Authors: Nate Kenyon
Anonymous was gaining its own voice.
During the course of the next two weeks, Hawke learned of the five others still living on the island, in addition to Ernesto and Samantha: a seventy-nine-year-old man who couldn’t make it to the mainland on his own, a woman who had taught at the small schoolhouse and her eight-year-old son, and two gay men who had rented a cottage for the summer and had decided they were better off staying there while the rest of the country got its act together.
Not much of an army. But it would have to do.
* * *
Cuttyhunk Island was a couple of miles long in total, and the walk to the center of town was easy enough. Hawke left the house as dusk fell, taking Bayberry Hill Road to Bayview, which would take him past the Cuttyhunk corner store and onto Gosnold.
The sky was completely clear for the first time since they had landed here. Hawke looked up at the stars, saw what looked like winking pinpricks of light, imagined satellites wheeling through space, aiming their cameras down on him. He shivered. Doe was up there, watching. One false move and everything he had begun to build would unravel. Their life was fragile, their chances remote. But right now, it was all they had, and he was determined not to go down without a fight.
The harbormaster station was located on a finger of land at the end of Gosnold, with a dock that stuck out into Cuttyhunk Pond. There was direct access to the harbor, but that wasn’t what Hawke had come here for tonight. A faint glow illuminated the basement windows at the station. He reached the door and entered quickly, following the sound of voices to the flight of steps that led down into the flickering gloom.
They were all there, gathered around ghostly shapes covered with sheets: Ernesto and Sam, Donald Madison, Kent and Alan, Melissa and her son, Ryan. Other than Robin, who had remained at home with a sleeping Thomas, this represented the entire population of Cuttyhunk. Donald, the seventy-nine-year-old, had promised to show Hawke something, and they had all waited for him to begin.
A week earlier, Hawke had gone to Ernesto and Sam’s house, where he had proceeded to tell the true story about what had occurred in New York. The reports on the radio had convinced him to do it; if what he suspected was true, he would need all the help he could get. Although Sam seemed to reserve judgment, Ernesto bought it all immediately and rounded up the others who were left on the island for a meeting.
Which had led to this.
Hawke stepped into the light from the candles, looking around the basement at the faces, all focused on him. He didn’t see any hostility here; people were long past that now. You had to place your bets on those you could trust, and hope you were right.
Two channels on the shortwave had begun to offer an alternative explanation for the chaos. Anonymous had started firing back. Hawke recognized Rick’s methods in the reports and had become convinced that his friend was still alive, still operating his network as best he could and fighting Doe tooth and nail for what remained of the nation’s trust.
They couldn’t communicate using the regular channels, but Hawke was determined to find another way.
“Where is it?” he said to Donald Madison. The old man had told him about this place just yesterday, and what it contained. The building had been there for many years, and before it had become the harbormaster station it had served as the location of the only newspaper that had ever existed on Cuttyhunk.
Madison hobbled forward to the largest of the shrouded humps. He slipped off the sheet, coughing loudly as a cloud of dust rose up in the candlelight. An ancient, oily printing press stood before them, the kind with two large wheels and gears and metal feeders that caught the long sheets of paper and fed them through to the other side. R. Hoe & Company, New York was stamped in the metal along one side.
“My father used to run it,” Madison said. “Back when the news still meant something. I helped him some when I was a boy. She may look old, but she’ll do the trick. There’s some paper in the bins there, and ink, too, although I’m not sure it’s still good.”
Hawke ran his hand along the press’s cool iron bars, inspected the feeder’s teeth and the lines of letters still set to some early edition, frozen in time. He’d learned about these relics in school, enough to know something about how they worked. You could crank it by hand, pull the lever and send the pages through. Each page would need to be set by hand, which would take time. But there was an odd sort of poetry to using a machine like this. Back to the beginning, when the news business was first born. They could run copies here and use the boat to bring them to New Bedford. From there, they could reach most of New England, and get the word to Rick and any others out there willing to listen. They had to shut down the nation’s power sources, one at a time, isolate Doe and strangle her to death.
Hawke looked around at the faces in the basement. There were still humans left alive, still people willing to fight for survival if they could be convinced of the truth.
I want you to tell a story now, Weller had said. The biggest one of your life.
It wasn’t much, but it was a start.
ALSO BY NATE KENYON
Bloodstone
The Reach
The Bone Factory
Sparrow Rock
StarCraft: Ghost: Spectres
Prime
Diablo III: The Order
ABOUT THE AUTHOR
NATE KENYON is the author of
Bloodstone,
a Bram Stoker Award finalist and winner of the P&E Horror Novel of the Year,
The Reach,
also a Bram Stoker Award finalist,
The Bone Factory, Sparrow Rock, StarCraft: Ghost: Spectres,
and
Diablo III: The Order
. He is a member of the Horror Writers Association and International Thriller Writers. He lives in the Boston area.
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.
THOMAS DUNNE BOOKS.
An imprint of St. Martin’s Press.
DAY ONE.
Copyright © 2013 by Macmillan Films. All rights reserved. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.
Cover illustration by Michael Heath
The Library of Congress has cataloged the print edition as follows:
Kenyon, Nate.
Day one: a novel / Nate Kenyon.
p. cm.
ISBN 978-1-250-01321-7 (hardcover)
ISBN 978-1-250-01337-8 (e-book)
1. Journalists—Fiction. I. Title.
PS3611.E677D39 2013
813'.6—dc23
2013017075
e-ISBN 9781250013378
First Edition: October 2013