Complete Works of Wilkie Collins (196 page)

“You excellent creature!” exclaimed Mr. Phippen, affectionately squeezing the vicar’s hand. “How I enjoy hearing you! how I luxuriate in your bright view of life!”

“And is it not the true view — especially in the ease of young Frankland and his wife?” inquired the vicar.

“If you ask me,” said Mr. Phippen, with a mournful smile, and a philosophic calmness of manner, “I can only answer that the direction of a man’s speculative views depends — not to mince the matter — on the state of his secretions. Your biliary secretions, dear friend, are all right, and you take bright views. My biliary secretions are all wrong, and I take dark views. You look at the future prospects of this young married couple, and say there is no cloud over them. I don’t dispute the assertion, not having the pleasure of knowing either bride or bridegroom. But I look up at the sky over our heads — I remember that there was not a cloud on it when we first entered the garden — I now see, just over those two trees growing so close together, a cloud that has appeared unexpectedly from nobody knows where — and I draw my own conclusions. Such,” said Mr. Phippen, ascending the garden steps on his way into the house, “is my philosophy. It may be tinged with bile, but it is philosophy for all that.”

“All the philosophy in the world,” said the vicar, following his guest up the steps, “will not shake my conviction that Leonard Frankland and his wife have a happy future before them.”

Mr. Phippen laughed, and, waiting on the steps till his host joined him, took Doctor Chennery’s arm in the friendliest manner.

“You have told a charming story, Chennery,” he said, “and you have ended it with a charming sentiment. But, my dear friend, though your healthy mind (influenced by an enviably easy digestion) despises my bilious philosophy, don’t quite forget the cloud over the two trees. Look up at it now — it is getting darker and bigger already.”

CHAPTER III.

THE BRIDE AND BRIDEGROOM.

UNDER the roof of a widowed mother, Miss Mowlem lived humbly at St. Swithin’s-on-Sea. In the spring of the year eighteen hundred and forty-four, the heart of Miss Mowlem’s widowed mother was gladdened by a small legacy. Turning over in her mind the various uses to which the money might be put, the discreet old lady finally decided on investing it in furniture, on fitting up the first floor and the second floor of her house in the best taste, and on hanging a card in the parlor window to inform the public that she had furnished apartments to let. By the summer the apartments were ready, and the card was put up. It had hardly been exhibited a week before a dignified personage in black applied to look at the rooms, expressed himself as satisfied with their appearance, and engaged them for a month certain, for a newly married lady and gentleman, who might be expected to take possession in a few days. The dignified personage in black was Captain Treverton’s servant, and the lady and gentleman, who arrived in due time to take possession, were Mr. and Mrs. Frankland.

The natural interest which Mrs. Mowlem felt in her youthful first lodgers was necessarily vivid in its nature; but it was apathy itself compared to the sentimental interest which her daughter took in observing the manners and customs of the lady and gentleman in their capacity of bride and bridegroom. From the moment when Mr. and Mrs. Frankland entered the house, Miss Mowlem began to study them with all the ardor of an industrious scholar who attacks a new branch of knowledge. At every spare moment of the day, this industrious young lady occupied herself in stealing upstairs to collect observations, and in running downstairs to communicate them to her mother. By the time the married couple had been in the house a week, Miss Mowlem had made such good use of her eyes, ears, and opportunities that she could have written a seven days’ diary of the lives of Mr. and Mrs. Frankland with the truth and minuteness of Mr. Samuel Pepys himself.

But, learn as much as we may, the longer we live the more information there is to acquire. Seven days’ patient accumulation of facts in connection with the honeymoon had not placed Miss Mowlem beyond the reach of further discoveries. On the morning of the eighth day, after bringing down the breakfast tray, this observant spinster stole upstairs again, according to custom, to drink at the spring of knowledge through the key-hole channel of the drawing-room door. After an absence of five minutes she descended to the kitchen, breathless with excitement, to announce a fresh discovery in connection with Mr. and Mrs. Frankland to her venerable mother.

“Whatever do you think she’s doing now?” cried Miss Mowlem, with widely opened eyes and highly elevated hands.

“Nothing that’s useful,” answered Mrs. Mowlem, with sarcastic readiness.

“She’s actually sitting on his knee! Mother, did you ever sit on father’s knee when you were married?”

“Certainly not, my dear. When me and your poor father married, we were neither of us flighty young people, and we knew better.”

“She’s got her head on his shoulder,” proceeded Miss Mowlem, more and more agitatedly, “and her arms round his neck — both her arms, mother, as tight as can be.”

“I won’t believe it,” exclaimed Mrs. Mowlem, indignantly. “A lady like her, with riches, and accomplishments, and all that, demean herself like a housemaid with a sweetheart. Don’t tell me, I won’t believe it!”

It was true though, for all that. There were plenty of chairs in Mrs. Mowlem’s drawing-room; there were three beautifully bound books on Mrs. Mowlem’s Pembroke table (the Antiquities of St. Swithin’s, Smallridge’s Sermons, and Klopstock’s Messiah in English prose). Mrs. Frankland might have sat on purple morocco leather, stuffed with the best horse-hair, might have informed and soothed her mind with archæological diversions, with orthodox native theology, and with devotional poetry of foreign origin — and yet, so frivolous is the nature of woman, she was perverse enough to prefer doing nothing, and perching herself uncomfortably on her husband’s knee!

She sat for some time in the undignified position which Miss Mowlem had described with such graphic correctness to her mother — then drew back a little, raised her head, and looked earnestly into the quiet, meditative face of the blind man.

“Lenny, you are very silent this morning,” she said. “What are you thinking about? If you will tell me all your thoughts, I will tell you all mine.”

“Would you really care to hear all my thoughts?” asked Leonard.

“Yes; all. I shall be jealous of any thoughts that you keep to yourself. Tell me what you were thinking of just now! Me?”

“Not exactly of you.”

“More shame for you. Are you tired of me in eight days? I have not thought of anybody but you ever since we have been here. Ah! you laugh. Oh, Lenny, I do love you so; how can I think of anybody but you? No! I sha’n’t kiss you. I want to know what you were thinking about first.”

“Of a dream, Rosamond, that I had last night. Ever since the first days of my blindness — Why, I thought you were not going to kiss me again till I had told you what I was thinking about!”

“I can’t help kissing you, Lenny, when you talk of the loss of your sight. Tell me, my poor love, do I help to make up for that loss? Are you happier than you used to be? and have I some share in making that happiness, though it is ever so little?”

She turned her head away as she spoke, but Leonard was too quick for her. His inquiring fingers touched her cheek. “Rosamond, you are crying,” he said.

“I crying!” she answered, with a sudden assumption of gayety. “No,” she continued, after a moment’s pause. “I will never deceive you, love, even in the veriest trifle. My eyes serve for both of us now, don’t they? you depend on me for all that your touch fails to tell you, and I must never be unworthy of my trust — must I? I did cry, Lenny — but only a very little. I don’t know how it was, but I never, in all my life, seemed to pity you and feel for you as I did just at that moment. Never mind, I’ve done now. Go on — do go on with what you were going to say.”

“I was going to say, Rosamond, that I have observed one curious thing about myself since I lost my sight. I dream a great deal, but I never dream of myself as a blind man. I often visit in my dreams places that I saw and people whom I knew when I had my sight, and though I feel as much myself, at those visionary times, as I am now when I am wide awake, I never by any chance feel blind. I wander about all sorts of old walks in my sleep, and never grope my way. I talk to all sorts of old friends in my sleep, and see the expression in their faces which, waking, I shall never see again. I have lost my sight more than a year now, and yet it was like the shock of a new discovery to me to wake up last night from my dream, and remember suddenly that I was blind.”

“What dream was it, Lenny?”

“Only a dream of the place where I first met you when we were both children. I saw the glen, as it was years ago, with the great twisted roots of the trees, and the blackberry bushes twining about them in a still shadowed light that came through thick leaves from the rainy sky. I saw the mud on the walk in the middle of the glen, with the marks of the cows’ hoofs in some places, and the sharp circles in others where some countrywomen had been lately trudging by on pattens. I saw the muddy water running down on either side of the path after the shower; and I saw you, Rosamond, a naughty girl, all covered with clay and wet — just as you were in the reality — soiling your bright blue pelisse and your pretty little chubby hands by making a dam to stop the running water, and laughing at the indignation of your nurse-maid when she tried to pull you away and take you home. I saw all that exactly as it really was in the bygone time; but, strangely enough, I did not see myself as the boy I then was. You were a little girl, and the glen was in its old neglected state, and yet, though I was all in the past so far, I was in the present as regarded myself. Throughout the whole dream I was uneasily conscious of being a grown man — of being, in short, exactly what I am now, excepting always that I was not blind.”

“What a memory you must have, love, to be able to recall all those little circumstances after the years that have passed since that wet day in the glen! How well you recollect what I was as a child! Do you remember in the same vivid way what I looked like a year ago when you saw me — Oh, Lenny, it almost breaks my heart to think of it! — when you saw me for the last time?”

“Do I remember, Rosamond! My last look at your face has painted your portrait in my memory in colours that can never change. I have many pictures in my mind, but your picture is the clearest and brightest of all.”

“And it is the picture of me at my best — painted in my youth, dear, when my face was always confessing how I loved you, though my lips said nothing. There is some consolation in that thought. When years have passed over us both, Lenny, and when time begins to set his mark on me, you will not say to yourself, ‘My Rosamond is beginning to fade; she grows less and less like what she was when I married her.’ I shall never grow old, love, for you! The bright young picture in your mind will still be my picture when my cheeks are wrinkled and my hair is gray.”

“Still your picture — always the same, grow as old as I may.”

“But are you sure it is clear in every part? Are there no doubtful lines, no unfinished corners anywhere? I have not altered yet since you saw me — I am just what I was a year ago. Suppose I ask you what I am like now, could you tell me without making a mistake?”

“Try me.”

“May I? You shall be put through a complete catechism! I don’t tire you sitting on your knee, do I? Well, in the first place, how tall am I when we both stand up side by side?”

“You just reach to my ear.”

“Quite right, to begin with. Now for the next question. What does my hair look like in your portrait?”

“It is dark brown — there is a great deal of it — and it grows rather too low on your forehead for the taste of some people — ”

“Never mind about ‘some people;’ does it grow too low for your taste?”

“Certainly not. I like it to grow low; I like all those little natural waves that it makes against your forehead; I like it taken back, as you wear it, in plain bands, which leave your ears and your cheeks visible; and above all things, I like that big glossy knot that it makes where it is all gathered up together at the back of you in head.”

“Oh, Lenny, how well you remember me, so far! Now go a little lower.”

“A little lower is down to your eyebrows. They are very nicely shaped eyebrows in my picture — ”