Authors: Heather Herrman
I don't know how to tell you what happened the final night of our show except to say that it was unexpected, despite Trees's warning. We'd stayed on for an extra night, ignoring the protest of a few of the folks, including Trees, and we had a full house. By this time, I'd not only seen Jimmy at the last two shows, I'd also managed to sneak a kiss with him. Despite Trees's dire prophecy, I couldn't have been happier. I won't say that I disbelieved what he said, because I didn't. Trees never lied. He probably believed what the men on the reservation told him. Of course he did, or he wouldn't have told me. So I didn't disbelieve him either, I just thought he'd gotten it wrong somehow. Misinterpreted it.
By the night of the last show, the encore, the sickness was already among us. According to the men Trees talked to, in order for whatever evil is tucked beneath Cavus to be set loose again, the earth must be opened and blood must be spilled in violence. I don't know what the blood was, but I do know that with the coal miners beginning their digging, it must have been only a matter of time. A drunken fight, a man hitting another out of frustration over a slow load, a lip split with the back of an angry handâ¦who can say. I don't know how it happened, or who the first Feeder was, the first to open the earth and swallow the poison, but I do know that by the day of the show he'd infected many others, most of them miners, but not all. Dear God, not all.
The night of our last show, I saw many things that I did not understand at the time. I'm not sure that I understand them even now, but I'll tell them to you. By writing them down perhaps I can make some sense of them.
The first thing I saw that was wrong, really wrong, came with Clara. She didn't show up for school the second day after Trees talked to me. But I saw her on the school ground, just the same. She was on the playground while I was still inside the classroom. I always sat by the windows in school if I could, and I'd managed to procure a window seat in Cavus. I was looking out the window, and a shape caught my eye, something darting across the grass and over behind the merry-go-round.
When I looked closer, I saw that it was Clara. Only not Clara as I knew her. She wore no clothes, despite the crisp weather, and she ran with an unnatural speed. I raised my hand to excuse myself for the outhouse, and went to find her.
You see, Pill, I thought she was sick. It was not often that I made friends on our stops. More often than not I was the child to be mocked at others' leisure, the child to be shunned or, in the best-case scenario, ignored. And why not? Why not vent your frustrations on someone who will be here one day and gone the next? It does no more harm to call the wind names.
But Clara had been different. She'd been my friend. And so when I saw her running about the playground in distress, I went to find her. I caught sight of her as soon as I stepped outside. She was crouched out of view from the windows of the school, hunched over the sandbox behind the storage shed. It was where some of the older kids went to exchange notes, hold hands, or even sometimes smoke. Now, though, there was no one there but Clara.
“Hello, Jessi,” she said, without ever looking up at me. I thought then that she must simply have heard me approach, but now I think not. Now I think she was waiting for me.
“Clara, what's wrong?” She looked up at me, and I saw that her face was streaked with mud, as if she'd been eating the stuff. Indeed, she looked as though it was very possible. She was playing in it, and the stuff caked her arms all the way up to her elbows. It had been Clara's only fault since I'd known her, a propensity for dirtiness, to play as roughly and rowdily as the little boys and to let no mud puddle or dirtied fence stand in her way. Now, though, she'd taken it to an entirely other level. Her naked body boasted streaks of mud and cuts across it.
“Oh, Clara!” I said, kneeling beside her. “What's happened to you?” I must confess that a dark thought crossed my mind, a thought that it was not her but someone else who had removed her clothes.
“Nothing, Jessi dear,” she said. She held her hand out toward me, and in it was a clump of mud. “Have a bite,” she said, and I thought she was joking, and so I made as if to take it, only as I bent closer, I saw that there was something in it. A piece of white, like a bone. I got closer still, and saw that it was a tooth! And as I was leaning over it Clara brought the mud up with force, slamming it into my face and rubbing it against my lips with a strength I would never have imagined she possessed. I pulled away, wiping the filth from my lips, careful not to let it into my mouth. If Clara was someone who did not mind dirt, I was the opposite, clean almost to obsession, and it was this compulsion, I know now, that saved me. If I'd gotten even a speck of the blood that I have no doubt accompanied the tooth into my mouth, I'd have been infected.
Instead, I managed to back away from Clara and wipe my mouth clean. “What are you doing?” I asked her.
“I'm trying to feed you,” she said. “You looked hungry.” Then she ran away, a crazy shutterbug run on all fours across the grass.
When I went back inside, I tried to tell my teacher what had happened, but she wouldn't believe me. She thought I was making it all up to get attention. Mostly, she didn't trust me or my family. She thought that the circus was “a moral sinkhole,” and only agreed to educate me out of pity. Mostly, I didn't care. But when she wouldn't believe me about Clara, I'd had it.
“Maybe you should take a look under your dress the next time you go to the lavatory,” I yelled at her, which was a big surprise to the whole class, as I'd gotten a reputation as “the quiet girl.” “That way,” I said, “you can figure out where all the bullshit is really coming from.”
Why am I telling you all this, Pill? Why? Reliving pointless conversations, pointless battles with my teacher, telling you that they thought of me as quiet? Why should you care? You know me better than anyone has ever known me. You don't need me to tell you any of this, and my relationship with Mrs. MacIntire has nothing to do with what happened later. I'm stalling, Pill. Pure and simple, I'm stalling. I don't want to go on.
But I must. If this was to ever happen again, you'd need to know. You'd have to stop it, Pill. You have to stop it.
The changes in Cavus must have occurred slowly, over the space of a few weeks, if I had to guess. They were already well under way by the time our little show pulled into town. However, the thing with this sickness is that it is hard to detect. I'd guess that there were already half a dozen or so infected members by the time we arrived in town. It's hard to tell, but as far as I understand the infection, it spreads from person to person at different rates. Once someone is infected, the disease lingers, it grows. The person begins to have desires. Not unnatural desires because whatever demon it is who has implanted itself in the host person feeds on the desires that already exist within that person. This demon, the Feeder, it loves our sin, dearest. Loves it and needs it. Which is how, in the end, we were able to beat it. Or at least put it back to bed.
I went to the show that night only caring about Jimmy. I saw him, all right, but oh my God, I saw so much more. It started with Mama's act.
“You said you were done with the snakes,” I told her. “You said you were too old.” I'd walked into our wagon to find her near to naked, with her snake and snake oil both out on the table.
“Nobody spoke to you,
ma petite choux,
” she said. “And you know you really shouldn't speak until spoken to.”
The reprimand was made to sound like a jest, but I could hear the sincerity behind it. She'd been infected already, you see, although I wouldn't know it until that night. I don't know when or how it had happened to her, but it must have been almost as soon as we arrived. I guess I will never know. It may have been one of the miners who did it or one of the townspeople that He turned earlier. Maybe it was even Clara. Who can say?
The show that night was sold out, word about out stellar performances traveling fast. That, and The Feeder had decided our show would be the perfect place for him to play a game with the town of Cavus. My mother was the first one on the stage that night, her newly resurrected act deemed best placed at the beginning of the show, so that if something went wrong it might be smoothed over with later, better-prepared acts. Everyone in the tent anxiously awaited the first performer. When Mama took the stage, the crowd went wild. I hid in the back, where I had a good look not at the stage, but at the third row, five seats in. It was where Jimmy sat. I watched him even as my mother's music started.
She emerged onto stage with her snake, the great pale belly of the beast intertwined with her own flesh. The snake was an albino, and that night she did not paint its scales the usual red. Its ring patterns were a bright yellow, and they draped like gold over my mother's darker flesh. She had never danced more beautifully than she did that night. It was as if the beast and she were one. As I've said before, if my mother had a sin, it was vanity. Always and forever, she wanted others to be looking at her, wanted youth to remain within her. And look they did.
The audience, almost entirely men, watched her as if hypnotized, studying every move of her body, every turn of her hip. It was more than them simply wanting her, although it was clear that they didâmany of their pants bulged with their own
l'arme d'enfant
âbut it was more that they were under her spell. Whether they wanted her or not was irrelevant. They had to have her.
When she ended her act, his act began. The Feeder took the stage.
No one knew who He was at first. He took the guise of an old woman, a townswoman who stepped on trembling limbs up to the stage. She wore a long black gown and eyeglasses. She was not the kind of person to be at our show. Which is why, perhaps, when She stepped onstage no one tried to stop her. The circus people were mesmerized by her just as the men in the audience had been by my mother. Even I, smitten as I was with Jimmy in the folding chair below, felt compelled to watch the woman.
There was a power about her, and I won't say that it felt like evil. Not then. Because that would have been too simple, wouldn't it? Evil is never so easily recognized. It makes its face known in a manner that pleases. No, it did not feel like evil, but it was a power nonetheless. She took the stage and we watched her, even as She began to speak and the content of her words betrayed her, we sat and watched as one. The circus folks, the miners, the people of Cavus. As one we watched.
“Greetings, my dear children⦔ She held up her hand here, the one not on the cane, and offered us a wave and a smile. It was a silly gesture, charming, and there was a spattering of laughter. My mother stood beside her, watching, her snake still around her neck and her flesh damp with the sweat of her dance.
“I come here tonight,” the woman said. “To make you an offer.”
The crowd remained hushed, spellbound, as She continued to speak.
“You do not know me and you do not know my sister. We are nothing great.”
“I'll say!” This from the crowd, a man's voice.
The woman ignored him. “But we could be. I could be. I do not want you to think that I speak to you falsely, that I offer myself to you with a false promise. I do not. I will not. I am not your Jehovah, your Jesus, your Allah, nor even your Satan. Nor is my sister your Lilith, nor your Mary. We are two of many. We are those who once walked the earth with you. The difference now, however, is that my sister is still allowed from time to time to walk amongst you, while Iâ”
“Get on with the show!” the heckler's voice rose again, and once again was ignored.
“âdaring to love you for what you were, for what you are, your wants and needs, your feedings and beatings and glorious desiresâ¦I was damned to forever live beneath you. To never walk amongst you. To never know you as my own.”
There was a small titter from the audience, and the heckler, a foppish-looking man, certainly no miner, rose and donned his hat. As one the room turned to look at him.
“Excuse me,” he said. “But if this is your idea of a show, I'll pass. If I wanted to hear an old woman speak, I would have stayed at home with my mother-in-law!”
Nervous laughter followed this. The woman onstage bent her head, as if wounded, and then more laughter followed from the audience. Braver this time. I looked toward Jimmy to see if he was laughing, too. He was. I laughed.
With the speed of a snake that's striking, the man beside the heckler, clearly a coal miner, the dirt still on him from his shift, reached up, grabbed the man, and neatly snapped his neck. The miner dropped the limp body to the ground.
Nobody moved. The laughter had dried up like spit in the wind.
Onstage, the woman lifted her head, and her eyes glowed such a bright black that I could feel them penetrate even to me in my dark corner. Great convulsions began to roil beneath the woman's wrinkled skin, convulsions that made her body seem to be alive with a festoon of insects under the flesh. Then they stopped, and the woman seemed to gather herself.
“Rudeness,” she said, “will not be tolerated.”
Silence. It was all happening so fast that no one even had the time to scream.
“Although on occasion I do enjoy your sarcasm. Really I do, but this just isn't the place for it.” For the first time, She smiled, a wide-open smile revealing her teeth. The audience gasped. Her teeth were cracked and broken off in places, but where they remained they were as long as index fingers, and sharp, whittled at the ends like needles. Her spittle gleamed from them like venom.
“Now, then. As I was saying. Yadda, yadda, yadda.” She did a little leap on the stage, clicking her heels together as if She were twenty and a man. “I have an offer to make you. I'd like you to walk with me. To be my children, as it were. To raise the proverbial finger with me to that great asshole in the sky and his favored lily-livered offspring. Most especially to that cunt-lapper, my sister. Come be mine. Walk with me.”
The audience turned toward one another, frightened murmurings beginning as everyone began to stand and push toward the door.
But before they could escape, the massacre began.
I don't know how many Feeders there were, but it must have been more than ten or twenty, because afterward there were so many bodies. So many. Whatever the number, there was enough. There was more than enough. They rose from the chairs in which they sat, and as one they began to kill those beside them. They were townspeople, farmers, and miners alike. Amongst them were one or two from our circus. With the speed of something not of this world, they began. In front of me, a man rose to run his knife across the throat of his partner beside him. Behind him another rose and as one they turned in a synchronized movement to grab the person between them, one taking him by his foot, the other by his head, and they pulled until he tore clean in two. All the while they were screaming. Everywhere, everyone was screaming, the killers, the hunted, the onlookers.
For the most curious thing was that, yes, there were onlookers. Not a person in the circus was touched. Not a one. We watched. At first it was only my mother and me, but then, from the back tents came the rest of us, everyone entering at a run after hearing the commotion. In half stages of dress: the twins who rode the white horses around the rink, dressed only in the top of their sequined leotards; Sacha, wearing his dress pants and a long-underwear top. They came and if any of them tried to help the audience members (they did, they were not cruel people), one of the Feeders knocked them back to the outskirts. We were meant to watch.
Within minutes it was over, every audience member in that tent dead. Except Jimmy. I looked everywhere for him, scanned the bodies, scanned those trembling along the outskirts, even scanned the Feedersâbetter he was alive and one of them. That's what I thought then, anyway. He was nowhere. In a minute, I had no time to think of him anymore.
Once again, the woman on the stage spoke: “Your choice, my dears. I said I'd offer you a choice and here it is. Come with me, come live as my children, and I will not kill you. Come Become. I'll give you an hour to decide. No more. No less. Within an hour, I'll begin to kill the rest of the town, and those I turn will be random. I've asked you, as a whole, to Become one of my own because you intrigue me. Iâ¦feel something for you. Forced to wander, to entertain others by degrading yourselves, to whet the appetites of others but to quash your own desires because you are but the show. I can understand these things. Yours is the time in which I will rise to my greatness. I'm asking you to be a part of this because I know you. And I love you. Outcasts, miscreants every one, I have accepted your darkness. It is your life.”
“You're a monster!” someone yelled from the ring around the tent's interior. I don't know who it was, and even to my young ears the denunciation felt weak, like a line from a play.
“You may call me what you wish,” the woman said.
“What is your real name?” It was my mother who spoke. I'd run to her side at the end of her performance, but she had pushed me away, told me to get out. I didn't obey her, only hid there, behind a flimsy folding chair in the back. Not that there was any need to hide. The Feeders seemed to know who was and wasn't of the circus, and had left me well alone.
The old woman turned, rising taller as She did so. Taller and taller She stood, dropping her cane and seeming to actually grow into something inhuman, the lines of her flesh wavering.
“The first sensible question any of you has asked. I am The Unnamed, He Who Was Forgotten. I am The Fallen. You have called me many things. Legion. Behemoth. Even, mistakenly, Lucifer, though as I've said, I am not him. It is best, perhaps, to call me something simple, yes? Something we can all remember? I best like the name given to me long ago by those who thought to keep me from harming others. They called me The Feeder. It is an apt name. It speaks of both my desire to feed you, my children, and my needâno,
our
needâto feed upon others.”
“What do you feed on?” asked my mother, and I saw that her flesh was still covered in bright beads of sweat from her dance, so that she shone under the tent's dim light.
“On flesh,” The Feeder said. “For a start, but later, on something much more. On the very essence of man, something far sweeter. You, I believe, would call it a soul.”
My mother stepped backwards, and half fell to her knees. “We would never become that,” she said, unaware that she already was becoming that. Had already begun to turn.
The woman shrank back into herself, now just another human, hunched over her cane. “As I said, it is your choice. I'm offering you great power. If you don't agree to it, then I'll take some of you anyway and kill the rest. There is no escape, believe you me.” Then the woman threw her head back and laughed, and once again I was startled at how charming She sounded, how sweet and merry. “Better yet,” She said, facing the audience once more. “Look around you. Who says bodies can't talk?” She descended from the stage, and the half-dozen or so of her Feeders followed close around her.
“One hour,” She said. “If you choose to join me, you will meet me in the mines then. I'll leave a Feeder here to show you the way. If notâ¦As I said, it's your decision. But please don't think to try anything. What my Feeders see, so do I see. What they feel, so do I. I am They and They are Me. One hour. Any questions you have, you may ask him.” She pushed a man covered in dirt, one of the miners, forward. Then She disappeared through the tent door, the train of her children, once humans like us, following her.