining his bow and looking just the same as ever. The company had cleared the middle of the room for dancing, and they were about to dance again. As she wore a veil to keep off the wind she did not think he had recognized her, or could possibly guess the identity of the child; and to her satisfied surprise she found that she could confront him quite calmly — mistress of herself in the dignity her London life had given her. Before she had quite emptied her glass the dance was called, the dancers formed in two lines, the music sounded, and the figure began.

Then matters changed for Car’line. A tremor quickened itself to life in her, and her hand so shook that she could hardly set down her glass. It was not the dance nor the dancers, but the notes of that old violin which thrilled the London wife, these having still all the witchery that she had so well known of yore, and under which she had used to lose her power of independent will. How it all came back! There was the fiddling figure against the wall; the large, oily, mop-like head of him, and beneath the mop the face with closed eyes.

After the first moments of paralyzed reverie the familiar tune in the familiar rendering made her laugh and shed tears simultaneously. Then a man at the bottom of the dance, whose partner had dropped away, stretched out his hand and beckoned to her to take the place. She did not want to dance; she entreated by signs to be left where she was, but she was entreating of the tune and its player rather than of the dancing man. The salutatory tendency which the fiddler and his cunning instrument had ever been able to start in her was seizing Car’line just as it had done in earlier years, possibly assisted by the gin-and-beer hot. Tired as she was she grasped her little girl by the hand, and plunging in at the bottom of the figure, whirled about with the rest. She found that her companions were mostly people of the neighbouring hamlets and farms — Bloom’s End, Mellstock, Lewgate, and elsewhere; and by degrees she was recognized as she convulsively danced on, wishing that Mop would cease and let her heart rest from the aching he caused, and her feet also.

After long and many minutes the dance ended, when she was urged to fortify herself with more gin-and-beer; which she did, feeling very weak and overpowered with hysteric emotion. She refrained from unveiling, to keep Mop in ignorance of her presence, if possible. Several of the guests having left, Car’line hastily wiped her lips and also turned to go; but, according to the account of some who remained, at that very moment a five-handed reel was proposed, in which two or three begged her to join.

She declined on the plea of being tired and having to walk to Stickleford, when Mop began aggressively tweedling “My Fancy-Lad,” in D major, as the air to which the reel was to be footed. He must have recognized her, though she did not know it, for it was the strain of all seductive strains which she was least able to resist — the one he had played when she was leaning over the bridge at the date of their first acquaintance. Car’line stepped despairingly into the middle of the room with the other four.

Reels were resorted to hereabouts at this time by the more robust spirits, for the reduction of superfluous energy which the ordinary figure-dances were not powerful enough to exhaust. As everybody knows, or does not know, the five reelers stood in the form of a cross, the reel being performed by each line of three alternately, the persons who successively came to the middle place dancing in both directions. Car’line soon found herself in this place, the axis of the whole performance, and could not get out of it, the tune turning into the first part without giving her opportunity. And now she began to suspect that Mop did know her, and was doing this on purpose, though whenever she stole a glance at him his closed eyes betokened obliviousness to everything outside his own brain. She continued to wend her way through the figure of eight that was formed by her course, the fiddler introducing into his notes the wild and agonizing sweetness of a living voice in one too highly wrought; its pathos running high and running low in endless variation, projecting through her nerves excruciating spasms, a sort of blissful torture. The room swam, the tune was endless; and in about a quarter of an hour the only other woman in the figure dropped out exhausted, and sank panting on a bench.

The reel instantly resolved itself into a four-handed one. Car’line would have given anything to leave off; but she had, or fancied she had, no power, while Mop played such tunes; and thus another ten minutes slipped by, a haze of dust now clouding the candles, the floor being of stone, sanded. Then another dancer fell out — one of the men — and went into the passage in a frantic search for liquor. To turn the figure into a three-handed reel was the work of a second, Mop modulating at the same time into “The Fairy Dance,” as better suited to the contracted movement, and no less one of those foods of love which, as manufactured by his bow, had always intoxicated her.

In a reel for three there was no rest whatever, and four or five minutes were enough to make her remaining two partners, now thoroughly blown, stamp their last bar, and, like their predecessors, limp off into the next room to get something to drink. Car’line, half-stifled inside her veil, was left dancing alone, the apartment now being empty of everybody save herself, Mop, and their little girl.

She flung up the veil, and cast her eyes upon him, as if imploring him to withdraw himself and his acoustic magnetism from the atmosphere. Mop opened one of his own orbs, as though for the first time, fixed it peeringly upon her, and smiling dreamily, threw into his strains the reserve of expression which he could not afford to waste on a big and noisy dance. Crowds of little chromatic subtleties, capable drawing tears from a statue, proceeded straightway from the ancient fiddle, as if it were dying of the emotion which had been pent up within it ever since its banishment from some Italian or German city where it first took shape and sound. There was that in the look of Mop’s one dark eye which said: “You cannot leave off, dear, whether you would or no!” and it bred in her a paroxysm of desperation that defied him to tire her down.

She thus continued to dance alone, defiantly as she thought, but in truth slavishly and abjectly, subject to every wave of the melody, and probed by the gimlet-like gaze of her fascinator’s open eye; keeping up at the same time a feeble smile in his face, as feint to signify it was still her own pleasure which led her on. A terrified embarrassment as to what she could say to him if she were to leave off, had its unrecognized share in keeping her going. The child, who was beginning to be distressed by the strange situation, came up and whimpered: “Stop, mother, stop, and let’s go home!” as she seized Car’line’s hand.

Suddenly Car’line sank staggering to the floor, and rolling over on her face, prone she remained. Mop’s fiddle thereupon emitted an elfin shriek of finality; stepping quickly down from the nine-gallon beer-cask which had formed his rostrum, he went to the little girl, who disconsolately bent over her mother.

The guests who had gone into the backroom for liquor and change of air, hearing something unusual, trooped back hitherward, where they endeavored to revive poor, weak Car’line by blowing her with the bellows and opening the window. Ned, her husband, who had been detained in Casterbridge, as aforesaid, came along the road at this juncture, and hearing excited voices through the open casement, and to his great surprise, the mention of his wife’s name, he entered amid the rest upon the scene. Car’line was now in convulsions, weeping violently, and for a long time nothing could be done with her. While he was sending for a cart to take her onward to Stickleford Hipcroft anxiously inquired, how it had all happened; and then the assembly explained that a fiddler formerly known in the locality had lately visited his old haunts, and had taken upon himself without invitation to play that evening at the inn and raise a dance.Ned demanded the fiddler’s name, and they said Ollamoor.

“Ah!” exclaimed Ned, looking round him. “Where is he, and where — where’s my little girl?”

Ollamoor had disappeared, and so had the child. Hipcroft was in ordinary a quiet and tractable fellow, but a determination which was to be feared settled in his face now. “Blast him!” he cried. “I’ll beat his skull in for’n, if I swing for it tomorrow!”

He had rushed to the poker which lay on the hearth, and has tened down the passage, the people following. Outside the house, on the other side of the highway, a mass of dark heath-land rose sullenly upward to its not easily accessible interior, a ravined plateau, whereon jutted into the sky, at the distance of a couple of miles, the fir-woods of Mistover backed by the Yalbury coppices — a place of Dantesque gloom at this hour, which would have afforded secure hiding for a battery of artillery, much less a man and a child.

Some other men plunged thitherward with him, and more went along the road. They were gone about twenty minutes altogether, returning without result to the inn. Ned sat down in the settle, and clasped his forehead with his hands.

“Well — what a fool the man is, and hev been all these years, if he thinks the child his, as a’ do seem to!” they whispered. “And everybody else knowing otherwise!”

“No, I don’t think ‘tis mine!” cried Ned hoarsely, as he looked up from his hands. “But she is mine, all the same! Ha’n’t I nussed her? Ha’n’t I fed her and teached her? Ha’n’t I played wi’ her? O, little Carry — gone with that rogue — gone!”

“You ha’n’t lost your mis’ess, anyhow,” they said to console him. “She’s throwed up the sperrits, and she is feeling better, and she’s more to ‘ee than a child that isn’t yours.”

“She isn’t! She’s not so particular much to me, especially now she’s lost the little maid! But Carry’s the whole world to me!”

“Well, ver’ like you’ll find her tomorrow.”

“Ah — but shall I? Yet he can’t hurt her — surely he can’t! Well — how’s Car’line now? I am ready. Is the cart here?”

She was lifted into the vehicle, and they sadly lumbered on toward Stickleford. Next day she was calmer; but the fits were still upon her; and her will seemed shattered. For the child she appeared to show singularly little anxiety, though Ned was nearly distracted by his passionate paternal love for a child not his own. It was nevertheless quite expected that the impish Mop would restore the lost one after a freak of a day or two; but time went on, and neither he nor she could be heard of, and Hipcroft murmured that perhaps he was exercising upon her some unholy musical charm, as he had done upon Car’line herself. Weeks passed, and still they could obtain no clue either to the fiddler’s whereabouts or to the girl’s; and how he induced her to go with him remained a mystery.

Then Ned, who had obtained only temporary employment in the neighbourhood, took a sudden hatred toward his native district, and a rumor reaching his ears through the police that a somewhat similar man and child had been seen at a fair near London, he playing a violin, she dancing on stilts, a new interest in the capital took possession of Hipcroft with an intensity which would scarcely allow him time to pack before returning thither. He did not, however find the lost one, though he made it the entire business of his over-hours to stand about in by-streets in the hope of discovering her, and would start up in the night, saying, “That rascal’s torturing her to maintain him!” To which his wife would answer peevishly, “Don’t ‘ee raft yourself so, Ned! You prevent my getting a bit o’ rest! He won’t hurt her!” and fall asleep again.

That Carry and her father had emigrated to America was the general opinion; Mop, no doubt, finding the girl a highly desirable companion when he had trained her to keep him by her earnings as a dancer. There, for that matter, they may be performing in some capacity now, though he must bean old scamp verging on three-score-and-ten, and she a woman of four-and-forty.