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Authors: Kimberly Reid

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“Yeah, but wherever we're sending you, some guy is going to be so glad we did,” Cole says, and then he gives Bethanie something else on her list—a kiss.
It's over before I can turn away and give them a moment, the kind of kiss you might get under the mistletoe when you barely know the boy. But I can tell from the look on Bethanie's face that it's enough to last until that guy wherever she's going discovers her. And then Cole is gone.
“I guess he had to keep his cover,” I say.
“Yeah, but he kissed me first.”
I let her enjoy that moment a second longer before it starts to feel a little too greeting card.
“All right, one last question. Your parents kept calling you E. Is that code for your real name?”
She hesitates, like she's thinking about whether to tell me. “No code. I just go by my initial.”
“Okay, let me guess,” I say, because I love a mystery. “Eve? Elaine?”
“Stop. You'll never guess.”
“Edith? Ethel?”
“Echinacea, okay? My name is Echinacea.”
“Oh snap. Your parents named you after a cold remedy?”
“It's a flower, a kind of daisy. You wouldn't think anything of calling me Daisy.”
“Don't con a con. There's a reason you go by E. Wow. I think I'll keep calling you Bethanie.”
“You can't call me Bethanie. After today it won't be my name, and you won't be able to call me at all. Or text. Or visit ...”
We both forget we're so fierce we survived having a mobster turn his gun on us a day ago and give in to the inevitable hug. Then it really does feel like a greeting card moment, but neither of us care.
 
The next morning, I decide to go to school even though Lana told me I could stay out one more day. With Bethanie waking up in some undisclosed city and Marco avoiding me, I feel like I'm doing my first day at Langdon Prep all over again. But this time I know I can handle it. The Langdonites, Headmistress Smythe included, no longer intimidate me. In the two months since my first day, I've busted a burglary ring and helped take down a mobster. Rich, self-absorbed preppies I can handle.
Before I head for the bus stop, I sit down at the kitchen table where Lana is having coffee. There's still a loose end we haven't discussed.
“Now that the witnesses and bad guys are all where they're supposed to be, are you going to tell me who you've been trying to avoid the last couple of weeks?”
“What are you talking about? I haven't been trying to avoid anyone.”
I remind her of all the phone calls. She stays behind her newspaper, no doubt trying to keep me from reading her face.
“Oh, you mean the bill collectors.”
“Bill collectors who also call Papa's house looking for you?” I ask, which finally forces her to put down the A section.
“It's an old debt, something your grandparents cosigned for years ago. It's a debt I don't believe I owe.”
I give her a look that lets her know I'm not sold.
“Chanti, it's grown folks' business, nothing you need to worry about.”
“I'm not worried. But you are, and nothing ever gets to you.”
“Plenty of things get to me.”
“But I never know about it. This alleged debt is big enough that I know it's stressing you. That stresses me.”
Lana looks at me like she's just seeing me after a long time away.
“Sometimes I forget you're not my little girl anymore. You're half grown now.”
“More than half grown. I'll be sixteen in a few weeks.”
“Sixteen years. Where did all that time go?” Lana says, looking wistful.
“Mom, I can help you deal with whatever it is—bad debts, bad judgment. No matter what you say, I don't have a monopoly on that. Even parents mess up sometimes.”
Something about that comment makes my mother look angry, then sad.
“Don't worry. I'll always be your girl, just not so little.”
“I hope that's a promise you can keep,” she says, folding the paper carefully. She's thinking of how to say her next words, scaring me a little, and I'm beginning to wish I'd left well enough alone. “Chanti, the person ... the man who's been calling isn't a perp or my old college boyfriend.”
I'm afraid to ask, but I do anyway. “Who is it, then?”
“Your father.”
“What?”
“I should have told you before, but I didn't know how. He just took me by surprise; I haven't heard from him since before you were born. I don't know how he found us.”
“Where ... I mean why? Why now?” I stammer. Me, Chanti Evans, finally at a loss for words.
“I don't know. I've refused to talk to him, but I don't imagine it's good. I haven't told you everything about him.”
“You haven't told me anything.”
“I had good reason, but now it's too dangerous not to tell you.”
“Dangerous? Y'all were in high school when you last saw him, just kids crushing on each other, like Marco and me. How does that make him dangerous?”
“Because that isn't the whole story,” Lana says, looking more serious than I've ever seen her. “But now he's back.”
“Back from where?” I ask, not sure I really want to know.
“Somehow he's back and he's found us and now I have to tell you everything—the truth.”
In an instant, I go from ready to take on the world to having my world spin out of control. I want to undo all of my questions, go back to the way it was before the mysterious phone calls began when my biggest worry was busting burglary rings and chasing down a kidnapper. But now it's too late. My life is about to become a lot more complicated.
GIRL DETECTIVE'S GLOSSARY
APB
:
abbr.
All Points Bulletin
 
BOLO
:
abbr.
Be On the Lookout
 
CI
:
abbr.
Confidential Informant. Someone who, because of their access to the bad guys, can secretly provide information to the police in exchange for money or a reduced sentence for their own crimes.
slang
snitch, narc
 
CO
:
abbr.
Commanding Officer. A police officer's boss.
 
defendant
: Person charged with a crime by the court.
 
five-o
:
slang
Police officer or detective; comes from the 1970s TV cop show
Hawaii Five-O
, remade in 2010.
also
black and white, po-po, the man
 
JD
:
abbr.
Juvenile Detention.
slang
juvie.
1.
Jail for young people, usually under eighteen.
2.
Where Chanti's friend MJ spent nearly two years before moving to Aurora Avenue.
 
MO
:
abbr.
Modus Operandi. How someone operates or runs their game.
 
perp
:
abbr.
perpetrator. Person suspected of committing or perpetrating a crime.
 
prosecution
: A government's court case against a defendant.
 
running hot
: Police car running with lights and sirens. Cops consider traffic conditions and the nature of the crime when deciding whether to run hot. They generally run hot only when something very bad is happening, like a crime in progress, and getting there fast is critical. If you reported your car broken into, they wouldn't run hot to take your report. If you called 9-1-1 because you hear gunshots being fired, they'd probably run hot.
also
running code, rolling hot
 
street cop
: Patrol officer, as opposed to a detective or ranking officer.
also
beat cop, uniform
 
vice unit
:
1.
Police department unit that usually handles narcotics, prostitution, and gambling crimes.
2.
Where Chanti's mother Lana works undercover.
 
witness for the prosecution
: Person testifying against the defendant, for the prosecution.
A READING GROUP GUIDE
CREEPING WITH THE ENEMY
Kimberly Reid
 
 
ABOUT THIS GUIDE
 
The following questions are intended to
enhance your group's reading of
CREEPING WITH THE ENEMY.
DISCUSSION QUESTIONS
1.
Chanti is often her own worst frenemy. Sometimes her ability to think like a cop keeps her looking one step ahead, so she misses out on what's happening right now, and overanalyzing situations until she reads into them the wrong meaning. This causes problems in her detective work and in her personal life, as they do with Marco. Do you ever sabotage yourself or your friendships this way?
2.
Bethanie feels like she's living her dad's life instead of her own. Have you ever followed a certain path (like planning to be a doctor) or doing an activity (like playing basketball) because that's what your parents want, even though you have zero interest in it? If you could tell your parents what you really feel without them freaking out, what would you say?
3.
Chanti says she doesn't feel one way or the other about her father because he was so out of the picture that it's like he never existed. Do you think she really feels this way in her heart of hearts?
4.
Cole is a little too mysterious for Chanti, who immediately suspects he isn't who he claims to be. She's a detective-wannabe so suspicion comes naturally to her. How about you—do you trust your instincts when you think something's not quite right about a new person or situation, or do you first give them the benefit of the doubt?
5.
When Bethanie asks Chanti to be her cover for her weekend with Cole, Chanti reluctantly agrees, thinking Bethanie will do it anyway and at least she'll be in contact with Bethanie. How would you respond to a friend who put you in Chanti's position?
6.
Chanti tells Marco he has to accept her the way she is—sleuthing and all—even though it may cost her their relationship. It's true you shouldn't change who you are just to land your crush, but being in a relationship also means compromise. The question is how much do you give up? On this point, are you Team Marco or Team Chanti?
7.
When it comes to the truth about Chanti's father, it sounds like Lana has been holding out on Chanti to protect her. Sometimes withholding information about something important is like a lie. Is it okay to lie by omission—even if it's something major—if you're doing it to protect someone? Or do they have a right to know and decide for themselves what to do with the information?
Coming up next ...
SWEET 16 TO LIFE
A Langdon Prep Novel
 
 
 
 
 
 
 
 
 
 
Turn the page for a preview of Chanti's next adventure ...
Chapter 1
I
promise.
That's the last thing I said to Lana before she left this morning to relieve the detectives working the graveyard shift of a 24/7 stakeout, right after I listed for the third time everything I'd promised to do:
1.
Stay out of trouble (I didn't plead my case that trouble finds me, not the other way around).
2.
Stop playing amateur detective (I didn't point out how, for an amateur, I'd solved more big cases than she has in the last couple of months).
3.
Focus on school and make the most of the opportunity Langdon Prep has given me (I didn't blame Lana for the aforementioned trouble, which mostly happened because she made me go to Langdon in the first place).
4.
Choose my friends more carefully (I didn't remind Lana that Bethanie couldn't help it if her father was a crook or that MJ might be an ex-con, but she's saved my butt a few times now).
5.
Stay out of grown folks' business.
I plan to keep all of these promises except number five; I was crossing my fingers behind my back on that promise, which is why I didn't complain about the first four. Lana had been hiding something from me for a while now, and a couple of weeks ago she finally admitted the big secret is my father. I prefer to think of him as my sperm donor since that's the first, last, and only thing he has ever brought to the party. He disappeared the minute Lana told him I was on the way. Sixteen years later, he starts calling Lana, and she held out on me about it, pretending he was an annoying bill collector. When it became obvious her threats weren't going to stop the calls, she promised to tell me everything, but so far, the only thing she's copped to is his identity. She got all cryptic about how he's bad news and we don't want him in our lives.
I want to know why because my—let's call him SD for short because the long version is a little too gross to think about more than once—has my mother slightly unhinged and almost nothing has that effect on her. Lana works undercover in the Vice Division where half the job is being unflappable. She can't flinch when a pimp she's investigating threatens her. If some junkie in a crack house she's pretending to live in jumps bad on her because she's claimed his corner of the city-condemned house, Lana has to jump bad right back. She's a third degree black belt in karate and leaves the house for work strapped not once but three times if you include her baton.
So when something has my mother looking over her shoulder, avoiding phone calls at the house, and worse—evading my questions—something is seriously wrong. It was better when I suspected some bad guy she put away years ago was out of jail and making threats. Now that I know it's my SD making Lana this way, it's totally my business and I'm going to figure out what he's about and why he's bringing scary back.
Yep, I'm going to fit that investigation somewhere between getting my grades in shape before finals; wishing my friend Bethanie wasn't in Witness Protection, leaving me to deal with my viper pit of a school on my own; and pretending Marco doesn't break my heart every time I catch a glimpse of him at school, which is all the time and everywhere. Oh yeah, I also need to plan my birthday party. All hell has broken loose since I started my junior year at Langdon Prep, but no matter what happens between now and my birthday, I will be celebrating my Sweet 16 in style.
I'm about to head back to bed when I think I smell smoke. I check the kitchen, but the stove is off, the coffeemaker is cold and I unplug the toaster, just in case. Still smell it. There's no way Lana would have curled her hair just to sit in a surveillance van with her partner all day—even though he is hella cute and she really should make a little more effort—but I check her bathroom for a hot curling iron anyway. Nope, it's cold, too. Then I realize the smell can't be coming from inside because Lana has a smoke detector in every single room of our tiny two-bedroom house.
I follow the smell to the kitchen again and notice the window isn't completely closed. I forgot I'd cracked it open to air out the kitchen last night when I burned the pizza. The smoke is outside somewhere. It's November and definitely fireplace weather, but not before eight o'clock on Sunday morning—people are either still asleep or just starting their coffee brewing. When I step out on the back porch, the smell of burning wood mixed with paint and plastic hits me. Someone's house is on fire. Since I've made the mistake before of calling the fire department when it was just a neighbor's barbecue, I lean over the porch railing and look left, then right. That's when I see the smoke coming from the house two doors down. I grab the fire extinguisher from the kitchen pantry and call 9-1-1 from the cordless phone as I run down the street toward MJ's place.
Chapter 2
B
y the time I reach the house, the 9-1-1 dispatcher has confirmed MJ's address and told me a truck is on the way. She wants to keep me on the phone—probably because I told her I was going to the house to make sure everyone was awake and out of there—but I hang up on her. I also ignore her attempts to call me back, but not because I'm rude. For one thing, I'm not brave enough to go into a burning house so she doesn't have to worry about that. But I also need the phone to call MJ. It's definitely too early for MJ to be awake, and even her mostly God-fearing, churchgoing grandmother may not be up yet.
While I wait for someone to answer, I run around to the backyard to see how bad the fire is. It's still contained to the porch from what I can tell, but it's starting to snake up the wall the porch shares with the kitchen. Damn—my call goes to voice mail. I run around front to bang on the door, forgetting Big Mama has rejas on every door and window of the house, so all I can do is ring the bell. No one comes.
This whole time I've been carrying the fire extinguisher and somehow forgot I had it. The fire is too big for it to be any use, but it should make a ton of noise if I bang it against the metal bars on the front door. After about thirty seconds of banging the extinguisher against the bars, then dragging it across them, I haven't managed to waken anyone inside the house. A weird thing to worry about at a time like this, but I check the street behind me to see if I've woken up half the neighborhood yet and I'm surprised to find only one person. There's a dude I've never seen before standing across the street in front of Ada Crawford's place. At least I'm pretty sure I've never seen him around, but there isn't much to go on as far as trying to recognize him, since he's wearing sunglasses and a jacket that must be two sizes too big for him because the hoodie covers most of his face. But I can see that he's smiling, and it sends a chill through me.
I go back to ringing the doorbell, feeling completely helpless. It's been about three minutes since I hung up with 9-1-1, and thanks to having a cop for a mother, I know the response time for the nearest firehouse is about four minutes from the time the call is dispatched. They shouldn't be late at this time of day, but what if they are? If I'm wrong and the fire is inside the house, there's been enough time for smoke inhalation to have made anyone asleep inside pass out. I'm trying to decide whether I should slip something through the rejas to break a window and call for MJ and her grandmother. Since it's November and Big Mama likes to keep her house like an oven, I know there isn't a window open anywhere. If the fire has moved into the house and I break a window open, that's only going to accelerate the fire's movement from the back of the house to the front. But what do I do? They must be inside—where else would they be this time of day?
That's when I hear the sirens; they are close. In Denver Heights, sirens must be like crickets to people in the suburbs—the sound is always there in the background so you never really notice them. But I do today because I've been listening for them, praying they live up to their four-minute response time. Now I don't have to make a decision about whether to break the window because the fire trucks are on Center Street, less than a quarter mile away. Now I hear them turning onto Aurora Ave. I'm still ringing the doorbell and calling MJ's phone for the umpteenth time when two trucks stop in front of the house.
The first man off the truck runs ups to me while the others begin their work.
“Did you call this in?”
“Yes, sir. Looks like it started around back on the porch,” I say.
“Anyone in there?” he asks me while he waves the men around back.
“It's so early, they must be, even though they don't answer the phone or the doorbell. That's their car parked out front.”
“How many?”
“Two. Their bedrooms are on that side,” I tell him, pointing out the locations. “Probably still asleep. I don't hear any smoke detectors, so maybe the fire hasn't moved inside.”
“Or they don't have any. Move over there now,” he says, and I go in the direction I think he waved. I'm not sure.
It's starting to sink in that the fire may be worse than I thought and MJ and Big Mama are in there, already passed out from lack of oxygen and every entryway to the house is covered with iron bars. I feel kind of numb—this is all so surreal—but move out of the path of firefighters and hoses. People are starting to come out of their homes, woken by the sirens if not by all my banging and yelling. The strange dude in the hoodie is still standing in Ada's yard, but he's no longer smiling. Now he looks agitated as he stares in the direction of MJ's house, shifting his weight from one foot to another, jiggling his hands inside the pockets of his jacket. He's still wearing dark glasses even though the morning isn't bright at all, and I can only assume he's watching the firefighters work.
Just then, I spot MJ near the end of the block, coming from Center Street. First she's walking, then she starts to jog and then breaks into a full-out run. I meet her one house away so I can try to stop her from trying to get inside. How I expect to stop a girl who has seven inches and seventy pounds on me, I don't know.
“MJ! You're okay.”
“Yeah, I was at the bodega. What the hell ... ?”
“What about Big Mama? They're prying the rejas off now so they can get inside.”
“No, she ain't in there. She left last night on a church mission to Grand Junction. No one's in there,” MJ says, although it sounds more like a question than a statement.
“Are you sure? We need to tell the firefighters.”
“Yeah, I'm sure. Who else would be in there?” she asks, looking over the growing crowd. “They're going to ruin the door. I need to give them the house key.”
While MJ goes to talk to a firefighter who looks the least engaged with putting out the fire, I scan the crowd, too. The dude in the hoodie is gone, my friends Tasha and Michelle standing in the spot the probable arsonist was standing just sixty seconds ago. Tasha waves at me; I wave back. Maybe I was crazy and there was never a dude in a hoodie.
Then I spot him, or at least I think it's the guy because I can only see the back of him. He's walking up Aurora Ave toward Center Street. His jacket was solid black when I saw him from the front. Now I see the back is printed in white, some kind of elaborate scroll or vector design. In the middle of the artwork are numbers written in an Old English kind of font, maybe 04. I've never seen a sports jersey where the numbers were so elaborate. And I don't know much about sports, but I've been a groupie at enough of Marco's football games to know they don't use the zero in front of a number. If it's a single digit number, they just use that digit—no zero. He's getting too far away for me to see it clearly, but it's enough of a description to be helpful to the cops.
I look around for MJ so we can follow him. That's something I'd never have the nerve to do, but with MJ—former gang girl, ex-con, and still scary—I'm fearless. But by the time I turn around to make sure the perp is still walking down the Ave, he isn't. He has disappeared.
Chapter 3
M
J is still talking to the firefighter, though it looks more like she's yelling at him. MJ is the most chill person I know besides Lana. As much as they dislike each other, they have a lot in common, like always being cool and under control. I figure MJ must have snapped because the cops have given her some bad news about whatever they found in the house. So I'm surprised when I walk up to them and hear MJ ranting about the basement.
“Our first concern is making sure no one is inside the house, then we can check structural damage,” the firefighter is saying.
I'm wondering why he even has to have this conversation when the fire
is still burning.
I think MJ has lost it.
“I told you ain't nobody in there. You need to stop the fire,” MJ says, as if a man with the job title of
firefighter
doesn't know that. “It can't reach the basement.”
“MJ, come on and let them do their work,” I say, but she shakes my hand off her arm.
The fireman looks relieved to see someone sane trying to reason with the crazy girl. “You'd better get your friend out of my face or I'll call the police and have her arrested for obstruction,” he warns.
Those are the magic words for MJ in just about any situation. MJ hates the cops and will avoid having to deal with them even when she's freaked by the possibility of her house burning down—or her basement, which has suddenly become so important to her. She even apologizes, or at least gives her version of an apology.
“All that ain't necessary,” she says. “I'll just wait over here.”
MJ comes with me to stand in Mrs. Jenkins's yard. Mrs. Jenkins lives in the house between mine and MJ's and she's usually fussy about her yard—she'll yell at me if I cross it to get to MJ's place instead of using the sidewalk, and woe to anyone who lets their dog use it for a bathroom, especially if they don't clean up after. Mrs. Jenkins will spy from her living room window all day long to figure out who did it and call the cops since that's against the law. That old lady is no joke. I'm kind of surprised she never had me arrested for trespassing. But Mrs. Jenkins is mellow about us standing in her yard even though she's right there on her porch and she can see us clear as day. Either she's finally showing some sympathy for MJ, or she's afraid of Big Mama. Well, most folks are afraid of Big Mama. And MJ, for that matter.
“MJ, what's all that grief you were giving the fireman?”
“What grief? I wasn't giving no grief. I'm just worried about Big Mama's house, that's all.”
“You only seemed worried about the basement.”
MJ cuts her eyes at me, then goes back to watching the firemen. I don't say anything for a minute, until one of the firefighters—the only woman working the fire—yells to the man MJ and I had been talking to that it's contained and under control. MJ looks a little relieved, so I figure it's a good time to tell her about Hoodie Dude.
“Maybe we should let that fireman call the police, anyway,” I say, and MJ looks at me like I just suggested we kick puppies.
“Not for you. For the arsonist who started this fire.”
“I know your mom is one and everything, but you still have way too much love for the cops. Ain't no arsonist started this fire, Chanti.”
“When I came down here to wake y'all up, I saw this strange dude standing across the street just watching the house.”
“Strange how?”
“Strange because I'd never seen him before.”
“Despite you being in everybody's business 24/7, there may be a few people on this block you don't know.”
“Like who?” I ask, because we both know that isn't true.
“So he was staring at the house. Half the neighborhood is out here staring at it. People are weird that way. They like to watch fire for some reason.”
“Nope. You couldn't see the fire at that point. The only reason I knew your house was on fire and called 9-1-1 was—”
“You called?”
“Yeah, and only because I went out on my back porch and could see smoke coming from the back of your house, but the wind made it trail away from your house, not up above it. A minute later, I was banging on your front door and I know for a fact there was no way anyone could know about that fire from standing in the front of the house.”
“Maybe the dude smelled smoke.”
“Maybe, but why stare at a particular house when you don't know where the smell is coming from? Most people would look up and down the street, trying to figure out which house it is. He already knew.”
MJ turns away from watching the firefighters to look at me for the first time since I told her about Hoodie Dude. She gives me a good hard stare, the kind that has probably made more than a few people pee their pants, but since she's my friend, I'm not so much terrified as concerned. Okay, maybe I'm a little scared.
“Leave it alone, Chanti.”
Her voice is so cold that anyone else would definitely leave it alone. But I'm not anyone else. I'm her friend. And as Lana says, I just cannot let well enough alone even when I know that's probably the best course of action.
“Look, Chanti, there is no way we're calling the cops. Big Mama's stuff is in there.”
“What stuff?” I ask, thinking I might learn what was in the basement that was so important.
“You know,” MJ says, stressing the word
know.
“I'm pretty sure I don't.”
She looks at me like I might be the dumbest person on the planet. Then I get it. She's talking about her grandmother's Numbers operation, an illegal gambling game. Big Mama has been running that pretty much since we moved here, long before Lana became a cop. Lana turns a blind eye to it and acts like she doesn't know, just like she pretends not to know Ada Crawford is a call girl. Lana says they're small fry. Living right under our noses while they operate their business gives her opportunities. She won't tell me more than that, but I always figured she meant more opportunity to catch the bigger fry.
Plus, there's the deal I made with MJ when she learned Lana was an undercover cop—if she kept her cover, Lana would never bust Big Mama. Lana doesn't know about this arrangement, but I always figured as long as Lana was holding out for the big fry, I could delay having that conversation. But I often imagine the day Lana finally busts all the criminals on our street and in my head, it always looks like something from a Matt Damon or Angelina Jolie movie.
“There's
stuff
? I always thought it just involved old grocery store receipts and bar napkins with numbers written on the back of them, the newspaper, and a couple of phone calls made to certain people,” I say, stressing the ‘certain people' part.
“Believe me, there's stuff. Incriminating stuff.”
“Well, I don't want to get Big Mama arrested. Maybe once they clear you to go inside, you can get rid of all the evidence and then call the cops.”
“Nobody's calling the cops, including you.”
“But this dude could be dangerous, MJ. Houses are like Lay's potato chips to an arsonist—they can't just stop at one. Especially after he's seen how easily these old houses light up.”
“I told you—this wasn't arson.”
“And not only was he staring at the house,” I say, ignoring her protest, “I'm pretty sure he was smiling.”
MJ gives me a look that's scarier than the first, if it's even possible.
“Not like that, MJ. He was the opposite of that. You're definitely not smiling.”
“ 'Cause there ain't nothing funny about this.”
“Exactly my point. Why would that dude be smiling about something as serious as a fire? We aren't smiling. Nobody on this street is smiling,” I say, looking around the crowd, mostly as an excuse not to look at MJ, who I'm sure is thinking of ways to kill me, or at least to shut me up.
“Would you just listen to me when I tell you to leave it alone? And this is the last time I'm telling you to
leave it alone
.”
“But MJ ...”
“There ain't no arsonist unless you consider me an arsonist.”
“What?”
“It was me. I started the fire.”

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