Complete Works of Wilkie Collins (362 page)

BOOK: Complete Works of Wilkie Collins
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“I accept your conditions,” I said. “With one reservation on my part.”

“What reservation may that be?” he asked.

“It refers to the sealed letter,” I answered. “I require you to destroy it unopened in my presence as soon as it is placed in your hands.”

My object in making this stipulation was simply to prevent him from carrying away written evidence of the nature of my communication with Pesca. The fact of my communication he would necessarily discover, when I gave the address to his agent in the morning. But he could make no use of it on his own unsupported testimony — even if he really ventured to try the experiment — which need excite in me the slightest apprehension on Pesca’s account.

“I grant your reservation,” he replied, after considering the question gravely for a minute or two. “It is not worth dispute — the letter shall be destroyed when it comes into my hands.”

He rose, as he spoke, from the chair in which he had been sitting opposite to me up to this time. With one effort he appeared to free his mind from the whole pressure on it of the interview between us thus far. “Ouf!” he cried, stretching his arms luxuriously, “the skirmish was hot while it lasted. Take a seat, Mr. Hartright. We meet as mortal enemies hereafter — let us, like gallant gentlemen, exchange polite attentions in the meantime. Permit me to take the liberty of calling for my wife.”

He unlocked and opened the door. “Eleanor!” he called out in his deep voice. The lady of the viperish face came in “Madame Fosco — Mr. Hartright,” said the Count, introducing us with easy dignity. “My angel,” he went on, addressing his wife, “will your labours of packing up allow you time to make me some nice strong coffee? I have writing business to transact with Mr. Hartright — and I require the full possession of my intelligence to do justice to myself.”

Madame Fosco bowed her head twice — once sternly to me, once submissively to her husband, and glided out of the room.

The Count walked to a writing-table near the window, opened his desk, and took from it several quires of paper and a bundle of quill pens. He scattered the pens about the table, so that they might lie ready in all directions to be taken up when wanted, and then cut the paper into a heap of narrow slips, of the form used by professional writers for the press. “I shall make this a remarkable document,” he said, looking at me over his shoulder. “Habits of literary composition are perfectly familiar to me. One of the rarest of all the intellectual accomplishments that a man can possess is the grand faculty of arranging his ideas. Immense privilege! I possess it. Do you?”

He marched backwards and forwards in the room, until the coffee appeared, humming to himself, and marking the places at which obstacles occurred in the arrangement of his ideas, by striking his forehead from time to time with the palm of his hand. The enormous audacity with which he seized on the situation in which I placed him, and made it the pedestal on which his vanity mounted for the one cherished purpose of self-display, mastered my astonishment by main force. Sincerely as I loathed the man, the prodigious strength of his character, even in its most trivial aspects, impressed me in spite of myself.

The coffee was brought in by Madame Fosco. He kissed her hand in grateful acknowledgment, and escorted her to the door; returned, poured out a cup of coffee for himself, and took it to the writing-table.

“May I offer you some coffee, Mr. Hartright?” he said, before he sat down.

I declined.

“What! you think I shall poison you?” he said gaily. “The English intellect is sound, so far as it goes,” he continued, seating himself at the table; “but it has one grave defect — it is always cautious in the wrong place.”

He dipped his pen in the ink, placed the first slip of paper before him with a thump of his hand on the desk, cleared his throat, and began. He wrote with great noise and rapidity, in so large and bold a hand, and with such wide spaces between the lines, that he reached the bottom of the slip in not more than two minutes certainly from the time when he started at the top. Each slip as he finished it was paged, and tossed over his shoulder out of his way on the floor. When his first pen was worn out, THAT went over his shoulder too, and he pounced on a second from the supply scattered about the table. Slip after slip, by dozens, by fifties, by hundreds, flew over his shoulders on either side of him till he had snowed himself up in paper all round his chair. Hour after hour passed — and there I sat watching, there he sat writing. He never stopped, except to sip his coffee, and when that was exhausted, to smack his forehead from time to time. One o’clock struck, two, three, four — and still the slips flew about all round him; still the untiring pen scraped its way ceaselessly from top to bottom of the page, still the white chaos of paper rose higher and higher all round his chair. At four o’clock I heard a sudden splutter of the pen, indicative of the flourish with which he signed his name. “Bravo!” he cried, springing to his feet with the activity of a young man, and looking me straight in the face with a smile of superb triumph.

“Done, Mr. Hartright!” he announced with a self-renovating thump of his fist on his broad breast. “Done, to my own profound satisfaction — to YOUR profound astonishment, when you read what I have written. The subject is exhausted: the man — Fosco — is not. I proceed to the arrangement of my slips — to the revision of my slips — to the reading of my slips — addressed emphatically to your private ear. Four o’clock has just struck. Good! Arrangement, revision, reading, from four to five. Short snooze of restoration for myself from five to six. Final preparations from six to seven. Affair of agent and sealed letter from seven to eight. At eight, en route. Behold the programme!”

He sat down cross-legged on the floor among his papers, strung them together with a bodkin and a piece of string — revised them, wrote all the titles and honours by which he was personally distinguished at the head of the first page, and then read the manuscript to me with loud theatrical emphasis and profuse theatrical gesticulation. The reader will have an opportunity, ere long, of forming his own opinion of the document. It will be sufficient to mention here that it answered my purpose.

He next wrote me the address of the person from whom he had hired the fly, and handed me Sir Percival’s letter. It was dated from Hampshire on the 25th of July, and it announced the journey of “Lady Glyde” to London on the 26th. Thus, on the very day (the 25th) when the doctor’s certificate declared that she had died in St. John’s Wood, she was alive, by Sir Percival’s own showing, at Blackwater — and, on the day after, she was to take a journey! When the proof of that journey was obtained from the flyman, the evidence would be complete.

“A quarter-past five,” said the Count, looking at his watch. “Time for my restorative snooze. I personally resemble Napoleon the Great, as you may have remarked, Mr. Hartright — I also resemble that immortal man in my power of commanding sleep at will. Excuse me one moment. I will summon Madame Fosco, to keep you from feeling dull.”

Knowing as well as he did, that he was summoning Madame Fosco to ensure my not leaving the house while he was asleep, I made no reply, and occupied myself in tying up the papers which he had placed in my possession.

The lady came in, cool, pale, and venomous as ever. “Amuse Mr. Hartright, my angel,” said the Count. He placed a chair for her, kissed her hand for the second time, withdrew to a sofa, and, in three minutes, was as peacefully and happily asleep as the most virtuous man in existence.

Madame Fosco took a book from the table, sat down, and looked at me, with the steady vindictive malice of a woman who never forgot and never forgave.

“I have been listening to your conversation with my husband,” she said. “If I had been in HIS place — I would have laid you dead on the hearthrug.”

With those words she opened her book, and never looked at me or spoke to me from that time till the time when her husband woke.

He opened his eyes and rose from the sofa, accurately to an hour from the time when he had gone to sleep.

“I feel infinitely refreshed,” he remarked. “Eleanor, my good wife, are you all ready upstairs? That is well. My little packing here can be completed in ten minutes — my travelling-dress assumed in ten minutes more. What remains before the agent comes?” He looked about the room, and noticed the cage with his white mice in it. “Ah!” he cried piteously, “a last laceration of my sympathies still remains. My innocent pets! my little cherished children! what am I to do with them? For the present we are settled nowhere; for the present we travel incessantly — the less baggage we carry the better for ourselves. My cockatoo, my canaries, and my little mice — who will cherish them when their good Papa is gone?”

He walked about the room deep in thought. He had not been at all troubled about writing his confession, but he was visibly perplexed and distressed about the far more important question of the disposal of his pets. After long consideration he suddenly sat down again at the writing-table.

“An idea!” he exclaimed. “I will offer my canaries and my cockatoo to this vast Metropolis — my agent shall present them in my name to the Zoological Gardens of London. The Document that describes them shall be drawn out on the spot.”

He began to write, repeating the words as they flowed from his pen.

“Number one. Cockatoo of transcendent plumage: attraction, of himself, to all visitors of taste. Number two. Canaries of unrivalled vivacity and intelligence: worthy of the garden of Eden, worthy also of the garden in the Regent’s Park. Homage to British Zoology. Offered by Fosco.”

The pen spluttered again, and the flourish was attached to his signature.

“Count! you have not included the mice,” said Madame Fosco

He left the table, took her hand, and placed it on his heart.

“All human resolution, Eleanor,” he said solemnly, “has its limits. MY limits are inscribed on that Document. I cannot part with my white mice. Bear with me, my angel, and remove them to their travelling cage upstairs.”

“Admirable tenderness!” said Madame Fosco, admiring her husband, with a last viperish look in my direction. She took up the cage carefully, and left the room.

The Count looked at his watch. In spite of his resolute assumption of composure, he was getting anxious for the agent’s arrival. The candles had long since been extinguished, and the sunlight of the new morning poured into the room. It was not till five minutes past seven that the gate bell rang, and the agent made his appearance. He was a foreigner with a dark beard.

“Mr. Hartright — Monsieur Rubelle,” said the Count, introducing us. He took the agent (a foreign spy, in every line of his face, if ever there was one yet) into a corner of the room, whispered some directions to him, and then left us together. “Monsieur Rubelle,” as soon as we were alone, suggested with great politeness that I should favour him with his instructions. I wrote two lines to Pesca, authorising him to deliver my sealed letter “to the bearer,” directed the note, and handed it to Monsieur Rubelle.

The agent waited with me till his employer returned, equipped in travelling costume. The Count examined the address of my letter before he dismissed the agent. “I thought so!” he said, turning on me with a dark look, and altering again in his manner from that moment.

He completed his packing, and then sat consulting a travelling map, making entries in his pocket-book, and looking every now and then impatiently at his watch. Not another word, addressed to myself, passed his lips. The near approach of the hour for his departure, and the proof he had seen of the communication established between Pesca and myself, had plainly recalled his whole attention to the measures that were necessary for securing his escape.

A little before eight o’clock, Monsieur Rubelle came back with my unopened letter in his hand. The Count looked carefully at the superscription and the seal, lit a candle, and burnt the letter. “I perform my promise,” he said, “but this matter, Mr. Hartright, shall not end here.”

The agent had kept at the door the cab in which he had returned. He and the maid-servant now busied themselves in removing the luggage. Madame Fosco came downstairs, thickly veiled, with the travelling cage of the white mice in her hand. She neither spoke to me nor looked towards me. Her husband escorted her to the cab. “Follow me as far as the passage,” he whispered in my ear; “I may want to speak to you at the last moment.”

I went out to the door, the agent standing below me in the front garden. The Count came back alone, and drew me a few steps inside the passage.

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