Complete Works of Thomas Hardy (Illustrated) (975 page)

BOOK: Complete Works of Thomas Hardy (Illustrated)
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I

 

   Phantasmal fears,
   And the flap of the flame,
   And the throb of the clock,
   And a loosened slate,
   And the blind night’s drone,
Which tiredly the spectral pines intone!

 

II

 

And the blood in my ears
Strumming always the same,
And the gable-cock
With its fitful grate,
And myself, alone.

 

III

 

The twelfth hour nears
Hand-hid, as in shame;
I undo the lock,
And listen, and wait
For the Young Unknown.

 

IV

 

In the dark there careers -
As if Death astride came
To numb all with his knock -
A horse at mad rate
Over rut and stone.

 

V

 

No figure appears,
No call of my name,
No sound but “Tic-toc”
Without check. Past the gate
It clatters — is gone.

 

VI

 

What rider it bears
There is none to proclaim;
And the Old Year has struck,
And, scarce animate,
The New makes moan.

 

VII

 

   Maybe that “More Tears! -
   More Famine and Flame -
   More Severance and Shock!”
   Is the order from Fate
   That the Rider speeds on
To pale Europe; and tiredly the pines intone.

 

1915-1916.

 

 

I MET A MAN

   I met a man when night was nigh,
   Who said, with shining face and eye
   Like Moses’ after Sinai:-

 

   ”I have seen the Moulder of Monarchies,
      Realms, peoples, plains and hills,
   Sitting upon the sunlit seas! -
   And, as He sat, soliloquies
Fell from Him like an antiphonic breeze
      That pricks the waves to thrills.

 

   ”Meseemed that of the maimed and dead
      Mown down upon the globe, -
   Their plenteous blooms of promise shed
   Ere fruiting-time — His words were said,
Sitting against the western web of red
      Wrapt in His crimson robe.

 

   ”And I could catch them now and then:
     — ’Why let these gambling clans
   Of human Cockers, pit liege men
   From mart and city, dale and glen,
In death-mains, but to swell and swell again
      Their swollen All-Empery plans,

 

   ”‘When a mere nod (if my malign
      Compeer but passive keep)
   Would mend that old mistake of mine
   I made with Saul, and ever consign
All Lords of War whose sanctuaries enshrine
      Liberticide, to sleep?

 

   ”‘With violence the lands are spread
      Even as in Israel’s day,
   And it repenteth me I bred
   Chartered armipotents lust-led
To feuds . . . Yea, grieves my heart, as then I said,
      To see their evil way!’

 

  — ”The utterance grew, and flapped like flame,
      And further speech I feared;
   But no Celestial tongued acclaim,
   And no huzzas from earthlings came,
And the heavens mutely masked as ‘twere in shame
      Till daylight disappeared.”

 

Thus ended he as night rode high -
The man of shining face and eye,
Like Moses’ after Sinai.

 

1916.

 

 

I LOOKED UP FROM MY WRITING

I looked up from my writing,
   And gave a start to see,
As if rapt in my inditing,
   The moon’s full gaze on me.

 

Her meditative misty head
   Was spectral in its air,
And I involuntarily said,
   ”What are you doing there?”

 

“Oh, I’ve been scanning pond and hole
   And waterway hereabout
For the body of one with a sunken soul
   Who has put his life-light out.

 

“Did you hear his frenzied tattle?
   It was sorrow for his son
Who is slain in brutish battle,
   Though he has injured none.

 

“And now I am curious to look
   Into the blinkered mind
Of one who wants to write a book
   In a world of such a kind.”

 

Her temper overwrought me,
   And I edged to shun her view,
For I felt assured she thought me
   One who should drown him too.

 

 

THE COMING OF THE END

   How it came to an end!
The meeting afar from the crowd,
And the love-looks and laughters unpenned,
The parting when much was avowed,
   How it came to an end!

 

   It came to an end;
Yes, the outgazing over the stream,
With the sun on each serpentine bend,
Or, later, the luring moon-gleam;
   It came to an end.

 

   It came to an end,
The housebuilding, furnishing, planting,
As if there were ages to spend
In welcoming, feasting, and jaunting;
   It came to an end.

 

   It came to an end,
That journey of one day a week:
(“It always goes on,” said a friend,
“Just the same in bright weathers or bleak;”)
   But it came to an end.

 

   ”HOW will come to an end
This orbit so smoothly begun,
Unless some convulsion attend?”
I often said. “What will be done
   When it comes to an end?”

 

   Well, it came to an end
Quite silently — stopped without jerk;
Better close no prevision could lend;
Working out as One planned it should work
   Ere it came to an end.

 

 

AFTERWARDS

When the Present has latched its postern behind my tremulous stay,
   And the May month flaps its glad green leaves like wings,
Delicate-filmed as new-spun silk, will the neighbours say,
   ”He was a man who used to notice such things”?

 

If it be in the dusk when, like an eyelid’s soundless blink,
   The dewfall-hawk comes crossing the shades to alight
Upon the wind-warped upland thorn, a gazer may think,
   ”To him this must have been a familiar sight.”

 

If I pass during some nocturnal blackness, mothy and warm,
   When the hedgehog travels furtively over the lawn,
One may say, “He strove that such innocent creatures should come to
no harm,
   But he could do little for them; and now he is gone”?

 

If, when hearing that I have been stilled at last, they stand at the
door,
   Watching the full-starred heavens that winter sees,
Will this thought rise on those who will meet my face no more,
   ”He was one who had an eye for such mysteries”?

 

And will any say when my bell of quittance is heard in the gloom,
   And a crossing breeze cuts a pause in its outrollings,
Till they rise again, as they were a new bell’s boom,
   ”He hears it not now, but used to notice such things”?

 

 

LATE LYRICS AND EARLIER WITH MANY OTHER VERSES

 

CONTENTS

WEATHERS

THE MAID OF KEINTON MANDEVILLE

SUMMER SCHEMES

EPEISODIA

FAINTHEART IN A RAILWAY TRAIN

AT MOONRISE AND ONWARDS

THE GARDEN SEAT

BARTHÉLÉMON AT VAUXHALL

I SOMETIMES THINK

JEZREEL

A JOG-TROT PAIR

THE CURTAINS NOW ARE DRAWN

ACCORDING TO THE MIGHTY WORKING

I WAS NOT HE

THE WEST-OF-WESSEX GIRL

WELCOME HOME

GOING AND STAYING

READ BY MOONLIGHT

AT A HOUSE IN HAMPSTEAD

A WOMAN’S FANCY

HER SONG

A WET AUGUST

THE DISSEMBLERS

TO A LADY PLAYING AND SINGING IN THE MORNING

A MAN WAS DRAWING NEAR TO ME

THE STRANGE HOUSE

AS ‘TWERE TO-NIGHT

THE CONTRETEMPS

A GENTLEMAN’S EPITAPH ON HIMSELF AND A LADY, WHO WERE BURIED TOGETHER

THE OLD GOWN

A NIGHT IN NOVEMBER

A DUETTIST TO HER PIANOFORTE

WHERE THREE ROADS JOINED

AND THERE WAS A GREAT CALM

HAUNTING FINGERS

A PHANTASY IN A MUSEUM OF MUSICAL INSTRUMENTS

THE WOMAN I MET

IF IT’S EVER SPRING AGAIN

THE TWO HOUSES

ON STINSFORD HILL AT MIDNIGHT

THE FALLOW DEER AT THE LONELY HOUSE

THE SELFSAME SONG

THE WANDERER

A WIFE COMES BACK

A YOUNG MAN’S EXHORTATION

AT LULWORTH COVE A CENTURY BACK

A BYGONE OCCASION

TWO SERENADES

THE WEDDING MORNING

END OF THE YEAR 1912

THE CHIMES PLAY LIFE’S A BUMPER!

I WORKED NO WILE TO MEET YOU

AT THE RAILWAY STATION, UPWAY

SIDE BY SIDE

DREAM OF THE CITY SHOPWOMAN

A MAIDEN’S PLEDGE

THE CHILD AND THE SAGE

MISMET

AN AUTUMN RAIN-SCENE

MEDITATIONS ON A HOLIDAY

AN EXPERIENCE

THE BEAUTY

THE COLLECTOR CLEANS HIS PICTURE

THE WOOD FIRE

SAYING GOOD-BYE

ON THE TUNE CALLED THE OLD-HUNDRED-AND-FOURTH

THE OPPORTUNITY

EVELYN G. OF CHRISTMINSTER

THE RIFT

VOICES FROM THINGS GROWING IN A CHURCHYARD

ON THE WAY

SHE DID NOT TURN

GROWTH IN MAY

THE CHILDREN AND SIR NAMELESS

AT THE ROYAL ACADEMY

HER TEMPLE

A TWO-YEARS’ IDYLL

BY HENSTRIDGE CROSS AT THE YEAR’S END

PENANCE

I LOOK IN HER FACE

AFTER THE WAR

IF YOU HAD KNOWN

THE CHAPEL-ORGANIST

FETCHING HER

COULD I BUT WILL

SHE REVISITS ALONE THE CHURCH OF HER MARRIAGE

AT THE ENTERING OF THE NEW YEAR

THEY WOULD NOT COME

AFTER A ROMANTIC DAY

THE TWO WIVES

I KNEW A LADY

A HOUSE WITH A HISTORY

A PROCESSION OF DEAD DAYS

HE FOLLOWS HIMSELF

THE SINGING WOMAN

WITHOUT, NOT WITHIN HER

O I WON’T LEAD A HOMELY LIFE

IN THE SMALL HOURS

THE LITTLE OLD TABLE

VAGG HOLLOW

THE DREAM IS - WHICH?

THE COUNTRY WEDDING

FIRST OR LAST

LONELY DAYS

WHAT DID IT MEAN?

AT THE DINNER-TABLE

THE MARBLE TABLET

THE MASTER AND THE LEAVES

LAST WORDS TO A DUMB FRIEND

A DRIZZLING EASTER MORNING

ON ONE WHO LIVED AND DIED WHERE HE WAS BORN

THE SECOND NIGHT

SHE WHO SAW NOT

THE OLD WORKMAN

THE SAILOR’S MOTHER

OUTSIDE THE CASEMENT

THE PASSER-BY

I WAS THE MIDMOST

A SOUND IN THE NIGHT

ON A DISCOVERED CURL OF HAIR

AN OLD LIKENESS

HER APOTHEOSIS

SACRED TO THE MEMORY

TO A WELL-NAMED DWELLING

THE WHIPPER-IN

A MILITARY APPOINTMENT

THE MILESTONE BY THE RABBIT-BURROW

THE LAMENT OF THE LOOKING-GLASS

CROSS-CURRENTS

THE OLD NEIGHBOUR AND THE NEW

THE CHOSEN

THE INSCRIPTION

THE MARBLE-STREETED TOWN

A WOMAN DRIVING

A WOMAN’S TRUST

BEST TIMES

THE CASUAL ACQUAINTANCE

INTRA SEPULCHRUM

THE WHITEWASHED WALL

JUST THE SAME

THE LAST TIME

THE SEVEN TIMES

THE SUN’S LAST LOOK ON THE COUNTRY GIRL

IN A LONDON FLAT

DRAWING DETAILS IN AN OLD CHURCH

RAKE-HELL MUSES

THE COLOUR

MURMURS IN THE GLOOM

EPITAPH

AN ANCIENT TO ANCIENTS

AFTER READING PSALMS

SURVIEW

 

 

APOLOGY

 

About half the verses that follow were written quite lately.  The rest are older, having been held over in MS. when past volumes were published, on considering that these would contain a sufficient number of pages to offer readers at one time, more especially during the distractions of the war.  The unusually far back poems to be found here are, however, but some that were overlooked in gathering previous collections.  A freshness in them, now unattainable, seemed to make up for their inexperience and to justify their inclusion.  A few are dated; the dates of others are not discoverable.

The launching of a volume of this kind in neo-Georgian days by one who began writing in mid-Victorian, and has published nothing to speak of for some years, may seem to call for a few words of excuse or explanation.  Whether or no, readers may feel assured that a new book is submitted to them with great hesitation at so belated a date.  Insistent practical reasons, however, among which were requests from some illustrious men of letters who are in sympathy with my productions, the accident that several of the poems have already seen the light, and that dozens of them have been lying about for years, compelled the course adopted, in spite of the natural disinclination of a writer whose works have been so frequently regarded askance by a pragmatic section here and there, to draw attention to them once more.

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