Complete Works of Wilkie Collins (1079 page)

On my way back to Main Street, when I could think freely, my doubts began to develop into downright suspicion. Madame Fontaine could hardly hope, after what I had told her, to obtain the all-important interview with Mr. Keller, through my aunt’s intercession. Had she seen her way to trying what Mr. Engelman’s influence with his partner could do for her? Would she destroy her formal acknowledgment of the receipt of his flowers, as soon as my back was turned, and send him a second letter, encouraging him to visit her? And would she cast him off, without ceremony, when he had served her purpose?

These were the thoughts that troubled me on my return to the house. When we met at supper, some hours later, my worst anticipations were realized. Poor innocent Mr. Engelman was dressed with extraordinary smartness, and was in the highest good spirits. Mr. Keller asked him jestingly if he was going to be married. In the intoxication of happiness that possessed him, he was quite reckless; he actually retorted by a joke on the sore subject of the employment of women! “Who knows what may happen,” he cried gaily, “when we have young ladies in the office for clerks?” Mr. Keller was so angry that he kept silence through the whole of our meal. When Mr. Engelman left the room I slipped out after him.

“You are going to Madame Fontaine’s,” I said.

He smirked and smiled. “Just a little evening visit, David. Aha! you young men are not to have it all your own way.” He laid his hand tenderly on the left breast-pocket of his coat. “Such a delightful letter!” he said. “It is here, over my heart. No, a woman’s sentiments are sacred; I mustn’t show it to you.”

I was on the point of telling him the whole truth, when the thought of Minna checked me for the time. My interest in preserving Mr. Engelman’s tranquillity was in direct conflict with my interest in the speedy marriage of my good friend Fritz. Besides, was it likely that anything I could say would have the slightest effect on the deluded old man, in the first fervor of his infatuation? I thought I would give him a general caution, and wait to be guided by events.

“One word, sir, for your private ear,” I said. “Even the finest women have their faults. You will find Madame Fontaine perfectly charming; but don’t be too ready to believe that she is in earnest.”

Mr. Engelman felt infinitely flattered, and owned it without the slightest reserve.

“Oh, David! David!” he said, “are you jealous of me already?”

He put on his hat (with a jaunty twist on one side), and swung his stick gaily, and left the room. For the first time, in my experience of him, he went out without his pipe; and (a more serious symptom still) he really did not appear to miss it.

CHAPTER XII

Two days passed, and I perceived another change in Mr. Engelman.

He was now transformed into a serious and reticent man. Had he committed indiscretions which might expose him to ridicule if they were known? Or had the widow warned him not to be too ready to take me into his confidence? In any case, he said not one word to me about Madame Fontaine’s reception of him, and he left the house secretly when he paid his next visit to her. Having no wish to meet him unexpectedly, and feeling (if the truth be told) not quite at ease about the future, I kept away from Minna and her mother, and waited for events.

On the third day, an event happened. I received a little note from Minna: —

“Dear Mr. David, — If you care to see mamma and me, stay at home this evening. Good Mr. Engelman has promised to show us his interesting old house, after business hours.”

There was nothing extraordinary in making an exhibition of “the old house.” It was one among the many picturesque specimens of the domestic architecture of bygone days, for which Frankfort is famous; and it had been sketched by artists of all nations, both outside and in. At the same time, it was noticeable (perhaps only as a coincidence) that the evening chosen for showing the house to the widow, was also the evening on which Mr. Keller had an engagement with some friends in another part of the city.

As the hour approached for the arrival of the ladies, I saw that Mr. Engelman looked at me with an expression of embarrassment.

“Are you not going out this evening, David?” he asked.

“Am I in the way, sir?” I inquired mischievously.

“Oh, no!”

“In that case then, I think I shall stay at home.”

He said no more, and walked up and down the room with an air of annoyance. The bell of the street-door rang. He stopped and looked at me again.

“Visitors?” I said.

He was obliged to answer me. “Friends of mine, David, who are coming to see the house.”

I was just sufficiently irritated by his persistence in keeping up the mystery to set him the example of speaking plainly.

“Madame Fontaine and her daughter?” I said.

He turned quickly to answer me, and hesitated. At the same moment, the door was opened by the sour old housekeeper, frowning suspiciously at the two elegantly-dressed ladies whom she ushered into the room.

If I had been free to act on my own impulse, I should certainly (out of regard for Mr. Engelman) have refrained from accompanying the visitors when they were shown over the house. But Minna took my arm. I had no choice but to follow Mr. Engelman and her mother when they left the room.

Minna spoke to me as confidentially as if I had been her brother.

“Do you know,” she whispered, “that nice old gentleman and mamma are like old friends already. Mamma is generally suspicious of strangers. Isn’t it odd? And she actually invites him to bring his pipe when he comes to see us! He sits puffing smoke, and admiring mamma — and mamma does all the talking. Do come and see us soon! I have nobody to speak to about Fritz. Mamma and Mr. Engelman take no more notice of me than if I was a little dog in the room.”

As we passed from the ground floor to the first floor, Madame Fontaine’s admiration of the house rose from one climax of enthusiasm to another. Among the many subjects that she understood, the domestic architecture of the seventeenth century seemed to be one, and the art of water-colour painting soon proved to be another.

“I am not quite contemptible as a lady-artist,” I heard her say to Mr. Engelman; “and I should so like to make some little studies of these beautiful old rooms — as memorials to take with me when I am far away from Frankfort. But I don’t ask it, dear Mr. Engelman. You don’t want enthusiastic ladies with sketch-books in this bachelor paradise of yours. I hope we are not intruding on Mr. Keller. Is he at home?”

“No,” said Mr. Engelman; “he has gone out.”

Madame Fontaine’s flow of eloquence suddenly ran dry. She was silent as we ascended from the first floor to the second. In this part of the house our bedrooms were situated. The chamber in which I slept presented nothing particularly worthy of notice. But the rooms occupied by Mr. Keller and Mr. Engelman contained some of the finest carved woodwork in the house.

It was beginning to get dark. Mr. Engelman lit the candles in his own room. The widow took one of them from him, and threw the light skillfully on the different objects about her. She was still a little subdued; but she showed her knowledge of wood-carving by picking out the two finest specimens in the room — a wardrobe and a toilet-table.

“My poor husband was fond of old carving,” she explained modestly; “what I know about it, I know from him. Dear Mr. Engelman, your room is a picture in itself. What glorious colours! How simple and how grand! Might we —
 
— ” she paused, with a becoming appearance of confusion. Her voice dropped softly to lower tones. “Might we be pardoned, do you think, if we ventured to peep into Mr. Keller’s room?”

She spoke of “Mr. Keller’s room” as if it had been a shrine, approachable only by a few favored worshippers. “Where is it?” she inquired, with breathless interest. I led the way out into the passage, and threw open the door without ceremony. Madame Fontaine looked at me as if I had committed an act of sacrilege.

Mr. Engelman, following us with one of his candles, lit an ancient brass lamp which hung from the middle of the ceiling. “My learned partner,” he explained, “does a great deal of his reading in his bedroom, and he likes plenty of light. You will have a good view when the lamp has burnt up. The big chimney-piece is considered the finest thing of that sort in Frankfort.”

The widow confronted the chimney-piece, and clasped her hands in silent rapture. When she was able to speak, she put her arm round Minna’s waist.

“Let me teach you, my love, to admire this glorious work,” she said, and delivered quite a little lecture on the merits of the chimney-piece. “Oh, if I could but take the merest sketch of it!” she exclaimed, by way of conclusion. “But no, it is too much to ask.” She examined everything in the room with the minutest attention. Even the plain little table by the bed-side, with a jug and a glass on it, did not escape her observation. “Is that his drink?” she asked, with an air of respectful curiosity. “Do you think I might taste it?”

Mr. Engelman laughed. “It’s only barley-water, dear lady,” he said. “Our rheumatic old housekeeper makes as few journeys as possible up and down stairs. When she sets the room in order in the evening, she takes the night-drink up with her, and so saves a second journey.”

“Taste it, Minna,” said the widow, handing the glass to her daughter. “How refreshing! how pure!”

Mr. Engelman, standing on the other side of her, whispered in her ear. I was just behind them, and could not help hearing him. “You will make me jealous,” he said; “you never noticed
my
night-drink —
I
have beer.”

The widow answered him by a look; he heaved a little sigh of happiness. Poor Mr. Engelman!

Minna innocently broke in on this mute scene of sentiment.

She was looking at the pictures in the room, and asked for explanations of them which Mr. Engelman only could afford. It struck me as odd that her mother’s artistic sympathies did not appear to be excited by the pictures. Instead of joining her daughter at the other end of the room, she stood by the bedside with her hand resting on the little table, and her eyes fixed on the jug of barley-water, absorbed in thought. On a sudden, she started, turned quickly, and caught me observing her. I might have been deceived by the lamp-light; but I thought I saw a flash of expression under her heavy eyelids, charged with such intensity of angry suspicion that it startled me. She was herself again, before I could decide whether to trust my own strong impression or not.

“Do I surprise you, David?” she asked in her gentlest tones. “I ought to be looking at the pictures, you think? My friend! I can’t always control my own sad recollections. They will force themselves on me — sometimes when the most trifling associations call them up. Dear Mr. Engelman understands me. He, no doubt, has suffered too. May I sit down for a moment?”

She dropped languidly into a chair, and sat looking at the famous chimney-piece. Her attitude was the perfection of grace. Mr. Engelman hurried through his explanation of the pictures, and placed himself at her side, and admired the chimney-piece with her.

“Artists think it looks best by lamplight,” he said. “The big pediment between the windows keeps out the light in the daytime.”

Madame Fontaine looked round at him with a softly approving smile. “Exactly what I was thinking myself, when you spoke,” she said. “The effect by this light is simply perfect. Why didn’t I bring my sketch-book with me? I might have stolen some little memorial of it, in Mr. Keller’s absence.” She turned towards me when she said that.

“If you can do without colours,” I suggested, “we have paper and pencils in the house.”

The clock in the corridor struck the hour.

Mr. Engelman looked uneasy, and got up from his chair. His action suggested that the time had passed by us unperceived, and that Mr. Keller’s return might take place at any moment. The same impression was evidently produced on Minna. For once in her life, the widow’s quick perception seemed to have deserted her. She kept her seat as composedly as if she had been at home.

“I wonder whether I could manage without my colours?” she said placidly. “Perhaps I might try.”