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Authors: Graham Thomson

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BOOK: Complicated Shadows
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Bono
ref1

‘Boogie Oogie Oogie’ (Taste Of Honey)
ref1

Booker T and the MGs
ref1

Boomtown Rats
ref1

Born to Run
(Springsteen)
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Boston, Mass.
ref1
,
ref2
,
ref3
,
ref4

Boston Globe
ref1

Boston Phoenix
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Bournemouth
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Bowie, David
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Boxcar Willie
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Boxes, The
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‘Boy With A Problem’
ref1
,
ref2

‘Boys From The County Hell’
ref1

Brahms, Johannes
ref1

Bramlett, Bonnie
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Breakfast Time
(BBC1)
ref1

Bremner, Billy
ref1

Brennan, Rose
ref1
,
ref2

‘Bridge I Burned, The’
ref1
,
ref2

‘Bright Blue Times’
ref1

Brighton, Grand Hotel at
ref1

‘Brilliant Disguise’ (Springsteen)
ref1

‘Brilliant Mistake’
ref1
,
ref2
,
ref3
,
ref4

‘Bring It On Home To Me’ (Cooke)
ref1
,
ref2

Brinsley Schwarz
ref1
,
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,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8

Bristol
ref1
,
ref2
,
ref3
,
ref4

Britten, Benjamin
ref1

Brixton, Rock Against Racism concert
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Brixton Academy
ref1

Brodsky, Rudolf
ref1

Brodsky Quartet
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,
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,
ref3
,
ref4
,
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,
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,
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,
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,
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,
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,
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,
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,
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,
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,
ref15
,
ref16
,
ref17
,
ref18
,
ref19

‘Broken Bicycles’ (Waits)
ref1

Brooklyn Philharmonic Orchestra
ref1

Brookside
(Channel Four)
ref1

Brown, Alan
ref1
,
ref2

Brown, Charles
ref1

Brown, Clifford
ref1

Brown, Des
ref1

Brown, James
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Brown, Ray
ref1

Browne, Jackson
ref1
,
ref2

Browning, Boo
ref1

Brutal Youth
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
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,
ref11

Bubbles, Barney
ref1

Buckley, Jeff
ref1
,
ref2

Buell, Bebe
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11

Buffalo Springfield
ref1

Bullock Smithy Folk Group
ref1

Burgess, Marianne
ref1

Burgoyne, Mary Martina
ref1
,
ref2
,
ref3
,
ref4

fiery temper
ref1

marriage to Declan
ref1

Burgoyne, Patrick Victor ‘Vic’
ref1

Burke, Brian
ref1

Burke, Kathy
ref1
,
ref2

Burke, Solomon
ref1

Burnett, John Henry (‘T-Bone’)
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10
,
ref11

‘Burnt Sugar Is So Bitter’
ref1
,
ref2

Burton, James
ref1
,
ref2
,
ref3
,
ref4

‘Busy Bodies’
ref1

‘Button My Lip’
ref1

Buxton, Derbyshire
ref1

By Eleven (management company)
ref1

Bye, Antony
ref1

Byrd, William
ref1

Byrds, The
ref1
,
ref2

 

C

Cahill, Ciaran
ref1
,
ref2
,
ref3

Cahn, Sammy
ref1

‘Call On Me’
ref1
,
ref2
n

Callahan, Paddy
ref1

‘Can I Have My Money Back?’ (Rafferty)
ref1

‘Can She Excuse Me Wrongs?’ (Dowland)
ref1

Canada
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7

Canning, Tom
ref1

Cap de Ferrat
ref1

‘Captains And The Kings, The’ (Chevron/Costello)
ref1

Caravan
ref1

Cardiff
ref1

Career Review, A
(BBC TV)
ref1

Carmichael, Hoagy
ref1
,
ref2
,
ref3

‘Caroline’ (Wyatt)
ref1

Carr, James
ref1

Carr, Roy
ref1

Carrack, Paul
ref1

Carter, Carlene
ref1

Caruso, Enrico
ref1

Case For Song, A
(Costello provisional album title/BBC TV video)
ref1
,
ref2
,
ref3

Cash, Johnny
ref1
,
ref2
,
ref3

Cassidy, Paul
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10

CBS (Columbia Broadcasting

System)
ref1
,
ref2
,
ref3
,
ref4n
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9
,
ref10

CD Review
ref1

Chamberlain, Matt
ref1

Chance, Michael
ref1

‘Change Is Gonna Come, A’ (Cooke)
ref1

Channel Four TV (UK)
ref1
,
ref2
,
ref3

Channel Islands
ref1

Chaplin, Charlie
ref1

Charles, Bobby
ref1
,
ref2

Charles, Prince of Wales
ref1

Charles, Ray
ref1
,
ref2
,
ref3n
,
ref4
,
ref5

‘Charm School’
ref1
,
ref2

‘Cheap Reward’
ref1
,
ref2

Cheech & Chong
ref1

Chelmsford Festival
ref1

‘Chemistry Class’
ref1
,
ref2
,
ref3
, 9114

Chess Records
ref1

Chevron, Philip
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7

‘Chewing Gum’
ref1
,
ref2
,
ref3

Chic
ref1

Chicago
ref1
,
ref2
,
ref3

Climax at
ref1

Holsteins folk-bar
ref1

Metro Club
ref1

Chicago Tribune
ref1

Chieftains, The
ref1
,
ref2

Chilli Willi
ref1
,
ref2
,
ref3
,
ref4

Chuck Meets Bo
(Berry/Diddley)
ref1

Ciambotti, John
ref1
,
ref2
,
ref3
,
ref4
,
ref5n
,
ref6
,
ref7

Clarke, John Cooper
ref1

Clarkston, Michigan
ref1

Clash, The
ref1
,
ref2

Cleese, John
ref1

Cliff, Jimmy
ref1
,
ref2
,
ref3

Cline, Patsy
ref1

Clover
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8
,
ref9

‘Clown Strike’
ref1
,
ref2

‘Clowntime Is Over’
ref1

‘Clubland’
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6

‘Coal Train Robberies’
ref1

Cockney Rebel
ref1

Cohen, Greg
ref1
,
ref2
,
ref3

Cold Mountain
(Antony Mingella film)
ref1

‘Colour Of The Blues’
ref1

Colson, Glen
ref1

Columbia Records
ref1
,
ref2
,
ref3
,
ref4
,
ref5

end of relationship with
ref1

Columbus

Agora Club
ref1

‘Incident’ at
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6

‘Come Away, Death’ (Shakespeare/Costello)
ref1

Come Fly With Me
(Sinatra)
ref1

‘Comedians, The’
ref1
,
ref2

Commander Cody
ref1

Common Ground
(Lunny album)
ref1

‘Complicated Shadows’
ref1
,
ref2
,
ref3
,
ref4
,
ref5

Composer’s Ensemble
ref1
,
ref2
,
ref3

Concord Pavillion
ref1

Confederates, The
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6

‘Congratulations’ (Simon)
ref1

Connolly, Billy
ref1

Conservatives in UK
ref1
,
ref2
,
ref3
,
ref4

Cook, Richard
ref1

Cooke, Sam
ref1
,
ref2
,
ref3
,
ref4

Cooper, Alice
ref1

Copeland, Miles
ref1

Copenhagen
ref1
,
ref2

‘Corpus Christi Carol’ (Britten)
ref1

Corrs, The
ref1

Costello, Elvis

see also
The Attractions; MacManus, Declan Patrick

‘accidental Englishman’
ref1n

acting ability
ref1

affair with Bebe
ref1
,
ref2
,
ref3

America, fascinating enigma
ref1

America, first solo tour
ref1

anti-establishment jibes
ref1

appearance change, dramatic
ref1

arrested for impertinence
ref1

band formation (and bedding in)
ref1

band mode, return to
ref1

band virtuosity (without extravagance)
ref1

‘Barking Cabbage,’ The
ref1

Bebe, break up from
ref1

Bebe, spotted by Mary with
ref1

birth (at twenty-two)
ref1

caustic notices in America
ref1

classical music, attraction of
ref1

classical music, immersion in
ref1

‘Clocking Across America’ tour
ref1

collaborations
ref1

commercial rock, limitations of
ref1

creative impasse
ref1

criticism, reaction to
ref1

death threats against
ref1

Declan MacManus, legal swap back to
ref1
,
ref2

devourer of biographies
ref1

difference from Declan MacManus
ref1

disillusionment and personal low
ref1

diversification to left-field
ref1

divorce from Mary
ref1

drinking
ref1
,
ref2

drunken talk in Columbus
ref1
,
ref2

emotional cat-and-mouse game (Mary or Bebe)
ref1

epicurean tastes
ref1

European tour
ref1

exploring outer regions of fascinations
ref1

family responsibilities taken seriously
ref1

freedom from touring
ref1

hedonism at a price
ref1

Jake’s last stand with
ref1

legacy of
ref1

‘little black book’ of
ref1

live debut
ref1

Live Stiffs Tour
ref1

‘Lonely World’ tour
ref1
,
ref2
,
ref3

‘Male Artist of the Year 1989,’
ref1

marathon in New York (April Fool’s Day)
ref1
,
ref2

marketing job on
ref1

marriage to Diana
ref1

master (and maniac) of words
ref1

mind-numbing schedules (constant touring)
ref1

misogyny charges
ref1

musical obsessions, changes in
ref1

mystique of early days
ref1

outsider and anti-Elvis feeling
ref1

parting from The Attractions
ref1

populist promotion
ref1

press antagonism
ref1

Pyrrhic victory
ref1

reconciliation attempt with Mary
ref1

reference frame, immensity of
ref1

restlessness
ref1

seduction by rock ‘n’ roll excess
ref1
,
ref2

self-sabotage for artistic integrity
ref1

separation from Cait
ref1

‘spiritual wedding’ to Cait
ref1

studio industriousness
ref1

stymied in Nashville
ref1

thoughts of quitting
ref1

tiring of traditional rock
ref1

United States, first tour
ref1

US, touring in
ref1
,
ref2
,
ref3
,
ref4
,
ref5
,
ref6
,
ref7
,
ref8

vegetarian
ref1

video promos
ref1

‘Wake Up Canada’ tour
ref1

wardrobe, Al Capone chic
ref1

wardrobe accident
ref1n

wider musical horizons
ref1

‘wound up’
ref1

writing music, complicated process
ref1

BOOK: Complicated Shadows
6.57Mb size Format: txt, pdf, ePub
ads

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