Authors: John Nicholas Iannuzzi
“Get the fuck out of here,” Tony Balls bellowed.
Castoro signaled Geraghty to join him. People on the sidewalks on the far side of Chatham Square heard the shouting and began to look around.
“We don't need this shit, Tony,” said Geraghty.
“It's okay. I'm okay,” Tony Balls said to Castoro and Geraghty, visibly calming himself. “The fuckin' operator was fuckin' me around. I'm cool. Let me just finish my phone call.”
An old Chinese woman carrying a shopping bag in each hand approached the booth and tried to enter behind Tony Balls.
“Hey, hey,” Tony Balls shouted, “This is my booth. Emergency.” The woman stopped, staring at the weird man in the strange clothing. Tony Balls pushed the folding door closed behind him.
The woman peered through the glass panels of the door, complaining in Chinese to the two Agents.
Tony Balls punched the zero button, then the buttons for his wife's work number as rapidly as he could. He waited impatiently. “Come on, come on, you operator bitch ⦔ A tone sounded on the other end. “Come on, come on,” Tony shouted aloud again.
“A.T. 'n T, Eric speaking,” said a man's voice. “May I help you?”
“Collect call,” exclaimed Tony Balls. “Jesus, now a fuckin' faggot for an operator.”
“You'll have to tell me if you have a name, sir,” said the voice sarcastically.
“Tony, Tony!”
“You don't have to shout, Tony, my ears are very capable of hearing, I assure you,” said the voice.
“Get me my fucking number, this is an emergency,” Tony Balls demanded.
“Anyone who answers, Tony?”
“Yeah, yeah, anyone.”
“Just a moment, Ton y,” the voice elongated the name tauntingly.
“You wuz here, you wouldn't be such a smart ass little faggot,” Tony Balls said as he listened to the phone ring. He heard his wife Vickie say hello.
“Vickie, Vickie ⦔
“This a collect call from Tony the pig to anyone ⦔
“What?”
“Get the fuck off the phone, you fag hard on,” shouted Tony Balls.
“⦠will you accept the charges?”
“Tony, that you? What's the matter?” Vickie said rapidly.
“Will you accept the charges, madam?”
“Yeah, yeah, of course. Tony, what's the matter, Tony?”
“Fucking faggot,” Tony shouted into the phone.
“Up yours,” said the operator.
The old Chinese woman moved around to another side of the booth, peering inside. She put down one of her shopping bags and hit the glass panel feebly with a frail fist, a continual flow of Chinese issuing from her almost toothless mouth.
“I just hadda call you,” said Tony Balls.
“What's that shoutin'?”
“Some old Chinese dame outside.”
“I can hardly hear you. Tell her to shut up or something. Where are you that a Chinese lady's shouting?”
Tony Balls pulled open the door of the booth. “Shut the fuck up,” he shouted at the woman.
“Hey, Tony,” said Castoro.
“Give me a fuckin' break, okay?” he said as he slammed the door shut again.
“I don't have time, Vickie,” Tony Balls said into the phone.
“What's wrong? What is it?”
“It's just all over. It's just finished ⦔
“Talk louder, Tony, I can't understand you.”
“I just wanted you to know that I love you anyways, Vickie,” he shouted. “I'm sorry I wasn't a better husband. I'm sorry about everything, and I forgive you for what you done to me.”
“About what? What the hell are you talkin' about Tony?”
“It's all over. My whole fuckin' life. I'm
mala figura.
Nobody, none of the people, my friends, will talk to me. All they do is laugh at me. Those fuckin' phone calls on the tapes, you and that fuckin' disgusting piece of shit, Charlie, whoever he is, him and you, doing disgusting things. And everybody knows. Everybody. Jesus! And Billy Legs! He's got guys in the Can looking to bust my head if they find me. I can't go nowhere. And wherever I go, people laugh at me. It's finished. It's over. It's all over.
Finud.
”
“Tony, stop. Take it easy. Okay, you, we got some troubles, so what? So I was listening to some piece of shit making dirty phone calls. I wasn't foolin' around with him. Not with nobody. Nobody's like you, Tony. I was just lonely. Christ. I'm as ashamed as you are. More! We've had troubles before. You've had cases before. It'll blow over.”
“Not this other thing, with Sally. That was against the rules. Against the rules. Everybody knows the rules. And that's against the rules. Out and out. No excuses. I know that. And now, because of it, this fuckin'
babagna
, the
spiru
come and get meâthat's who's got me nowâI'm turned into a rat, a fucking rat!”
“You're not a rat Tony. Everybody knows that.”
“I am now, Vickie. Can you imagine? The government wants to know about me, about
babagna
, about Russians, next they're going to be asking me about my friends. You know that's where this is going. No question. That's where this is going. It's all over, Vic, all of it, over!”
“Tony, you can talk to Billyâ”
“No, I can't. What I done is unforgivable. That's the way it is.” Tony cradled the phone between his neck and shoulder as he reached his two cuffed hands into the front of his jump suit. He felt the small handle of the .38 revolver.
“You been friends with Billy all your life. Okay. You made a mistakeâ”
“This is a mistake that people like me oughta know better than.”
“You know, they know, those friends of yours, that everybody's doin' it. Everybody's doing drugs. Johnny G's brother done it. Those rules, they were written for the dinosaurs.”
“They're still the rules,” said Tony balls. His fingers rubbed the smooth metal of the weapon inside his jump suit.
“Those rules of yours are a lot of old Moustache Pete bullshit, Tony. That's what those rules are. They don't put nothing in your pocket. Not in mine. Not in yours. We had to live. We needed the money. Don't do nothin' because of the phone calls. I made a mistake Tony, a mistake. But I didn't do nothin' with nobody, Honey. You know that from the calls. It was just stupid talk.”
“Not so much the drugs. Not the calls, either. Not Sandroâlisten, be sure to give Sandro back his brief case. And his pen. The briefcase is in the bedroom, next to my side. The pen is inside. It's important.”
“Okay, I'll call him and tell him I got it.”
“And now they want to know about Russians. What the hell do I know about Russians? Because some rat they're using tells them about Russians, and they see me with them once or twice, they think I know something. But it's not that, either. It's Billy's kid. I'm indicted, in a conspiracy with Billy Legs' kid! And we're gonna go to the Can. He's going to the Can. And I'm going to get killed in the Can because of it. One way or the other, it's all over Vickie, no matter where I turn, don't you see? It's all over.”
“Sandro will work something out ⦔
“Nothing can be done. It's all fuckin' over!” Tony Balls shouted as he pulled the revolver from his jumpsuit. Geraghty and Castoro jumped back when they saw the weapon. They took out their own weapons.
“Come out of there, Tony,” commanded Geraghty.
Tony Balls turned his back on the two Agents, wedging himself back against the middle of the door to the phone booth so the Agents couldn't open it.
“I shoulda kept the kid as far away from it as possible. I just didn't think. It's my fault. It's my fault,” shouted Tony Balls. “The kid's going to the Can because of me. Billy's right. He oughta break my fuckin' legs, my head. If it was my kid, I'd do the same thing.”
“Put the gun down and come out of there, Tony!” Geraghty commanded again. The two agents were on either side of the phone booth, pointing their weapons at Tony Balls.
“Who's that shouting now?” said Vickie.
“It's not important, Vickie. It's all over. Don't you understand? I'm a laughin' stockin'. I'm a fuckin' laughin' stockin'. My whole life is in the shit house.”
“Everything can be straightened out, Tony. I'll come to see you. We'll talk about it. We'll talk to Billy. Things happen. People in this life do stupid things sometimes. I'll call his wife, Rosie. She'll talk to Billy.”
“He ain't goin' to listen to no women, not in this thing.”
“Talk to me, Tony. Nothin' is that bad, Tony. Nothin'.”
Tony was looking at the revolver. He heard voices. Vickie's voice. The Agents. The Chinese lady. A couple of passersby stopped to watch the two men pointing weapons at the man inside the little pagoda.
“Tony?”
“Tell Theresa ⦠tell Theresa that her Daddy loves her ⦠tell her ⦔ Tears choked Tony's voice.
“Tony? Tony? What the hell are you talkin' about?”
“I can't live like a
mala figura
A
disgratiad.
It's all over. It's my fault. You stupid, son of a bitch ⦔ he shouted at his reflection on the inside of the glass of the phone booth. Tony lifted the revolver, jamming it hard, angrily against his right temple, simultaneously pulling the trigger. A loud sound, like the backfire from a truck, echoed across Chatham Square.
“Tony?” Vickie shouted.
People on the far sidewalk continued to walk, the lights on the restaurant across the street from the little pagoda phone booth were still flashing yellow and red
Chow Mein
, men were still talking at the newsstand on the far side of the square, traffic flowed across the intersection. But near the pagoda, the old Chinese lady had stopped talking. The two Agents lowered their weapons as Tony Balls' body inside the phone booth slid down slowly, his back smearing red liquid on the inside of the glass as it descended, pressed against the inside of the door.
“Tony. Tony. Answer me, Tony.”
21 Club : August 27, 1996 : 5:15 P.M.
The 21 Club on 52
nd
Street between Fifth and Sixth Avenues (Sixth Avenue is actually named the Avenue of the Americas, which no New Yorker, with hardly the time to wait for a traffic light to jay walk, calls it) has been one of the most exclusive restaurant-bars in New York City since Prohibition. Surrounded by a tall iron fence, with colorfully painted iron jockey statues on either side of the entrance, customers are ushered into a foyer, immediately beyond which is the sanctum sanctorum, a small dining area where the elite sit at small, red checkered cloth covered tables. To the right of that sanctum is a much larger area with a long wooden bar across one side of the room. The entire ceiling over the bar and the large dining area is filled with hanging models of planes, ships, signs, flags, and other memorabilia. While the decor and the table cloths appear the same in both areas, for those who are âin', anything beyond the sanctum is Siberia.
The bar was filled with the sound of two deep, shoulder to shoulder, men and women, drinking, smoking, laughing, chattering, letting off steam at the end of their work day or warming up for an evening on the town.
“What's yours?” a cheery faced bartender with a bow tie and a bright vest to said to Michael Becker over the heads of the bar crowd.
“Stoli, rocks, andâ” he turned to Awgust Nichols.
“Alize.”
The bartender nodded and put two glasses on the bar.
“You wanted certain things to happen. I would think that at this point, everything should be pretty much falling into line according to your expectations?” Becker said to Nichols.
“Here you go”, said the bartender, passing the drinks to someone in the crowd at the bar, who in turn, handed them to Becker. “That'll be seventeen,” called the bartender.
“All's starting to come together,” replied Nichols, taking a twenty out and passing it hand to hand, toward the bartender. “Keep it. Howeverâ”
“Thank you, gents,” the bartender smiled, looking toward his next customer.
“Let's just enjoy the drink for a minuteâno business. We'll take a walk when we finish our drinks and talk.”
“Cool,” said Awgust, nodding, looking at all the suits and skirts sitting at the tables, or crowding the bar. “Some joint.”
“Never been here before?” said Becker.
“No. I heard of it. Who hasn't?”
“It used to be a speakeasy, in the old days,” said Becker.
“Really?”
“Used to drink downstairsâthere are still secret rooms down there, behind the walls. Prohibition went out the window, and all the drinkers came upstairs. I think some of these characters have been standing in the same place at the bar ever since.”
Nichols laughed. “This fancy joint, used to be a speakeasy? Right in the middle of town?”
“Right here. Downstairs. Would you like to take the tour?”
“What's the tour?” said Nichols.
“They have a tour of the hidden rooms. For a twenty, Paco, one of the Captains'll take us around.”
“Yeah, hey, I'd like to check that out,” said Nichols.
Becker motioned to the bartender for another. Nichols nodded for another, as well. “We'll finish our drinks, and then I'll get Paco to take us.”
“Cool.”
“Notice how thick the walls are,” said Paco, one of the tuxedoed Captains from the floor. He stood in front of Becker and Nichols in a corridor of the cement walled cellar. “Go ahead, hit the walls.”
Nichols tapped the side of his fist on the cement wall. “Mmmm, pretty solid.”
Paco took a small, solid rubber headed mallet that hung from a nail nearby. “Here, hit it with this.”
Nichols took the mallet and gave the wall an easy hit. He nodded appreciatively. Paco took the mallet and gave the wall a substantial hit. The sound was dead solid.