Crang Plays the Ace

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Authors: Jack Batten

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Jack Batten, after a brief and unhappy career as a lawyer, has been a very happy Toronto freelance writer for many years. He has written thirty-five books, including four crime novels featuring Crang, the unorthodox criminal lawyer who has a bad habit of stumbling on murders that need his personal attention. Batten reviewed jazz for the
Globe and Mail
for several years, reviewed movies on CBC Radio for twenty-five-years, and now reviews crime novels for the
Toronto Star
. Not surprisingly, jazz, movies, and crime turn up frequently in Crang's life.

CRANG PLAYS THE ACE

A Crang Mystery

CRANG PLAYS
THE ACE

Jack Batten

THOMAS ALLEN PUBLISHERS

TORONTO

Copyright © 2011 by Jack Batten
Macmillan edition published April 1987
Seal edition published May 1988

All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage and retrieval systems—without the prior written permission of the publisher, or in the case of photocopying or other reprographic copying, a licence from the Canadian Copyright Licensing Agency.

Library and Archives Canada Cataloguing in Publication

Batten, Jack, 1932–

Crang plays the Ace : a mystery / by Jack Batten.

First published: Toronto : Macmillan of Canada, 1987.
ISBN 978-0-88762-746-0

I. Title.

PS8553.A833C73    2011      C813'.54      C2010-908131-5

Cover design: Sputnik Design
Cover image: Hans Neleman/Getty Images

Published by Thomas Allen Publishers,
a division of Thomas Allen & Son Limited,
390 Steelcase Road East,
Markham, Ontario L3R 1G2 Canada

www.thomasallen.ca

The publisher gratefully acknowledges the support of
The Ontario Arts Council for its publishing program.

We acknowledge the support of the Canada Council for the Arts, which
last year invested $20.1 million in writing and publishing throughout Canada.

We acknowledge the Government of Ontario through the
Ontario Media Development Corporation's Ontario Book Initiative.

We acknowledge the financial support of the Government of Canada
through the Canada Book Fund for our publishing activities.

11   12   13   14   15      5   4   3   2   1

Text printed on 100% PCW recycled stock
Printed and bound in Canada

For my crime-fiction friends
Julian, Sandy, Chris,
and especially Marjorie

CRANG PLAYS THE ACE

Contents

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5

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8

9

10

11

12

13

14

15

16

17

18

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31

1

M
ATTHEW WANSBOROUGH
was saying he was sorry to be where he was. He was in my office.

“I'm embarrassed to have to come here, Mr. Crang,” he said. “That's unfair to you. I apologize.”

“Save the apology,” I said.

Wansborough let out a small smile.

“You may not need it,” I said.

The smile widened a fraction.

“Second thought,” I said, “hold the apology in reserve. I know you at second hand, and far as I'm aware, you don't know me at any hand.”

Wansborough made a clearing noise in his throat. He was in his mid-fifties and had grey hair like Gary Grant's and wore a deep blue custom-tailored three-piece summer suit. Six hundred dollars, I'd say, Holt Renfrew. Wansborough had phoned that morning for an appointment. I knew his name from Zena Cherry's column in the
Globe and
Mail
. Zena writes with affection about the fun times of people around Toronto with old money. She mentions Matthew Wansborough about once a month. Zena says he likes to ride to hounds.

Wansborough said, “I've come because my people said you were the counsel who might assist me.”

“That's a good start. Who are your people?”

“McIntosh, Brown & Crabtree. They look after my legal affairs.”

“I'll just bet they do.”

McIntosh, Brown & Crabtree is number one or two among the big law factories in the bank towers along King Street. It has 150 lawyers and another 275 people in support personnel, which is what big law factories along King Street call paralegals, title searchers, articling students, computer operators, and other lesser legal folk.

I said, “Tom Catalano in the litigation department down there give you my name?”

“He spoke well of you,” Wansborough said.

“Hey, hold him to it.”

“Mr. Catalano didn't say what sort of people you ordinarily represent, Mr. Crang.”

“Mostly guilty people,” I said. “Break and enter, drug charges, sometimes a bank holdup, the kind with guns. Paper offences are a mini-specialty of mine. You know, fraud.”

Wansborough was sitting on the client's side of my desk. He had his left leg correctly crossed over his right. He was showing a bit of blue silk sock and a lot of sturdy black Dacks oxford. He recrossed his legs, right over left, lifting his pant leg by the crease with thumb and forefinger. He didn't say anything.

“My people are usually guilty,” I said. “But sometimes they're not guilty of what the police charge them with. It's a matter of degree. The police say manslaughter, the evidence says a variation of assault. Or maybe there's bad identification of my client. Or maybe the police knocked him around and he talked more than he intended. These things come out when I get a chance at cross-examination in court.”

“You make it sound matter of fact,” Wansborough said.

I said, “It's what I'm good at, asking questions in court. Outside court too. I'm nosy.”

Wansborough pursed his lips. Maybe he didn't approve of my clients or my office or, heaven forbid, my clothes. I had on jeans, a light blue broadcloth shirt, and a pair of Rockport Walkers with spongy soles. It was my uniform on days I wasn't scheduled for court. On days I had a case on, I looked downright spiffy, gown hanging from my shoulders without an undue wrinkle, vest free of mustard stains, tabs and dickey snow-white from the laundry. The model of a criminal lawyer. My office had a wooden desk, a swivel chair on the business side of the desk, three chairs like the one Wansborough was sitting in on the other side, a green metal filing cabinet, and bookshelves that held bound volumes of
Canadian Criminal Cases
going back to 1912. It wasn't listed on a tour of notable offices of Toronto. Or maybe Wansborough's lips were always pursed.

“Have we got to the part where you're embarrassed?” I said.

Wansborough plunked both Dacks on the floor. Decision time.

“It comes to this, Mr. Crang,” he said. “I am showing more profit than I ought to be doing.”

“Some people that happens to, Mr. Wansborough, and nobody calls it trouble.”

“I manage the family's business interests,” he said. “They're extensive, and I have maintained us at a steady profit even in the economy's downturn. I invest in companies whose management is familiar to me. I know the people and the corporate performances.”

“That ought to get you a profile in
Canadian Business
,” I said.

“I hold seven directorships,” Wansborough continued. “In six other instances, with smaller companies, I have a controlling interest.”

I swivelled a few degrees to the left in my swivel chair and looked down into the street. A kid was walking by. From my angle, the top of the kid's head looked like a Walt Disney skunk. Pinkish-white stripe down the middle, jet black on the sides. My angle was straight down from the second floor over a unisex clothing store called Trapezoid. The office I practised out of was on Queen West near Spadina. When I moved in a dozen years ago, it was working-class commercial and heavy on Middle European shopkeepers. A few years back, in some unfathomable shift of Toronto custom, the street went New Wave. It was farewell to the Czech ma-and-pa hardware store and the goulash restaurant. Now it was science-fiction bookstores and diners that charged three dollars for
café au lait
. I didn't mind the change. It could have been worse. It could have been a Burger King and porno shoppes.

Wansborough paused in his business catalogue.

“Mr. Crang,” he said, “mightn't it assist us in the long run if you take notes?”

“That what you're used to at McIntosh, Brown?”

“A junior attends the meetings and records pertinent details, yes.”

“One, Mr. Wansborough, I have no junior in residence, currently or ever. And, two, you ever see
The Thirty-Nine Steps
? Old Hitchcock movie?”

“I recall reading the novel at school. Didn't Lord Tweedsmuir write it?”

“I'm Mr. Memory.”

“Pardon?”

“The guy in the movie who remembers everything or, if you prefer, in the book. Mr. Memory. That's me. Mind like a steel trap. Nothing escapes. Trust me.”

“I see,” Wansborough said.

“He was John Buchan when he wrote the book,” I said. “Lord Tweedsmuir was.”

Wansborough cleared his throat again.

“The information I've given you,” he said, “is in the nature of background. I want you to understand that my investment in a company called Ace Disposal Services is a departure from my customary practice.”

I said, “Ace Disposal doesn't sound like it ranks up there with the blue-chippers.”

“I'm aware of that, Mr. Crang.”

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