Dancers in Mourning (4 page)

The authority in her voice was tremendous, and Campion was not surprised to see the brute cower obediently and slink into the house, his tail drooping.

The new-comer came down another step towards them and suddenly became a much shorter, stockier person than he had supposed. She was forty-five or so, with red untidy hair, a boiled pink face and light eyelashes. Campion thought he had never seen anyone more self-possessed.

‘
He's
working in the hall,' she said, lowering her voice and giving the personal pronoun a peculiar importance. ‘Would you mind going round through the sitting-room windows? He's been at it since eight o'clock this morning and hasn't had his massage yet. I'm waiting to get hold of him.'

‘Of course not. We'll go round at once, Miss Finbrough,' Uncle William was deferential. ‘This is Mr Campion, by the way.'

‘Mr Campion? Oh, I'm glad you've come.' Her blue eyes grew interested. ‘He's depending on you. It's a thorough-going shame. Poor man, he's got enough worry in the ordinary way with this new show he's producing without having all this trouble. You run along. He'll see you soon.'

She dismissed them with a finality which would have daunted a newspaper man. It had done so, of course, on many occasions.

‘An extraordinary woman,' confided Uncle William as they went round the side of the house. ‘Devoted to Sutane. Looks after him like a nurse. Come to think of it, that's just about what she is. Went in the other day and she'd got him on a mattress, stark as a plucked chicken, pummellin' the life out of him. Henry, the feller we saw last night at the theatre, is terrified of her. Believe they all are. Wonder if we'll get in here.'

He paused outside a pair of very high French windows which gave out on to the terrace on which they stood. Here, too, there was music, but softer, the beat less insistent than the other, which still sounded faintly from the hall. It ceased abruptly as a man at the piano caught sight of the visitors and a voice so slovenly that the words were scarcely articulated, welcomed them in.

Campion followed Mr Faraday into a large light room whose original style of decoration had followed a definite modern scheme embracing pearl-grey panelling and deep, comfortable black chairs, but which now resembled nothing so much as a playroom devoted to some alarmingly sophisticated child.

Temporary tables ranged round the room supported piles of manuscript, sheaves of untidy papers, model sets, and whole hosts of glossy photographs.

In the centre of the polished floor was a baby grand and behind it, nodding at them, sat the man who had spoken. He was an odd-looking person; yet another ‘personality', thought Mr Campion wryly. He was extraordinarily dark and untidy, with a blue chin and wide bony shoulders. The jut of the great beak of a nose began much higher up than usual so that his eyes were divided by a definite ridge and his mild, lazy expression sat oddly on a face which should have been much more vivid.

He began to play again immediately, a mournful little cadence without beginning or end, played over and over with only the most subtle variations.

The other two people in the room rose as the new-comers appeared. A large rawboned person who could only be described as disreputable disengaged himself from the chair in which he had been sprawling amid a heap of newspapers and came forward to them, a pewter tankard in his hand. He shook himself a little and his creased woollen clothes slipped back into some semblance of conventionality. He was very tall, and his cheek-bones were red and prominent in his square young face.

‘Hallo, Uncle,' he said. ‘This is Mr Campion, is it? Sorry James is so very much engaged, but it can't be helped. Sit down, won't you? I'll get you some beer in a minute. Oh, you won't? All right, later on then. Do you know everyone?'

He had a pleasant but powerful voice and a natural ease of manner very comforting to a stranger. His black hair was strained off his forehead and appeared to be plastered with vaseline, while his small deep-set eyes were sharp and friendly.

Uncle William plumped himself in a chair and looked at Campion.

‘This is “Sock” Petrie,' he said in much the same tone as he might have pronounced “Exhibit A”. ‘Oh, and this is Eve. Sorry … I didn't see you, my dear.'

He struggled to get up out of the low chair and was defeated.

A girl came forward to shake hands. She was obviously Sutane's sister. Campion had never seen a resemblance more clearly marked. He guessed that she was seventeen or eighteen. She had her brother's arched brows and deep-set, unhappy eyes, as well as a great deal of his natural grace, but her mouth was sulky and there was an odd sense of resentment and frustration about her. She retired to a corner immediately after the introduction and sat very still, her thin body hunched inside her plain cotton dress.

Sock glanced round.

‘Let me present Squire Mercer,' he said. ‘Mercer, for God's sake shut up a minute and say how-d'you-do.'

The man at the piano smiled and nodded at Campion, but his fingers did not cease their endless strumming. He looked pleasant, even charming, when he smiled, and his eyes, which were not dark, as they should have been, but a light clear grey, grew momentarily interested.

‘He's just a poor bloody genius,' said Petrie, flopping down among the newspapers again. He splashed his beer over himself as he swung one huge leg over the arm and exhibited a runkled sock with an inch or so of bare leg above it. The visitors got the impression that Mercer's lack of hospitality embarrassed him.

Campion found a chair and sat down. Petrie grinned at him.

‘Furious activity mingled with periods of damn-all, that's what this life is,' he remarked. ‘What d'you make of this last business? Had time to consider it at all?'

There was a weary sigh from the corner.

‘Must we go all over it again, Sock?' Eve Sutane protested. ‘Silly little odds and ends of rubbish that don't mean anything. They're all so petty.'

Petrie raised his eyebrows.

‘That how you see it, poppet?' he said. ‘It's getting James down, I can tell you that, and it's bad for his reputation. I haven't handled his publicity for five years without being able to say that definitely. It's happening from the inside, you know, Campion. That's the annoying part …. Mercer, must you keep up that same silly little tune?'

The song-writer smiled contentedly.

‘It's a funeral march for a dead dancer,' he said. ‘Mutes in Dance Time. I like it.'

‘Very likely. But you're giving me the pip.'

‘Then go away.' There was unexpected fury in the tone and it startled everybody.

Petrie reddened and shrugged his shoulders.

‘Go ahead.'

‘I shall.'

Mercer continued his strumming. He was quiet and happy again, lost, it seemed, in his own private and particular world.

Petrie returned to Campion.

‘There's a par in the
Cornet
,' he said, ‘and another in
Sunday Morning
. Look at them.'

He took out a wallet which would have disgraced a lie-about and extracted two ragged scraps of newspaper. Campion read them.

was the
Cornet
's heading.

There are many feuds in stageland. Once a star (of whatever magnitude) becomes really unpopular there is never a shortage of people anxious and able to let him know it. Among the tributes handed over the footlights at a certain West End Theatre last night was a little bunch of white flowers. The star took them and pressed them to his nose. Only a long training in the art of self-control prevented him from flinging the bouquet from him then and there, for the white flowers were wild garlic. Somebody disliked him and chose this graceful way of saying so.

Sunday Morning
treated the matter in its own way.

Who was this joker who sent Jimmy Sutane a bunch of garlic on the three-hundredth night of ‘The Buffer'? It could not have been a comment on his work. Jimmy's flying feet don't need encouragement of this sort. Maybe he made someone cry and they wanted to return the compliment.

‘I can't get a line on these until the Press boys get back to work.' Sock retrieved the paragraphs. ‘But you see what it means. Someone turned that information in early. It was the end of the show when James told that ass Blest about the flowers – far too late to make these rags. That leaves Henry, whom I'd pin my shirt to, Richards the doorkeeper, who is beyond suspicion, and, of course, the chap who sent 'em.' He paused. ‘The information reached these blokes by phone. Any other paper would have rung up for confirmation, but these two print anything. The
Cornet
left out the name and
Sunday Morning
got round the libel with a compliment – not that they care for libel. If they don't get five actions a week they think the rag's getting dull.'

He grimaced and replenished his tankard from a bottle behind the chair.

‘It may be all poppycock, but it's damned unfortunate,' he said. ‘If it came from outside it might be one of the poor lunatics who badger stage folk until some merciful bobby locks 'em up, but when it's from inside, like this, there's genuine malice in it and it's not so funny.'

Mr Campion was inclined to agree with him and his interest in the affair revived. Sock Petrie breathed an atmosphere of worldly common sense.

‘Is Sutane likely to have any enemies?' he inquired.

Mercer cut in from the piano:

‘Jimmy? Oh, no, everyone likes Jimmy. Why shouldn't they? I mean, I do myself, and I shouldn't if he wasn't a good chap.'

The words were articulated so carelessly that the sense was only just clear. Campion glanced at him curiously, looking for some hint of sarcasm in the remark. He met the light grey eyes directly and was astonished. Mercer, he saw suddenly, was that rarity in a modern world, a simple literalist. His face was bland and innocent; he meant exactly what he said.

Sock smiled into his tankard and afterwards caught Campion's eye.

‘There's a lot in that, Mercer,' he said, and there was more affection than patronage in his tone.

The man at the piano went on playing. He looked calm and happy.

A shadow fell across the threshold and Uncle William sat up abruptly.

‘Ice water,' he ejaculated guiltily and Petrie groaned.

Chloe Pye came into the room, conscious of her figure and ostentatiously annoyed. She ignored both Campion and Uncle William, who had struggled out of his chair at great personal inconvenience to meet her, and spoke plaintively to Eve.

‘Would it be too much trouble for me to have some ice water? I've been sweltering in the garden for hours.'

‘Of course not. I'll send for some, Chloe.' The girl pressed a bell-push in the panelling. ‘By the way, this is Mr Campion. You know Uncle William, don't you?'

Miss Pye regarded the strangers with open hostility. Her lips were petulant and, Campion was amazed to see, there were tears in her eyes.

‘We met in the drive,' she said, and, turning her back on them, leant on the piano to talk to Mercer.

It was an odd little display and Campion, whose experience did not include many women of forty who dressed and behaved like sulky six-year-olds, was a little shocked. He felt elderly and out of his depth.

An unexpectedly correct manservant appeared in answer to the bell and was dispatched for the water. When it came Miss Pye took it modestly.

‘I hate to be so much trouble,' she said, making big eyes over the rim of the glass, ‘but poor Chloe was thirsty. Move up, Squire darling. She wanted to sit on the music bench, too. What are you going to play for me?'

Campion, who had expected a minor explosion, was relieved to see Mercer make room for her. He was not pleased, but did not seem to be disposed to make a fuss. The woman put her glass down and thrust an arm round his shoulders.

‘Play some of the old songs,' she said. ‘The ones that made you famous, sweetheart. Play “Third in a Crowd”. It makes me cry whenever I hear it, even now. Play “Third in a Crowd.”

Mercer appraised her with his frank eyes.

‘But I don't want to make you cry,' he said and played again his little half-finished melody, which was beginning to irk even the iron nerves of Mr Campion.

‘Don't you, darling? You are sweet. Play “Waiting” then. “Waiting” reminds me of happy days in the sun at Cassis. Or “Nothing Matters Now”. “Nothing Matters Now” was pure genius, pure unadulterated genius.'

Mercer, who seemed to accept the tribute without surprise or embarrassment, played through the chorus of the song, which had captured the great hairy ears of the unfastidiously musical a few years before. He guyed it gently but without bitterness, and when he had finished nodded thoughtfully.

‘One of the better of my Wurlitzer numbers. Pure
vox humana
,' he observed.

‘You're not to make fun of it,' protested Chloe. ‘It's got the sexual urge, or whatever they call it. It grips one in the tummy …'

‘Whether it makes one sick or not,' put in Petrie. ‘How right you are, Miss Pye.'

‘Oh, Sock, is that you, darling? I saw a heap of smelly old clothes in the chair. Don't interrupt me. We're getting off quietly. Play something else, Squire.'

Eve rose to her feet.

‘Lunch in half an hour if it's not postponed,' she said. ‘I'm going to wash.'

She slouched off and Chloe looked after her.

‘Like Jimmy, but no lift – no lift at all,' she said. ‘An odd little face, too. Squire, I'll play you one of your own songs that you've forgotten. Get your hands out of the way.'

She wriggled closer to him and began to play a melody which was only faintly familiar. It had been popular in the early post-war days, Mr Campion fancied, somewhere about the time of
Whispering
and
K-k-k-Katie
. The name came back to him suddenly –
Water Lily Girl
.