Complete Works of Wilkie Collins (271 page)

“A thousand thanks and a thousand excuses. Do you like coins? Yes. So glad we have another taste in common besides our taste for Art. Now, about the pecuniary arrangements between us — do tell me — are they satisfactory?”

“Most satisfactory, Mr. Fairlie.”

“So glad. And — what next? Ah! I remember. Yes. In reference to the consideration which you are good enough to accept for giving me the benefit of your accomplishments in art, my steward will wait on you at the end of the first week, to ascertain your wishes. And — what next? Curious, is it not? I had a great deal more to say: and I appear to have quite forgotten it. Do you mind touching the bell? In that corner. Yes. Thank you.”

I rang; and a new servant noiselessly made his appearance — a foreigner, with a set smile and perfectly brushed hair — a valet every inch of him.

“Louis,” said Mr. Fairlie, dreamily dusting the tips of his fingers with one of the tiny brushes for the coins, “I made some entries in my tablettes this morning. Find my tablettes. A thousand pardons, Mr. Hartright, I’m afraid I bore you.”

As he wearily closed his eyes again, before I could answer, and as he did most assuredly bore me, I sat silent, and looked up at the Madonna and Child by Raphael. In the meantime, the valet left the room, and returned shortly with a little ivory book. Mr. Fairlie, after first relieving himself by a gentle sigh, let the book drop open with one hand, and held up the tiny brush with the other, as a sign to the servant to wait for further orders.

“Yes. Just so!” said Mr. Fairlie, consulting the tablettes. “Louis, take down that portfolio.” He pointed, as he spoke, to several portfolios placed near the window, on mahogany stands. “No. Not the one with the green back — that contains my Rembrandt etchings, Mr. Hartright. Do you like etchings? Yes? So glad we have another taste in common. The portfolio with the red back, Louis. Don’t drop it! You have no idea of the tortures I should suffer, Mr. Hartright, if Louis dropped that portfolio. Is it safe on the chair? Do YOU think it safe, Mr. Hartright? Yes? So glad. Will you oblige me by looking at the drawings, if you really think they are quite safe. Louis, go away. What an ass you are. Don’t you see me holding the tablettes? Do you suppose I want to hold them? Then why not relieve me of the tablettes without being told? A thousand pardons, Mr. Hartright; servants are such asses, are they not? Do tell me — what do you think of the drawings? They have come from a sale in a shocking state — I thought they smelt of horrid dealers’ and brokers’ fingers when I looked at them last. CAN you undertake them?”

Although my nerves were not delicate enough to detect the odour of plebeian fingers which had offended Mr. Fairlie’s nostrils, my taste was sufficiently educated to enable me to appreciate the value of the drawings, while I turned them over. They were, for the most part, really fine specimens of English water-colour art; and they had deserved much better treatment at the hands of their former possessor than they appeared to have received.

“The drawings,” I answered, “require careful straining and mounting; and, in my opinion, they are well worth —
 
— ”

“I beg your pardon,” interposed Mr. Fairlie. “Do you mind my closing my eyes while you speak? Even this light is too much for them. Yes?”

“I was about to say that the drawings are well worth all the time and trouble —
 
— ”

Mr. Fairlie suddenly opened his eyes again, and rolled them with an expression of helpless alarm in the direction of the window.

“I entreat you to excuse me, Mr. Hartright,” he said in a feeble flutter. “But surely I hear some horrid children in the garden — my private garden — below?”

“I can’t say, Mr. Fairlie. I heard nothing myself.”

“Oblige me — you have been so very good in humouring my poor nerves — oblige me by lifting up a corner of the blind. Don’t let the sun in on me, Mr. Hartright! Have you got the blind up? Yes? Then will you be so very kind as to look into the garden and make quite sure?”

I complied with this new request. The garden was carefully walled in, all round. Not a human creature, large or small, appeared in any part of the sacred seclusion. I reported that gratifying fact to Mr. Fairlie.

“A thousand thanks. My fancy, I suppose. There are no children, thank Heaven, in the house; but the servants (persons born without nerves) will encourage the children from the village. Such brats — oh, dear me, such brats! Shall I confess it, Mr. Hartright? — I sadly want a reform in the construction of children. Nature’s only idea seems to be to make them machines for the production of incessant noise. Surely our delightful Raffaello’s conception is infinitely preferable?”

He pointed to the picture of the Madonna, the upper part of which represented the conventional cherubs of Italian Art, celestially provided with sitting accommodation for their chins, on balloons of buff-coloured cloud.

“Quite a model family!” said Mr. Fairlie, leering at the cherubs. “Such nice round faces, and such nice soft wings, and — nothing else. No dirty little legs to run about on, and no noisy little lungs to scream with. How immeasurably superior to the existing construction! I will close my eyes again, if you will allow me. And you really can manage the drawings? So glad. Is there anything else to settle? if there is, I think I have forgotten it. Shall we ring for Louis again?”

Being, by this time, quite as anxious, on my side, as Mr. Fairlie evidently was on his, to bring the interview to a speedy conclusion, I thought I would try to render the summoning of the servant unnecessary, by offering the requisite suggestion on my own responsibility.

“The only point, Mr. Fairlie, that remains to be discussed,” I said, “refers, I think, to the instruction in sketching which I am engaged to communicate to the two young ladies.”

“Ah! just so,” said Mr. Fairlie. “I wish I felt strong enough to go into that part of the arrangement — but I don’t. The ladies who profit by your kind services, Mr. Hartright, must settle, and decide, and so on, for themselves. My niece is fond of your charming art. She knows just enough about it to be conscious of her own sad defects. Please take pains with her. Yes. Is there anything else? No. We quite understand each other — don’t we? I have no right to detain you any longer from your delightful pursuit — have I? So pleasant to have settled everything — such a sensible relief to have done business. Do you mind ringing for Louis to carry the portfolio to your own room?”

“I will carry it there myself, Mr. Fairlie, if you will allow me.”

“Will you really? Are you strong enough? How nice to be so strong! Are you sure you won’t drop it? So glad to possess you at Limmeridge, Mr. Hartright. I am such a sufferer that I hardly dare hope to enjoy much of your society. Would you mind taking great pains not to let the doors bang, and not to drop the portfolio? Thank you. Gently with the curtains, please — the slightest noise from them goes through me like a knife. Yes. GOOD morning!”

When the sea-green curtains were closed, and when the two baize doors were shut behind me, I stopped for a moment in the little circular hall beyond, and drew a long, luxurious breath of relief. It was like coming to the surface of the water after deep diving, to find myself once more on the outside of Mr. Fairlie’s room.

As soon as I was comfortably established for the morning in my pretty little studio, the first resolution at which I arrived was to turn my steps no more in the direction of the apartments occupied by the master of the house, except in the very improbable event of his honouring me with a special invitation to pay him another visit. Having settled this satisfactory plan of future conduct in reference to Mr. Fairlie, I soon recovered the serenity of temper of which my employer’s haughty familiarity and impudent politeness had, for the moment, deprived me. The remaining hours of the morning passed away pleasantly enough, in looking over the drawings, arranging them in sets, trimming their ragged edges, and accomplishing the other necessary preparations in anticipation of the business of mounting them. I ought, perhaps, to have made more progress than this; but, as the luncheon-time drew near, I grew restless and unsettled, and felt unable to fix my attention on work, even though that work was only of the humble manual kind.

At two o’clock I descended again to the breakfast-room, a little anxiously. Expectations of some interest were connected with my approaching reappearance in that part of the house. My introduction to Miss Fairlie was now close at hand; and, if Miss Halcombe’s search through her mother’s letters had produced the result which she anticipated, the time had come for clearing up the mystery of the woman in white.

VIII

When I entered the room, I found Miss Halcombe and an elderly lady seated at the luncheon-table.

The elderly lady, when I was presented to her, proved to be Miss Fairlie’s former governess, Mrs. Vesey, who had been briefly described to me by my lively companion at the breakfast-table, as possessed of “all the cardinal virtues, and counting for nothing.” I can do little more than offer my humble testimony to the truthfulness of Miss Halcombe’s sketch of the old lady’s character. Mrs. Vesey looked the personification of human composure and female amiability. A calm enjoyment of a calm existence beamed in drowsy smiles on her plump, placid face. Some of us rush through life, and some of us saunter through life. Mrs. Vesey SAT through life. Sat in the house, early and late; sat in the garden; sat in unexpected window-seats in passages; sat (on a camp-stool) when her friends tried to take her out walking; sat before she looked at anything, before she talked of anything, before she answered Yes, or No, to the commonest question — always with the same serene smile on her lips, the same vacantly-attentive turn of the head, the same snugly-comfortable position of her hands and arms, under every possible change of domestic circumstances. A mild, a compliant, an unutterably tranquil and harmless old lady, who never by any chance suggested the idea that she had been actually alive since the hour of her birth. Nature has so much to do in this world, and is engaged in generating such a vast variety of co-existent productions, that she must surely be now and then too flurried and confused to distinguish between the different processes that she is carrying on at the same time. Starting from this point of view, it will always remain my private persuasion that Nature was absorbed in making cabbages when Mrs. Vesey was born, and that the good lady suffered the consequences of a vegetable preoccupation in the mind of the Mother of us all.

“Now, Mrs. Vesey,” said Miss Halcombe, looking brighter, sharper, and readier than ever, by contrast with the undemonstrative old lady at her side, “what will you have? A cutlet?”

Mrs. Vesey crossed her dimpled hands on the edge of the table, smiled placidly, and said, “Yes, dear.”

“What is that opposite Mr. Hartright? Boiled chicken, is it not? I thought you liked boiled chicken better than cutlet, Mrs. Vesey?”

Mrs. Vesey took her dimpled hands off the edge of the table and crossed them on her lap instead; nodded contemplatively at the boiled chicken, and said, “Yes, dear.”

“Well, but which will you have, to-day? Shall Mr. Hartright give you some chicken? or shall I give you some cutlet?”

Mrs. Vesey put one of her dimpled hands back again on the edge of the table; hesitated drowsily, and said, “Which you please, dear.”

“Mercy on me! it’s a question for your taste, my good lady, not for mine. Suppose you have a little of both? and suppose you begin with the chicken, because Mr. Hartright looks devoured by anxiety to carve for you.”

Mrs. Vesey put the other dimpled hand back on the edge of the table; brightened dimly one moment; went out again the next; bowed obediently, and said, “If you please, sir.”

Surely a mild, a compliant, an unutterably tranquil and harmless old lady! But enough, perhaps, for the present, of Mrs. Vesey.

All this time, there were no signs of Miss Fairlie. We finished our luncheon; and still she never appeared. Miss Halcombe, whose quick eye nothing escaped, noticed the looks that I cast, from time to time, in the direction of the door.

“I understand you, Mr. Hartright,” she said; “you are wondering what has become of your other pupil. She has been downstairs, and has got over her headache; but has not sufficiently recovered her appetite to join us at lunch. If you will put yourself under my charge, I think I can undertake to find her somewhere in the garden.”

She took up a parasol lying on a chair near her, and led the way out, by a long window at the bottom of the room, which opened on to the lawn. It is almost unnecessary to say that we left Mrs. Vesey still seated at the table, with her dimpled hands still crossed on the edge of it; apparently settled in that position for the rest of the afternoon.