Complete Works of Wilkie Collins (554 page)

Allan’s head sank on his breast when he was left alone. “If it was only the end of the week!” he thought, longingly. “If I only had Midwinter back again!”

As that aspiration escaped the client’s lips, the lawyer got gayly into his gig. “Hie away, old girl!” cried Pedgift Senior, patting the fast-trotting mare with the end of his whip. “I never keep a lady waiting — and I’ve got business to-night with one of your own sex!”

VII. THE MARTYRDOM OF MISS GWILT.

The outskirts of the little town of Thorpe Ambrose, on the side nearest to “the great house,” have earned some local celebrity as exhibiting the prettiest suburb of the kind to be found in East Norfolk. Here the villas and gardens are for the most part built and laid out in excellent taste, the trees are in the prime of their growth, and the healthy common beyond the houses rises and falls in picturesque and delightful variety of broken ground. The rank, fashion, and beauty of the town make this place their evening promenade; and when a stranger goes out for a drive, if he leaves it to the coachman, the coachman starts by way of the common as a matter of course.

On the opposite side, that is to say, on the side furthest from “the great house,” the suburbs (in the year 1851) were universally regarded as a sore subject by all persons zealous for the reputation of the town.

Here nature was uninviting, man was poor, and social progress, as exhibited under the form of building, halted miserably. The streets dwindled feebly, as they receded from the centre of the town, into smaller and smaller houses, and died away on the barren open ground into an atrophy of skeleton cottages. Builders hereabouts appeared to have universally abandoned their work in the first stage of its creation. Land-holders set up poles on lost patches of ground, and, plaintively advertising that they were to let for building, raised sickly little crops meanwhile, in despair of finding a purchaser to deal with them. All the waste paper of the town seemed to float congenially to this neglected spot; and all the fretful children came and cried here, in charge of all the slatternly nurses who disgraced the place. If there was any intention in Thorpe Ambrose of sending a worn-out horse to the knacker’s, that horse was sure to be found waiting his doom in a field on this side of the town. No growth flourished in these desert regions but the arid growth of rubbish; and no creatures rejoiced but the creatures of the night — the vermin here and there in the beds, and the cats everywhere on the tiles.

The sun had set, and the summer twilight was darkening. The fretful children were crying in their cradles; the horse destined for the knacker dozed forlorn in the field of his imprisonment; the cats waited stealthily in corners for the coming night. But one living figure appeared in the lonely suburb — the figure of Mr. Bashwood. But one faint sound disturbed the dreadful silence — the sound of Mr. Bashwood’s softly stepping feet.

Moving slowly past the heaps of bricks rising at intervals along the road, coasting carefully round the old iron and the broken tiles scattered here and there in his path, Mr. Bashwood advanced from the direction of the country toward one of the unfinished streets of the suburb. His personal appearance had been apparently made the object of some special attention. His false teeth were brilliantly white; his wig was carefully brushed; his mourning garments, renewed throughout, gleamed with the hideous and slimy gloss of cheap black cloth. He moved with a nervous jauntiness, and looked about him with a vacant smile. Having reached the first of the skeleton cottages, his watery eyes settled steadily for the first time on the view of the street before him. The next instant he started; his breath quickened; he leaned, trembling and flushing, against the unfinished wall at his side. A lady, still at some distance, was advancing toward him down the length of the street. “She’s coming!” he whispered, with a strange mixture of rapture and fear, of alternating colour and paleness, showing itself in his haggard face. “I wish I was the ground she treads on! I wish I was the glove she’s got on her hand!” He burst ecstatically into those extravagant words, with a concentrated intensity of delight in uttering them that actually shook his feeble figure from head to foot.

Smoothly and gracefully the lady glided nearer and nearer, until she revealed to Mr. Bashwood’s eyes, what Mr. Bashwood’s instincts had recognised in the first instance — the face of Miss Gwilt.

She was dressed with an exquisitely expressive economy of outlay. The plainest straw bonnet procurable, trimmed sparingly with the cheapest white ribbon, was on her head. Modest and tasteful poverty expressed itself in the speckless cleanliness and the modestly proportioned skirts of her light “print” gown, and in the scanty little mantilla of cheap black silk which she wore over it, edged with a simple frilling of the same material. The luster of her terrible red hair showed itself unshrinkingly in a plaited coronet above her forehead, and escaped in one vagrant love-lock, perfectly curled, that dropped over her left shoulder. Her gloves, fitting her like a second skin, were of the sober brown hue which is slowest to show signs of use. One hand lifted her dress daintily above the impurities of the road; the other held a little nosegay of the commonest garden flowers. Noiselessly and smoothly she came on, with a gentle and regular undulation of the print gown; with the love-lock softly lifted from moment to moment in the evening breeze; with her head a little drooped, and her eyes on the ground — in walk, and look, and manner, in every casual movement that escaped her, expressing that subtle mixture of the voluptuous and the modest which, of the many attractive extremes that meet in women, is in a man’s eyes the most irresistible of all.

“Mr. Bashwood!” she exclaimed, in loud, clear tones indicative of the utmost astonishment, “what a surprise to find you here! I thought none but the wretched inhabitants ever ventured near this side of the town. Hush!” she added quickly, in a whisper. “You heard right when you heard that Mr. Armadale was going to have me followed and watched. There’s a man behind one of the houses. We must talk out loud of indifferent things, and look as if we had met by accident. Ask me what I am doing. Out loud! Directly! You shall never see me again, if you don’t instantly leave off trembling and do what I tell you!”

She spoke with a merciless tyranny of eye and voice — with a merciless use of her power over the feeble creature whom she addressed. Mr. Bashwood obeyed her in tones that quavered with agitation, and with eyes that devoured her beauty in a strange fascination of terror and delight.

“I am trying to earn a little money by teaching music,” she said, in the voice intended to reach the spy’s ears. “If you are able to recommend me any pupils, Mr. Bashwood, your good word will oblige me. Have you been in the grounds to-day?” she went on, dropping her voice again in a whisper. “Has Mr. Armadale been near the cottage? Has Miss Milroy been out of the garden? No? Are you sure? Look out for them to-morrow, and next day, and next day. They are certain to meet and make it up again, and I must and will know of it. Hush! Ask me my terms for teaching music. What are you frightened about? It’s me the man’s after — not you. Louder than when you asked me what I was doing, just now; louder, or I won’t trust you any more; I’ll go to somebody else!”

Once more Mr. Bashwood obeyed. “Don’t be angry with me,” he murmured, faintly, when he had spoken the necessary words. “My heart beats so you’ll kill me!”

“You poor old dear!” she whispered back, with a sudden change in her manner, with an easy satirical tenderness. “What business have you with a heart at your age? Be here to-morrow at the same time, and tell me what you have seen in the grounds. My terms are only five shillings a lesson,” she went on, in her louder tone. “I’m sure that’s not much, Mr. Bashwood; I give such long lessons, and I get all my pupils’ music half-price.” She suddenly dropped her voice again, and looked him brightly into instant subjection. “Don’t let Mr. Armadale out of your sight to-morrow! If that girl manages to speak to him, and if I don’t hear of it, I’ll frighten you to death. If I
do
hear of it, I’ll kiss you! Hush! Wish me good-night, and go on to the town, and leave me to go the other way. I don’t want you — I’m not afraid of the man behind the houses; I can deal with him by myself. Say goodnight, and I’ll let you shake hands. Say it louder, and I’ll give you one of my flowers, if you’ll promise not to fall in love with it.” She raised her voice again. “Goodnight, Mr. Bashwood! Don’t forget my terms. Five shillings a lesson, and the lessons last an hour at a time, and I get all my pupils’ music half-price, which is an immense advantage, isn’t it?” She slipped a flower into his hand — frowned him into obedience, and smiled to reward him for obeying, at the same moment — lifted her dress again above the impurities of the road — and went on her way with a dainty and indolent deliberation, as a cat goes on her way when she has exhausted the enjoyment of frightening a mouse.

Left alone, Mr. Bashwood turned to the low cottage wall near which he had been standing, and, resting himself on it wearily, looked at the flower in his hand.

His past existence had disciplined him to bear disaster and insult, as few happier men could have borne them; but it had not prepared him to feel the master-passion of humanity, for the first time, at the dreary end of his life, in the hopeless decay of a manhood that had withered under the double blight of conjugal disappointment and parental sorrow. “Oh, if I was only young again!” murmured the poor wretch, resting his arms on the wall and touching the flower with his dry, fevered lips in a stealthy rapture of tenderness. “She might have liked me when I was twenty!” He suddenly started back into an erect position, and stared about him in vacant bewilderment and terror. “She told me to go home,” he said, with a startled look. “Why am I stopping here?” He turned, and hurried on to the town — in such dread of her anger, if she looked round and saw him, that he never so much as ventured on a backward glance at the road by which she had retired, and never detected the spy dogging her footsteps, under cover of the empty houses and the brick-heaps by the roadside.

Smoothly and gracefully, carefully preserving the speckless integrity of her dress, never hastening her pace, and never looking aside to the right hand or the left, Miss Gwilt pursued her way toward the open country. The suburban road branched off at its end in two directions. On the left, the path wound through a ragged little coppice to the grazing grounds of a neighbouring farm; on the right, it led across a hillock of waste land to the high-road. Stopping a moment to consider, but not showing the spy that she suspected him by glancing behind her while there was a hiding-place within his reach, Miss Gwilt took the path across the hillock. “I’ll catch him there,” she said to herself, looking up quietly at the long straight line of the empty high-road.

Once on the ground that she had chosen for her purpose, she met the difficulties of the position with perfect tact and self-possession. After walking some thirty yards along the road, she let her nosegay drop, half turned round in stooping to pick it up, saw the man stopping at the same moment behind her, and instantly went on again, quickening her pace little by little, until she was walking at the top of her speed. The spy fell into the snare laid for him. Seeing the night coming, and fearing that he might lose sight of her in the darkness, he rapidly lessened the distance between them. Miss Gwilt went on faster and faster till she plainly heard his footstep behind her, then stopped, turned, and met the man face to face the next moment.

“My compliments to Mr. Armadale,” she said, “and tell him I’ve caught you watching me.”

“I’m not watching you, miss,” retorted the spy, thrown off his guard by the daring plainness of the language in which she had spoken to him.

Miss Gwilt’s eyes measured him contemptuously from head to foot. He was a weakly, undersized man. She was the taller, and (quite possibly) the stronger of the two.

“Take your hat off, you blackguard, when you speak to a lady,” she said, and tossed his hat in an instant, across a ditch by which they were standing, into a pool on the other side.

This time the spy was on his guard. He knew as well as Miss Gwilt knew the use which might be made of the precious minutes, if he turned his back on her and crossed the ditch to recover his hat. “It’s well for you you’re a woman,” he said, standing scowling at her bareheaded in the fast-darkening light.

Miss Gwilt glanced sidelong down the onward vista of the road, and saw, through the gathering obscurity, the solitary figure of a man rapidly advancing toward her. Some women would have noticed the approach of a stranger at that hour and in that lonely place with a certain anxiety. Miss Gwilt was too confident in her own powers of persuasion not to count on the man’s assistance beforehand, whoever he might be,
because
he was a man. She looked back at the spy with redoubled confidence in herself, and measured him contemptuously from head to foot for the second time.

“I wonder whether I’m strong enough to throw you after your hat?” she said. “I’ll take a turn and consider it.”